Anaylsis - Blog Posts

Hi! I saw some people saying that Hawks is gonna have a mental break, but honestly I don't see that happening currently, do you think there is a chance for that?? (I tough only him realizing that villains can be saved through Ochaco but nothing more than that maybe him been involved on the Todoroki plot but it's seems that they are now far away from him)

Maybe you are focusing on the extreme negative connotations with the word "mental break" and not really reading it for what people mean when they say that, which is:

Hawks's walls that close him off from everyone and everything and his own true emotions need to finally come down. And that happening is not going to be a fun or smooth or easy process. He needs to "break", as in, those mental walls/barriers need to break. And with that, an emotional and mental "break" should follow behind it.

I can vouch for several friends of mine who desperately want to see him cry. That's really what people mean when they say mental break. Because Hawks won't cry, he won't express hardly any emotion right now because he's not facing what he's done and what he really feels. I wrote about the villains needing to CRY and I feel the same applies to Hawks. The cathartic emotional and mental release people are wanting is because they want him to face his actions, face how he really feels about them, and challenge his way of thinking. That is not an easy process (See: Tomura), so it shouldn't just be something he casually shrugs off like no big deal. If you're thinking people are wanting a legit psychotic break then no, that's not true. And if they are, well, weird, but that's not the crowd I'm talking about here.

I'm sure you didn't want a whole thoroughly thought-out response to this but this is the consequences of your actions (jk)

You brought up Ochacko as Hawks realizing villains can be saved, and yes I agree that's a thing that should happen. Hawks killed Twice, and then proceeded to say he wants to be like Twice. That is not a normal thought process. And in the act of killing Twice, he struggled internally due to his own conflicting feelings on the Jin Bubaigawara he grew a sort of attachment to before the PLF raid, and used language indicating that he genuinely felt pretty fondly of Twice---and then proceeds to stab him in the back (literally). I highly recommend checking out @transhawks meta on the interaction between Hawks and Twice before he killed him, as it really points out some of the emotions Hawks was cycling through in that moment. Also, re-read that scene anyway because you can clearly see Hawks struggling with the situation, only to snap at the end.

So again, even within the context of fictional bnha it's not normal for Hawks to stab a guy in the back and murder him, express pretty much zero remorse about it at all, and then proceed to say you want to be like him because you like him as a person.

Hawks and Twice were put into a mirror situation of Izuku/Tomura, Shouto/Touya, Ochacko/Toga. Twice was Hawks's villain. And Hawks actually kickstarted the whole narrative of attempting to save a villain you've formed a connection with by appealing to their needs in some way and using who you are as a person to that villain. The thing about their situation is that Hawks failed. For obvious story-telling reasons, like he can't accomplish what the kids' goal is before they do, before they even get a chance to entertain the idea of it. But for character-related reasons such as Hawks refusing to face himself and be vulnerable. Twice was just openly vulnerable 24/7, but Hawks didn't let his walls come down even one bit, which was the problem in their dynamic. The problem extends beyond that because Twice is gone now, and you can see that Hawks won't even be vulnerable within himself, to himself, for himself. He just won't do it. And with these hero/villain pairs the manga has set up for the end game, vulnerability from BOTH sides plays a huge part in the kids succeeding at their goal of saving. Hawks refuses to do that, so therefore he failed.

And rather than reflecting on his time since then, what we get when Toga!Twice shows up again:

is Hawks immediately resorting to killing him again, still not facing the mess of a situation it was when he did it for real back in the PLF war.

When Hawks talks about Twice in the way that he does--such as wanting to be like him and liking him as a person (yk like when he killed him), it's framed pretty ominously:

And this panel brings me to his involvement with the Todorokis.

Do I know how Hawks's involvement with Toga will lead into/tie into his involvement with the Todorokis? No, I don't and can't really see the pathway YET, but he's tied to both and it's uncharacteristic of Hori's writing style to leave things unfinished/unaddressed, so I'm confident he's going to make it happen.

Hawks and Endeavor, my god. Hawks, for lack of a better way of phrasing it, wishes Endeavor was his dad. It's coded this way, Hori doesn't go out of his way to beat the allegations either with his art:

Hawks's parasocial attachment to Endeavor (who quite literally never pays any extra mind to Hawks or spares a thought toward him during this whole final arc (or ever tbh)) is not a good thing. It's not cute, it's not sweet, it's not a normal admiration. Hawks's commentary on the Todorokis, his intrusion into their conversation during the hospital chapters, his curiosity about special details (like Shouto's eye), him insisting on just supporting Endeavor literally no matter what--there is nothing positive about that. Hawks even says it himself that he admires Shouto for facing his family's problems, when Hawks never got to (through no fault of his own, but this is a testament to how he feels about the Todorokis). In a sense Hawks just...wishes Endeavor was his dad. I mean that's the most blunt way I can put it. He views Endeavor (the doll) as a source of comfort, like a child would/should their parent. Little Hawks and little Touya being placed in front of Endeavor, whose face is split evenly on the page, is not subtle. It's clear a choice has to be made, and Hawks is not the choice Endeavor is going to make. Touya is.

Now, if Horikoshi wants to write a satisfying conclusion for Hawks similar to that of the LOV setup to have an emotional catharsis moment later on, then he'll make this impact Hawks believably. That should NOT be something Hawks just shrugs off like it wasn't a big deal. Because it 100% will be/should be treated AS A BIG DEAL. He's clung to his image of Endeavor since he was a child. Endeavor the hero, who beats bad guys. Not Enji, the father who rejects heroism in the name of saving his villain son--who burned Hawks's wings and went after his mom let's not forget. That is not something we've seen Hawks contemplate internally. The whole fight Hawks is worried about Endeavor, meanwhile inside Endeavor's head he's thinking about himself or his kids. The relationship is not the two way street Hawks would want it to be. And it's gonna be made clear, and that should hurt.

So, two major things here that really shouldn't be just "¯\_(ツ)_/¯" moments for Hawks. Ochacko saving Toga (dressed as Twice) should be a pretty jarring awakening for Hawks that HE tried to save Twice, but he failed. But Ochacko is succeeding in saving Twice's friend. It should be a pretty upsetting event to look back on that situation and realize that killing Twice really wasn't the answer, or the only options, because Ochacko saving Toga (again, currentlydressed as Twice) is living proof. Hawks failed, and Twice, the guy he says he likes, is dead. Endeavor choosing family (Touya) over heroism (Keigo) should also be upsetting, because his childhood ideal Endeavor is gone.

Both of these things happening should be challenges to Hawks's thoughts and feelings about himself, and that should not be a smooth process that doesn't involve strong emotional reactions from the character. There's a LOT left to be done with Hawks and that's why people want to see it.

Am I confident that it'll happen to the level of that I am confident Tomura, Touya, and Toga will be saved? I wouldn't say I'm that high up on the confidence scale, just because Hawks has always been so weirdly handled by Horikoshi that I scratch my head at his choices with Hawks sometimes. But I AM confident they will be addressed. Hawks maintaining his cool guy demeanor would be really stupid and disappointing tbh, especially because the LOV losing their "cool" demeanor elevates their stories so well and I think Hawks deserves the same treatment.

How has this NEVER occurred to me oh my god. And the way her hand is on top of his head is SO symbolic of multiple things.

1. Her quirk. The fact that so many of the panels where we see her, she’s using her quirk to soar above. THAT could be the symbolism. But there’s also other possibilities.

2. Her hero status. Could her hand being atop his head, almost as if all of the hands are forming a temple, with her being on top, suggest some symbolism of “enlightenment/opposition”, considering the total opposites of hero and villain grandson? It feels like a purposeful mockery by AFO (and likely is) to her character and everything she stood for, to fight AFO until her last breath, just for a piece of her to be forever witnessing the atrocities that her grandson commits against hero society.

Idk, I’m not a poet, and I’m certainly not good with words, so maybe someone else could put my thoughts into words. Just some quick analysis/thinking I was doing! :3

Okay, I just saw the leaks of 270 and I'M REELING.

But you know what freaks me out even more? This panel.

Notice where their hands are located? It's the exact locations where Shigaraki had their hands over him.

But that's not what truly shocked me...

Shigaraki was said to have given an 'extra hand' (no pun intended) by All For One

Now whose hand was on Shigaraki's head?

Nana Shimura's.

This confirms a theory that some people had for a while.

The extra hand that All For One gave to Shigaraki was Nana Shimura's hand. The hand Shigaraki destroyed by accident earlier must've been her other hand...

Meriam is not a well-written mother, sorry.

It's not a surprise, either. Meriam isn't the saint of a mother constantly portrayed in Leasebound, and I argue that the narrative does her injustice several times by not letting her be a person.

Shez's backstory is far from a shounen hero arc. It's sad, and it's a prime example of Rusty not capitalising on potentially great story arcs for her characters.

To begin, Meriam's story starts when her first husband abandons her in Austalia. She gets a job as a cleaner (and takes off her hijab), as well as takes care of Shez until Chris comes along and acts super creepy until he convinces her to marry him. And then chapter 12 happens.

Chris-era Meriam I will not call a bad mother. She was a young woman stuck in a horrible situation, and had to do what she could to help her daughters and her to survive the conflict.

My biggest gripe with chapter twelve is that Rusty calls it a "shounen" arc. Her portrayal of Meriam and her situation accurately does not look like a shounen arc; it's a serious abusive relationship that they need to escape. Meriam, I'd argue, was treated as 'motivation' for Shez and her backstory at best and a figurehead for why women shouldn't partner with men at worst. Rather than treating Meriam as a character, she's often portrayed as a sobbing mess at the mercy of her husband and then later a poor victim who finally got the life she deserved after escaping.

Since the story is a recollection from Shez, you could argue that's why Meriam is portrayed this way. Shez sees her mother as someone in constant need of saving- it's why she thinks that Meriam never had a life outside her kids and her abuse.

But I doubt rusty would write that. The narrative shows Shez as a great hero who inspired her mother to take action because her mother can't defend herself without her daughter - HER FOURTEEN YEAR OLD DAUGHTER- having to step in for her.

(This moment is particularly apalling; how could anyone see this as a power fantasy?!)

There are almost no healthy mother-daughter relationships in Lease Bound, which is really weird for a so-called feminist comic. Josephine and Jaden. Alexis and HER mother. And yes, Shez and Meriam.

Meriam is a deeply flawed mother. Meriam was married at a young age, had to take care of Shez alone in a foreign country, and then got abused. She will make mistakes, and she's made many, because she had no support from the outside and ultimately all she had were her daughters. That could make a strong, protective, fierce Mama bear....

...but she isn't. She's a **victim**. She's hurt, and she needs Shez to save her. She begs her ten year old daughter to help her after her daughter fights a battle for her. She needs her daughter to train to fight Chris for her. That's not something admiring, that's not a power fantasy. That is fucked up.

And that doesn't mean she needs to be rewritten! This can be good! This can be amazing, even! Meriam could be an actually interesting character, going in-depth on how her abuse didn't MAKE HER A STRONG PERSON! HER ABUSE WAS ABUSE! ABUSE DOESNT MAKE YOU STRONGER! IT TRAUMATIZES YOU! IT MAKES YOU NEED SUPPORT, AND THERAPY, AND YOU ARE HUMAN AND- GOOD GOD!

Why is she portrayed as the mother who can do no wrong because she got abused?! Why isn't she treated with a sliver of more nuance than "the victim"?! Why isn't Meriam seriously challenged, deconstructed, analysed, as anything other than "Shez's mom who got abused and made her hate men?"

That is bad writing! Framing abuse as a continuation of your political agenda instead of seriously exploring abuse and a person's psyche and how it affects someone!

And...well...that's how Meriam is written. That's how Rusty wants us to see her. And it's frustrating because sometimes- sometimes- Rusty gets it right.

This moment is poignant. It's my favourite Meriam moment because she's self- aware, and challenged by Shez. Rusty can do it- she just abandons it in favour of five hundred more pages of "trans bad men bad".

So...we explored all that. We tackled the surface of my feelings towards Meriam. What now?

I can't say more, because I feel like a broken record. In fact, go read up several other posts by incredibly talented Leasebound content creators who have made several dissertations on the story, and they will tell you that Lease Bound is, in fact, badly written, and that Rusty Hearts needs to do more with her story.

Thanks for reading! More about Meriam and Shez is coming soon, and I'll update this post when I finish writing it!

THE EXAGGERATED FIGHT STYLINGS OF THE GENETICALLY SUPERIOR MALE

DISCLAIMER! ALL art shown in this long ass post belongs to MAGNOZZART and his wonderful team! Go read 'The Tomato Can' on WEBTOON! Also there are huge, massive, TREMEMDOUS spoilers. Finish your reading first!

this post is a work of appriciation

Fun fact: this was supposed to have been posted on December 5th! Time flies, doesn't it? Ha ha...

...

Centered around 15 professional MMA fighters and several deadly men in the roster, the Tomato Can is jam-packed with action. As of the date of this post, readers have gone through six complete fights and are eagerly awaiting the seventh. (This original paragraph was written on December 5th, where we had just concluded Elijah vs Zach. Ever since then, there has been two more fights!)

Being the center point of the entire comic, the action sequences are well-drawn with interesting palette themes, aesthetics and especially presentation. The author and artists are able to create exciting yet grounded fights in the realistic setting The Tomato Can is set in by using artistic exaggerations, fun visuals and the thing I wish to fixate on today: setting an atmosphere.

See, the reason I made this glorified text post is to demonstrate how the author uses atmosphere to create tension and to orient the reader, as well as appriciaTE HOW BAT-SHIT THEY WENT FOR...

...Joe Rumsfield vs. Donovan Day, the fifth match in the series and the precursor fight to the main character, Elijah Zelenoff's, battle against his long-time enemy Zach Hartley.

It's vital mentioning this fact because it's the main match I want to compare with Rumsfield vs. Day. Zelenoff and Hartley is are an extremely-plot heavy pairing, what with Hartley and Zelenoff having fought six times in the past as well as being the first few introduced characters in the beginning. Not only plot, but there's a lot of emotion behind the match too: Hartley had recently incited a fight with Zelenoff by insulting his late father and missing mother, adding to the fuel of their already fuming hatred of eachother. Because of this, the audience is expecting THE most important fight by far in the series. And boy, does the art not disappoint.

You'll notice the gritty, muted tones and a lot of cool shades. You'll notice how desaturated all the characters look, especially if you compare them to previous episodes. For me, this really does set the tone the author's wishing for; this isn't some show for audiences, this isn't something they're doing as a job, this. is. WAR!

Reading forward, the stakes are high. You can see our main protagonist slipping clearly, you can see Hartley get the upper hand, and the framing only accentuates the emotion. With every connecting strike of Hartley's, the art is cold and unfeeling. It's all muted, almost as if the atmosphere has given up completely.

That is, until the first blood spills.

While I can go on about Zelenoff vs. Hartley, it's not his name on the title. It's Joe Rumsfield's, and by golly is it my god-given duty to praise just how much insanity this man packs into him.

Joe Rumsfield was the first character to be introduced once Elijah Zelenoff joined the show way back in the first three episodes, and immediately set the course of his character with:

He's Doctor Disrespect with the alpha male mentality and legitimately called himself the 'genetically superior male' as his official fight nickname. Keep in mind, these things are PERSONALIZED. So, you can expect this man has a thing for funny. Silly, even. Flamboyance.

And by god, is he flamboyant.

Let's open up episode 36, Rumsfield vs. Day. And it hurts my eyes.

Not because the art is bad! God no! It's because I've spent so much time with the nitty-gritty of Zelenoff vs. Hartley! The lights are currently on, and the characters shine in it. The saturation is up, and there's color all over. How pretty!

Rumsfield vs. Day doesn't have 'plot' behind it. It's not a high-stakes emotional journey between two men who loathe eachother, it's about Donovan Day and Joe Rumsfield. It's about the sheer amount of COMEDY Joe brings to the table, and how our old unlucky friend Donovan Day has to take the brunt of that COMEDY. Granted, there's some emotion on Joe's part, but unfortunately Joe has no time for sadness.

LOOK. AT. THIS.

A walkout is designed to 'introduce' yourself. The way you walk, the music you choose, the attire you were, it's a way of showcasing who you are before you duke it out in a cage.

Can you tell who's going to command this entire fight? Can you tell who's going to absolutely rock a man's shit for one round?

Compare the mentioned fights to each other, especially since they come back to back. The colors, the ambiance, the atmosphere, it's sheer contrast and it's pure awesome. The gritty tones compared to vibrant saturation. The total loss of hope compared to the fun painted on comic panels. It's great!

And that's kind of the point I want to make here; Joe DICTATES his entire fights, all the way down to the art. Look at these panels:

(panels)

It's comedic relief, but I like to take it as a sign. All of these panels SCREAM Rumsfield, and who he is as a person. This isn't Day vs Rumsfield, this is JOE'S fight, completely and utterly. This is essentially Joe's version of a warning: "Don't fuck with me."

For me, it was pretty important to have this dynamic. Zelenoff vs. Hartley's outcome would change the course of the webcomic completely with its high stakes. It was one of the biggest fights of the season, what with its tumultuous history and heavy revelations behind it.

I don't think this would have been communicated so well without Joe vs Donovan's existence. Or, well, Joe's fight.

It's the calm before the storm, essentially. Both fights communicate emotions without heavy dialogue with just their art alone, and it's a wonderful skill to have. These contrasts help each other. When we see the peppy, bright colors and humor of Joe vs. Donovan, it makes Zelenoff vs. Hartley's overall tone more jarring. It lets us feel with the story, which I feel like can be very difficult to communicate with comic books where the story has to be purely visually expressed. Both sides of the coin give off the correct visuals to tell a compelling story that sticks with the readers, which is really fun to read!

It's also great for character!

I mentioned being able to 'feel' with the story, and that's the main point I wanted to make. But, let's go off the deep end now. If you've stuck for this long, thank you! Anyway, the safety bar is lowering now. What? This wasn't in the pamphlet for the ride? You want to get off?

TOO BAD.

WELCOME TO THE SPLASH ZONE.

I mentioned earlier that I feel like the art shift really feels like Rumsfield as a character. Its his fight, and he's taken control of the narrative.

(he does have deadpool potential...)

Who else had these vibes?

to those who are just entering the scene of The Tomato Can, this guy will consume all media relating to it.

This is Kublai Khan. He's banned from Japan and a master of subtraction.

This may be a stretch (don't go), but upon rereading his fight, you can feel a sense of dread to him. It's said by Dejaun that the fight was him "trying to send a message", which sounds about right. The panels charged by Jason Hardwood, his opponent, are brash, loud, and self-righteous. But above them all, Kublai's overall vibe leaks through like a parasite, everywhere. Despite Kublai's undying respect for the man, from the looks of it Jason was just another step to his staircase of bodies. Once again, Kublai conducts the narrative of his fights, by pure skill and madness.

Doesn't that sound familiar?

Joe vs Kublai is going to be two forces of nature against each other. A very wise commentator once described the two as "two cartoon characters in a world of serious folks". It's going to SHAKE THE DAMN PLANET, and I. Am. WAITING!

I don't know how to end this. I've been working on this for an undescriable amount of time and several things have been happening on the backburner. The webcomic actually ENDED IT'S FIRST SEASON WHILE I WAS WRITING THIS .

So...read Tomato Can, and support artists. Yeah.

...if there are any factual errors I am tOO TIRED TO FIX ANY PLEASE I JUST GOT OFF A 3 HOUR FLIGHT AND I KNOW JAMIES VERSUS ELIJAH HAPPENED I ALREAYD HAD TO REWRITE THIS TO INCORPORATE IZOVS OSCAR JUST PLEAS ELET ME POST THIS-

*End post*

thanks for reading.

Bnha rant #2

THE ECONOMY??? WHAT??? Yes, yes, I can hear you now "but Ghost!! Why are you so distressed about the economy of a fictional world?” To that, my dear reader, I say, I don't know. I had this thought at like 2am last night. It’s all I've thought about for the past few days, so here it is! Basically, if heroes are paid by the government and the government receives that money to pay them back from tax payers. That seems normal right? That’s how schools are funded. But if heroes have to pay for the damage the cause (as shown by mt. lady) and get paid based on how they perform, then what if they just didn't pay for the damages, causing the taxes to go up?

Also, if they performed well but caused a lot of damage (endeavor), wouldn't the taxes in the areas those hero patrol in/mainly work be extremely high? Wouldn't that make people move out? Causing at lot of the other things that are paid for by tax payers to go without pay, making the areas property value go down and basically become deserted?

As a final message: Heroes are unethical (among other things). This rant is just one of my many reasonings for "the bnha government (derogatory)

What is with the Dreamers' Houses?!?! Part 3.8 Lurien's Spire - Secret Room!

Onto to the secret room!

It is a very small room, making me wonder how Lurien walked into here. All three colors associated with the Watcher’s Spire are here, though the purple glow is dominant.

First things first, Lurien has his own Lore Tablets, which is very unique in the kingdom. No, seriously, he’s the only guy who has a lore tablet with no magic or science behind it. (Not to mention a private lore tablet, not a public notice.)

The only lore tablet we can read is Lurien’s last words, which I read for you in the last part. Here is it is repeated below. To quote Lurien’s last journel entry:

“Sleep beckons eternal and these words become my last. Though my gaze shall no longer fall upon this city, I will act forever in its protection. For King, for bug, for Hallownest, I head now to my rest.”

His last words tell of Lurien’s determination, dedication, and peace.

One interesting thing to note is that we only get to read Lurien’s thoughts, not the other Dreamers. We know nothing of Herrah’s thoughts, except for everything being done for Hornet. We read Monomon’s reports, but please forgive me for stating how those tanks merely report events happening like a science report, not giving us Monomon’s personal thoughts on the matter. Those come from Quirrel translating her actions to us.

I’ll be honest, this room infuriates me for one simple reason, every lore tablet and all the ‘wanderer’s’ journals lying here are clearly written by Lurien and contain his thoughts, but we are not allowed to read any of them…except for his last entry!!! The 1 Dreamer we know little about and we have an entire room with his diaries and we can’t read it!!!

Lemm would have a field day in here. Can you imagine the classified information or missing links Lurien has in here?

And don’t think “classified” and go “Oh! Pale King fanboy!” No. Look around. I can’t even find a single Hallownest crest here, much less Monarch Wings representing the Pale King.  (Except the chair. Maybe.) Take a look.

          If we move on, it is easy to notice how the lamp is out. This is the first time we’ve seen a lamp that was clearly supposed to give light, but there’s none. It’s almost as if either the bug inside the lamp died OR the Spire staff did not expect anyone to enter this room anymore.

Artist Aspidiske did a comic about that lamp, so I will let you read it. On the Last Day - Aspidiske - Hollow Knight (Video Games) [Archive of Our Own]

          Before I touch on the entrance to this secret room, allow me to remark on what’s bugging me. Lurien’s journals are just dumped on the ground.  All other journals in the Spire are at least on shelves, these are in piles. And I would like to know why as we haven’t seen Lurien being particularly organized or disorganized before.

          Now! The Entrance!

          The secret room to Lurien’s last thoughts is blocked by a statue of Lurien! Which is very weird once you stop to think about it.

          In game, you come across several statues in Hallownest. These statues tend to come in three categories: Items of worship (like the Pale King or the Radiance statue at Crystal Peak), statues of civilizations gone by (most often seen in the Queen’s Gardens), or memorials to dead people.

          And here’s Lurien with not one, but three statues to himself.

          Only one of the three statues breaks when you hit it, leading you to the secret room, which makes sense for finding secrets. But real life before Lurien went to dreaming…

It makes no sense for Lurien to have this statue when he was awake. The statue is pretty, but very unpractical for someone to use that hidden room. And this is Lurien we are talking about here. Out of the Dreamers, he is the only one who goes for both the beautiful and practical. And based on the section regarding the pillows, Lurien isn’t vain either, so he wouldn’t have a statue of himself, much less three!!!

          The statues, Lurien’s character, the dark lamp, and the journels have me thinking. What if Lurien was NOT the person who put the statue there, but rather his people put the statue up after he went into the Dreamer. Remember we already know that Weavers rearranged Herrah’s Den so it would be a shrine for her. So it is not much of a stretch to say Lurien’s people rearranged the Spire to honor Lurien after he passed into the Dreaming.

          If this is true, then the statue for Lurien is a memorial statue. It is still extermely rare as it has COLOR whereas the other statues have more stone or metal like colors. Lurien’s colored statue gaurds his last thoughts, preserving the Watcher’s last thoughts and allowing those in depersate need to read any of Lurien’s journels.

          Then this begs the question, what about the other two statues? I hereby argue that these statues are indeed of the Watcher but not Lurien. If the secret room has all of Lurien’s thoughts, with the last entry being his last thoughts, and the statue was put up after Lurien “died”, than the other two statues could have put up when the previous Watchers passed away. Yes, I agrue that those bottom two statues belong to the Watchers before Lurien.  And those statues also guard rooms with the previous Watchers’ thoughts. Yet we are prevented from accessing them lest the fans confuse those two Watchers with Lurien himself.

          If this theory is true, what does it say about Lurien? He is the third Watcher in a line. Firstly, the job of Watcher was not created for Lurien, but rather Lurien proved himself in such a way that the Pale King appointed him to the position. Secondly, Lurien is in a tradition. Did you notice how all the statues looked the same? They all have a simple blue robe and shared mask. Lurien isn’t just wearing the robes for fashion, he is honoring the Watchers who have come before him. Third, if all three Watchers are wearing such simple robes and mask,  they are hiding their individual identities. Whether it be so people of Hallownest can focus on the mask or so the Watchers’ can protect their families, I shall leave that up to the fans as there are 3 Watchers, leaving room for interpretation. Fourth, the inner character of the Watcher was always more important than the species of the Watcher.  Again, all three Watchers are wearing simple robes that hide which species they are. To this day, fans debate on what species Lurien is. Yet all along, we were looking at the wrong thing, myself included. Personal character and individual skill were the most important aspect of Lurien. And that character and skills made him the most powerful bug right under the Royal Couple.

So, what do you think? Please reblog and share your thoughts!

If you wish to read more of the Essay, click one of these links below.

Part 1.0: Herrah's Den : Here

Part 2.0: Monomon's Archives: Here

Part 3.0: Lurien's Spire: Here

Part 3.25: Lurien's Spire: Windows and Colors: Here

Part 3.5: Even More of Lurien's Spire. Here

Part 3.7: What is WRONG with Lurien's Spire?: Here

Part 3.8: Even, even More of Lurien's Spire: Secret Room (You are here)

Part 3.9 Watcher Knight Boss Room! Here

Part 4.0 What We Know We Don't Know About the Dreamers' Houses: Click Here

Link to essay on Ao3: Here

If you have thoughts you wish to share, please feel free to comment or reblog! Especially with the above observation!

Little BSD theory thing

This isn't intended to be taken seriously; do as you want with it. This is like a week or two old??

(Little corner image is a Whisper from Won's Pinterest, idk how to @ ppl on here)