Aemondcito - Writing Resources

Vivid verbs to use instead

Instead of say:

Ask, enquire, reply, answer, state, hiss, whisper, mumble, mutter, comment, bark, assert, shout, yell, holler, roar, rage, argue, implore, plead, exclaim, gasp, drawl, giggle, whimper, snort, growl, scream, sing, stammer

Instead of run:

Sprint, dart, bolt, canter, gallop, trot, zoom, hurry, speed, jog, saunter, scamper, hurtle, rush, scramble, spring, swing, swoop, dive, careen

Instead of walk:

Stroll, hike, promenade, saunter, march, amble, stride, tread, pace, toddle, totter, stagger, perambulate

Instead of look:

Observe, glance, stare, examine, peek, study, notice, see, glare

Instead of go:

Leave, depart, shift, take off, move on, quit, exit, take a hike, travel, drive, proceed, progress, run, walk away

Instead of eat:

Pick at, nibble, munch, chew, gobble, devour, consume, demolish, gulp, swallow, scarf, wolf

Instead of hold:

Grip, clench, grasp, seize, reach, embrace, clamp, clench, clasp, grab

Instead of give:

Provide, offer, present, hand over, deliver, contribute, furnish, donate, bequeath, pass over, pass to, extend, assign, allow, lend, bestow, grant, award, confer

Instead of let:

Allow, permit, authorise, agree to, consent to, accede to, give permission for

Instead of put:

Place, set, lay, position, settle, leave, situate, locate, plant, deposit, plonk, plunk

Instead of pull:

Yank, heave, haul, draw, cart, lug, hump, drag, tow, jerk, attract, pluck, wrench

Instead of move:

Progress, transfer, shift, topple, change, redeploy, refocus, relocate, prod, nudge, induce, cause, budge, stir, lead, encourage, propose, induce, slink, scamper, careen, zip, ram, drift, droop, heave, edge, stalk, tiptoe, creep, crawl, plod, waddle, drag, stagger

Sensory verbs / quiet:

Sigh, murmur, rustle, hum, patter, clink, tinkle, chime, whir, swish, snap, twitter, hiss, crackle, peep, bleat, buzz

Sensory verbs / noisy:

Crash, thunder, clap, stomp, beat, squawk, shout, yell, explode, smash, detonate, boom, echo, bark, bawl, clash, smash, jangle, thump, grate, screech, bang, thud, blare

Instead of tell:

Order, command, instruct, dictate, require, insist, warn, caution, decree, mandate, charge, direct, dominate, lead, rule

Instead of like:

Love, adore, yearn, treasure, worship, prefer, idolise, cherish, admire, enjoy, be fond of, be keen on, be partial to, fancy, care for, appreciate, hold dear

Instead of want:

Desire, crave, covet, yearn for, aspire to, envy, fancy, require, wish for, hanker after, need, lack, miss, aim for, choose

Instead of cover:

Bury, wrap, conceal, mask, veil, hide, cloak, shroud envelope, obscure, blanket, curtain

Instead of throw:

Toss, lob, chuck, heave, fling, pitch, shy, hurl, propel, bowl, cast, drop, project

Instead of surprise:

Confuse, puzzle, bewilder, baffle, bamboozle, disconcert, flummox, perplex

Hello! I have been looking for a word for "grandfather" and "grandmother" in HV, but can't find it. In the 'family tree' there is for cousins but not grandsires :(

Also, I don't know if you have explained, but how does the name change in HV?

Thank you!

So HV has two:

Mumuña = mother's mother

Muñāzma = father's mother

Kekepa = father's father

Kepāzma = mother's father

And I don't know what you mean by your question, I'm afraid. :(

everybody give it up for weird pussy

Lil’ Tip

I see two common formulas when a character is severely hurt

injured >> panic >> faint

or

injured >> hide it >> faint

While these two formulas are great, I am here to propose other things people do when they are in severe physical pain. pain to this degree throws a persons entire body out of wack, show it!

here are some other less commonly found things people do when they’re in severe pain:

firstly, repeat it after me, kids! not everyone faints when they’re in a ton of pain! some people wish they could faint

but they do tremble, convulse, or thrash uncontrollably (keep in mind, trembling and convulsing are something the body does of it’s own accord, thrashing is an action taken by the person)

hyper/hypoventilate

become nauseous

vomit (in severe cases)

hallucinate

lose sight (temporarily)

lose hearing (temporarily)

run a low-grade fever

run a high-grade fever (in severe cases)

become unaware of surroundings

develop a nosebleed

develop a migraine

sweat absolute bullets

feel free to add more in comments/reblogs!

Different Ways to Describe Brown Eyes

-> feel free to edit and adjust pronouns as you see fit.

Her eyes were the color of honey, irises swirling like the sweet nectar.

His eyes—the color of an intoxicating champagne—beckoned her over with nothing more than a wink and a smile.

They had eyes like mud, perfectly matched with the frown that permanently stained their face.

Her eyes were as bright as the raging sun and the color of dancing flames.

They wore blue eyeshadow to contrast their dark brown eyes.

Her eyes were as beautiful as the leaves of trees in autumn.

His eyes were nearly black, like a void that held a lifetime of secrets.

Dirt. She had eyes like dirt. They were almost as dirty as her personality.

Their eyes reminded her of old brick libraries and vintage books.

She had the kind of eyes that made thieves wonder why they bothered to steal pieces of art.

His eyes made her think of the sandcastles she used to build as a kid.

Their eyes were the same color as the old oak tree their great-great-grandfather planted in the backyard.

His eyes were the same color as the bottle of liquor in his hand.

They had a smile like spring, but their eyes were autumn with a hint of passing summer.

Her dark eyes were flaked with gold.

His brown eyes had tragedy weaved behind his irises.

Brown, copper eyes that paired with the dry blood stuck to their face watched him as he stalked across the tiled floor.

Soft Prompts for Couples Not Yet Together

1. "Fleeting Encounters": Picture this - two strangers who consistently find themselves in the same crowded places. There's an unexplainable connection, a sense of familiarity that leaves them wondering if the universe is trying to tell them something.

2. "Whispers of the Heart": Every conversation they have feels like a sweet symphony. The world around them fades into the background, and it's just the two of them, sharing intimate moments that make them wonder if friendship could turn into something more.

3. "Shy Smiles and Silent Longing": Across a room filled with people, their eyes meet, and it's like time stands still. Shy smiles are exchanged, hearts beating in synchrony. They both yearn for the courage to take that first step towards something extraordinary.

4. "The Bond of Late Nights": Late-night conversations become their sanctuary, a space where they open up and share pieces of their souls. Little do they know, their hearts are already entwined, silently falling for each other.

5. "The Serendipitous Crossings": In a whirlwind of missed opportunities, they keep crossing paths. Is it mere coincidence, or is there a higher force conspiring to bring them together? They can't help but wonder what destiny has in store for them.

6. "Confidants in the Dark": A shared secret or an unexpected vulnerability brings them closer. They become each other's confidants, weaving a bond that goes beyond surface-level connections.

7. "Passion's Connection": A shared hobby ignites their souls, their passions intertwining as they explore a world of common interests. But what they don't realize is that their connection extends far beyond the shared activity they love.

8. "The Glance that Changed Everything": Their eyes meet, and something shifts in the air. It's as if the universe pauses to witness their undeniable chemistry. In that moment, they both know that their lives are about to change forever.

9. "Teasing Fate": Friends playfully tease them about the palpable chemistry between them. But little do they know that deep down, they can't ignore the growing spark between their hearts. The question lingers: will they finally take that leap of faith?

10. "Melodies of Love": Music becomes their language, notes carrying the unspoken words they're too afraid to say. The rhythm of their connection dances to the beat of their hearts, a secret language of affection.

Random, but a really handy way to make things seem creepy or wrong in horror is to make them incongruously neat or clean:

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

And fun

Fantasy Guide to Royal Children - Heirs and Spares

The lives of Princesses and Princes are of interest to most fantasy writers, it's where many of our heroes, side characters and antagonists hail from. But what is there life like? Is it always ballgrowns and servants? Or something more?

A Strict Order of Precedence

The first thing to know about royal children and siblings is that there's a very strict precedence of importance. Is it fair? No. But this is a system, it doesn't have to be fair. The heir comes first without argument. They are the most important child, they are always greeted first, they are the one to stand next to the monarch or their parents at occasions, they literally go first - and this doesn't change with age, if the heir is the youngest, they still have precedence over their siblings. After the heir, order of predence goes by age and the order effects the life of the children. For example, the older sister will marry begore any of her sisters. This order of deference will be so engrained in your character's life that they will believe it the norm and rarely question it, it probably won't spark any in-fighting.

Accommodation & Staff

Royal children are usually raised one of two ways. Either they are raised at court, in the same Palace as their parents or they are raised away from court under the care of trusted servants. Being raised away from their parents isn't a sign of remoteness or dislike or terrible parenting, it was a way of break a child into the constraints of royal life while giving them freedom of scrunity or danger. Usually these children are raised in the countryside for their health, as cities are usually cesspits for disease. Their parents would come to visit them or allow them to visit them at court. Children raised at court are raised with a higher level of scrunity and attention. They will be in the public eye.

Royal children will always be surrounded by staff. There will be nurses to wash and dress them, nannies to discipline and direct them, guards to protect them and usually, a guardian known as a governess to run their household and care for their needs. Staff are not allowed to hit royal children and must obey their commands. Some royal children were very close to their staff:

Kat Ashley and Elizabeth I

Baroness Lehzen and Queen Victoria

Klementy Grigorievich Nagorny and the Tsarevich Alexei Nikolaevich

Lala Bill and Prince John

However, some royal children faced neglect from their staff. George VI was abused by his nanny, who would pinch him during important occasions, openly favour his elder brother over him and deny him food, which many have been a cause of his speech impediment. After the Russian Revolution, another of the Tsarevich's nannies proved less loyal than the other. Andrei Yeremeyevich Derevenko abandoned his charge, but not before ordering the boy around and insulting him.

Day to Day Life

Royal children would be educated withing their home by tutors. They would usually take lessons all together (the heir may take other lessons). A royal child would recieve an education in languages, arithmetic, geography, etiquette, dancing, music, sports such as riding and literature. Sometimes they would even share lessons with the children of trusted nobles or their cousins. Only the heir will be taught statecraft and how to reign. There is no rhyme nor reason a spare would learn how to rule.

Some royal children are taught the value of their position. Many royal children will be raised strictly to adhere to their social standing and their place in it. Some children may be raised in isolation, kept from mingling and raised to think of themselves as higher than those around them. Some royal families preferred to raise their children as "normal" as possible. The last Romanov children slept in camp beds, with no pillows and we're expected to tidy their own rooms and help the servants. They didn't even use their proper titles, they were called by their names and given a tight monthly allowance to spend. Alexandra of Denmark and her sisters used to make their own clothes. Some royal children could even be encouraged to play with the children of servants and staff as well as nobility (Kolya Derevenko and Tsarevich Alexei Nikolaevich, Winifred Thomas and Prince John). Companionship was a great honour for noble and common child alike as sometimes, they would be invited to live or be educated alongside by the royal children.

Royal children will not undertake royal duties until they are of age. Younger children be be present for large scale events such as jubilees but would not be expected to partake in any duties themselves. When they are of age, they will usually be granted an annual allowance, be invited to social events, invited to be patrons of charities and participate in royal duties.

Heir Vs Spare

Heirs have more responsibility, all the prestige, more power but they have less freedom, less room to explore their own lives and be expected to always be the epitome of perfect. Heirs will be given responsibilities in government, sitting in on state meetings or undertaking state duties.

Spares have little in the way of real power but have the ability to live less regimental lives and gave more agency in their personal lives. Spares may act as ambassadors to other nations or undertake state visits on behalf of the monarchy or even take positions in the army. Spares are encouraged to find positions to support themselves outside the family, either in a marriage or undertaking some service to the country. Spares who stay in the country, tend to act as unofficial advisers to their sibling when they become monarch.

All Grown Up

When royal children grow up, there are usually certain expectations and limitations.

Heirs will be married quickly, the lineage must be secure. Heirs will usually marry either as part of a political alliance or marry somebody suitable - from a good family, the right background, and able to fit into a certain mould (i.e malleable, amiable and loyal). They will be expected to focus on the country, it's needs and support the monarch at all times. Their social circles will be scruntised, their every move will be noted and remarked upon. Heirs will never gave to worry about funding their lifestyle, the Crown is their job and it supports them.

Spares can marry or remain single if they choose, (but if the monarch instructs them go marry they must). Spares can travel, they can be idle, they can even persue amusements not permitted for the heir. Spares can win glory on the battlefield and mix with all sorts of people. That isn't to say spares are useless, spares often occupy very important spaces in society and government. Spares will usually take these positions not for just status but also for the pay. This is why spares are granted royal titles such as dukedoms (they can make money off the lands, be able to build a dynasty for themselves and their heirs and gain status).

How do I describe a tired person? I got 'dark circles under the eyes' but it kind of stops there.

Tips for creative writers:

1. Read widely: Read books, articles, and poetry across different genres and styles. This exposure to diverse writing will expand your vocabulary, inspire new ideas, and help you develop your own unique voice.

2. Write regularly: Establish a writing routine and stick to it. Set aside dedicated time each day or week to write, even if it's just for a short period. Regular practice is key to honing your skills and maintaining creative momentum.

3. Embrace creativity exercises: Engage in writing exercises or prompts to stimulate your imagination. Explore free writing, brainstorming, or visual prompts to spark new ideas and challenge your creative boundaries.

4. Edit and revise: Don't be afraid to revise your work. Editing is a crucial part of the writing process, allowing you to refine your ideas, improve clarity, and enhance the overall quality of your writing. Embrace feedback and be open to making changes.

5. Develop unique characters: Create well-rounded and believable characters by giving them depth, flaws, and distinctive voices. Explore their motivations, desires, and conflicts to make them relatable and engaging for readers.

6. Show, don't tell: Instead of telling readers what is happening or how characters feel, strive to show it through vivid descriptions, sensory details, and compelling dialogue. Engage the readers' senses and immerse them in your storytelling.

7. Pay attention to pacing: Balance the pace of your writing to maintain reader engagement. Mix moments of tension and action with quieter, reflective scenes. Vary sentence length and structure to create rhythm and keep the narrative flowing.

8. Create compelling dialogue: Craft dialogue that is realistic, purposeful, and reveals character traits. Use dialogue to advance the plot, reveal conflicts, and deepen relationships between characters.

9. Embrace constructive feedback: Seek feedback from trusted peers, writing groups, or mentors. Constructive criticism can help you identify blind spots, refine your writing, and grow as a writer.

10. Stay inspired and curious: Maintain a sense of curiosity about the world around you. Seek inspiration from art, music, nature, and everyday experiences. Keep a journal to capture ideas, observations, and inspiration that may fuel your writing.

Happy writing!