Biggest fear is that people will acknowledge that in Color’s ending, killer will very likely feel extremely bored—but it’ll portrayed as “choosing to leave nightmare was the wrong choice and color is just boring and killer belongs with nightmare” rather than “killer is traumatized and conditioned to accept and get used to the abusive, controlling, violent surveillance environments he’s been in for so long, that the peace feels unfamiliar and unsafe.
the chaos of violence and death and torture was more familiar, stimulating and reliably real, but this does not negate Killer’s choice to be free and happy and safe with Color, nor does it mean Killer is bored of Color or loves him less, even if Killer himself worries this may be the case.”
Could you draw Manco and Mortimer enjoying a cuppa tea? I think they deserve to get a break at least at tea time
(Ps great art you do keep it up! :])
YES!!! a well-deserved break aka tea time (also Thank you so much!!! :D)
Running Blind's plot would be really fun with like any other ship.
Demosolly is a hell of a lot more complicated and would allow for so much more angst (cross-team??? Bro. Bro.) (If soldier is blinded it still sucks but like imagine demo going fully blind. No working eyes at all, the angst potential of being just like your family before you)
Sniperspy isn't a ship I know well enough to judge but I'd say it probably fits best for a cross-team scenario. I don't think it'd work for them on the same team as much considering how much they counter eachother in game
But like engiespy. Engineer blinded? He can't fix it? Massive fucking problem, instant angst about having your biggest asset to the team taken away. I imagine the administrator would be pissed, maybe threaten to fire him or something. Spy blinded? He could pretend to be okay, except on the base he's fucked. There's no pretending to be normal or okay and god imagine the dadspy angst potential too. And back to the ship itself, the massive amount of trust that goes into letting someone be around you when you can't see. You see my vision right? It gets even more interesting if you consider cross-team possibilities for this specifically. Spy going to sap something, only to have the engineer notice him first, or being very sloppy and noticing that the engineer doesn't notice him.
While I am not sure if they’re the same team as last time, we have another “anti-cringe” blog on the loose targeting fandom goers.
For your own sanity, please block “anticringeassociation”.
And just as last time, if you’ve already been targeted by them, report them for harassment. They deserve no platform here.
I’ve already added tags for some popular fandoms as well as ones I’ve noticed being targeted a lot, more will be added if I notice other significant fandoms being targeted in the “anti-cringe” team’s reblogs.
Edit: Probably also report for spam as well. I forgot that that was even an option.
Edit 2: As they are cowards, they have limited the ability to search for their blog. This has caused a few people to struggle with blocking them. To combat this, here is a link to the blog so you can easily block and report them: https://www.tumblr.com/anticringeassociation
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
I forgot to post this 😭
My commissions are open btw on Kofi !!
KOFI COMMISSIONS
!!! No frans/fontcest please !!!
Thank you ! ❤️😊
First undertale post in like. 8 years! Finally on my way out from art block so here's the some strange little kids
Here some other silly doodles I made
Making them wearing silly hats is very funny to me
I love taking reference from Pinterest cats 😭
Sci-Fi + Spaghetti Western + Undertale !!! I HATE FRANS/FONTCEST | 18, they/she | 🇳🇵🇭🇰
307 posts