Maybe Some Of Us Had Messed Up Parents And Never Knew Ourselves

So I always write from third person, largely because I tend to write multiple POVs. Only, for my new wip, I’m trying to use first person. I don’t switch POVs. I also want the story to feel like the character is telling it to the reader. But I keep switching to second person. And a part of me is like, fuck it, just write in second person, but I know a lot of people hate it. Anyways, this draft is about to be me switching back and forth constantly.

CHARACTERS ARE ALLOWED TO BE SHITTY. THEY ARE ALLOWED TO BE BAD PEOPLE. THEY ARE ALLOWED TO HAVE BAD OPINIONS AND EVENTUALLY REALISE THAT THEY'RE WRONG AND TRY TO CORRECT THEMSELVES. CHARACTERS OPINIONS ARE NOT A REFLECTION OF THE WRITERS OPINIONS. I BEG OF YA'LL. LEARN BASIC STORY TELLING TECHNIQUES. CHARACTERS ARE ALLOWED TO BE FLAWED WITHOUT BEING 100% A TERRIBLE PERSON. BECAUSE. THATS JUST HOW PEOPLE ARE IN REAL LIFE.

Yea no I'm fine it's just the dialogue is coming out so neat and I can't show anyone because that would be massive spoiler so I guess I'll just sit here vibrating.

yall gotta learn the difference between "this character is an asshole" and "this character was supposed to be super cool but the author is an asshole" and "this character is a teenage girl who was mean once"

Readers aren’t stupid. If a character is crying, you don’t need to add “because she was sad.” They’ll get it.

me rereading a scene: omg why is she acting like that who wrote this? i wrote this.

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

writing is hard. it’s frustrating. sometimes you’ll want to quit. but the thing about writing is that it’s not just about the final product. it’s about the process. the messy, chaotic, beautiful process of creating something out of nothing. so even when it feels impossible, keep going. because no one else can tell your story the way you can.

WHO ARE WE? WRITERS!

WHAT DO WE DO? WRITE!

WHEN DO WE DO IT?

And there was a silence...

I hate that people are using ai to write. If you don’t wanna write, then don’t. Like it’s not even just a money thing because there are ai generated fanfics now. I hate it so much.

I live this craft with my whole heart, even when it’s hard. I value my words and the work of every other writer out there. I don’t understand why people think using ai is okay. You’re stealing other people’s work and devaluing the craft. Plus, it’s bad for the environment to use ai.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

IT MAY TAKE ME A MONTH TO PUT OUT A CHAPTER BUT AT LEAST IM NOT USING AI TO WRITE IT