Hello! Can You Make Some Marriage Of Convenience Prompts?

Unleash Your Inner Vampire: Tips for Writing Vampire

1. Study Vampire Legends and Lore: Immerse yourself in vampire mythology and folklore from various cultures. Familiarize yourself with popular vampire tales, historical references, and the diverse interpretations of these immortal creatures.

2. Immortality and Eternal Life: Explore the themes of immortality, longevity, and the consequences that come with eternal life. Delve into the existential questions, moral dilemmas, and emotional complexities that arise from living through the ages.

3. Supernatural Abilities and Weaknesses: Define the unique set of supernatural abilities and weaknesses your vampires possess. Consider powers such as superhuman strength, speed, heightened senses, and the need for blood as sustenance. Establish the vulnerabilities, such as sunlight, garlic, holy symbols, or wooden stakes, that can be used against them.

4. Bloodlust and Temptation: Portray the powerful and primal urge vampires have for blood. Describe the inner struggle to maintain control, resist temptation, and reconcile their predatory nature with their humanity. Explore the psychological and moral conflicts that arise from their insatiable thirst.

5. Immortal Society and Clans: Create a complex social structure and hierarchy within the vampire community. Develop vampire clans or covens, each with their own traditions, rules, and relationships. Explore the dynamics between older, more influential vampires and newly turned ones.

6. Nighttime Environments and Atmosphere: Craft a vivid portrayal of the vampire's nocturnal world. Describe the allure of moonlit nights, mysterious gothic settings, and the ethereal beauty that accompanies their existence in the shadows.

7. Vampire Origins and Transformations: Establish the origins and methods of vampiric transformation in your story. Explore the lore behind their creation, whether through a bite, a curse, or a supernatural event. Consider the physical and emotional changes that occur during the transformation process.

8. Hunting and Feeding Rituals: Delve into the rituals and methods vampires employ when hunting for blood. Describe their seductive charm, mesmerizing allure, and the art of choosing and mesmerizing their prey. Showcase the duality of violence and sensuality that accompanies their feeding.

9. Humanity and Redemption: Allow your vampire characters to grapple with their lost humanity and the possibility of redemption. Explore their desires to reconnect with their past, form meaningful relationships, or find purpose beyond their existence as predators.

10. Vampire Hunters and Threats: Introduce conflicts and adversaries that challenge your vampires' existence. Include vampire hunters, rival factions, or other supernatural creatures that pose a threat to their secrecy and survival.

Remember to infuse your writing with atmospheric descriptions, emotional depth, and explore the complexities of the vampire's existence. Let your imagination soar as you delve into the captivating world of vampires.

Different ways to describe Blue eyes

1. Bright, azure eyes: Referring to the brilliant, vivid shade of blue reminiscent of a clear sky.

2. Deep sapphire eyes: Comparing the color to the rich, dark blue of a sapphire gemstone.

3. Clear cerulean eyes: Describing a pure, bright blue hue akin to the color of a clear cerulean sky.

4. Sparkling turquoise eyes: Likening the color to the shimmering, greenish-blue tones found in turquoise gemstones.

5. Icy blue eyes: Describing a pale, cool blue shade reminiscent of ice or winter.

6. Piercing cobalt eyes: Suggesting a striking, intense blue color akin to cobalt metal.

7. Dreamy cornflower eyes: Comparing the color to the soft, delicate shade of cornflower petals.

8. Electric blue eyes: Referring to a vibrant, intense blue hue that appears to be charged with energy.

9. Oceanic blue eyes: Describing a deep, alluring blue color reminiscent of the vastness of the ocean.

10. Steel-blue eyes: Likening the color to the cool, steely hue of metal.

11. Aquamarine eyes: Comparing the color to the soft, bluish-green tones of the gemstone aquamarine.

12. Gentle baby blue eyes: Describing a light, soft blue color similar to the eyes of a newborn.

13. Enchanting cerulean eyes: Suggesting a captivating, magical shade of blue.

14. Cool periwinkle eyes: Referring to a soft, light blue hue with a touch of lavender.

Character Movements (Lips) Part 2

1. Smiling: The character's lips curl upwards at the corners, indicating happiness, friendliness, or amusement.

2. Frowning: The character's lips turn downwards, indicating sadness, displeasure, or concern.

3. Pouting: The character pushes their lower lip forward, often conveying disappointment, sulking, or a desire for attention.

4. Biting lip: The character lightly bites or presses their lips together, suggesting nervousness, anticipation, or hesitation.

5. Licking lips: The character's tongue briefly touches or moves across their lips, indicating desire, anticipation, or hunger.

6. Pressing lips together: The character's lips are firmly pressed together, indicating determination, frustration, or holding back emotions.

7. Parting lips: The character's lips slightly separate, often indicating surprise, shock, or readiness to speak.

8. Trembling lips: The character's lips quiver or shake, suggesting fear, anxiety, or suppressed emotions.

9. Whispering: The character's lips move closer together, and their voice becomes softer, indicating secrecy, confidentiality, or intimacy.

10. Mouthing words: The character moves their lips without making any sound, often used to convey silent communication or frustration.

Vivid verbs to use instead

Instead of say:

Ask, enquire, reply, answer, state, hiss, whisper, mumble, mutter, comment, bark, assert, shout, yell, holler, roar, rage, argue, implore, plead, exclaim, gasp, drawl, giggle, whimper, snort, growl, scream, sing, stammer

Instead of run:

Sprint, dart, bolt, canter, gallop, trot, zoom, hurry, speed, jog, saunter, scamper, hurtle, rush, scramble, spring, swing, swoop, dive, careen

Instead of walk:

Stroll, hike, promenade, saunter, march, amble, stride, tread, pace, toddle, totter, stagger, perambulate

Instead of look:

Observe, glance, stare, examine, peek, study, notice, see, glare

Instead of go:

Leave, depart, shift, take off, move on, quit, exit, take a hike, travel, drive, proceed, progress, run, walk away

Instead of eat:

Pick at, nibble, munch, chew, gobble, devour, consume, demolish, gulp, swallow, scarf, wolf

Instead of hold:

Grip, clench, grasp, seize, reach, embrace, clamp, clench, clasp, grab

Instead of give:

Provide, offer, present, hand over, deliver, contribute, furnish, donate, bequeath, pass over, pass to, extend, assign, allow, lend, bestow, grant, award, confer

Instead of let:

Allow, permit, authorise, agree to, consent to, accede to, give permission for

Instead of put:

Place, set, lay, position, settle, leave, situate, locate, plant, deposit, plonk, plunk

Instead of pull:

Yank, heave, haul, draw, cart, lug, hump, drag, tow, jerk, attract, pluck, wrench

Instead of move:

Progress, transfer, shift, topple, change, redeploy, refocus, relocate, prod, nudge, induce, cause, budge, stir, lead, encourage, propose, induce, slink, scamper, careen, zip, ram, drift, droop, heave, edge, stalk, tiptoe, creep, crawl, plod, waddle, drag, stagger

Sensory verbs / quiet:

Sigh, murmur, rustle, hum, patter, clink, tinkle, chime, whir, swish, snap, twitter, hiss, crackle, peep, bleat, buzz

Sensory verbs / noisy:

Crash, thunder, clap, stomp, beat, squawk, shout, yell, explode, smash, detonate, boom, echo, bark, bawl, clash, smash, jangle, thump, grate, screech, bang, thud, blare

Instead of tell:

Order, command, instruct, dictate, require, insist, warn, caution, decree, mandate, charge, direct, dominate, lead, rule

Instead of like:

Love, adore, yearn, treasure, worship, prefer, idolise, cherish, admire, enjoy, be fond of, be keen on, be partial to, fancy, care for, appreciate, hold dear

Instead of want:

Desire, crave, covet, yearn for, aspire to, envy, fancy, require, wish for, hanker after, need, lack, miss, aim for, choose

Instead of cover:

Bury, wrap, conceal, mask, veil, hide, cloak, shroud envelope, obscure, blanket, curtain

Instead of throw:

Toss, lob, chuck, heave, fling, pitch, shy, hurl, propel, bowl, cast, drop, project

Instead of surprise:

Confuse, puzzle, bewilder, baffle, bamboozle, disconcert, flummox, perplex

Fantasy Guide to A Great House (19th-20th Century) - Anatomy of the House

When we think of the Victorians, the grand old Gilded Age or the Edwardians, we all think of those big mansions and manors where some of our favourite stories take place. But what did a great house look like?

Layout

All great houses are different and some, being built in different eras, may adhere to different styles. But the layout of certain rooms usually stayed somewhat the same.

The highest floors including the attic were reserved the children's rooms/nursery and the servants quarters.

The next floor would be reserved for bedrooms. On the first/ground floor, there will be the dining room, drawing room, library etc.

The basement/cellar would be where the kitchens and other food related rooms would be. Servants halls and boot rooms may also be down here too along scullery, where sometimes a maid would clean.

Rooms used by Servants

Boot Room: The Boot Room is where the valets, ladies maids, hallboys and sometimes footmen clean off shoes and certain items of clothing.

Kitchen: The Kitchen was usually either in the basement or the first floor of the house, connected to a garden where the house's vegetables were grown.

Butler's Pantry: A butler's pantry was where the serving items are stored. This is where the silver is cleaned, stored and counted. The butler would keep the wine log and other account books here. The butler and footmen would use this room.

Pantry: The Pantry would be connected to the kitchen. It is a room where the kitchens stock (food and beverages) would be kept.

Larder: The larder was cool area in the kitchen or a room connected to it where food is stored. Raw meat was often left here before cooking but pastry, milk, cooked meat, bread and butter can also be stored here.

Servants Hall: The Servant's Hall was where the staff ate their meals and spent their down time. They would write letters, take tea, sew and darn clothes. The servants Hall would usually have a fireplace, a large table for meals, be where the servant's cutlery and plates would be kept and where the bell board hung. (these bells were the way servants where summoned)

Wine Cellar: The wine cellar was where the wine was melt, usually in the basement. Only the butler would be permitted down there and everything would be catalogued by him too.

Butler's/Housekeeper's sitting rooms: In some houses, both the butler and the housekeeper had sitting rooms/offices downstairs. This was were they held meetings with staff, took their tea and dealt with accounts.

Scullery: The scullery was were the cleaning equipment was cleaned and stored. The scullery may even also double as a bedroom for the scullery maid.

Servery: The Servery connected to the dinning room. It was where the wine was left before the butler carried it out to be served. Some of the food would be delivered here to be carried out as well.

Servant's Sleeping Quarters: All servants excepting perhaps the kitchen maid and outside staff slept in the attics. Men and unmarried women would be kept at seperate sides of the house with the interconnecting doors locked and bolted every night by the butler and housekeeper. If the quarters were small, some servants may have to share rooms. Servants' bathrooms and washrooms would also be up there, supplied with hot water from the kitchens.

Rooms used by the Family

Dining room: The dining room was where the family ate their breakfast, lunch and dinner. It was also where the gentlemen took their after dinner drink before joking the ladies in the drawing room.

Drawing room: The Drawing Room was sort of a living/sitting room. It was mainly used in the evenings after dinner where the ladies would take their tea and coffee before being joined by the men. It could also be used for tea by the ladies during the day. The drawing room was seen as more of a women's room but any of the family could use it. The drawing room was a formal room but could also be used for more casual activities.

Library: The library is of course where the books are kept. The family would use this room for writing letters, reading, doing business with tenants and taking tea in the afternoons.

Bedrooms: The bedrooms would take up most of the upper floors. The unmarried women would sleep in one wing with bachelors at the furthest wing away. Married couples often had adjoining rooms with their own bedrooms in each and equipped with a boudoir or a sitting room.

Nursery: Was where the children slept, usually all together until old enough to move into bedrooms. They would be attended to be nannies and nursemaids round the clock.

Study: The study was a sort of home office where family could do paperwork, chill and write letters.

Dressing room: Dressing Rooms where usually attached to bedrooms where the family would be dressed and their clothes would be stored. The valets and ladies maids would have control of the room.

Hall: The hall was where large parties would gather for dancing or music or to be greeted before parties.

Furnishings and Decor

Most of these Great Houses were inherited which means, they came with a lot of other people's crap. Ornaments from anniversaries, paintings bought on holiday, furniture picked out by newly weds, all of it comes with the house. So most of the time everything seems rather cluttered.

As for Servant's Quarters, most of the furnishings may have been donated by the family as gifts. Most servants' halls would have a portrait of the sovereign or sometimes a religious figure to install a sense of morality into them.

George R R Martin is an American novelist and short story writer, screenwriter, and television producer. He is the author of the series of epic fantasy novels A Song of Ice and Fire, which was adapted into the Emmy Award-winning HBO series Game of Thrones (2011–2019).

01 - The human heart in conflict with itself is the only thing worth writing about. You need characters to question who, and what, they are and how they fit within the world around them. This is key for character development.

02 - Write for yourself. Following trends, or pleasing your audience in spite of your own plans, harms good storytelling. Listening to critique is good, but inevitably you must be entertained and feel your way through the writing process.

03 - Anyone can die, and death is a key part of any story with conflict. Don't give your characters any special treatment, have them play by the same rules you set upon your world. Not only does it add constant tension, but it also creates a realistic atmosphere.

04 - Sometimes an idea can just come to you. If so, do not disregard it, instead follow the idea as a writer and write it! It could either lead into an interesting project or serve as useful practice.

05 - Show don’t tell. Immersion is essential to any story. Only through visuals and vivid descriptions of your world, can your audience even start to imagine themselves in your world.

06 - Allow yourself to discover in the process of writing. While you need to know the major outcomes of the story, and character arcs, allow yourself to enjoy and be aware of your sixth sense on your way through the story.

07 - When writing a script, dialogue should never be too long. Other than a few monologues, or moments, keep it short and sweet. Also, read the dialogue aloud by yourself or with the cast, this is a simple effective way to see if it works.

08 - When adapting a novel, you’ll always lose some content. However, a good adaptation rides the fine line between cutting side content and keeping smaller meaningful moments that enrich the story.

09 - Being a writer is not a career for those who wish to be stable. It is a massive risk in every way. A true writer, even during the lows of their career, will never stop storytelling. It is essential to whom they are. So, from a beginner to a bestseller, never stop writing.

10 - The ending to an act is fundamental to keeping the audience engaged with your story. Leaving it on a cliff-hanger, or teasing the audience with a different outcome can be the best way to break up converging storylines and finished acts.

How to finish your novel in 1 year

Writing a full book is a really huge task! Most writers don’t understand how overwhelming it can get until they try it. Here’s my ideal guide of what it would look like to finish your full novel in one year.

Here’s a time-scheduled formula to succeed in finishing your book in just one year.

Spend some time on pre-writing (Month 1)

Take time to plan out all the most important parts of your novel before you jump in! This will keep you grounded and organised, so you don’t lose track of what you’re trying to achieve.

But don’t get stuck in it.

You should know your:

Character goals and story arcs

The thematic question of your story

Your biggest plot points

Don’t wait until you’re confident about everything to start writing!

The first draft (Months 2-7)

Think of your first draft as a chance to tell the story to yourself, and to find out what works and what doesn’t.

Do not think of it as something that needs to be complete on the first go!

The important part here is to just keep writing, even if you make a mess along the way.

A chapter overview (Month 8)

If possible, take a few weeks away from looking at the project before you do this!

Once your first draft is finished is when you should take a step back and make sense of the story again. It’s likely that a lot will have changed by the time you finished it, so creating a bird’s eye overview of your chapters will help you tackle the second draft.

The rewrite (Months 9-12)

Time to jump into that second draft!

This is where your project will come together, so enjoy this part of the process! Dedicate more time to your prose and the details.

And after the second draft is done?

Time to get some other eyes on your manuscript and jump into line and copy edits!

Want to try out for my coaching program? I’m fully booked until October this year, so if you want to get to work with me in 2023, now’s the time to apply!

Otherwise, I have two other amazing coaches you can try.

You can apply through the [link here] or below!

the-plottery.com

1:1 Writer Book Coaching

Power Plotter is a writer's coaching program dedicated to helping you finish writing your book and become an expert in novel plotting! You'l

List of Names

A list full of names you can use for your stories.

Fantasy Names

Fantasy Names II

Dark Academia Names (Girls)

Dark Academia Names (Boys)

German Names (Girls)

German Names (Boys)

German Names (Genderneutral)

Random Names Part I

Random Names Part II

Random Names Part III

Random Names Part IV

Random Names Part V

Random Names Part VI

Random Names Part VII

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