Hi Hi I Enjoy Your Analysis Posts So Much!! Do You Have Any Thoughts On The Undercurrent Of Performance

hi hi I enjoy your analysis posts so much!! do you have any thoughts on the undercurrent of performance that runs throughout yuri on ice - re Victor ' 'performance' nikiforov (contrasted with yuuri's (and yurio, eventually) absence of a persona while skating) and the whole episode 3 premise of the trio trying to perform an emotion until it clicks (highlighting yuuri's eros monologue arc specifically) while the program itself is constructed by someone who at that point doesn't fully comprehend the extent of the emotion he puts into the sp. not to forget the performance inherent to sport in and of itself! sorry if this doesn't make any sense I hope you're having a good day tysm for reading!!

Hello, I hope your day is going well too! It was wonderful to wake up and see your ask in my inbox xxx

Oh boy, of course I have thoughts. I spent a little while trying to figure out how to condense all of them, but no matter what I do it seems like this post is going to be pretty long.

As you said, Viktor can certainly be very performative, which we see throughout the show as he reminisces about his career and tries to discover what role Yuuri expects him to play. He doesn’t show emotion unless he has to and he’s very concerned with his image – always going out of his way to interact with fans (and scolding Yuuri when he doesn’t do the same). He has a persona of sorts, putting on the air of Viktor Nikiforov: Living Legend, 5-time GPF Champion, 5-time Worlds Champion, Olympian, etc etc. There is little room in his life for him to simply be himself, instead shelving his own wants and desires to embrace the idea of who he thinks he’s supposed to be. 

On the ice, however, is a completely different story. This is where I veer off partially into headcanon because we unfortunately don’t know much about Viktor’s backstory (curse you Mappa!!!), so I need to speculate a bit. I have always viewed Viktor as someone who feels things quite deeply. He’s very passionate and emotional, but has incredible self-control and keeps himself reigned in. The ice is where he lets that go a bit, allowing himself to feel what he feels and express it through his skating. 

Evidence for this is present in how he choreographs and selects the music for his routines, giving him full creative control and the chance to embrace whatever he feels he will do best with. Stammi Vicino is heartbreaking, and lonely, and desperate – all things I would likely associate with Viktor at the beginning of the series. 

It’s present in how he coaches, always falling back on his own experiences as a skater to guide Yuuri and Yurio. When he begins to give advice, he tends to reflect on how Yakov coached him rather than coming up with something entirely new that better serves the different personalities of the Yuris. This implies to the audience that all of his attempts to get Yuri-squared to connect with the emotion at the heart of their short programs is how he himself worked on his programs. 

It’s present in one of my favorite Viktor quotes from the entire show, a little moment in episode 2 or 3 where Yurio is frustrated with Agape and trying to get Viktor to tell him what’s wrong, and Viktor says something along the lines of “It’s an emotion, why would I bother trying to explain it in words?” The feelings he presents on the ice are just that: feelings. They are important to him and sometimes indescribable, a little window into the truth of who he is that he keeps closely guarded at all other times. 

Viktor off the ice knows when to smile for the cameras and flash a wink to the crowd, keeping his image perfectly tailored to the one he wants to present. Viktor on the ice is able to let the artifice fade away and become, for just a moment, wholly himself. He would never tell anyone that he is lonely, but he skates Stammi Vicino as if it’s an extension of himself. 

The point you brought up regarding the fact that Viktor choreographed routines for emotions he may not understand is SO interesting to me because I have never even considered it! I think about Viktor a lot, and switch between two opposing ideas of him depending on how I’m feeling that day:

Viktor has known unconditional love, whether through his parents (I pretty firmly believe his family was not active in his life) or through Yakov (one of my favorite headcanons) or through Makkachin, even. Makkachin may not be quite the same thing, but he may not know any better and is therefore using that as his inspiration. Or, maybe he feels unconditional love for something/someone else. 

Viktor does not know unconditional love. He has never had anyone who could give him that, which is why Yuuri is very important and such a big deal and he needed to get on a plane to Japan IMMEDIATELY!!!

Depending on which of these you subscribe to (or a secret third option, perhaps) then Viktor’s ability to choreograph Yuri and Yuuri’s short programs is very interesting. He truly seems to have a grasp on Eros and Agape in a way that Yuri-squared struggles with. Since he encourages them to feel those emotions deeply in order to skate them correctly and those routines were originally for him, it means he must feel them deeply enough to think them worthy of creating and presenting to the world. 

So that’s how I view Viktor. When he is skating, he is not a performer, but a performance – the entertainment he produces is not the end goal, it merely comes from watching him be himself. And that authenticity is what makes him such a wonderful skater. 

Yuuri’s battle starts with him NEEDING to perform something (the tale of the katsudon fatale, how could we ever forget) and ends with him finally being able to draw upon himself for his skate. Creating some sort of narrative and slipping into a persona helps get him off the ground, but it’s really like a set of training wheels Viktor tries to get him to shed as their story progresses. It’s why his Yuri on Ice free skate is so important to his journey as a skater – there’s nothing for him to perform, just him being himself. To properly execute the program, he must be Yuuri, aware of the journey he has taken and each iteration he has been, mastering all of it to embrace who he is now. It must be less of a performance and more of a confession to those watching. 

Yurio’s Agape is so powerful for the same reasons! It’s because it comes from his own personal experiences with his grandpa, who he loves dearly. He needs to embrace that softer side of himself that he hides behind the prickly angsty exterior to truly do his program justice. 

“We call everything on the ice love” is very important because on the ice is when a skater’s truths must emerge. This is when they are most authentically themself, and when love therefore shines the brightest. 

I hope I answered your questions, and I’m sorry if I got a bit rambly there at any point! This was a very fun topic to discuss and if anyone has any thoughts I’d love to hear them. I have this account because I have things that I love that I want to share with other people and to hear about the things they love in turn, so it genuinely makes my day when I get to do that.

Thank you for the ask!