Alianora-of-toure-on-marsh - Sometimes Nonsense

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Science is finally backing up what First Nations oral tradition has been saying for centuries

How science and First Nations oral tradition are converging

The long history of First Nations people isn’t one that can be found in books. Instead, it is a rich documentation detailed throughout time — a collective enterprise carried on by tradition and culture.

Oral tradition has often been discounted as just stories —  but science is proving that the facts behind those stories certainly shouldn’t be discounted.

Last week, a study published in the journal Nature Communications linked the genomes of 25 Indigenous people who lived 1,000 to 6,000 years ago with 25 descendants in the Lax Kw'alaams and Metlakatla First Nation in British Columbia.

The ancient DNA was taken from archeological sites in the Prince Rupert area of B.C. that contain human remains. The researchers concluded that the genomes of the descendants were altered as a result of European colonization, making them more resistant to western viruses.

However, the other outcome of the DNA study was confirmation that the Metlakatla First Nation has been in the region for thousands of years — something the Metlakatla have long asserted through oral tradition.

The researchers also found that roughly 175 years ago, the population of Coast Tsimshian in the region declined by as much as 57 per cent. This coincides with colonization and the spread of diseases such as smallpox, the accounts of which have also been passed down in First Nations oral tradition.

“Science is starting to be used to basically corroborate what we’ve been saying all along,” said Barbara Petzelt, an archaeologist with the Metlakatla First Nation, one of the researchers in the study

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*shyly whispers* do u think u could do another Greek Mythology story~

“Your tapestries are sofine,” the merchant says in wonder, “that you must be blessed by the goddessAthena.”

Arachne tosses herhead, braided hair falling over her shoulder like an obsidian waterfall,“What’s Athena got to do with it? My hands wove these, not hers.”

The merchant blanchesand looks to the sky, as if expecting Zeus himself to smite them for blasphemy.Personally, she thinks the king of the gods has better thing to do with histime. “Ah,” he says weakly, “I suppose.”

He pays her for herwares and she leaves, almost immediately bumping into a hunched old woman withgrey eyes. “Do you not owe Athena thanks for your talent?” she croaks, gnarledhands curled over a cane.

Arachne is not stupid,but she is foolish. They will tell tales of it. She looks into those grey eyesand declares, “Athena should thank me,since my talents earn her so much praise.”

She pushes past her andkeeps walking, ignoring the goddess in humans skin as she disappears into thecrowd.

They will tell tales ofher hubris. They will all be true.

~

The next day she bumpsinto the same old woman at the market. Everything goes downhill from there.

“Know your place,mortal,” Athena says, grey eyes narrowed. There is a crowd around them, andArachne could save herself, could walk away unscathed, and all she has to do issay her weaving is inferior to that of a goddess.

She will not lie.

“I do,” she sayscoolly, “and in this matter, it is above you.”

She is not honest as avirtue, but as a vice.

Athena challengers herto a weaving contest. She accepts.

~

Gods are not so hard tofind, if you know where to look.

“It’s a volcano,” thebaker repeats, looking down at her coins, as if he feels guilty for takingmoney from someone who’s clearly not all there.

She grabs her bag ofsweet breads and adds it to her pack before swinging it over her shoulders,“Yes, I know. Half a day’s walk, you said?”

“A volcano,” he insists, as if she did not hear him perfectly well thefirst dozen times.

“Thank you for yourhelp,” she says. He’s shaking his head at her, but she knows what she’s doing.

She walks. She growshungry, but does not touch the bread she paid for, and walks some more. Thesun’s begun to set by the time she makes it to the base of the volcano. It’stall, impossibly large, and for a moment the promise of defeat threatens tooverwhelm her.

But Arachne does notbelieve in defeat, in loss. They will tell tales of her hubris. Those taleswill be true.

She ties a scarf aroundher braids then hikes her skirt up and ties the material so it falls only toher thighs. She fits work roughened hands into the divots of cooled magma andbegins her slow ascent.

~

The muscles in her legsand arms shake, and her hunger pains are almost as distracting. Her once whitedress is dirt smeared and torn and sweat makes her itch as it covers her bodyand drips down her back.

“What are you doing?”

Arachne turns her headand bites back a scream, looking into one giant eye. The cyclops holds easilyto the volcano’s edges, even though her hands are torn and bleeding. Sheswallows and says, “I heard you like honeyed bread. Is it true?”

The creature tilts hishead to the side, baring his long fanged teeth at her. She thinks he might besmiling. “You’ve been climbing for hours. What do you want?”

“Is it true?” sherepeats, refusing to flinch.

“Yes,” he says, lookingat her the same way the baker had, “it’s true.”

“There’s some sweetbread in my pack, baked this morning,” she says, “it should still be soft.”

His hands are bigenough and strong enough that it could probably squeeze her head like a grape. Insteadhe gently undoes her pack and reaches inside. The honey buns look comicallysmall in his large hands, and he swallows half of them in one bite. He lickshis fingers clean when he’s done, and his smile is just as terrifying thesecond time around. “I am Brontes. Why are you climbing my master’s volcano?”

“I’m the weaverArachne,” she takes a deep breath, “I need your master’s help.”

~

They tell tales ofHephaestus’s ugliness.

They are not true.

He’s got a broad,angular face and short brown hair. His eyes are like amber set into his face,and his arms are huge, and he’s rippling muscle from the waist up. He has legsonly to his knees. From there down his legs are bronze gears and golden wire,replacements for the legs destroyed when Hera threw him from Mount Olympus.

“Had your look, girl?”he asks, voice rough like he’s always a moment away from breaking into acoughing fit.

“Yes,” she says, anddoesn’t turn away, keeps looking.

His lips quirk up atthe corners, so it was the right move. The heat is even more oppressive insidethe volcano, and all around him cyclopses work, forging oddly shaped metal thatshe can’t hope to understand. “You’ve gone to an awful lot of trouble to find me,girl. What do you want?”

She slides her pack offher shoulders and holds it out to the god, “I have a gift for your wife. I havewoven her a cloak.”

He raises an eyebrowand doesn’t reach for the bag, “You believe something made with mortal handscould be worthy of the goddess of beauty?”

They will tell tales ofher hubris.

“Yes.”

They will all be true.

With a gust of wind theoppressive heat of the volcano is swept away, leaving her chilled. In its placestands a woman – more than a woman. Aphrodite has skin like the copper of herhusband’s machines and hair dark and thick and long. Her eyes are deepest,richest brown, piercing in their intelligence. People don’t tell tales ofAphrodite’s cleverness. That is because people are stupid.

“Let’s see it then,”she says, reaching inside the pack and pulling the cloak from its depths.

It unrolls beautifully.It’s made from the finest silks, and it shimmers in the light from the forges.The hem of the cloak is sea foam, speaking of Aphrodite’s beginning, and upalong the cloak is intricate patterns it tells of her life, of her marriage andher worshippers and escapades, all with the detail of the most experiencedartist and the reverence of her most devoted followers.

Her lips part insurprise and she slides it on, twirling like a child. “Gorgeous,” Hephaestussays, though Arachne knows he does not speak of the cloak. She doesn’t takeoffense.

The goddess smiles andArachne’s heart pounds in her chest. She does her best to ignore it – Aphroditeis the goddess of love, after all. It is only expected. “Very well,” thegoddess says, “you have my attention.”

Arachne swallows.Aphrodite’s attention is a heavy thing. “I have offended Athena,” she says,“She has challenged me to a weaving contest.”

Their faces somber.Hephaestus rubs the edge of a sleeve between his fingers and says, “Athena willlose such a contest, if judged fairly. She does not take loss well.”

“I know,” she says,“you are friendly with Hades, are you not?”

There are no tales oftheir friendship. But she’s staking her life on its existence, because whywouldn’t it exist – both of them even tempered, both shunned by Olympus, bothhappily married.

Gods hate being made tofeel lesser. It is why they say Persephone was kidnapped, why they sayAphrodite cheats with Ares. It is why Athena will crush her when Arachne winsthe weaving contest.

“Clever girl,” Hephaestussays, smiling.

Aphrodite stares at herreflection in a convenient piece of polished silver. Arachne assumes Hephaestusleft if lying there for that express purpose. “Very well!” the goddess says,not looking at her, “when Athena sends you to the underworld, we will entrenchupon our uncle for your release.” She turns on her heel and points a finger ather. Arachne blushes for no reason she can think of. “In return, you will weaveme a gown, one equal to my own beauty.”

A gown as exquisite asthe goddess of beauty. An impossible task.

They will tell tales ofher hubris.

“I accept.”

They will all be true.

~

The contest goes asexpected. Athena’s tapestry is lovely, but Arachne’s is lovelier.

The goddess’s face goesred in rage, and her grey eyes narrow. Arachne stands tall, ready to accept thedeath blow coming for her.

The blow comes.

Death does not.

~

She is an insect. Even if she can make it back to Hephaestus’svolcano, even if they can help her, they will not know it is her. She has nohope left, no course of action, she should just give up. But –

She doesn’t believe indefeat, in loss.

It was a terribly longjourney on foot, that first time. It is even longer this time, although now shehas eight legs instead of two. She makes it to the volcano, and creeps inbetween crevices, until she finds out a hollowed room, one with a sliver ofsunlight and plenty of bugs to keep her fed.

Athena’s cruel joke ofallowing her to weave will be her downfall. Her silk comes out a golden yellowcolor – it will look exquisite against Aphrodite’s copper skin.

~

It takes seven yearsfor her to complete it. She hasn’t left this room in the volcano in all thattime, and as soon as it’s done she scurries out back toward the village. She’sa large insect, but not that large.

She arrives just as thesun begins to rise, and leaves before the first rays have even touched theearth, her prize tied to her back with her own silk.

Arachne doesn’t returnto her room. Instead she goes to the more popular parts of the volcano, hurriesand runs around terrifying stomping feet until she finds who she’s looking forand scurries up his leg and onto his shoulder.

“Huh,” Brontes looksonto his shoulder and blinks. “What on earth are you?”

She cautiously skittersdown his arm, waiting. He bends closer and lightly touches her back. “Is – is thata piece of a honey bun?”

She looks up at him,waiting. It’s her only chance, if he doesn’t remember, if he doesn’t understand–

His face slowly fills witha cautious kind of wonder. “Arachne?”  Shejumps in place, being unable to nod, and Brontes cautiously cradles her in hismassive hands, “We must find the Master immediately!”

She jumps down, landingin front of him and running forward. “Wait!” he calls, and she makes sure he’s runningafter her before skittering back to her corner of the cave. It’s almost toosmall for him to enter but he squeezes inside and breathes, “Oh.” He stares forseveral moments, and Arachne climbs her web and waits. Brontes shakes himselfout of his reverie and uses his powerful wings to bellow, “MISTRESS APHRODITE!”

There’s that samebreeze and she’s in the crevice with them, “What was so important, Brontes,that you had to yell?”

Arachne sees the exactmoment that the goddess sees the gown, golden yellow and glimmering, madeentirely of spider silk. “Beautiful,” she says, reaching out a hand to brushdown the bodice. Her head then snaps up, “Brontes, where’s Arachne?”

She warms at that, thatAphrodite knew it was her weaving even though she hasn’t been seen in sevenyears.

They’ve told tales ofher hubris.

They are all true.

Brontes points at theweb, and Aphrodite steps over and holds out her hands. Arachne crawls onto thegoddess’s palms. “Athena is more powerful than I am, I cannot undo her work,”she says, “but I know someone who can.”

Then they are in frontof a river. A handsome young man stands there waiting with a boat. “GoddessAphrodite,” he says, “we weren’t expecting you.”

“Thanatos,” shereturns, “I need to see Persephone.”

The man’s face stayscool, and for a moment Arachne fears they will be refused and she will be stuckin this form forever. Then he smiles and says, “My lady is of course availablefor her favored niece.” He holds out a hand to help her onto the boat, “Pleasecome with me.”

~

Arachne weaves a dressfor Hades’s wife as a thank you, and returns to her volcano.

“I can take yousomewhere else,” Aphrodite says, “you don’t have to hide here.”

Arachne pauses at herloom. She has lived in this volcano for seven years. It’s her home. “Would youlike me to leave?” she asks instead.

Aphrodite scoffs, “Ofcourse not! How could I dress myself without you here?” She’s wearing thespider silk dress Arachne spun for her, and she’s working on another for thegoddess now. Aphrodite runs a gentle finger down Arachne’s cheek and for amoment she forgets to breathe. “You are the finest weaver to ever exist.”

She looks up at thegoddess, “Then as the god of crafts and goddess of beautiful things, where elsewould I belong besides with you and Hephaestus?”

To declare your companyequal to that of gods is the height of arrogance and blasphemy.

They tell tales of herhubris.

“An excellent point,”Aphrodite murmurs, and tucks a stray braid behind Arachne’s ear.

They are all true.

gods and monsters series part iii

OK to make a font out of your own writing

go here

http://www.myscriptfont.com/

instead of printing it off just use this blank thing that way you dont have to scan it or anything

so fill that out by pasting it in any art program and whatnot

then save it and upload it to that site

and itll give you an option to download it

so do that and then install it BAM

I’ve been waiting since March to post this...

is there a smell comparable to space ? i assume we dont know because we would die if we tried to smell it but thats so cool

yeah if humans tried to smell space just like that, we’d die, no doubt about it 

but the smell of space lingers on spacewalk suits, and docking hatches when astronauts open them!

apparently, space itself smells like burning hot metal, or a hot barbeque grill with a slight hint of spent gasoline. The moon, apparently, smells like a gun after its been shot!

The coolest thing about it all is that the smell is actually what are left of dying stars- it’s literally the smell of stardust, and the particles smell like that because they’re so rich in hydrocarbons- something so very essential to life, and speculated by a lot of astronomers and astrobiologists and such to be the very thing life on earth started from!

another neat fact is that no two solar systems smell the same- ours smells like that because our solar system in particular is extremely rich in carbon, and other solar systems and places in the universe will have extremely different smells depending on what elements are most abundant in their system! 

The power of layers and layer modes

Indian villagers knit jumpers for elephants to protect them from near-freezing temperatures

If you think about it, all these thinkpieces about how Millenials are “killing” various industries reveal a pretty colossal sense of entitlement.

Under normal circumstances, if a given industry finds itself unable to sell products to a given market demographic, we’d say it’s that industry’s fault for failing to offer products that that demographic is interested in buying.

It only makes sense to blame the target demographic itself is if we’re assuming that the established industries have some intrinsic right to that demographic’s disposable income that’s being denied - which is clearly nonsense.

And I thought Millennials were supposed to be the entitled ones?

Playing with stylization. Also I just really love gnarly old tree trunks.

The needles are mostly done freehand with hardly any guides as my chalk pencil barely works. (has anyone ever come across a good chalk pencil?? maybe i need to look into getting dressmakers chalk. idk)

[photo ID: an embroidery of an old bonsai tree on black fabric in a round hoop. The trunk is swirling yellows, burgundies and oranges. The needles are dark green and arranged in a repeated fan pattern contained inside half-circles.]