Reading this, really reminded me that history may be of the victors, but the ones who write it down are those who are left.
constantly devastated by the world we lost due to aids
This is historical!!
I need to see Tim Drake with a Kid so much. MAKE THAT BOY A SINGLE PARENT.
A kid knocks on his door and says “I know what you are”.
Tim thinks he’s being pushed out of the closet.
The kid has a picture of Red Robin slipping through Tim window’s.
Tim lets him in.
The kid looks him dead in the eye and says “I think you need a sidekick”
Tim has a Deja vu so hard he ends up saying yes out of shock. He keeps the kid though, that’s his son now and he’s gonna protect that little shit like his life depends on it.
Who cares if Tim is 19 and the kid is only 7 years younger? He’s son shaped so he’s gonna be son.
This!! Yes and yes and yes!!!
It drives me a little spinny when I see people posting “Why Aziraphale doesn’t just keep his books at home if he doesn’t want to sell them” because it seems to me to so clearly be a riff on real life antiquarian bookshops?
I worked in a used and rare book shop for five years, and have frequented them since I was young, and Aziraphale is like, a type of guy who just exists. An older fellow who refuses to keep his books in any sort of order, neglects to write prices in, opens at wildly varying hours, and by all accounts does not seem to want to be in business at all. The answer I found, by the end, was because many of them were doing it as a sort of retirement hobby. They made enough money to keep the lights on and to buy new rare books to look at.
I swear to you: nobody in the book business would bat an eye at Aziraphale. Especially if his shop had been there for generations. They would assume that the occasional loose encyclopedia plate sale would be enough to make rent, or that Mr. Fell had business and land holdings elsewhere.
And I assume that though he doesn’t want to sell them, he would LOVE a curious browser. Antiquarian vendors often adore it when you ask how to find a rare book, because the thrill of the hunt is often better than actually owning the volume. Anyone can have a private library, but owning a quaint little bookshop is a saucy way to brag and chat with other book lovers, and you can’t put that on your shelf at home.
I adore this!!
My alphabet be like...
Having hearing aids myself, this is Amazing!!
I was chatting with a friend who has hearing aids about heard aid jewlery and they said "Omg that be so cool!" Would be?? Oh my friend,,, the rabbit holes I've gone down for the sake of writing!! I gotta find a proper diy guide but here- For those of you who might not have seen this wicked designs!!
Have them look like earings with dangling charms that fit your outfit!
Althought I personally like the ones that highlight the aid! Letting them be accessories and making ppl look at them and acknowledge them is very Startrek to me (which I love)
And who doesn't love elf ears???!!
Hope this inspires you. I am hunting down a diy tutorial on how to make it but given how expensive aids are I wouldn't feel comfy advocating for it quite yet until further research. Until then tho, start brainstorming and sketching ideas at least!
These tags, tho! But I always thought that meds were made small so they were over and done with more easily than the herbal.
I can't not share this!
Um, I feel called out...
who’s gonna tell tumblr that executive dysfunction is more than Not Doing Things?
“add muscle to the skin and bones” This is also helpful for those essays for class that need to be just that little bit longer. Also, the wording you give is super helpful. Thank you for sharing this!
I wrote a fic recently and the word count for the first draft came to about 40,000 words – roughly the length of a novella or ficlet. And that’s fine because I wasn’t striving for a novel or a 100K slow-burn coffee shop AU.
But coming to edit my first draft I realised something about myself. I am an underwriter. My fic could actually be at least 10k (maybe 20k) longer. Of course it’s not all about word count, it’s about the story, but in this case a smaller word count isn’t because I’m a fantastically efficient storyteller it’s because I’ve missed out a lot of stuff. Like, Important Stuff.
So as I set out to add muscle to the skin and bones I’ve already created in draft one I thought I’d share five tips for my fellow underwriters to help you flesh out your writing too.
1) Make sure to describe the place and space in which the action happens.
There are quite a few places in my first draft where there’s no indication as to where things are taking place– or there is, but it’s the bare minimum and not really enough to build up a clear picture. This probably because as the writer I know exactly what the place looks like so I make the assumption that a bare minimum description will mean the reader knows too.
Now I’m not saying go into masses of detail about what your settings look like. In some cases it’s not useful to describe setting in a lot of detail (e.g. during really fast paced action sequences) but doing a verbal sketch of the space is essential for putting your characters in context and reader understanding.
I really is a fine balance (which is why beta readers are your friend!) But definitely go back to your setting descriptions if you’re an underwriter, they might need some work.
2) Make sure to describe your character’s appearance.
Similar to the above point – you know what your characters look like, but unless you describe them, the reader won’t.
It’s fair to say that descriptions are open to reader interpretations, but that doesn’t mean you shouldn’t describe them in a healthy amount of detail. So you might try to nail down some of the interesting quirks about your characters to help the reader build a picture – not only will it help the readers understanding, it’ll boost your word count too!
Note: This one functions a little differently in a fic because the readers are probably familiar with how the character looks, but there is nothing wrong with adding your interpretation (or even reminding them, especially if the characters are from a book.)
3) Include character reactions outside of what they say out loud.
Real life conversations aren’t just about the stuff that comes out of our mouths. So much of human interaction is about body language – so include it in your writing! Saying that the character covers their mouth with their hand when they talk suggests shyness. While another character crossing their arms shows they’re defensive -perhaps because they’re feeling threatened. In real life we don’t always say what we mean – but a lot of the time our actions give away what we’re really thinking. By including these actions around dialogue writers can influence how we as readers view characters and how we interpret interactions between characters. And it can boost your word count too.
The big stuff:
4) Check your pacing.
When you write it feels like your scene is taking place over hours, days, weeks because when you’re writing it takes time. Reading, on the other hand, is much quicker. A seasoned reader can fly through a 100 page novel in a few hours – a seasoned writer can spend hours writing a 100 words.
When you read back your writing, make sure to check your pacing. You might just find that the Impossible Task you set for your characters at the start of the story is suddenly resolved within the next fifty pages. To boost your word count you might want to start by adding more obstacles between the character and their goal.
For example; your character has to find an object such as a precious jewel. Sounds relatively easy, right? But what if the jewel is lost in the mines of an ancient people, amongst thousands of other treasures that look very similar? What if no one has found this jewel because it’s guarded by a fire breathing dragon? What if the ancient mines and dragon are located in a mountain which is miles and miles away across dangerous lands? What if your characters need to enlist the help of someone with a very specific skill set?
You take one simple objective (finding the jewel) and you put into play a series of obstacles that must be overcome in order to complete the objective. Your underwriting tendencies, like mine, might just mean that there aren’t enough metaphorical (or real) dragons in your story!
5) Sub-plots.
A sub-plot is a smaller scale plot - often involving the supporting characters - which runs secondary to the main plot. It can be directly linked to the main plot, i.e. the info provided in the subplot directly influences events in the main plot. Or it can simply be linked through place, time or themes of the overall story (e.g. Hermione’s elf rights campaign ‘S.P.E.W’ in Harry Potter and the OoTP is linked to the overall theme of oppression.)
Sub-plots are great because they can serve as some respite from a traumatic main plot; your character is fighting a war (main plot) but also fighting and failing (in hilarious ways) to win the affection of their love interest (sub-plot).
Plus, sub-plots can also help with characterisation, can cause your main character to have the moment of realisation which allows them to overcome the obstacles they face in the main plot and is generally a better reflection of real life! Sub-plots often centre on side-kicks and other characters – people who might not be as devoted to the end goal as the protagonist is. In fact, well written side characters seemingly live their own lives with their own goals. You might choose to showcase this in your sub-plot by letting the conflict of interest cause more problems for the protagonist to overcome.
Either way you could find your word count sky rockets as soon as you add in a few clever sub-plots.
I hope this helped!
Got any questions? Send me an ask