Resources For Writing Sketchy Topics

Release him. Hes a silly lil guy

I needed to put him in a jar

Lighting Studies by  Andrew Lester

Tips to freelance illustrators to avoid being screwed over

Hello! I’m Gabrielle Ragusi. I’ve been a freelance illustrator for years now and, as many other freelancers, I had to deal with difficult situations in the past - recent past. These situations come with the job (for everyone), but they can be easily avoided… if only I had known this sooner!

This post doesn’t paint a pretty picture of the one client, but know that I refer to a very small percentage of people (the clients I work with are actually great). 

Yet, the one client exists and these tips might help you face them.

When The One Client tries to screw you over.

From time to time, clients will try to have their way with unforeseeable requests and demands at work started and, quite often, at work done.

Solution: State your terms.

Before starting a project, even a sketch, I strongly suggest sending a contract or a simple Terms of Agreement document in which you state everything: commission process, revisions, payment method, ownership… This way they won’t be able to make up some half-ass excuse for their demands.

Also, you don’t have to be overly generous. If the client asks for extra revisions, ask for extra payment. The extra money will cover the extra time you spent on the project, so don’t feel guilty about it.

When The One Client sells bad ideas or asks for the wrong revisions.

Clients may know what they want, but they also might try to sell ideas that you know won’t work or ask for revisions that won’t make the project look any better. They won’t consciously bamboozle you, but the project has your name on it and judgement will come with the audience feedback.

Solution: You’re the artist in this project, so speak your mind. Giving your clients alternatives and your opinion helps the client know that you care about the project and that you know your stuff. You want the best for your client.

When The One Client wants you to work on spec.

Solution: Don’t.

On-spec work is a bad idea. If clients contact me, I take for granted they’ve seen my portfolio and know what I do, but if you’re just starting as a professional, my suggestion is to ask for a minimum upfront payment.

The power to say yes doesn’t always apply.

This isn’t about The One Client but about our own ‘Yes’, when inside we’re screaming ‘Hell no’, screwing us over. 

Yes is not always good. When in doubt, think about your lack of time, disinterest in the project and all those things that lead to bad results!

If you don’t have time to work on a new commission, say no. If the project isn’t your cup of tea, say no.

Also, not all clients are jerks, so if you explain you don’t have time to work on another project right now but they like your portfolio, it’s possible that they will contact you again in the future or ask for your time schedule.

(Don’t) Assume that clients know your art style.

This one is tricky and has a lot to do with the first stage of commissions and my personal experience. When clients contact me for the first time, most have seen my portfolio and know what I do. They contact me because of what I do and how I do it. When these clients say “I love your work”, I naturally assume they’ve seen my portfolio.

But when there are no signals that the person contacting me has seen my work, I can’t assume. This happened just a few weeks ago with a client who asked for my availability to illustrate a book after seeing an illustration of mine (the book was about faeries, my illustration had faeries). Problem is I assumed they knew my work, but they didn’t. What happened is that they asked me to work on spec, I said no and gave them a minimum quote for an initial sketch instead. Feedback received, I finally understood they hadn’t in fact seen my portfolio, although I’m not sure where they found my email address.

I don’t have a real solution to this kind of situation other than not assuming things. I guess it’s a matter of dealing with The One Client once again.

Payment fees are covered by the client, always.

If you receive payments through PayPal and similar services, I’m sure you know about the fees.

Unfortunately, I found the solution to this only a couple of years ago - looking back at all the money PayPal took from me in fees, I want to cry (living in Europe and working with clients based anywhere in the world, these fees vary, from 2,9% to 4,5% + small transfer fees). 

Now I send all invoices myself (I don’t let clients send money my way on their own) and I add a tax that covers PayPal or Stripe’s fees to the project’s quote: this is not money that ends up in my pocket, it’s money that PayPal takes, mind you.

My final advice is: be professional. 

The One Client will try your patience, but don’t lose your composure. Even in disagreement, be professional, offer your thoughts and compromise if necessary. If the project is successful, The One Client will be happy. You want your clients to be happy.

I hope you’ll find this post helpful!

Peace out,

Gabrielle

Follow me on Instagram - ArtStation - YouTube

some resources for people who want to start animating

free animation programs

the 12 principles of animation

51 animation exercises (from beginner to expert)

glen keane animates a scene

my advice: have fun and play–play is learning | always be watching real life to see how things move | also be watching cool animations to learn from them | it’s hard but so worth it when things turn out well, good luck!

do you have any tips on drawings noses? particularly non-white noses?? all the tutorials are european noses and i just want to learn how to draw my own nose!!

oh i feel you. the nice thing about being a poc is that you can always study yourself in the mirror to learn how to draw yourself better! but anyways:

if you’re wondering which kinds of noses are frequent for which race, i like to use this guide. I can’t verify how accurate it is, but it’s pretty damn comprehensive for racial traits around the world. I also really like this guide for learning how to draw a variety of East Asian noses (it’s not all flat!). Here’s an equivalent guide that includes drawing African noses. And there’s always Google images for more specific requirements.

+ 3D models are really helpful when drawing noses: x x x

+ here are some general nose tutorials by better artists lol: x x

Friendly reminder that babes with clinical depression are awesome and I hope they have healthy ways to cope.

Ma’am your vibes.

a lot of us are working from home now, pretty abruptly. it’s hard, and especially if you’re like me, a sudden lack of structure coupled with really harsh self-expectations/a tense or unforgiving temperament is really challenging.

i started working from home fulltime this year, and my stop it series is a set of doodled observations i’ve made about the obstacles, bad habits, and unhealthy expectations i’ve found myself running into as i adjust. i hope maybe they can be helpful to other people too!

please check out the linked tag bc i have further observations/clarifications on these in the captions of the individual posts, but i figured it’d be good to finally dump all the notes i’ve made so far into one place. 

and a final note on what i’ve run into as i get used to working from home: it is a really really difficult balance for me, bc on one hand i really NEED a lot of self-discipline and productivity assists to get things done and make enough money to survive. but on the other hand, a loooooot of productivity advice/motivation/tools out there are really heavily keyed into capitalism and the concept of productivity as self-worth, and it’s easier than you think to slide into destructive thinking because you’re trying to keep yourself on track. do what you have to do, but make sure that the measures you take to try to make home employment work and get things done are always abt helping yourself do what you need to do without strife, not wringing as much work out of yourself as possible.

Copic Tutorial - Skin by Laovaan

literally most things that people write off as just ‘textures’ to use in graphics are stolen & unsourced material created by artists or photographers NOT meant to be used as elements in projects without royalty payments. you can say ‘it’s just random tumblr posts they don’t care’ but you wouldn’t want someone to take your work and edit into their work so they can be praised for their beautiful style and creativity even if they just post it on social media w/o profit, would you?? so maybe if you browse pinterest or google images for pictures without finding the original source, you’re using images that you’re not allowed to use without realizing it.

you see it on here a lot especially in (i won’t link anything but i’m sure you know what i mean) those album track ‘aesthetics’ posts, au ‘aesthetic’ posts (you see these less in kpop, but where people use non-royalty free images to kinda craft a visual au), and even just rather typical graphics that have a lot of ‘texture’ elements. and texture packs too!! that’s often where the problem starts; people just collect images (often literal art), compile them in a folder w/o sources, then insist no one can repost those images w/o crediting the person who compiled them. what???

SO may i suggest some of my fave places you can get FREE, ROYALTY-FREE elements that are totally legal to use

creativemarket has 6 free high-quality resources (textures, brushes, fonts, etc), different every week! wow awesome i check it every week

search ‘freebie’ on behance. awesome stuff!!! lots of v nice templates textures and fonts

mockup zone freebies

unsplash: tons of very nice free photographs, not shitty stock photos

pexels: same idea. + they have an adobe plugin so you can get photos without closing your editor damn nice

pixelsquid is a super cool free program (again w a ps plugin that i love) with lottts of super cool hq 3d elements!

as to not make this too long: spoongraphics, lostandtaken (textures galore), pixeden, freebiesbug.