Hiroshi Sugimoto 

edweard muybridge

here’s my theory

edweard muybridge

was actually a horse

and he made a deal with the other horses that if

that if

when he took that picture of one of them w/ all their feet in the air

that he would give that horse all his horse money

but he never did

and he still gained world wide film fame from it

he was never a horse again

slow shutter speed

For this photographs I used the same mattered to take it, except this time i also used fire cracker.

Étienne-Jules Marey

Étienne Jules Marey

Harold Edgerton  

(1938) Tennis Player   

#PhotoShopp

Using Photoshop I have combined my photographs to make one single image that tells the story of what I saw as the rider rode past me. I found that I didn’t need all of the photographs that I had taken however. There were quite a few that over lapped which made the editing harder and the image look too busy. Being selective over the photos that I have used has ensured all the key moments are there and it is still easy to understand.

👍

Light trail photography

A technique sometimes used for showing movement in photography is light trails. This is where the shutter is left open for a relatively long period of time and a light is moved around within the frame of the photograph. Where the light has been a trail is left, this is sometimes called light painting. It is a technique that I have used before and have utilised in other projects. It is this that have given me the interest to explore it further and combine it with this project for showing movement.

Frank and Lillian Gilbreth, Time-motion studies photographs

1 image, Time-motion studies - Frank and Lillian Gilbreth (1913)

#Moments #memories #times

#kellyeliesmith

morning light in my bedroom. philadelphia, september 2015.

kelly smith photography

The way Edward Muybridge photographed.

I want to do something like this for my project.

An artist with an interesting take on movement is David Hockney. Through the 70’s and 80’s Hockney produced a series of works that he called ‘joiners’. These were multiple photographs, often Polaroid’s, arranged in a collage. The earliest pieces in this series of works were often portraits but as the subjects moved, as would the framing of the photograph. This produced a short story of the way that the photographer perceived the subject over a period of time (all be it short) as appose to a single moment which is a restriction of a single photographic image.