I Have Yet To Watch Cobra Kai Season 6 Part 3 But I Have To Ask, Is The Ending Satisfactory? Does It

Blows my mind how the writer of cobra kai hayden had said that there was no sexaual assault like um no he couldn't consent so shut the fuck up

As if they haven't done enough

Leave my babies alone god dammit!

But seriously haven't they done enough, the leaks, if true(probably are), only show lazy writing, producing a lazy finale.

Mischaracterizing almost all of the characters, an unnecessary SA plot line (especially since they most likely won't adress it), trying to convince me that some scenes happened when they didn't.

if one of the two ships or even both are not endgame, where do we go form here? Like no romance? I wouldn't mind it, but that means that all of those ship related scenes in the past seasons meant nothing? ( just like robby's scene about him being no. 2 always and how he hates it, will probably mean nothing,sorry I just can't get over how bad that was. )

Sorry if this doesn't make sense I am just writing what I feel.

the GAANG if they made presentations

When you strip the subject matter of this shipping war down to its barest essentials, in its most good faith interpretations, I think there is very little we all disagree on. Katara is a baddie. She deserves to explore her own identity. Realistically, she wouldn't end up marrying Aang or Zuko! And textualy, it would be ooc to act like they wouldn't respect that decision. Aang has been chill every time katara has been infatuated with other guys, and zuko would learn not to be possessive of her like he is Mai. Listen. They are friends. youre all so fucking tone deaf the second you try to use real world politics to explain why your ship is better

X

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bro my sister is actually so smart

so yknow how Zuko’s scar is worse directly around his eye?

and there are a lot of reasons that could be but also consider this (and this is what my 12 year old sister came up with)

Zuko was sobbing and refusing to fight his father when Ozai burned him

his tears literally became boiling water against his eye.

I HAVE BEEN WAITING FOR THIS ONE! TURN IT UP!

Jokes aside, this is amazing oh my god, where have you been all my life 🙂

Hypothetical Cobra Kai Musical Songs (Season 1)

What is Cobra Kai was or had a Musical? Well, this is what I think a couple of the songs in Season 1 would be like.

As someone who views the beginning of the show as both Johnny and Daniel being the main characters, the first song of the hypothetical musical should definitely be a duet between them. However, since the show was known for being 'The Johnny Spinoff' in it's earlier seasons, I think it's fitting that Daniel's POV comes first, an upbeat, piano and ukulele heavy section with generally happy themes. About 75% through Daniel's section, it transitions to a commercial for his autoshop where he sings about his great deals and awesome ethical code and it's all going gre-

And then the TV shuts off and we see Johnny's reflection in the screen. We get a bitter, guitar-heavy section of Johnny ranting about how his life has gone completely downhill ever since that one tournament. It goes until the chorus kicks in, where Daniel and Johnny sing their sections together and it ends with the lines, "And it's all uphill/downhill...from here." Obviously the song would be called From Here.

Next, I'm thinking a Miguel and Johnny duet of Miguel trying to convince Johnny to teach him karate after he saved him from Kyler. Think if My Superhero Movie (TTGTTM) and The Other Side (TGS) had a lovechild. Miguel starts singing about how he can make him strong and then Johnny cuts in about how karate ruined his life and that Miguel is better off just not drawing attention to himself. It ends with Johnny yelling at Miguel to fuck off and Miguel does, well, fuck off. The song would be called What You Could Make Me.

The next song is admittedly somewhat odd to place here but it's a Demetri solo called Under The Radar, basically about how it's better for social outcasts like them to stick to themselves and while he could yearn for something bigger, he finds that time better spent studying for MIT, building models, basically nerd stuff. I'm not entirely sure what it would sound like, but I think it would have some Daft Punk style tech motifs. I also just think it would be funny if Demetri was the first character to get a solo. It shouldn't be more than a minute and a half long though.

Next is a Kyler Villain Song (that sentence feels so wrong to type). It's basically the inverse of Under The Radar where it's basically Kyler just bragging about being tough and popular and saying how nerds like Miguel can't even hope to step up to gods like him. Just Kyler riding an ego high for two minutes. I'd call it Hopeless.

Then, a Miguel solo. It would take place after Carmen forbids him from training with Johnny. It'd be similar to How Far I'll Go except with Spanish guitars and drums. It'd definitely have aspects of What You Could Make Me, Hopeless, and Under the Radar in there. It'd be called Break The Cycle and the chorus would always start with 'If I could break the cycle' until the last one where it's 'When I break the cycle'.

The next song is a song for my glorious ki-Robby, I mean Robby. It would take place when Johnny goes to confront him at his mom's house when he's hanging out with his scumbag friends. It's basically an alternative rock song about how Johnny blew his chance to actually be a father to him so he better not pretend to care now. It would be similar to Hell is Forever from Hazbin Hotel, especially with Robby's friends providing background vocals and how it would end with Robby literally throwing Johnny out of the apartment. This song would be called Second Chances Don't Exist.

The next song takes place when Daniel visits Miyagi's grave, where he considers Amanda's words about being an asshole for raising the rent. It's about how much Cobra Kai's hurt him but he's lost himself in his trauma and shit like that. I guess it can be called I've Lost Myself or something like that. Honestly, not to sure on that name so consider it a placeholder.

Next up, a Hawk solo. This song is, and I'm not joking, just Let It Go from Frozen. It's about Eli's transition into Hawk, starting with him lamenting about his status and vulnerability before resolving to make a change and become a different version of himself, craft a new persona, spread his wings and become The Hawk. I'd call it Flip The Script.

Up next is a song about Daniel training Robby through the unconventional ways of Mister Miyagi, think Warrior of the Mind from Epic The Musical except less intense and with some flutes and drums. It would be Daniel heavy but Robby would have a few lines about how all this training sucks and he feels like it's just a way to make him do chores. That is until he sees the progress he's made thanks to the training and the final chorus is a full on duet between the two. Idk what this song would be called so feel free to suggest any names.

Then, definitely a love duet between Miguel and Sam, I don't actually have an example to compare it to so this section will be short as hell. I don't have a name for it either lmao.

Next, you know that scene in the junkyard of Johnny training the new Cobras? Turning it into a song. It would be if You've Got The Touch and Make A Man Out Of You did a fusion dance, and it would most likely be a Johnny solo. It would also be an inverse of the Daniel-Robby song from earlier. I'd call it something like Pain is Progress. (Not very sure on this name either).

The season would end with a reprise of From Here, with Daniel and Johnny both thinking about their respective victories and losses in the tournament, Daniel reassuring Robby that his second place trophy while Johnny laments about having misled his students and driven his son further away. The reprise would end with Kreese literally appearing in the dojo and singing the last line. Alright, so, since I don't want this to be too long and Cobra Kai is a VERY long series, I'm going to do one of these for each season. And they split Season 6 into parts for some reason, each part will have it's own post. @queen-cobra now you can stop RUSHING ME (jkjk)

I just really want to know what the fuck was going through these writers’ heads, because the entire Robby/Zara situation is just bizarre. They make a point of re-establishing Robby does not drink, and then they show him having multiple, strong alcoholic drinks he would have zero tolerance for. They show him being so drunk he is unable to talk and barely able to stand. They show him sit back down and continue drinking. They show Zara eyeing this entire situation, and approaching him. Then they flash forward to the next morning, and Robby stumbles out of Zara’s hotel room. He says he can’t remember what happened. Zara kisses him and he stands there unmoving and unresponsive. He stumbles away confused and dazed and sad.

Like. There is not any ambiguity in what happened here. There is no world in which any of what they depicted qualifies as a consensual interaction, and they went out of their way to show that it wasn’t. But then they just…turn around and blame Robby for it and call it cheating. So why did they even bother? If they wanted Robby to cheat on Tory, they could have had him unambiguously cheat on her. They could have had him sober and knowingly go home with Zara. They could have shown them being both tipsy but not wasted going back to the hotel together. They could have had Zara just kiss him at the bar where Tory could see it. They had so many other avenues if they really wanted to have Tory/Robby “cheating” drama, so why did they do this? The only explanation I can think of is that they didn’t want to completely vilify Robby, so as an out they had Zara take advantage of him. But then that means they know unequivocally it was sexual assault and still knowingly chose to a) include it and b) frame it as anything but. Which is maybe even worse.

I read denial as Daniel...

Cobra kai has taken way too much space in my brain

the five stages of grief: writer's edition

denial: "this draft is amazing. no need for edits. it’s practically perfect as is." you’re so confident that you close the document for the day, smiling like you’ve just discovered the next great american novel (or swedish, or british, whatever). plot hole? who is she?

anger: "why did i ever think this was good? this is garbage. i am garbage. my characters are flat, my dialogue is cringe, and my prose sounds like a robot swallowed a thesaurus and threw up on the page." rage-quit the doc and go aggressively scroll pinterest for "writing inspiration" that you will never use.

bargaining: "if i fix this one scene, the whole thing will click into place. i just need to write one more subplot, maybe five more chapters, a quick rewrite of the entire ending, and then it'll be fine. totally manageable." queue up 17 youtube videos on "how to fix your plot" that you play in the background while staring at your ceiling.

depression: "i will never finish this book. it’s doomed. i’m doomed. why do i even write? who let me have ideas?!" lay dramatically on your bed, considering taking up knitting or rock collecting instead. cry a little over how your characters deserve a better writer.

acceptance: "this is the best i can do right now, and that’s okay. i’ll take a break, come back with fresh eyes, and remember why i love this stupid, broken story." suddenly, your MC whispers something brilliant, and you're like wait… maybe i'm a genius after all.

and the cycle begins again. writing is a joy.