This, in a nutshell, is what I did to get a book with my name on it.
NOTE: This is just my personal way of making the words go. Other people have different ways to make their words go. In the world of words, there are no right answers. There’s just lots and lots of tea/coffee/tear stains.
When I get an idea for a story, I open up a document, label it “Brainstorming,” and start making a bullet list of events that consist of the plot.
It has to be an idea with tangible weight. A stray bit of dialogue or something vague like Halloween, that doesn’t give me much to work off of. Halloween creatures living on the same street where it’s Autumn every day- now that’s something I can build from.
What kinds of creatures are they? What do they do? What do their houses look like? The best ideas are the ones that spark more.
This is the easy part- and the most challenging. Easy, because there’s literally no bar. I just sat there and typed. But it’s a huge mental challenge.
When I was in first draft mode, I wanted that story out. I thought that by making it such a rough, far-away version from the concept in my head, I was only delaying the day where I’d hold it in my hands. Turns out, that’s what got it to take on physical form in the first place. So I quieted down, grabbed my laptop and some hot tea, and typed.
After I finished draft one, I printed it all off and highlighted the scant amounts that were passable for the next phase. Dialogue, descriptions, setting- anything that didn’t look like it was up to par was scratched out and omitted.
I call the above pictures A Slow Descent Into Madness.
On a fresh document, I rewrote the story altogether- and it make a difference. I was coming up with things I hadn’t even thought of previously. And it was surprising how much better the plot was than the first time around. But it was still rough.
My method was to start with the bigger, more obvious issues and work my way down. Any plot holes I found were noted, and my outline was constantly under revision. I cut out entire scenes and made mental notes on ways they could be fixed/replaced.
This is where I started cutting chapters in half to make the story flow better- but I didn’t bother writing in usable chapter titles. Instead, I improvised:
These were dedicated to correcting the smaller, less obvious plot holes. This was the point where the story finally started to look close to what would become the final version.
With the story line looking how I wanted, I then moved on to sentence structure. That one song that looked terrible? Rewritten. Over-the-top descriptions and excessive prose? Gone.
This is where I had outside help. Besides this useful tool, I had two people check for spelling issues and the overall story. Once it was in decent shape to be made public, I asked for some additional help.
My betas were in the age range that my novel was geared toward, along with a couple of teachers and parents (as it was middle grade). I gave them the full manuscript, along with seven basic questions like “Which characters were your favorite/least favorite and why?” and “Was there a part of the story that didn’t make sense?”
I gave my betas three months to read a 42,590 word story, and by the end they gave me back the review sheets.
After I read over the reviews, I let the comments sit for three days so that I could proceed with a clear head. I smoothed out any flaws, scanned over the MS twice to make sure everything was right, and that is how I got to the end of writing my first novel.
Next comes publishing- which is a different beast entirely.
hi I'm 22 but I want to write a story about people in their forties. Essentially the point is that people are still figuring themselves out at any age. Do you have any advice for writing about an age group so different from yours? Especially for me, who has not experienced their forties yet, whereas older adults writing YA have experienced that time in their lives. thanks
Hi! First, I would do some research. Movies, books, TV shows, articles, and interviews that center around the age group. While the emotions and trials they are going through is a universal thing, their actual issues are usually specific to that age group.
For forties, I would watch The Meyerowitz Stories (Netflix) and read the play or watch the movie August: Osage County. These focus on the common trials of forty-year-olds such as aging/dying parents, divorce, teenage kids, reconciling with estranged family, success past 30, and the likes.
Second, remember that everyone is at a different place than others their age. The forties, especially, have a lot of diversity in living situations. Some are getting a divorce or remarrying and some are just getting married or will never marry. Some are sending kids off to college and some are just starting a family. Some are going back to school or working an entry-level job and some are working their dream job. Some are well-off and some are in massive debt. Some feel old and some are in their prime.
Third, find a common struggle or fear within the age group. For people in their twenties, it’s usually choosing the right path. By forty, it’s usually worrying if they chose the right path and if it’s too late to change.
And fourth, get in the headspace through backstory. How many experiences they’ve had is just as important as the kind of experiences and vice versa. Figure out the life they have fit into all those years.
Hope this helps!
Be warned, I now have a powerful tool for translating that even translates my subordinate clauses over subordinate clauses correctly. From now on it is over with simplified sentences and you will get the full dose of my way of writing. I am curious what you say to it and how it will be received. And thanks @cirianne for reminding me there is DeepL.
I’ve decided to make a masterlist of asks I’ve done to make them easier to find for you guys (and for myself). I split them into categories as best as I could by genre and topic. Also, some asks have some helpful tips in the notes as well to check out (some are marked but not all) and if you have anything to add that you think would help, feel free to reply or reblog with your addition. I’ll try to keep it updated with future asks.
Now without further ado, the strangest and most wonderful list I’ve ever made.
Urban fantasy prompts/creating urban fantasy world (also linked under fantasy)
Links to help with world building
Creating a pantheon of gods
Things to research when writing a historical novel (also linked under Historical)
Using metaphors in descriptions
Too much world building?
Asking questions to develop a magic system
Wizard school ideas
Why magic would drain from a world
Tips for descriptions
Reasons for civil war
Writing confusion in your character
Obstacles to character goals: traveling abroad
Reactions to sadness
Reactions to a devastating event
Showing a character’s anxiety towards something
Showing a character’s secret without revealing it
Reasons a character would die for another
Secrets in a character’s past
Culture shock with loss of rules
Growth of a trainee witch
Characters provoking other characters
Dealing with moving to a completely new place
Why a 19yo would allow a strange boy to live with her
Why a character would want a do-over in life
Showing a character going from good to bad
Possible good messages when the villains aren’t reformed
Kid growing up surrounded only by adults
Quirks for characters
Showing friendship with reserved characters
Introducing an antagonist
Introducing side characters
When you don’t think your character’s backstory fits
Writing Different Types of Characters
Writing antiheroes
The reluctant hero
Writing a violent character afraid of their mind
Making an immoral character likeable
Not a normal girl
Sympathetic villain
Making sure your character isn’t just a flirt
Writing intelligent characters
When your hero isn’t very heroic
Confident characters
Writing an antisocial character
Visiting family for the first time
Showing closeness in siblings (opposite twins)
How a joker and a quiet character can become friends
Daughter of a party organizer prompts
Parent jobs where the kid needs to keep up appearances
The mom that left comes back…a vampire
Including character’s parents
Why a character would leave another
Sibling relationships
character with an abusive father (and how to show fear)
Writing a slow paced love story
love interest vs the ex revamped
Platonic male x female relationships
Random places to get married
Suspense and romance with a “different” male lead
sad relationship prompts
Asexuality and romance
Mutual pining
Romance with large age differences
Childhood friends falling in love
Fluffy unique first kiss
Ways of showing commitment in characters (vampire edition)
Friendship to romance
Small situations for a couple story
fantasy creature and human fluff
characters meeting and falling in love during war
Why best friends might fall in love
Unlikely soulmates prompts
Using dreams as energy
Time travel prompts (asked for male x female protags)
Time travel: how saving someone can go wrong
Reliving memories
Android characters
Writing humanoids in post apocalypse
Consequences of growing a baby in an artificial womb (theoretical)
The evil AI that characters can’t (shouldn’t) destroy
Girl and guy get trapped in the same body
Rich people in post apocalypse
Discovering you have a doppelgânger
Superheroes
Teenagers, hormones and their superpowers
Weird superpowers
Superhero kids reluctant to be superheroes
Aliens
beings traveling to Earth
Why an alien wouldn’t be able to leave Earth
Reasons an alien would be sent to live on Earth
Human/alien team surviving on hostile planet together
Urban fantasy prompts/creating urban fantasy world (also linked under world building)
gods losing their powers
creations turning on their creators
How elemental powers might work
Why NOT to destroy the world when it’s your goal
Mistreated genies
Tropes of a fantasy (also linked under Writing Motivation/Tips)
Male character ideas in a fantasy
Immortal woman prompts
Beauty and the Beast revamp
How Death and a teenage girl become adventure teammates
Powers for magical beings writing down history
Girl meets demon from forest behind her house
Reverse fairytale prompts
Revamped fairytale prompts 2
Manatees being confused by mermaids
a princess befriends a baby dragon
Making a character believe in a cure for a curse
Egyptian gods living among us
A love between the sun and the moon
What fantasy creatures do on Halloween
Human and fantasy creature become pen pals
Creatures
Monsters and urban legends
Fantastic creatures
A little bit on dragons
Kind dragons
Magic and Witches
witch x wizard romance
witch prompts
Witch being protective over a human-turned-doll
magical boarding school
Ideas for curses
A young witch exploring the boundaries of her powers
Traps a wizard could set for a thief
Angels and Demons
Angels and demons
Angel as a human on earth
Jobs for angels and demons who fall in love
Physical impacts on a demon who keeps dying and coming back
Demons hunter prompts
Vampires
Human meets vampire 1
Human meets vampire 2
How to hide your vampirism from your family
Royal vampires
Vampire hunter gets bitten by a vampire
Reasons a locked up vampire would go after your character
Why a vampire and vampire hunter would work together
Vampire x werewolf forbidden love
Ghosts
Helpful ghost prankster prompts 1
Helpful ghost prankster prompts 2
Human and ghost solving mysteries together
1776 woman with supernatural abilities prompts
A medium whose friend is in a coma
Medium question Pt. 2: their fatal flaws
Battle Scenes
Writing Battle Scenes Tips
How to lead up to an action scene
Keep reading
This is for my science fiction WIP, so some things may need to be added/modified depending on your genre. I will also include a screenshot of an example at the bottom so y’all can see how I set it up in my Doc.
I use this as the first page of my “Character FIles” Doc.
I put all my important characters in a list, then add their height, age, and the page their complete file can be found on. This is helpful when I need to know if a character would have to crane their neck upward to look another character in the eyes. Comes up more than I’d have guessed.
I add and subtract stuff based on how important the character is. Without further ado…
Box One: Reference Photo
This is where I add in any actor, model, drawing, etc that I base the look on. When I don’t need one, sometimes I’ll put in a picture that represents the character’s style.
Box Two: The Introduction
Full Name
Nickname(s)
Age
Occupation
Current home
Situation: How do they enter this story?
Motivation: What do they want?
Favorite quote/saying
Biggest strength
Biggest issue
Strongest trait
Box Three: Behavior
Personality
Habits
Ambition/Short and Long Term Goals
Greatest fear(s)
Phobias
Biggest secret(s)
Social skills
Interior talents
Box Four: Background
Home moon/planet
Important history
Family
Friends, Enemies, Acquaintances, and Colleagues
Finances
Education
Phys. Health/Mental Health
Religion
Romantic/sexual preference
Interests/Hobbies
Box Five: Appearance & Physicality
Height
Body type
Skin tone/Ethnicity/Species
Facial description
Prominent/distinguishing features
Dress
Mannerisms
Physical talents
Box Six: Speech
Normal tone
Language & accent
Favorite phrases
Rey from The Force Awakens. Made in Google Docs.
Boxes 1 and 2
Boxes 3 and 4
Boxes 5 and 6
(source)
Unsplash - photography, illustration, and art
Pixabay - same as unsplash
Pexels - stock photos and videos
Stockvault.net - stock photos
freepngimg - icons, pictures and clipart
Veceezy - vectors and clipart
Getdrawings - simplistic images and drawing tutorials
Gumroad - photoshop brushes (and more)
Canva - needs login but has lots of templates
Library of Congress - historical posters and photos
NASA - you guessed it
Creative Commons - all kinds of stuff, homie
Even Adobe has some free images
There are so many ways to make moodboards, bookcovers, and icons without infringing copyright! As artists, authors, and other creatives, we need to be especially careful not to use someone else’s work and pass it off as our own.
Please add on if you know any more sites for free images <3
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
I just finished this book on screenwriting and have highlighted some amazing advice for novelists as well:
This refers to a scene at the beginning of yoru manuscript in which the main character does something that makes the reader root for them them i.e. saving a cat.
This doesn’t have to be something altruistic - it can include smarts or humour or naivety - just something that will make the reader want to follow this character through the story.
Without this scene, you’ll probably end up with a boring character. And no matter how amazing your plot, you need a “followable” character to carry it.
This refers to a scene in which necessary exposition is given whilst the audience is distracted by something more entertaining i.e. having the Pope explain important backstory aspects whilst doing laps in the Vatican Pool.
This is the best way to give readers the information they need whilst still keeping them engaged. Something funny/interesting/moving should happen whilst this necessary exposition is provided.
This refers to the mistake many writers make in asking readers to believe in more than one type of magic/miracle. This suspends reality too much and causes the reader to lose faith in the realism/probability of your story.
So, if you already have magical fairies, don’t throw aliens into the mix as well.
ONE magical element is enough.
Another error often made is writing a story that needs too much set-up. This means that so much backstory must be explored in the first part of the novel that your catalyst only occurs at page 100 or so.
This will cause readers to lose interest long before they’ve reached the inciting incident. If you don’t get the beginning right and move on the exciting stuff as soon as possible, it doesn’t matter how great your ending is, since few readers will get there.
This is when the danger in your novel takes too long/perhaps the whole book to get to your characters/to threaten them. Therefore, the reader is aware that there is some eventual threat, but the characters aren’t affected by it throughout the story.
It’s a glacier coming for them rather than a missile. And it dampens the tension.
Every somewhat important character in the novel should change, except for the bad guy. This is what will ultimately distinguish your good guys from your villain: moral change.
So, take a look at the journey of every primary and secondary character in your manuscript and ensure that they grow/experience some for m of change that is brought about by the events in the story.
This is the tip I think should be used with the most circumspection. It’s for you to decide whether you want to follow this piece of advice or not.
This tip calls for leaving media coverage/the press out of your story. If some supernatural/extraterrestrial event occurs in a secluded neighbourhood and remains a family secret, it’s much easier for your reader to believe that it could really have happened than if the whole world is supposedly in on it.
Like I said, use with discretion.
These are all Blake Snyder’s tips (not mine) and are explored in greater detail in the book. So, if you would like more information and more great advice, I suggest grabbing a copy.
tried writing, ran out of ideas, please have this snippet until I conjure up motivation to finish it
Symbolism! Yeah!
Disclaimer: Again, my advice is always just that: advice. It’s often to teach beginners or help those struggling, so these aren’t set in stone rules! Experiment! Write freely! Write on!
“I wish it need not have happened in my time,” said Frodo. “So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”