Vincent.

Harvey Variations

Mechanic and on-field spy outfits for his new storyline. See more variations of Harvey here

Part 5/6 - Prince Humperdinck and Count Rugen (The Prince and the Count)

     Part 1 - The Family | 2 - Style | 3 - The Sicilian Assassins | 4 - Buttercup and Westley | 6 - Florin Castle

I loved Chris Sarandon's curls so although I eventually went in the direction of a shorter cut for Humperdinck, I wanted to keep some sort of waviness to his hair. I also wanted to make sure that it was clear that Humperdinck is a hunter and at the same time have an almost wild and animal-like feeling to him so the wavy hair helped bring it to that direction.

In the books Humperdinck is described as "weighed close to 250 pounds, brick hard". Although in the books he is not tall, I did not want the leading antagonists of both the first and back half of the series to BOTH be short (Vizzini and Humperdinck). Felt like I would be sending a not so good message.

For Count Rugen, I went with black so that there would be a transfer of association from Man-in-Black/Dread Pirate Roberts/Secretly Westley in the first part of the series to Count Rugen later on. Diagonal slashes on clothing was a more northern style plus it makes him look even more like death which is in line with the whole Executioner-Grim Reaper direction I wanted to go with him.

Differentiating him from Inigo was also important. So although I went towards a thin direction for both, everything else about them is a contrast. While Inigo was meant to have a flamboyance and a certain “Fencing is life and my passion” feeling, for Count Rugen the idea was that although he is a master Fencer, his purpose is death and fencing is one of the ways he does it kind of thing.

Cloé.

Here’s a quickie of one of the characters I’ve been working on for the past month.

Part 2/6 - Adapting a Classic (Style)

        Part 1 - The Family | 3 - The Sicilian Assassins | 4 - Buttercup and Westley | 5 - The Prince and the Count | 6 - Florin Castle

One of the ideas behind this project was about bridging the gap between the old and the new. I wanted to express the vibrance and colourful quality of a medieval (nearing renaissance) setting while using contemporary techniques, to appeal to a modern audience, with a nostalgic undertone.

Adding some browns to the palette also helped pushed it towards that slightly nostalgic direction. I shifted the other colours slightly, like using mustard or yellow-orange instead of just yellow, vermillion instead of just orange, and throwing in some violets, all to add that dash of quirky-ness to reflect the fun and witty tone of both the movie and the book.

Another idea is that this version would be a series. This gives us time and opportunity to see and experience the characters' past, like in the book.

I was figuring out how light would interact with the characters while pushing the role of line. I did studies on how to make a line express form, colour, and light. From afar, the line can be reflected light, but up close the "line" expressing reflected light would spread in a stylized manner. This creates the feeling of an increase of detail when we look at something up close all while strengthening the colourful quality of the project throughout.

Just a study on sunlit green.

Reiko.

Who says muscles and elegance in a woman were mutually exclusive?

Henrik. Before the war.

Before the war (p2), During the War, After the War

I know I’m late, but despite being a long time fire emblem fan, I only got a switch recently 😬 so here’s an oc for three houses 😁 He’s Hilda and Holst’s brother.

Proficiency in Swords and Reason. Hidden talent in Authority. (Yes, I know mortal Savant is a crap class and that Hero is nerfed in this game, but Hero has always been one of my favourite classes in fire emblem and it just makes sense personality-wise for him to also be good with reason)

If Hilda doesn’t want to try bec of how awesome Holst is (he’s so freaking cool) and she is avoiding expectations, Henrik decided to deal with their amazing brother’s reputation affecting them by creating different expectations for himself by pursuing different things. (Swords instead of axes, a diplomatic approach instead of being a general. Too bad a war breaks out). Henrik really believes in Claude’s vision because he wants the battles at Fodlan’s locket to end so that Holst doesn’t have to fight all the time. He is close with his sister and is very good friends with Claude (and definitely wants him as a brother-in-law 😉)

Jay.

A character I did in Illustrator for class almost a month ago. (Although I first drew up his design last year) It was my first time using illustrator so I touched it up in Photoshop before I posted this hehe. Also, new logo 😁 

This is a study I made while I was on my flight to the US. It was the longest day ever mostly because I'm pretty sure my April 19, 2014 lasted for more than 24 hours. 

Lately I've been practicing drawing from life. Before, I was a little scared because i didn't like making mistakes, but I realized that it's okay to ale mistakes because later on I'll be able to correct them. And as I drew from life, it has been excellent practice.

I wanted to draw the guy beside me across the aisle (because he had a nice blazer on and very very nice brogues) but unfortunately he kept noticing me looking at him so I couldn't draw him... The other people I drew didn't notice (when you see the drawings I guess you can tell why).

My favorite drawing here is definitely the mom and her daughter (mother and child jk). It was very very cute and it was great seeing that.  The man in the middle left (no, not the one who is sleeping funnily) seemed to be quite nostalgic and a lot of people get sentimental or think while on modes of transportation for a long time. The man on the lower right, I'm guessing is purser of the plane, he seemed to be quite happy with how the people were doing when one of the meals were served.  

I rarely get to go on vacation or travel, but I love it. Seeing all sorts of different people, and thinking of the many things that they have gone through or the kind of people they are. People are interesting.

To Sleep with You.