Per Concludere La Serata In Bellezza, Ecco A Voi Una Splendida Immagine Del David. . đź“· Foto Di @emme_tti

Per Concludere La Serata In Bellezza, Ecco A Voi Una Splendida Immagine Del David. . đź“· Foto Di @emme_tti

Per concludere la serata in bellezza, ecco a voi una splendida immagine del David. . đź“· foto di @emme_tti . . #michelangelobuonarroti #michelangelobuonarrotietornato #art #renaissance #Michelangelo #galleriadellaccademia #arte #scultura #marble #Firenze #florence #david #madeinitaly #blackandwhite (presso Galleria dell'Accademia)

More Posts from Alexschi and Others

12 years ago
Unknown Photographer

Unknown Photographer

The first day of school, Portugal, 1936

Also

12 years ago
Peter Jackson’s “The Hobbit: An Unexpected Journey” Review : The New Yorker

Peter Jackson’s “The Hobbit: An Unexpected Journey” Review : The New Yorker

11 years ago
Sunday DalĂ­: The Phenomenon Of Ecstasy, 1933. Collage.

Sunday DalĂ­: The Phenomenon of Ecstasy, 1933. Collage.

From Ego Is A Rat On A Sinking Ship:

The woman sought by the Surrealist, then, was not conceived of as one who would avoid exploitation at all. It was just that Surrealism offered what it thought was an alternative exploitation to that of bourgeois society. One expression of this alternative can be seen in Salvador Dalí’s Phénomène de l’extase, a collage showing various enraptured female faces, many of which were taken from Charcot’s photographs. The image originally followed a text by Dalí on the apparently irrational component of art nouveau architecture, parts of which alluded to sculptural details of girls and angels in rhapsodic abandon on the buildings of Antoni Gaudí. “Continuous erotic ecstasy,” wrote the artist, leads to “contractions and attitudes without precedent in the history of statuary.” He continued in a subsection also entitled “Phénomène de l’extase” that “the repugnant can be transformed into the beautiful” through such ecstasy.1 The transformation of the perception of art, architecture, and most other forms of modern life was thus dependent upon the continuous excitation of ecstasy. The sexual abandon of the female hysterics in the collage was one way of accommodating such a desire.2

Salvador Dalí, “De la beauté terrifiante et comestible de l’architecture Modern’ style,” Minotaure 3-4 (12 December 1933), 69-76. ↩

Robert James Belton, The Beribboned Bomb: The Image of Woman in Male Surrealist Art, 249. ↩

8 years ago
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece
Photographing The Milky Way Over Greece

Photographing the Milky Way Over Greece

Alexandros Maragos is an Athens based filmmaker and photographer best known for his landscape photography, astrophotography and timelapse imagery. In his own words:

The Milky Way is the name of the spiral galaxy in which our solar system is located. It is our home in space. The Earth orbits the Sun in the Solar System, and the Solar System is embedded within this vast galaxy of stars. In the northern hemisphere, the Milky Way is visible in the southern half of the sky. This makes Greece one of the best places in the world to see and photograph the galaxy because of the country’s geographic location in Southern Europe at the crossroads of Europe, Asia, and Africa. 

As a filmmaker and photographer I feel very fortunate to live here. Every time I want to shoot the night sky, all I do is to pick a new spot on the map and just go there and take the shot. Greece is a heaven for astrophotography. Whether you choose a mountain, a beach, a peninsula or any of the 6,000 islands, the Milky Way is always visible in the southern sky.

To see more of his work visit his website or follow him on Facebook, Twitter, or Instagram.

Images and text via

8 years ago
Lost Landscape
Lost Landscape
Lost Landscape
Lost Landscape
Lost Landscape

Lost Landscape

Brazilian architect Luiz Eduardo Lupatini created a visual musing about the nature of human use of building materials.

He placed his conceptual design “Lost Landscape” at the heart of a quarry which would inspire individuals to confront their preconceived ideas about consumption. There is a notable interplay with positive and negative space as well as the presence of both industrial and natural textures. Monolithic concrete walls and entrances would allow people to navigate the extraction site as if it were a system of naturally occurring caves. See more on the winning Carrara Thermal Baths Competition project here.

Images and text via

12 years ago
Carole Lombard - Christmas 1930’s

Carole Lombard - Christmas 1930’s

“Merry Christmas and Happy New Year” in German

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alexschi - white.wine
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