List Of Palestinian Evacuation And Support Fundraisers

I have only drawn Asian men, so others look wonky 🥲 (Sorry my English 😭)

Joe from A Fistful of Dollars as a Sassy Teenage Girl Asthetic

The last Dollars Trilogy one🥲❤ I'm a little sad to have run out of TMWNN characters but que sera sera, I shall find more cowboys to teenage girl-ify!!

Dear My Dear -

an @forgettable-au fan-slideshow

At the end of their journey, Sans has remembered everything. And theres only one question on his mind now…

*now what?

Its lore time. omg theres so much-

The way ill organize this…lIll start with the GENERAL thing, before getting more spesific, and explain each slide in way too much detail.

THE BIGGER PICTURE

This is the hypothetical end to their journey. Sans and Papyrus remember what happened, and this is how Sans is handling it. A letter to Wingdings.

I was hesitant to make this at first for obvious reasons- we dont know how its gonna end!!! But I took this more as a “what if ?” scenario. IF they ever remember anything, how would Sans specifically, react? I mean thats gotta be tough.

Because of that though, lot of what happened to lead up to this is kept vague.

ill explain in way more detail how Sans got to the point of writing this letter, and how he feels in the end when I explain each slide individually. But the reason why, the MAIN ISSUE is…

Over the years, hes put so much effort into enjoying what he has. And- nothings even changed!!! So why does he feel so much has? Now that he remembers what he lost…WHO he lost. He cant help but have this voice in the back of his head that says “would it have been better if that never happened? if Papyrus never existed?” and of course he absolutely hates to think that! but the voice gets louder. Writing this letter, is an act of closure. Of laying to rest someone he never got to. Someone he never even really got to do much with.

(Excuse the shitty quality of the images- I promise they’re better. WATCH THE VIDEO)

my dear wingdings,)

Sans says “wingdings” here instead of “brother”. that’s important. Also its on a white void, showing a sorta “heavenly imagery” with the mention of Wingdings. Also Gaster is in a BLACK void, but hes talking about WD here, so, contradictions.

you never came back, and now…after remembering everything everything clearly i understand why.)

Sans and Papyrus are sitting by a fire at night. They are both sorta lost in their own worlds at the moment, but are more or less leaning on one another for comfort and support. They both need each other right now despite each other being the whole reason why they feel the way they do right now-

Papyrus is notably no longer wearing the white coat that somewhat resembles a lab coat. Symbolism! Growth!

(art note: I drew Sans as a lefty in this- cherish it. It was so hard to draw these hands at these angles- CHERISH IT.)

i don’t imagine you’ll receive this letter, but i, nonetheless, must send it. wingdings….oh ‘dings…)

the first part is somewhat of a self aware/sarcastic joke. Sans is writing this letter for himself- he doesn’t imagine Wingdings, the dead man, will ever see it. Nor would Gaster care to read it. Thats another important thing, this is NOT a letter for Gaster. This is a letter for Wingdings. which is for Sans

The star in the sky symbolizes a few different things- the main one being Wingdings ofc. But also Papyrus’ expectations of himself- which mainly come from who he was. He’s looking at it, reflecting, thinking of what Wingdings did, and what Papyrus has done. Who he is NOW, and if he ever was Wingdings.

Or if Wingdings just became him.

A square is a rectangle, but a rectangle isn’t a square type thing.

i was just starting to dream the silliest- the softest of dreams. i miss you. and i will always miss you.)

2 contradictions, what Sans used to think, vs what he knows now. The memories were fuzzy- he couldn’t remember The Royal Scientist, he just feels like he remembers some nice times. Before now knowing everything clearly. And he still misses it- slightly.

The reflections are blacked out at first, before showing their future selves. Before, there was no connection to the present because it wasnt true. It felt like/was 2 completely different things

but i cannot live like that.)

Sans can still tell, even without the rose tinted glasses view he used to have, he cant live missing the past and not living in the present. He always knew that, but repeating it here makes him feel better.

Pictured is Sans and Papyrus hiking up the mountain next to the city as the sun sets. Papyrus is in full view of the light, but is facing away in order to help Sans see it too. Symbolism!

and it seems you cannot live any other way.)

another reference to the fact that Wingdings cant live… at all now. But also an awareness that part of him lives on in Gaster. The thing that killed him.

I doubt hes going to change in any way by the end of the comics, he’s far to obsessive about angels and the player for childish stuff like “growth” and “changing for the better as a human being”

when i was with you, the world made sense. but now that we are apart, i see clearly that your world is not a world from which one can escape.)

When they were together, they knew what they wanted to be. They wanted to be scientists. But after being apart so long and experiencing so much uncertainty, Sans finds that mindset is unhealthy. Again, a lot of this is stuff he already knew, but is repeating to himself because after remembering everything, he feels as if hes back at square one.

As kids they would test echo flowers, for science purposes! We don’t know yet if WDs voice comes through on them, but I imagine not… maybe. But for this we’re gonna say no. Their speech bubbles are trying so hard to be circles- the scribbles also somewhat resemble stars because I thought that’d be fun.

But the last slide has it shown that he dug them out, also for science purposes!

He took the echo flowers from their roots, much later on in his lab career. That in itself isnt that bad, but it symbolizes that he doesn’t care much for taking things slow. He wants to test with echo flowers? **TAKES EVERY SINGLE ONE WITHIN A 100 MILE RADIUS**

Also the empty holes reflects sort of what happened after he died. All of the underground was left with holes to fill. Sans, a childhood/brother. Alphys, the royal scientist. Those are the main ones but he was THE ROYAL SCIENTIST im sure there were more (smaller) holes that may or may not have been filled.

Ok and the last thing the flowers being taken out represent- he took the ones specifically from when they were kids, and abandoned what was left for the grass to grow tall and the entire area to be, in general, a lot flatter. In his quest to basically never grow up and continue being the thing he KNEW he wanted to be since kindergarten- he’s taken everything and left the rest in the dust. He’s The Royal Scientist now, he “doesn’t need anything else.”

i’m so sorry. for everything. for everything long ago, and for starting up that machine again.

Sans knows he could have been better. He could have done things differently, and that thought messes with him, even before he remembered.

The 2nd image is Sans at Grillbys after another failed attempt to get Wingdings outside. Despite the fact that he could have done things differently, theres no real reason to be “sorry” But still, he cant help but feel like he should be. He could have done things differently- could have tried harder, and gotten Wingdings out more often- or at all.

Im not sure where the machine in Sans’ lab comes into play in this AU, but it worked for the purposes of this audio.

theres a good man within you, wingdings. but he is wrestling with a giant. and the giant WINS time and again.)

Before everything, there was still a good man inside Wingdings that Sans saw. But now that he’s Gaster he just cant see him ever changing... and yknow what hes probably right. Like Papyrus says! Anyone can be a good person if they just try!…Gaster just isnt trying

“Wins” being emphasized here, I enjoy, since its sorta a video gamey term. The giant hes wrestling is that/the player, after all. Also probably his ego

I also had fun with kid Wingdings and what he’s drawing. Ofc its all him and Sans plus silly little stars, but him being finished drawing Sans, but not yet finished drawing himself, symbolizes the fact that at that age he still didn’t really know what he wanted to be, I feel like Wingdings kinda remembers the past wrong. Sure he definitely had science on the mind, but younger kids are often filled with questions, he questions if thats truly where he’d be the happiest.

Thats the good man within him

you’ve broken my soul again, and i fear i have broken yours. and for that i will never forgive myself, but i need to let you go now.)

the star represents, again, Wingdings. And the moon represents Sans, which shines only under the Suns (Papyrus’) light.

The sun is beginning to rise, and Sans and Papyrus are beginning to leave. Sans puts out the fire, closing this chapter of his life.

Because of every reason he needed to relearn/re-reflect on listed here, hes ready to let Wingdings go now. Sans is the one to put out the fire here, and not Papyrus, cause this is from the perspective of how SANS handles putting this issue to rest. Papyrus can have his own fire to put out later

Another thing about putting out the fire, thats just kinda common knowledge to do especially at a public camping spot. Yknow what else is common knowledge to do so you dont disrupt the community?? NOT REPLANTING FLOWERS-

Its not that deep…but still-

i send you the radio you made many years ago when we were kids. not because i dont want it, but… because i care for it far too much and it reminds me too much of you.)

CALL BACK!!!!!!

Sans leaves this last memento to Wingdings, the last thing they have that has nothing to do with Papyrus. Because at this point theres no reason to keep it, in Sans’ mind at least. There’s also no reason to destroy it- Like he says, hes not leaving it out of malice, theres just no good that will come from keeping it and holding onto the past.

As the sun rises, here we see the brothers leaving. in contrast to before, Sans is helping Papyrus down. Helping him down from the spotlight, the expectations he’s set upon himself. Another kick that Papyrus still has much more to reflect on and think about, he’s still looking back at that light, at a shooting star, at everything he thought he wanted to be.

i hope one day you will find some kind people who with appreciate you. for it kept me thinking of you all these years.)

GASTER FOLLOWERS!!!

Despite everything, Sans still wants whats left of Wingdings, Gaster, to be happy and find something, anyone, that will give him true happiness. It’s left ambiguous however if they truly do, do that for him. If it’s at all healthy.

cause frankly i have no idea how theyll be included. but just like everything- i cant wait to find out

and i hope by returning it to you, i can finally be free. goodbye.

- your brother

As the sun rises, the star gets smaller and smaller and eventually the sun replaces it. Remember when I said Papyrus represents the sun? SYMBOLISM!!!

Also about that, the star shines brighter than anything, but the Sun is among a lot of clouds, depicting how isolated Wingdings is/was despite shining the brightest, vs Papyrus who also does indeed shine! but isn’t isolated whatsoever.

Now, remember when I said Sans saying “my dear wingdings” instead of “my dear brother” was important? well, he acknowledges that he is still Wingdings’ brother, despite everything. So he signs off as “your brother” but… He’ll always try to remember Wingdings fondly…but…he’s unsure if he considers Wingdings his brother anymore- just because of how much they’ve changed. Thats why the whole thing is called Dear My Dear.

the radio + letter remains there in the end. I briefly played with the idea of having them disappear as the sun came out, implying that Gaster took the radio and reas the letter, but that was before I realized it was much better for this to be for Wingdings specifically, not Gaster/Wingdings/whatever.

FINALE!!! PLUS SOME BEHIND THE SCENES INFO!!!

weeps pitifully this was probably the most fun i’ve had with a project/the most happy i’ve come out of one. Learned lots about my process’ and what works! so thats awesome It took a while to make, so theres a lot of stuff I changed or ideas I scrapped that I find interesting, so im gonna show some of that on my side/shitpost account, @o-sunny-day

also isnt this so awesome???? I got a computer so I got to post more images than just 10, THIS IS SO AWESOME!!!

Have a Merry Christmas, and a Happy New Year! Heres to being a bigger, better, and different person this year! except not really because despite everything its still you.

un-unless you…got shattered across time and space…. then you’re-

well I mean that-….. hm…

does that…? hmm, well….

SO TRUE

so i watched A Bullet For The General as my last movie of 2023, and i wasn't expecting to love this movie but here we are! Where Gian Maria Volonté shows us the dangers of hitting white boy bussy *sidenote the ending was so satisfying, i was almost in tears*

Golden-haired protecting angel

I had to find this post. I read this in 2017 and it had a profound effect on me. I couldn’t stop saying it. It was echolalia. And now to this day, for seven years, I can still quote it perfectly Word for Word and often do when I do something stupid. This is the perfect post in my opinion 

I don’t know if he does it enough to be considered a habit, but I like Chuncho’s Serious Arm Cross

i love when you're so obsessed about The Character that you actually post about them Less than other characters because every time you draft up a post you're like "oh god. they're gonna know. they're all gonna know i'm obsessed with The Character. and that i'm thinking of them 24/7."

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)