WorldAnvil.com!
WorldAnvil is a suite of worldbuilding and rpg tools. We help authors, GMs, hobbyists, and creators of all sorts write and keep track of their worlds!
WorldAnvil introduces templates for writing about every aspect of your world, from characters to nations. They act as a guide, allowing you to have all the things you need at your fingertips when your memory fails you on what to describe!
Our templates also let you create placeholder links on the fly! Never have to stop mid-flow to create the other article you just mentioned, or go back later to add links!
The system will connect the articles and provide a link. If your article doesn’t exist yet, it is as easy as clicking on it to create a new article and start writing!
Our timeline system lets you keep track of everything that has ever happened in your world.
Use it to keep track of worldbuilding, party encounters, character’s lives and more. Attach a timeline to an article, or keep it as an independent summary of world history!
A visual person? We have you sorted with our maps suite! Upload your own maps, and bring them to life with markers that connect to your articles, layers and overlays!
Come join us, your world awaits! WorldAnvil.com
Lessons in Humanity from a Future Physicist, Morgan S.
Taglist: @aelenko, @keen2meecha, @magic-is-something-we-create, @emdrabbles, @yourwriters, @lordfenric, & @quenvicky
@flashfictionfridayofficial
the world is silenced by a virus it is scarily quiet in my town even the station is calm because of the lockdown on the road I see only an empty bus my whole world is turned upside down captured between these walls I feel lifeless how do you stay all right in such a crisis? so alone and so scared of this new crown but through my window I see the blossoms of my cherry tree even now not everything is wrong I take a picture to remember nature is still growing normally I send it to my sister, who works in a hospital all day long I send it to my grandma, who I now cannot visit safely I send it to you, I hope you stay safe and fine and strong
(source)
Unsplash - photography, illustration, and art
Pixabay - same as unsplash
Pexels - stock photos and videos
Stockvault.net - stock photos
freepngimg - icons, pictures and clipart
Veceezy - vectors and clipart
Getdrawings - simplistic images and drawing tutorials
Gumroad - photoshop brushes (and more)
Canva - needs login but has lots of templates
Library of Congress - historical posters and photos
NASA - you guessed it
Creative Commons - all kinds of stuff, homie
Even Adobe has some free images
There are so many ways to make moodboards, bookcovers, and icons without infringing copyright! As artists, authors, and other creatives, we need to be especially careful not to use someone else’s work and pass it off as our own.
Please add on if you know any more sites for free images <3
if you want to start your novel but you’re not sure where to start, i’ve collected a bunch of resources to help you along! this includes characterization, plotting, worldbuilding, etc. @made-of-sunlight-moonlight
name generator: this one is pretty handy. it has a bunch of different generators based on language, gods, fantasy, medieval, archetypes, etc.
➥ reedsy name generator
personality types: this is just the standard mbti personality list. it lists the strengths and weaknesses of each type, as well as how they do in relationships, etc.
➥ mbti 16 personalities
enneagram: the enneagram personality types. this may help with characterization because it has “levels of development.” it also lists common fears, desires, and how each type interacts with one another.
➥ enneagram types
emotional wound: your character should have something they believe about themselves that isn’t true. (ex: i’m worthless, i’m powerless.) this should start with an “origin” scene from their past, where something happens to create the wound. then there are three “crossroads” scenes to brainstorm, where things could have gone right for your character, but didn’t due to the wound, and because of that strengthened their belief in the wound. this helps you figure out why your character acts like they do. this is a really important one!!!
➥ emotional wound explained
worldbuilding template: this is a pretty good template / guide about how to build your world. it talks about geography, people, civilizations, magic, technology, economy, and politics. (you have to download this through email though.)
➥ reedsy worldbuilding template
world anvil: if you really really want to go in-depth — this website is for you. there is so much you can do with this; i can’t list it all. history, timelines, important objects, cities, species — you name it, it’s probably on there.
➥ world anvil website
worldbuilding bible: this is just a general list on things to think about when worldbuilding.
➥ ellen brock’s worldbuilding bible
world creator: this website generates an entire planet. you can play around with the amount of land, as well as climate, although i’m not sure since i haven’t used it too much. here is the link if needed, though!
➥ donjin fractal world generator
inkarnate: this is a really commonly used one. it’s free and makes good quality maps. you can lay out cities, landmarks, regions, and they even have little dragon drawings you can put on your map.
➥ inkarnate website
a tip: don’t over-worldbuild! you’ll end up spending a lot of time on things you won’t need. focus mainly on the things that you will use!
plot generator: this one’s kind of nice because you can lock elements of the plot that you like. that way you can get rid of the ones you don’t like while keeping the ones you do.
➥ reedsy plot generator
writing exercises: this one has a couple different generators, including one that gives you a situation, characters, and themes.
➥ writing exercises
plot cheat sheet: this lists a whole bunch of plotting methods and their basic steps. i would play around with them and see which one works best for your method.
➥ plot cheat sheet by ea deverell
plot formula: this is mentioned on the cheat sheet, but it lists a bunch of beats and scenes which you might want to consider for those beats. kind of fill-in-the-blank-ish sort of thing?
➥ plot formula by ea deverell
save the cat: a method of plotting also on the plot cheat sheet above, but i wanted to point it out. i have been using this recently by taking a giant piece of paper, laying it out onto the floor, and making a timeline. pivotal scenes go on the right (ex: catalyst), while the bulk of scenes go on the left (ex: fun and games). i didn’t really have a website on this, but here is one that explains the beats. (i might make a post about this later, though?)
➥ save the cat explained
story planner: this basically has a lot of templates that cover everything up there. the problem is that you get a free trial for a little while where you get as many documents as you want, then you have to pay for it. (although you can get around this by copying and pasting into a doc...?)
➥ story planner website
describing / related words: these kind of go hand in hand. if you put a word intothese websites, they will give you either a list of related words or adjectives respectively.
➥ describing words website
➥ related words website
ea deverell: i've pulled a lot of stuff from this website to put in this post, but there's a lot more that can be used. Like a lot on basically anything — plot, character, world, outlining, writing itself.
➥ ea deverell website
reedsy: again, i've pulled a lot of stuff from them to put in this post, but there's much more. it's similar to the ea deverell one.
➥ reedsy website
canva: this is more for making aesthetics and covers. (this thing is really helpful —and free!) although if you use this, i'd suggest pulling pictures off a website like unsplash; that way the pictures are free to use.
➥ canva website
i hope you found this helpful!! :) happy writing!!
One of the most important writing lessons I ever learned came, surprisingly, from my college trumpet instructor.
“Michael,” he’d say with a heavy sigh, pulling off his glasses and rubbing the lenses with the bottom of his shirt. “You know I hate to mow the same grass twice.”
It was a phrase he used a lot, in band and private lessons, whenever someone made a mistake he’d already told them to correct. Because in his mind, once he’d identified a mistake in your performance, you needed to do everything you could to keep it from happening again, for two reasons.
First, because as he said, he doesn’t like to mow the same grass twice. And second (and more importantly), because if you let yourself repeat a mistake, that mistake will start to become a habit.
A bad habit.
And the more you let yourself repeat that habit, the more deeply ingrained it becomes, making it increasingly difficult to fix and slowing your progress as a musician (or artist, or writer). So his suggestion was this: Identify what needs to change, and firmly commit to fixing it now.
So. I was a very average trumpet player. My instructor and I had a great rapport, but he had to tell me to mow the same grass twice, three times, and more often than he ever would have liked, because I just wasn’t focused or passionate enough about trumpet to fully commit to his advice.
But I was focused and passionate enough about fiction to commit to his advice when it came to writing. So I applied his mindset in my creative writing workshops, particularly when I started my MFA.
And I tell you what, everybody. It worked wonders — helping me improve enough in that first year alone to win our MFA program’s top fiction prize and to earn a teaching assistantship.
With my trumpet instructor’s advice in mind, I put a 3-step process on loop throughout my time in the MFA:
Share a short story with your fellow writers. (A workshop is great, but online writing friends work too.)
Sift through everyone’s feedback to find one high-priority “bad habit” in your writing that they seem to be honing in on.
When you sit down to write your next story, commit to breaking that habit at any cost, even if it means making other mistakes because of it. (New mistakes are better than old mistakes.)
The first short story I shared in my MFA workshop had a clear issue: the narrator was passive and underdeveloped. One of my classmates called him a “window character,” someone through whom we could observe the other, more interesting characters who actually drove the plot. The rest of the workshop agreed, and looking back at some of my past stories, I realized that passive narrators had become a deeply ingrained habit of mine.
So the next time I wrote a story, I strictly committed myself to writing a more active narrator.
A moderately active narrator. Not perfect, but better than I’d done in a long time. It was progress — me chipping away at the bad habit.
The next story I wrote showed much more progress. It had a highly active narrator, and so did the story after that. And that’s when a new, better habit formed: writing active narrators without even thinking about it. And that let me shift my focus to improve upon something else (such as making all my narrator’s actions stem from their core emotional struggle). And something new again after that (using more figurative language, loosening up my writing voice, etc.).
And that’s how you can improve, too. The goal, again, is to use peer feedback to identify habits in your writing you don’t like, and then to mentally commit to replacing them with habits you want, one by one.
It’s a slightly different way to approach feedback. We tend to primarily use feedback as a way to help us improve an individual story — but it’s also a fantastic opportunity to improve your future first drafts.
You’ll be surprised how quickly your writing improves when you do this.
The key, though, is to commit to tackling just one major habit at a time. Why? Because writing is hard, friends, and fiction is a complex tapestry of various techniques, all coming together at once. That means your attention is always inevitably split while writing, so if you try to fix multiple habits at once, you’ll likely spread your attention too thin to succeed.
So identify a single change you want to see in you writing. Make it happen the next time you write a story, no matter what. Then, before you sit down again to write the next story, find something new you want to change or improve.
You’ll love what happens to your writing when you commit to never mowing the same grass twice.
And when you do, far away, in a brightly-lit college band room in Minnesota, my old instructor will raise a hand to conduct a trumpet ensemble, pause — and smile.
— — —
For writing advice and tips on crafting theme, meaning, and character-driven plots, check out the rest of my blog.
And if you’re feeling discouraged, remember this: Every story has something wonderful inside it, including your own.
(inspired by @titaniaen)
Bloodlines: what if you meet your soulmate during a war between your people and have to deal with the unexplainable emotional consequences while also realizing that your family has been lying to you about your heritage for the past twenty years
Solene’s verse: local gang of queer orphan street kids feat. a narcissistic wizard and a cowardly wallflower work together to rescue their friend from the authorities before everything goes to hell
Star White: ageless dark cosmic entity abducts a man’s boyfriend, so he gets a dog and finds a ship that turns him into Nicholas Flamel to search for him across the entire universe the longway round
The Wasteland / the waste wip: area man goes on the world’s worst walking roadtrip with a light necromancer after his girlfriend blows up their entire village and herself with it. the world is horrible and on fire and all we know but somewhere else there might be green things and mud and a pseudo-goblin king
Revenant wip: a war machine woman who can come back from the dead and her snarky crossbow-slinging longtime best friend turned boyfriend are your token straight couple, leading the equivalent of a medieval biker gang to tear the castle down
Hi! So I have never written anything but I have this idea for a book and don’t know how to start. What tips do you have for beginners?
First, congratulations! It’s pretty exciting when you come up with your first book idea. :) <3Here are some things you can do to get started…
1. Write an in-depth summary of your idea to the extent that it’s fleshed out in your mind. Sometimes, while you’re writing this summary, you’ll be able to flesh out other things as you go. I will often put things in parenthesis if I’m not sure, like: And then the princess steals the guard’s sword and escapes into the corridor. (Maybe it’s not a sword but a dagger?) Which helps me keep track of things I’ll need to figure out in more detail later on.
2. Once you have your in-depth summary, you can start thinking about your protagonist, antagonist (or antagonistic force), and any other main characters. It can be helpful to get this sorted out at the beginning, because quite often your characters (and who they are) will inform the finer details of the story.
3. If you’re not familiar with story structure, now is a good time to take a look at it. Well developed stories follow a similar structure, though that structure can vary from story to story, and how people distill that structure into a template can vary as well. But understanding what that general structure is and seeing how different people lay it out can help you flesh out your own story. I talk about that more in this post.
4. Next, it’s a good idea to outline your story. It doesn’t have to be anything fancy, but it’s handy to have a step-by-step guide to your story. You may also want to do a timeline, and if you have enough fleshed out, a scene list would be great, too.
5. By this point, you may also want to set up a physical story binder and/or a folder on your desktop where you can organize all of your story-related files.
6. Before you start writing your first draft, you might want to spend a little time doing research and looking for inspiration. This is a great time to put together inspiration boards (digital or physical), cast your characters, and start gathering notes about other important story elements (like setting, for example.) You might also want to do a map of your story world and/or setting, layouts of important buildings/structures, etc.
7. Now it’s time to write! Whether you call it your “zero draft,” “rough draft,” or your “first draft,” this draft is really just about getting the bare bones of your story on paper. You are not writing the final version of your story in one go, so this isn’t the time to worry about quality and perfection. This is where you dip your toes into your story’s world, get to know your characters, and hey–if you feel the urge to poke around in unexpected places or foray off the path to explore organic ideas, do it! In the very first draft of your story, you can do whatever you want!
8. Once you get your first draft completed, if you feel like you have a really strong first draft and there aren’t any structural edits you know you need to make, you can assemble a team of beta readers to get feedback. Or, if you did any of that poking around or foraying I mentioned, and if you know there are structural changes you want to make, do that in your second draft, and then you can send that to betas for feedback. At this point, you just keep editing, tightening up, revising, and polishing until you have your finished draft.
9. Sometime during this editing and revision phase, you’ll want to think about which publishing path you want to pursue: traditional or indie? Traditional publishing is where you find an agent (which doesn’t cost anything upfront, they get paid if and when they sell your manuscript) and they find a publisher for your story. Querying agents can take months or even years and there’s a lot of competition, but there are success stories every single day. Indie publishing, aka “self-publishing,” is a great path for those who want more control over their novel and publishing process. Hopefully by the time you get to the point of deciding between both routes, I’ll have a “traditional vs indie publishing” guide up for you. :)
Best of luck with your story! <3
This story is so cute! I love the style and tone of it; it really makes me sympathise with the character!
December 3rd There is a new barista at my coffee shop. She has the most amazing eyes I ever saw. I mean I know ember colored eyes exist but I have never seen some in real life. Hers glow like the sun and sparkle like the stars. Sadly I had no time today because of this stupid essay. I really like to know why we need to finish it before Christmas. Like December isn’t already busy like hell and a good month to kill someone and go free because of acute mental incapacity. December 7th I hate deadlines! Especially when they suddenly are earlier than the professor said at first. How shall I finish this in three days? At least I ran into the new barista again. It seems like she works only part-time there. I guess she is my age? So maybe she works to pay for college? Anyway, she was so nice to not put the extra shot espresso on the bill. I must have looked like a zombie. I actually feel like one. Beware of the Walking College Student! December 10th I either kill my professor or my roommate, whoever happens to cross my path first. Now we are back to the old deadline and my fucking stupid roommate managed to kill the electricity for the whole dorm. I am sure she made it on purpose to have an excuse to ask for more time for her own essay because she is the master of not planning. So I had to sit at the coffee shop to work on this stupid essay I like to burn right now. Or burn down the professor’s office? Could it help? But I now know the new barista is a student because I sat there when she came in for her shift and still wore one of the college sweaters. Damn, these hips can kill, I am sure off. I wouldn’t be surprised if she has to fend of idiots multiple times a day. Men can be so damn stupid sometimes. December 12th I managed to remember to look at the new barista’s name tag. Her name is Allison! Okay, that is so not creepy, right? I think I spend too much time at the coffee shop. My caffeine intake doubled the last weeks like I am made of coffee. But on the other side, it gives me a chance to go to the coffee shop more. I think I can blame my professors for this when mom starts to nag about it. I mean how shall a normal person with a 24 hours day manage to get all this shit done without coffee?
Lees verder
“could love really be that transcribable?”
musings about love at 5am……….
the bestest of babes!! @sundaynightnovels @vandorens @laketrials @unnagi @babyreeds @haleliwia @paracomas @ncwrites @ashesconstellation @luciellesgarden @heyabella @poeticparchment @silver-wields-a-pen @semblanche @stuffaboutwriting
@flashfictionfridayofficial
The Princess had reached the right age to marry. Her father picked some young noblemen and noblewomen from families that he had an allyship with as marriage candidates. However, when he presented his daughter the options she rejected all of them. "Father, I'm in love with my best friend. I will marry her or no one at all."
The King was not satisfied with that answer because he was in conflict with that family. "I don't believe you're really so in love with her. You'll have to prove it. Next week I host a masquerade ball in celebration of my birthday. Show me you still recognise that girl when her face is hidden under a mask."
The Princess agreed.
A week later the masked Princess entered the ball room. It was crowded with guests from all over the country. A few of them dared to ask the princess for a dance but she declined them all. Soon she spotted her friend in her heavenly blue dress. She was masked but the Princess could still see how her smile lightened up her whole face when their eyes met. "Will you dance with me?"
"I saw you dancing with her the whole night, how did you recognize her?" the King asked the Princess the next day.
"That was easy, father," she answered. "She wore the dress we sewed together last year and a necklace I gave to her."
"That's not fair," he said. "I still don't believe you're really so in love with her. You'll have to prove it again. Next week I host a party in celebration of the anniversary of my reign. Show me you still recognise that girl if you go there with a blindfold on."
The Princess agreed.
A week later the blindfolded Princess entered the assembly room. She bumped into a few acquaintances but she left them alone as soon as possible. She went to the terrace, one of her friend's favourite places. "Hi?"
"There you are, I was already waiting for you!"
"I saw you talking with her the whole time, how did you recognize her?" the King asked the Princess the next day.
"That was easy, father," she answered. "She wore the same perfume as always and I can recognize her voice everywhere."
"That's not fair," he said. "I still don't believe you're really so in love with her. You'll have to prove it again. Next week I will have dinner with the noble families of this city to celebrate my successfulness. Show me you still recognise that girl if you can't see, hear or smell her."
The Princess agreed bitterly.
A week later the Princess entered the dining hall, her eyes, ears and nose covered. She sat the whole evening quitely besides the King.
"You did not recognize her this time, did you?" the King asked the Princess after the guests had left.
"No, but neither did you," she answered. "Look, I am not your daughter. The Princess left this morning, with her girlfriend."
"But why?" the King cried.
"You proved her you don't really love her."