but no yeah lets have the conversation:
"the CEO doesnt want to run that kind of website" Excuse, shouldnt have bought the 'go nuts show nuts whatever' website if thats the case. APPEAL DENIED
"we have to follow the TOS of the appstores we're hosted on" Excuse item one, no you dont, item two, you have since those days implimented infrastructure that would allow pornography and sex work on this platform Without violating TOS of any applicable app store. APPEAL DENIED
"we own the site we get to make the rules" Incorrect, this site has only ever made profit when the users willed it. we collectively own the site as a hive mind and no legal change in ownership will change that. APPEAL DENIED
"we have to keep this website safe for the children who use it" Argument based on fallacy banning pornography and sex workers does not prevent pornography and sex work from occuring on the site, it only forces aforementioned users to hide and avoid labling their content appropriately, which REDUCES the safety for children and sex workers alike instead of increasing it, this has been shown to the point that making this argument at all is tantamount to admiting fascist intent APPEAL DENIED
~ all images from pinterest ~
via radiantsomatics
The funniest sword fight scene in the history of cinema.
There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.
I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.
TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.
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Mythologies, often ancient narratives passed down through generations, hold profound cultural significance. They are not just tales of gods and heroes but windows into the beliefs, values, and fears of societies long gone. This is why it’s important to ensure you are culturally accurate and don’t accidentally offend members of the communities you are writing about.
I personally am writing a WIP based around Japanese mythology, so here are some things I think you should consider when writing with mythologies.
Myths can serve as the very essence of your story's conflicts and themes. Imagine a tale where a young protagonist discovers they are the reincarnation of an ancient hero, destined to fulfill an ancient prophecy. The hero's journey in such a narrative would be profoundly tied to the mythological elements, guiding their growth and purpose.
Characters, too, can be shaped by the myths of their world. For instance, in Rick Riordan's "Percy Jackson and the Olympians" series, the characters are demigods, offspring of gods and mortals, and their quests are directly connected to the Greek mythos, intertwining their destinies with the larger tapestry of ancient legends.
Mythologies have been an integral part of human storytelling since time immemorial. They are not mere tales of gods and heroes but serve as essential cultural artifacts that mirror the beliefs, fears, and aspirations of ancient civilizations. Understanding the significance of mythologies can help us appreciate their profound impact on both the past and present, enriching our fantasy writing with layers of depth and meaning.
Mythologies offer a glimpse into the foundational beliefs and values of various cultures. These stories often revolve around the origins of the world, the creation of humanity, and the forces that govern existence. For instance, Greek mythology's creation story of Chaos giving rise to Gaia (Earth), Tartarus (Underworld), and Eros (Love) reflects the Greeks' attempt to explain the beginning of all things.
Myths are replete with archetypal characters and motifs that resonate with the human psyche. The hero's journey, the wise mentor, the epic battle between good and evil—these recurring themes transcend time and culture, connecting us to our shared human experience. As writers, tapping into these archetypes can make our characters and narratives more relatable and emotionally compelling.
Incorporating the essence of mythologies into our fantasy narratives allows us to harness the timeless power of these ancient tales. By honoring the significance of myths, we can create stories that resonate with readers on a profound and universal level.
Myths serve as powerful catalysts for driving the plot and shaping the characters in your fantasy world. By integrating mythological elements into your narrative, you infuse your story with a sense of wonder and connect your characters to something greater than themselves. Let's explore how myths can be harnessed to propel both plot and character development in your fantasy writing.
Incorporate mythological themes as the central conflicts driving your plot. Whether it's an ancient prophecy, a long-forgotten curse, or a divine mandate, mythological elements can set the stage for epic quests and high-stakes adventures. For example, in J.K. Rowling's "Harry Potter" series, the prophecies surrounding the Boy Who Lived and the rise of Voldemort become pivotal drivers of the plot.
Give your characters a connection to the myths of your world. A character could be the descendant of a heroic figure from ancient times, bearing the weight of fulfilling an age-old prophecy. This connection to the past can shape their identity, motivations, and personal journeys.
Craft quests and challenges that are steeped in mythological lore. By sending your characters on quests to recover sacred artifacts, defeat mythical beasts, or seek guidance from divine beings, you not only enrich your plot but also create opportunities for character growth and self-discovery.
Consider how mythological elements influence the world events in your fantasy setting. Wars, political intrigue, and cultural practices may be shaped by the belief in ancient prophecies or the legacy of mythical beings.
Let your characters' arcs intertwine with the myths of your world. As they confront their fears, overcome challenges, and evolve, they may embody the archetypal hero's transformation—rising to greatness or succumbing to tragic flaws.
Incorporating symbolism and allegory into your mythological writing adds a layer of depth and complexity to your storytelling. These literary techniques allow you to explore profound themes and hidden meanings, making your fantasy narrative more thought-provoking and resonant with readers. Let's delve into how to effectively use symbolism and allegory in the context of myths.
Symbols are objects, characters, or events that carry deeper meanings beyond their literal interpretation. In mythological writing, symbols can represent abstract concepts, emotions, or significant aspects of the human condition. For instance, a mythical sword might symbolize justice and valor, while a sacred tree could represent the interconnectedness of life.
Allegories are narratives that use symbolic characters and events to convey moral, philosophical, or political messages. Consider crafting allegorical myths to explore real-world issues in a fantastical context. For example, George Orwell's "Animal Farm" uses allegory to critique political systems and human nature.
Leverage mythical creatures and settings as symbolic representations of broader concepts. A mythical dragon guarding a treasure might symbolize the greed that corrupts societies, while a mystical forest could represent the unknown and the call to adventure.
Allow room for interpretation in your myths. A richly layered narrative invites readers to contemplate various meanings and draw their own conclusions, fostering engagement and making your story more memorable.
Remember to strike a balance between allegory and storytelling. While powerful symbolism can add depth, be mindful not to overshadow the narrative's flow and character development.
Through symbolism and allegory, your mythological writing becomes a vessel for exploring timeless truths, moral dilemmas, and the complexities of the human experience. This layer of meaning elevates your storytelling, leaving a lasting impression on readers.
The seamless integration of myths into your worldbuilding can elevate your fantasy realm from a mere backdrop to a living, breathing entity. By infusing every aspect of your world with mythological elements, you create a rich and immersive setting that captivates readers and allows them to fully immerse themselves in the wonder of your creation. Let's explore how to blend myths with worldbuilding to craft a cohesive and enchanting fantasy world.
Incorporate myths into the history of your world. Legends of ancient gods or legendary heroes can serve as the foundation of your world's creation and early development. These myths not only add depth but also explain the origins of key elements in your world, such as magical artifacts or mystical locations.
Infuse your world with mythical geography. Sacred mountains, enchanted forests, and mysterious islands can be inspired by myths or even be the settings of ancient mythological events. The presence of these mythical landmarks makes your world feel magical and mystical.
Represent the influence of myths on architecture and symbols within your fantasy world. Temples dedicated to mythical deities, sacred runes, or sigils used for protection can add authenticity to your setting, giving readers a sense of a world with deep-rooted beliefs.
Showcase rituals and traditions that have evolved from ancient myths. Festivals celebrating mythical figures or events can be an essential part of your world's cultural identity. These traditions can create vibrant backdrops for scenes and contribute to the sense of community in your world.
Integrate legendary artifacts and items from myths into your world. These powerful objects can become central to the plot or wielded by characters of great significance. For example, the Sword of Excalibur from Arthurian legends or Thor's hammer, Mjölnir, from Norse myths are iconic mythical artifacts.
Inspire the creation of unique creatures and races based on myths. Drawing from various mythologies, you can invent fantastical beings like phoenixes, centaurs, or sirens. Alternatively, reimagine existing mythical creatures in new and intriguing ways.
Explore how myths shape the cultural identity of different regions or races in your world. Diverse myths can contribute to varied customs, values, and worldviews. This cultural tapestry enriches your world and provides opportunities for compelling conflicts and interactions between characters.
As writers, we have the incredible opportunity to draw inspiration from a wide array of cultures and myths to enrich our fantasy worlds. However, with this privilege comes the responsibility to approach the task with cultural sensitivity and respect. Avoiding cultural appropriation and stereotypes is crucial in creating a story that celebrates diversity and promotes understanding. Let's delve into ways to navigate this delicate terrain while crafting a mythologically inspired narrative.
Thorough research is paramount when incorporating elements from real-world cultures into your writing. Dive deep into the myths, traditions, history, and values of the culture you intend to draw from. Seek out diverse sources and perspectives to gain a comprehensive understanding.
Cultural context matters. Recognize that myths are deeply rooted in cultural experiences and may carry sacred or sensitive meanings. Ensure that you grasp the nuances and significance of the myths you're using, and handle them with the utmost respect.
Steer clear of perpetuating stereotypes or exoticizing cultures. Respectfully depict characters and settings without reducing them to one-dimensional or caricatured portrayals. Create fully fleshed-out characters with their own motivations, strengths, flaws, and complexities.
Consider collaborating with sensitivity readers or cultural consultants who are well-versed in the culture you're representing. Their insights can provide invaluable guidance and help you navigate potential pitfalls.
I hope this blog on Things To Consider When Writing With Mythologies will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
Seven years after, I see you again 😚
When I decided to get serious about writing, I wrote short stories that meant something to me. Then I let people read them, but not just anyone. I picked people who knew a thing or two about craft. English teachers, the adults in my life who recommended books to me, and a lady who became a beloved writing tutor.
Those people challenged things like my sentence structure and word choices, but my writing tutor told me to show my stories, not to tell them.
I bristled. I was already showing them! That’s creative writing! If I wanted to tell my stories, I’d just say them out loud.
She clarified—in words that flew right over my head. My brain fuzzed out and I couldn’t grasp what she was saying, but I was embarrassed, so I nodded like I understood. It took me a while longer to get the hang of things by writing more (some terrible, some good) stories where I played around with my descriptions, narration, word choices, and themes.
Finally, years later, I understood.
Showing is describing the sensory details of your story. It’s diving into the emotional depth of your characters. It’s making the reader feel like they’re watching a movie while they’re reading your work.
Telling is more like narration. There’s no flowery language or sensory descriptions. It’s straightforward, clean, and nearly professional in nature.
Clean-cut narration isn’t always terrible. Sometimes it works well for stories told by a narrator with dry humor or books about an intensely serious subject.
Most of the time though, “telling” keeps readers at arms-length. Picture yourself reading a history book. Each page gives you the facts. It might also describe a historical figure or the gory details of a war, but making those people or moments come to life in your mind isn’t the point of the text. It’s to convey information.
That’s what makes stories that rely on “telling” so different from stories that “show” everything.
If you’re like me, you’re probably thinking that it would be easier to picture the difference between these two concepts if there were examples. Lucky for you, I’ve already thought of that.
Example 1: I’m happy to see my best friend at school.
The narrator conveys their emotion, but not what that emotion makes them feel. There’s nothing to paint a picture of the school or even the friend.
Example 2: Henry didn’t like his dinner.
Cool, the character didn’t enjoy their food. Why? What was the taste or texture like? What did he experience that made him recognize the feeling of not enjoying the meal?
Example 3: Sofia made her bed in a hurry.
Why she was in a hurry might come in the next sentence or paragraph, but what did she feel while making that bed? What was her thought process? What’s her room like?
Let’s turn those same examples into sentences that “show.”
Example 1: I walk through the clustered school hallways with the rest of the student body, smelling their pre-exam nervous sweat and too much men’s body spray. This school would be miserable, except for my best friend. When I spot her by my dented locker, the smile on her face makes the cold bus ride to school worth it.
This is obviously more than a sentence, but notice how you get a better experience from it. The school hallways are crowded and smell bad. The protagonist doesn’t enjoy where they attend class. However, their best friend is a source of happiness. She waits by a dented metal locker, possibly with some good news, encouragement or an exciting update to something happening in the protagonist’s life. It makes you want to know what she’s going to say, especially because you can relate to what the main character is feeling.
Example 2: Henry’s nose scrunched up at the taste of his dinner. The chicken was in a desperate need for salt. This never would have happened if he had been allowed to make it.
We’ve all had a similar reaction to eating bad food. Your nose scrunches up, your mouth tightens, your tongue freezes. This example shows that in a way that you can feel yourself going through the same physical motions. It also explains why the food is bad using one of the five senses—it’s not salted enough.
Example 3: Sofia pulled her purple comforter tight against her headboard and threw her pillow at it as she ran out the door, late for the bus again.
More scenery details—the bed has a headboard and the comforter is purple. The protagonist is in a rush so her pillow is likely lopsided on the bed, which means the rest of her room is probably a bit messy too. The visual details make this a vivid scene and introduce the reader to a few of Sofia’s relatable character attributes.
I began to tell the difference by imagining myself reading a single sentence out loud. If I read any of the examples above before the “showing” edits, you’d have questions for me. See if a sentence, paragraph, or page makes you ask yourself:
What emotions does the protagonist feel right now?
How does the main character look through their body language?
What can the protagonist smell, taste, or feel?
What does the environment look like and is it necessary to describe it at this moment?
Does this scene need dialogue?
Do the characters feel flat?
Where’s the story’s hook?
The last question is tricky. The hook will be at the start of a short story or shortly within it, much like how a hook is within or at the end of the first chapter in a novel. If your writing doesn’t compel you to keep reading, it’s likely lacking the emotional depth that showing provides.
It’s always possible to have too much showing. It leads to the discussion English teachers always have about how Victor Hugo wrote for numerous pages about a single room in a chapter.
You could also fall into the trap of inserting flowery language into your work that you wouldn’t normally use, all for the sake of “painting a picture.” Your writing is your voice! It’s unique to you—how you speak, how you think, how you express yourself through stories. Write what comes naturally to you while keeping scenery, emotional depth, and sensory details in mind. If your words seem boring, that’s what editing is for (after you finish and step back from your work for a bit!).
“Showing” gets easier when you can lose yourself in whatever story you’re currently writing. If you’re struggling to do that, you might want to write in a quieter environment or put more details into your story or character outlines.
Have fun practicing this art form and you’ll watch your writing skills grow.
i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!
Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.
Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!
Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.
Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!
Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!
Weather Spark; good for average temperatures and weather checking!
Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.