Relationships that have real king/lionheart energy, that whole “I have sworn myself wholly to you, I am your sword arm, I am your dog” to someone else’s “you are the one person in this world I can rely on, and I am both bolstered and burdened by your absolute faith in me” vibe, but it’s in circumstances that are like. so low stakes. Manger of a movie theater/the one usher who doesn’t smoke weed at work.
reminder to myself about the process of drafting & revising:
first drafts are for making it exist
second drafts are for making it functional
third drafts are for making it effective
so remember that worldbuilding website, notebook.ai, that was goin around and everyone was so excited, but it turned out you had to pay a (frankly outrageous) subscription to access any of the best tools?
well i have exciting news: World Anvil.
here’s what you get for free:
yeah. all of them. double what notebook.ai offers for pay. yeah baby.
i’ve only been using this site for like half an hour, but i am in LOVE. please check it out and consider supporting the creators if you can!
overgrown ruins are great and all but you know what really goes hard? overgrown ruins partially or entirely submerged underwater
Hello, I am writing a book where rather than having one main character/protagonist there is multiple characters that are sort of 'focused' on in third person. I have been looking into this for some time and many resources simply say 'your main character' and I struggle with what I am meant to do if I have more than one character. Am I searching for the wrong things here? Have I bitten off more than I can chew and do you have any resources for writing more than one MC?
The key to this balance is smooth transition and a balance of “screen time”. The story lines must be evenly balanced and prioritized in the actual text and the overall plot/conflict.
It’s definitely challenging to incorporate multiple focus characters and storylines, but it’s not impossible. It’s more time you’ll have to spend on character development, and then weaving the plots together in a way that feels balanced and purposeful. This can be as simple as utilizing format, and as complex as jumbling all of the separate conflicts and background noises together without pulling the reader in a million different directions.
I have a few resources you may find helpful as you go along, but the overall piece of advice I have on this is to focus on an even distribution of time, energy, and care into each character and their own stories, and then make sure it all fits nicely by the end.
How To Fit Character Development Into Your Story
Giving Characters Distinct Voices in Dialogue
Tips on Character Consistency
Resources For Plot Development
Guide To Plot Development
Tackling Subplots
Plot Structures
Pacing Appropriately
Tips on Introducing Backstory
What To Cut Out of Your Story
Tips on Balancing Development
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Masterlist | WIP Blog
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things that might inspire me or help with with my writing skills
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