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Two Halves Of A Whole - Blog Posts
Richard Siken really and truly went off with “sometimes you get so close to someone you end up on the other side of them”
![Jim Dine - Oo La La (With Ron Padgett), 1970 [Offset Lithograph]](https://64.media.tumblr.com/7e189004759e46af9329b07760aded48/d4549b17b158594e-6b/s500x750/5ed9a15504fa23ab4867f302f8f5f4bc6439b28e.png)
Jonathan Schipper: The Slow Inevitable Death of American Muscle (2007-2009)
Deer skulls, locked together in one final battle. Photographed in our mammalogy collection by Katherine Whitney.
(Hello, itscolossal—you’ve met our diatoms, now meet our antlers.)
“Attending” (1973) by Hreinn Fridfinnsson ◇ Mirror in hand reverses above and below
1983, Tehching Hsieh ties himself to Linda Montano. Vowing to stay tied together for a whole year, whilst never touching one another.
Unfortunately my idea of true love is complete codependence and a violent obsession for each other.
"And Cain says, “When you split me and my brother in the womb, you did not divide us evenly. He got kindness, and I got longing. He got complacence, and I got ambition. I want to kill him sometimes. I think sometimes he wants to die.”
- Nathaniel Orion, "Hevel"
Just a friendly reminder that Horikoshi always intended for Tomura and Touya to be the closest thing to soulmates/eachother’s identical parallel. Their thoughts and the reasonings? Practically the same. They’ll tear themselves apart just for a shred of validation; a plea for someone to see them, even as they destroy the others around them. Who cares is innocents get hurt, right? In the end, the result will be far more valuable than a couple of stranger’s lives.
Dabi’s entire philosophy is quite literally to burn everything around him into ash, including himself and Endeavour, all to liberate himself and others from the false shackles of hero society. This ideology *perfectly* coincides with Tomura, who not only wants to carve out a place in this dejected world for all of his followers, but to also liberate and destroy. Even as children their ideologies would have agreed with one another, which is, “Why should my father’s limitations on me restrict who I am? I just want to be free.”
The meaning behind their names. Tenko ( 転弧) & Touya ( 燈矢); Tenko’s name has the kanji with the meaning “bow” in it. and Touya’s name has the kanji with the meaning “arrow” in it. Hand in hand. Another interesting fact of their names is that 燈(Tō) means "lamp", or "light”, and 転 (Ten) means "turn", or "revolve”, which could signify the instinctive nature of humans (or Tenko himself?) to ‘revolve’ around light (or Touya’s fire/heat in a metaphorical sense).
If we also want to talk metaphorical, ‘light’ could be used to describe the lightheartedness of Touya’s character before Enji destroyed him at the seams, and we know that as a child, Tenko was a loving, empathetic child, attracted to ‘light’ (the softness and kindness of others). He played games with rejected children, defended them, and acted as a ‘hero’ in his own way. This parallel of Touya needing a savior and Tenko readily taking in others who need it, is very interesting to see, especially when we literally see this acted out later on in the LOV!
One more theory I have…now hear me out…also alludes to their name meanings. 矢 (Ya) means "arrow”…but 弧 (Ko) means "arc," indicating a curved path or trajectory. Now, arrows typically travel in a straight line or path when shot. Except for when they’re deemed, “defective.” You know where I’m going with this. It’s almost a completed story with those two characters. A defective arrow that lead a curved path, all because of a manufacturing/crafting issue. Sorry if that hit you hard, me too.
I’m so delusional about them. It’s totally okay.
