Sometimes you’re so concerned with the overarching concept of your story that you forget about the small stuff that makes your writing unique. So let’s use a bit of mindfulness and focus on the teeny tiny miniscule details for a mo, shall we? Let’s go MACRO, kids.
Because as tempting as it is to go for the BIG themes and HUGE life experiences and SIGNIFICANT moments and ALL THE DRAMA ALL THE TIME, good writing is really about the stuff we DON’T notice.
Observing the little things.
Taking note of the seemingly day to day stuff and bringing it into focus.
Highlighting the human.
Being mindful of everything you do, everything that’s going on around you.
And using it as writing-fodder.
So. Today (or not necessarily today – but a day when you’re able to try this exercise out) try keeping a little diary of observations. Keep a notebook to hand, or use a notes app on your phone, or send yourself a bunch of random little emails – whatever works for you.
Really tap into everything you do, no matter how mundane, and see if you can note down as many interesting observations as you can.
Observe all your little routines, tics, habits and foibles:
Do you always brush your teeth in the same way?
Do you have a silly little conversation with your dog when you let them out to pee in the morning?
Do you see the same yellow car pass by every day on your way to work?
Do you get antsy if someone else makes your coffee because they never get it the way you like it?
Pay attention to all those mindless tasks you do without thinking:
Look for patterns in the bubble bath
Listen for a beat in the thump of the washing machine
Catalogue the smells, sights and sounds of your commute
Separate out the steps of cooking your dinner
Map your emotions and physical senses throughout the day:
Did you wake up on the wrong side of the bed with a cracking headache? Can you describe the feeling?
When did you feel most chilled out?
Most stressed?
What made you laugh and what sound does your laugh make?
What was on your to-do list and how did you feel about it?
Remember: we’re not necessarily looking for Big Meaningful Truths here (though they may emerge). We’re simply making a series of mini observations, any of which could be transferred into your writing as little details that will bring an extra dose of realism to your work.
You may find that some sneaky bit of fundamental human truth will come sashaying in to turn the most innocuous observation into a great big metaphor, and that’s all well and good, but there’s no pressure to make connections, or consider the universe and what it is to be human.
Today, we simply observe. Take notes. Be mindful (ugh). Create a list of senses and moments and potential new ideas. Wallow in the bottomless sinkhole of human existence and the multitudinous amazing, mundane, varied, ridiculous, touching, scary, weird things all around us…
Taking a moment to be mindful and harvest little nuggets of life for your writing is a GREAT habit to get into. You don’t have to note EVERYTHING down, obviously – just get used to pausing, observing, and making note of all the little things that other people might skim over.
Because THAT’S what makes fiction so wonderful – seeing something tiny and innocuous but oh so familiar suddenly pop out of the page. It might be a gesture or a tone of voice or an object or a reaction or a sensory detail. It doesn’t matter how commonplace it may be.
The trick is to discover your own unique way of seeing the world and translating that into words. And like all writing, it takes practice. So start today. Keep an observation diary and see what you notice – and just how many details we miss on a regular basis.
Psst. More writing exercises over here...
Artemis Fowl
Simon Snow
Trials of Apollo
Heroes of Olympus
Magnus Chase
Percy Jackson
Harry Potter
Kane Chronicles
Demon Road
Keeper of The Lost Cities
Blackwell Pages
Power of Five
Dragonwatch
Fablehaven
Septimus Heap
Inheritance Cycle
Spiderwick Chronicles
The Giver Quartet
The Love Interest
Aristotle and Dante Discover The Secrets of The Universe
I Wish You All The Best
You Know Me Well
Highly illogical Behaviour
Before I Let Go
One Of Us Is Lying
Two Can Keep A Secret
Among The Beasts and Briars
Parrotfish
The Hate You Give
There's Someone Inside Your House
Language of Thorns
Anger Is A Gift
The Tarot Sequence
That Way Madness Lies : 15 of Shakespeare‘s Most Notable Works Reimagined
A Boy Worth Knowing
The Cousins
Prince Of Air And Darkness
The Summer Of Everything
When Life Gives You Mangoes
The Dangerous Art Of Blending In
Dress Coded
Six Of Crows Duology
The Killing Joke
The Court Of Owls
On Earth We're Briefly Gorgeous
I Kissed Shara Wheeler
The Great Gatsby
The Picture Of Dorian Gray
No Longer Human
Light: Do you take constructive criticism?
Misa: Yeah
Light: You're fucking trash, misa
Misa:
Misa: *gasp* Oh no light don't talk about yourself like that, you're not trash! You're amazing! I love you!!!
Light: Do you want some tea?
L: What are the options?
Light: Yes or no
does anyone else still think about the fact that Appa has five stomachs?
Ten types of fuckery that stop you from writing the thing:
You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.
Read this: 4 tips to kick imposter syndrome in the face and also genitals
And also this: How to silence the inner critic
Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.
Read this: The different types of rejection (and how to deal with 'em)
Then read this: How to cope with rejection
And also this: Writing lessons from Groundhog Day
Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...
Read this: Planning vs pantsing
Then read this: Five plotting techniques
And also this: The perils of overplanning
Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:
Read this: What to do when your WIP isn't working
And also this: Give it space - how to grow a story in your head
Or how about this? Editing 101
Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.
Read this: Prioritise your writing
Read this: How to write in 30 second bursts
You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:
Read this: Shiny thing syndrome - a writer's malady
Aaaand read this: Get excited about your writing again
And also this: Write like a kid
Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.
Read this: Why writing is scary (and why that's a good thing)
Read this: Beginning a story - what stops us starting?
And also this: Get out of your own way
Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...
Read this: Don't fear the blank page
And also this: The moaning method
Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.
Read this: Maximise your writing time
And also this: Get in the writing zone
And also unto this: The Writers' HQ Guide to Productivity
Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...
Read this: Troubleshoot your writing - why are you stuck?
And also this: Break through the writing blockage
And also also this: Write yourself into a pit (and then dig your way out again)
~~~~~~~~~~~~~~~
Alright, that's it for today. Now go write, you flithy animals.
(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)
“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
Percy and Annabeth convincing Charon that they died in a bathtub at age 12, vs. Percy and Annabeth convincing Nyx they are tourists at age 17. They come up with the best excuses. 10/10, no notes
Beyond: You seem familiar, have I threatened you before?
You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.