In addition to the spring equinox (which is around 20 March in the northern hemisphere), 1 May was a traditional date for marking the arrival of spring. Across Europe there have been – and still are – many rich traditions representing fertility and (hopefully!) warmer weather.
The month of May is named after the Greek goddess Maia, depicted here with flower garlands and wreaths.
The Romans marked the start of May with the Floralia. They held a five-day festival to honour Flora, the Roman goddess of flowers, which was declared a holiday by Julius Caesar. People would dance, gather flowers and celebrate with public games, theatre and merrymaking to mark the arrival of longer days and the start of the farming season.
The Romans also used the Greek myth of Persephone (Roman: Proserpina) and Demeter (Roman: Ceres) to explain the changing seasons.
In the UK, May Day has long been celebrated with a mix of Anglo-Saxon and Celtic traditions. The Celtic festival of Beltane takes place on 1 May. In Celtic tradition, the sun was held prisoner during winter months and was released each spring to rule the summer sky. Celtic peoples celebrated this with a huge feast, with great fires and dancing. You can find out more about Celtic festivals here.
Other UK May Day traditions include dancing round a maypole, as seen in this 19th-century print imagining life in Elizabethan England. Although maypole dancing clearly goes back centuries, and is prevalent in many European countries, there is no agreement on when it began, or why!
The eve of 1 May (the night of 30 April) has also been celebrated for centuries in Germanic countries as Walpurgisnacht. The 8th-century abbess St Walpurga is credited with bringing Christianity to Germany. In Germanic folklore Walpurgisnacht, also called Hexennacht (literally ‘Witches’ Night’), is believed to be the night of a witches’ meeting as they await the coming of spring. As Walpurga’s feast was held on 1 May, she became associated with this May Day folk tradition. The eve of May Day, traditionally celebrated with dancing, came to be known as Walpurgisnacht.
In the late 19th century, a group of socialists and communists chose May Day as the date for International Workers’ Day. Although they fall on the same day, International Workers’ Day and the traditional May Day are essentially different celebrations.
‘May Day’ by Walter Crane. Watercolour and gold, 1874.
‘Maia. Mayus’, the goddess Maya on a cloud at centre, holding flower garlands and wreaths; the zodiacal sign of Gemini beyond. Print made by Jacobus Harrewyn. Engraving, 1698.
‘Flora, Goddess of Flowers’. Mezzotint with some etching, 1800.
‘May day in the reign of Queen Elizabeth’ by James Henry Watt. Etching and engraving on chine collé, 1836.
‘The Triumph of Labour’ by Walter Crane. Inscribed in capitals along the lower border: ’ Designed to commemorate the International Labour Day May 1 1891 / and dedicated to the wage workers of all countries’. Woodcut, 1891.
Swing by the Perelman Building and check out “Mythography: Sources for Classical Myth,” on view in the Museum Library now through February 19. With a selection of classically-inspired works from the 1300s to the 1800s, the installation explores changing perspectives on the work of Homer and his peers.
“Homer, His Iliads,” translated by John Ogilby in 1660, engraving by Cornelis van Caukercken after Abraham van Diepenbeeck
absolutely lovely.
Humorously Relatable Illustrations Display the Reality of Living with Anxiety and Depression
Per concludere la serata in bellezza, ecco a voi una splendida immagine del David. . 📷 foto di @emme_tti . . #michelangelobuonarroti #michelangelobuonarrotietornato #art #renaissance #Michelangelo #galleriadellaccademia #arte #scultura #marble #Firenze #florence #david #madeinitaly #blackandwhite (presso Galleria dell'Accademia)
Castillo de Peratallada MESURA Architects
The Peratallada Castle, a heritage building dated from the 10th century, is where we find this unique private villa garden. A magic place for a retreat in the heart of a village that preserves in every street a trace of it’s medieval past.
Images and text via MESURA Architects
Le Corbusier, Villa Jeanneret-Perret (Maison Blanche), La Chaux-de-Fonds, 1912 sources: Girard-Perregaux at Watchonista Association Maison Blanche
Morning Light In Vienna
Architecture student Evan Wakelin has produced drawings that juxtapose the old and new homes of migrants in Toronto, to convey the emotional and physical upheaval these people experience. Wakelin’s thesis research project is part of his ongoing studies at the Daniels Faculty of Architecture, Landscape, and Design, where he is enrolled on the Master of Architecture course.
“The drawings illustrate hypothetical migrations to the city, whereby the original home of the migrant is layered with their current home within the city of Toronto,” explained Wakelin in his thesis research paper. “This intersection of past and present, over different geographical locations, describes a divided identity where the sense of belonging and sentiment exist somewhere in between.”
Check out this tumblr!
Images and text via