Latest Posts by allegedlyiwrite - Page 8

Brainstorming at 3 AM: This will be an epic saga of love, betrayal, and redemption.

Drafting the next chapter: Uh...they eat soup, I guess?

writing is hard. it’s frustrating. sometimes you’ll want to quit. but the thing about writing is that it’s not just about the final product. it’s about the process. the messy, chaotic, beautiful process of creating something out of nothing. so even when it feels impossible, keep going. because no one else can tell your story the way you can.

Tips for writing internal conflict

1. Define the Core Dilemma

• Internal conflict occurs when a character faces a choice or emotional struggle within themselves. This dilemma should challenge their values or identity.

• How? The struggle should feel deeply personal and tied to the character’s motivations.

• Example: A character who values independence but must rely on others in a life-or-death situation.

2. Make it tied to their core values

• The conflict should challenge what the character holds dear—whether it’s their morals, desires, or goals.

• How? The inner conflict should push the character to re-evaluate their beliefs and priorities.

• Example: A soldier torn between duty and personal ethics, forced to choose between following orders and doing what’s right.

3. Amplify with external consequences

• Link internal conflict to external consequences that impact the character and those around them. The choices they face should have significant repercussions.

• How? Show how the character’s internal conflict influences their decisions in the real world.

• Example: A character haunted by guilt must choose whether to admit their past mistakes, risking their career and relationships.

4. Show the pressure building over time

• Internal conflict intensifies when it’s compounded by time, increasing stakes, or mounting external pressure.

• How? Create scenes where the character feels the weight of their choices growing heavier with every passing moment.

• Example: A character whose addiction threatens to ruin their life, struggling to break free but tempted by old habits every day.

5. Conflict arises from competing desires

• Internal conflict often stems from having two equally strong desires that cannot coexist.

• How? Put your character in situations where they must choose between these desires, both of which seem vital.

• Example: A character torn between pursuing their dream job across the country or staying to care for a dying parent.

6. Explore their fears and insecurities

• Internal conflict can also be driven by the character’s deepest fears or insecurities, which affect their actions and decisions.

• How? Fear of failure, rejection, or loss can prevent them from acting, making every decision feel like a battle.

• Example: A character who has been hurt before refuses to let anyone in, even though they deeply crave connection.

7. The power of self-sabotage

• Let the character’s internal conflict lead to self-sabotage. They may avoid decisions or create obstacles to protect themselves from facing their own feelings.

• How? Show how the character's fear or internal resistance undermines their progress.

• Example: A character constantly pushes away someone they care about because they fear their own vulnerability.

8. Use internal dialogue to show the battle

• Let readers hear the character’s internal struggle through thoughts, doubts, or justifications. Internal dialogue can make the conflict feel more immediate and real.

• How? Keep the internal dialogue sharp, reflective, and in line with the character’s voice.

• Example: “I want to tell them the truth, but what if they leave? Can I really risk that?”

9. Drive change through resolution

• The internal conflict should lead to growth or change in the character. They should evolve, learn, or make peace with their internal struggle.

• How? The resolution should feel earned and reflect the character’s journey.

• Example: A character who fears commitment learns to trust and embrace vulnerability in the face of love.

10. Let it affect the bigger picture

• The resolution of internal conflict should impact the story’s larger arc, showing how the character’s inner change leads to progress or a new direction.

• How? The resolution should tie back to the theme and forward momentum of the plot.

• Example: A character who learns to forgive themselves is able to take the final step in reconciling with a loved one, mending broken relationships.

Follow for more!

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

How to Write Vivid Descriptions WITHOUT Overloading

Are you the type of person who describes a setting by using an intimidatingly huge paragraph that just rambles on and on and on because you're told to be specific but don't quite know how to do it correctly? If you've been struggling to detail settings, you've come to the right place! I'll reveal how to effectively describe a setting without having to use one big chunk of text and shoving it at your reader!

~ LINK IDEAS TOGETHER

As writers, we hear "show, don't tell" quite often, and the same applies when writing settings. But for some people this tip does little to help because, well, it's a bit of a vague concept.

With that being said, "linking ideas together" is a great way to describe the setting without having to explain the location! What do I mean?

Let's say there's a green field and I'm trying to depict it. This method is to find another subject that could connect with the setting to further describe it. What else is green? What reminds the character of the field? What's something similar?

Ex: The field in front of him reminded him of a photo he once saw long ago as a boy. His parents were standing in a lush, grassy area void of people, hugging each other tightly and smiling brightly at the camera under the clear blue sky.

In that example, I linked the field to a picture the character found, and by using his memories, I was able to paint a rough image of the location while setting the tone!

Ex: She'd been there before. She was there when the building still stood tall. When the streets were filled with people bustling about and the air smelled like cigarettes. Now, there is no tall building, but instead a pile of debris. She hasn't seen anyone in thirty minutes, and any smell of cigarettes would've surely been washed away by the rain.

This time, I connected the present location with the past one. But instead of showing the similarities, I contrasted them to emphasize the changes and abandoned state of the area!

~ LITERARY DEVICES

The most common literary devices I see regarding setting are similes, metaphors, and personifications!

It's similar my previous tip, where you connect two ideas together, but more general. The similes and metaphors don't have to be based on a specific experience of the character, but instead something more universal so everyone can connect with it!

Personification, on the other hand, can be used to substitute verbs.

Examples:

The stars shone like glittering jewels.

The road carved into the mountain.

The flowers waltzed along the music of the wind.

These devices allow you to describe something quickly and elegantly!

~ USE ACTIONS

Arguably, the most common tip provided when describing a setting is to use the five senses: sight, smell, touch, hearing, and taste. If you're like me, though, and have NO clue on how that's supposed to help, let me break it down!

Instead of thinking about the senses directly, use ACTIONS that correlate with the senses.

Instead of saying "the wood felt tough", say "he touched the wood, marveling at the toughness of the material".

Instead of saying "the air smelled like candies", say "she sniffed the air, inhaling the aroma of candies".

Instead of saying "the city was bright", say "they stare at the city, admiring how the lights illuminate the buildings and roads.

Do you see how your description suddenly blends in with the text now that there's an action and separate subject involved? You're still effectively describing the scene, but you're not pushing it at your reader. This also makes it far easier to build onto the depiction of the moment because you're not limited to adjectives!

By utilizing these three concepts, you can build an evocative description of the setting that won't overwhelm nor bore the readers!

Happy writing~

3hks :D

nondelphic writing tips: writing while battling mental or physical health problems

hi lovelies! (´｡• ᵕ •｡`) ♡ today’s post is something close to my heart, a gentle reminder for anyone out there writing while navigating mental or physical health struggles.

first of all, let me just say this: you are doing enough. whether you wrote a single sentence today, edited a paragraph, or just thought about your story while lying in bed, it counts. storytelling isn’t a race, and it’s okay if your pace doesn’t match the picture-perfect productivity you see online. writing isn’t linear. sometimes it’s messy, slow, or downright impossible—and that’s okay.

♡ your health comes first

writing is important, but it’s not more important than you. if you’re having a bad day, take a step back. rest. hydrate. stretch. it’s not 'wasting time'; it’s giving yourself the space to heal so you can come back stronger when you’re ready. stories can wait. your well-being can’t.

♡ the problem with “maximum productivity”

look, i get it. those productivity blogs and #grindset🔥🔥 posts can be so motivating on good days. but when you’re not at 100%, they can feel like a big flashing neon sign that says, “you’re not doing enough.” the truth? those posts aren’t made with your unique circumstances in mind. it’s not about meeting someone else’s standards. it’s about doing what you can with the energy you have.

writing isn’t about grinding 24/7. it’s about showing up when you can, even if 'showing up' just means opening your document and staring at it for five minutes. don’t let the pressure to constantly produce steal the joy of creating from you.

♡ small steps are still progress

on days when writing feels impossible, focus on the smallest step. write one line. brainstorm an idea. imagine a scene in your head. none of it is wasted effort, because all those tiny actions add up over time. remember, even the slowest progress is still progress.

♡ redefine success

success doesn’t have to mean finishing a chapter or hitting a word count. sometimes, success is choosing to rest when your body or mind needs it. sometimes, it’s acknowledging that you tried, even if all you could do was think about your story. give yourself credit for the effort, not just the outcome.

♡ a story in your heart is still a story

even if you’re not writing actively right now, your story still exists. it’s alive in your thoughts, your daydreams, and the little notes you scribble down. it’s okay if it takes you weeks, months, or even years to finish. storytelling is a marathon, not a sprint, and there’s no deadline on creativity.

♡ be kind to yourself

writing while battling health issues—whether physical or mental—isn’t just hard; it’s an act of resilience and i'm so proud of you! every word you write is a victory, no matter how small it feels. so please, be gentle with yourself. celebrate the little wins. forgive yourself for the tough days. your story is worth telling, but so are you.

remember: you don’t need to be perfect to be a writer. you just need to show up when you can, in whatever way you can. take care of yourself, okay? ♡(´꒳`)

happy writing (or resting, or dreaming, or just existing). all of it matters. ✿

You will not use AI to get ideas for your story. You will lie on the floor and have wretched visions like god intended

Writing, at its core, is about stepping into someone else’s shoes. It’s not just about creating characters who are like you, it’s about understanding characters who are nothing like you. Writing forces you to ask, “Why does this person act this way?” “What are they afraid of?” “What do they want?” You have to feel what your characters are feeling, even if you don’t agree with them. That’s how you create characters who are complex, layered, and real.

I'm popping up this random Tuesday to share a few reminders with my fellow fanfic writers

Even your favorite authors had to work hard to get good. We are all awful writers until we decide to improve and take steps.

Every day is an opportunity to be a better writer than you were yesterday if you put in a little work

The love for your works must start with you. Be your own biggest fan

You're allowed to write at your pace.

its okay to embrace some "imperfections" in your writing. Imperfection is part of art because it makes you unique.

It's okay to let go of the writer you were yesterday. Change is normal and it's okay. You're still awesome and your new work will still have an audience. It's okay to look fondly upon a past you perceive as your "glory days" but don't let that make you insecure. Your heart of a writer and your creative talent remain true. Embrace the writer you've become and confidently run with it

Any story you come up with, and your writing style are both special and precious because it's your art

its okay to crave validation and compliments for your fanfic-writing. You poured your blood, sweat and tears into it like any other artist.

No matter how you feel about your writing, it is special because no one can do it like you.

It's okay to be satisfied with just being a fanfic writer. Having amazing writing talent doesn't mean you must force yourself to write original works or to be published.

Fuck AI

in writing, if you're stuck on a sentence or paragraph you're supposed to just jusmp to the next part and keep writing. fine-tuning is for the revision phase not the first draft

unfortunately every single fucking letter is a bear trap

plotting out my characters’ emotional growth while simultaneously avoiding my own: a memoir.

sometimes the best writing happens when you stop overthinking and just let the words flow

why is it that i can write dialogue for hours, but the second i try to have a conversation with a real person, my brain short-circuits? i can have my characters banter back and forth with wit and charm, but ask me how my day is going and i’m like 'uhhhh, fine?'

you know you’ve been writing too long when your fictional world feels more real than the one you’re living in

me: i’ll just write a short story also me: *accidentally creates a 7-book saga with complex lore*

You know it’s bad when you’re writing a fictional story and wonder if you’re a genuinely bad person for what you’re about to inflict upon these characters

At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.

With the impending implementation of Project 2025, I suspect that AO3 will come under fire as well. And given that it’s a US based organisation, and the US has wedged itself somehow into every possible thing, I would also suspect that this will have global impacts. I cannot be certain of it - I’m certainly not an expert on political things and Trump remains, frankly, unpredictable - but I have personally found it’s more helpful to prepare beforehand than to scramble to keep myself afloat in the midst of a crisis. Knowing how important our favourite stories are to so many of us, here’s what I suggest:

Readers, I recommend you find your favourite stories again. Go all the way back in your bookmarks. Tell the authors you appreciate them, and you love their work. I think we could all use some nice words right now. If you want to keep the story, I recommend downloading it: here’s a guide on how to do so from the AO3 FAQ. I personally have wanted to take up bookbinding for a hot second; I might print off my favourite fics for myself and figure out how to bind them. The OTW also recommends downloading your favourites - see link below.

Authors, I recommend you keep your manuscripts. Download them onto an external flash drive and save them for a rainy day four or so years from now. Even the ones you don’t like are worth keeping - I guarantee you somebody else likes them even if you don’t. (I’m speaking to myself here, too.) Project 2025 has blatantly laid out a ban of pornography, and they will take that to mean whatever they want it to; I suggest you don’t even keep your fics on a Google drive if possible it’s definitely easier to keep them all online, trust me, I know, but so does the government. Corporations do not care about you: they will sell you out to whoever is willing to pay. Remember also to turn off AI scraping wherever possible, or better yet use sites that don’t engage in that behaviour.

For further reading from people more qualified than I, here’s the OTW’s statement on what their plans are so far.

I hope I’m wrong. I honestly would love nothing more. But more importantly, we will get through this. Humanity has told stories and put blorbos in situations for literal millennia. We’ll see the other side of this.

Fanfiction Taught Me 90% of What I Know About Writing

That’s the gods honest truth. And I’m saying that as someone who has a literal college degree in writing.

I took SO MANY writing classes in college. All genres. Creative. Playwriting. Screenwriting. Editorial. Journalistic. Business. Technical. I’ve been writing since I could hold a pencil correctly, and really started to pursue it in 2nd grade when every teacher following gushed about my writing skills. I can confidently say I’ve been honing my craft for over two decades.

However, I didn’t really git gud at writing until I started really writing fanfiction. Like, joining a fandom and actively writing an ongoing fic for it.

Again, I’d taken years upon years of writing classes. I learned story structure, grammar, theming, POVs, tone, etc. all throughout school. I learned how to receive feedback and edit my work a little more down the road. I learned from professionals in the field. I worked with mentors.

However, none of that helped my skyrocket my skills like writing fanfiction did.

Fanfiction taught me how to actually write deep, nuanced, and compelling characters. I never once filled out a 200-question character sheet for any character I wrote on some silly school assignment. I never knew how to really know my characters until I was writing OCs for a fandom.

Fanfiction taught me the value of being concise. My schooling had drilled the concept of long, purple prose into me over time and in writing for a fandom for a children’s game, I unlearned that real quick.

Fanfiction really taught me the concept of “show, don’t tell.” I never really knew what a penchant I had for info dumping until somebody pointed out to me most of my headcanon’d lore drops happened in exposition and not in action.

Fanfiction taught me how to worldbuild. Eating the canon of my preferred fandom gave me a lot of time to strengthen my chops while I came up with my own answers to canon lore I hated.

Fanfiction taught me consistency. In school, I mostly wrote short stories. I hadn’t really bitten off a longer project until I started writing a longfic, and in doing so, I learned how to keep my characters, plot, and world consistent for a prolonged period of chapters.

Fanfiction gave me a close-knit community to consistently bounce my ideas off of, and give me feedback that actually served me in terms of bettering my skills and the story I was writing. Not just for the sake of meeting the measures of a grade or rubric given by a teacher.

I could go on and on, but tl;dr, I owe my current skillset and understanding of writing to writing fic. I wouldn’t be at the level I am without it. Honestly, I wouldn’t even be writing my current WIP without it.

So, to anyone who might have told you that fanfic is a waste of time, they are just objectively wrong. And if you’re reading this thinking for yourself that fanfic is a waste of time, well, you’re stupid and also objectively wrong :>

Fanfiction is valuable. Don’t underestimate it.

Writing Angsty Scenes Without Making Them Cringe

Alright, so we all love a good angsty moment, right? That scene where everything feels like it's falling apart, emotions are running high, and your character's world is just burning around them. But… writing those scenes without slipping into "oh no, not this again" territory? Yeah, it can be tricky.

Angst is powerful, no doubt, but it can get cringey fast if you’re not careful. So, how do you make your readers feel the hurt without rolling their eyes at the drama? Here are some thoughts (because we’ve all been there)

1. Keep It Real No one—and I mean no one—has perfectly poetic, life-altering thoughts while they’re in the middle of an emotional meltdown. If your character’s going through it, make sure their reactions feel raw, maybe even messy. Show us their confusion, anger, and fear in a way that makes sense for them. Don’t just throw in a monologue about the meaning of life or have them collapse in a rainstorm. (Unless it’s really necessary. Then, okay, fine, but be careful!)

2. The Little Details Hit Harder Sometimes, it’s the small, unexpected details that pack the biggest punch. Instead of a dramatic sobbing fit, maybe your character’s hands shake as they try to make a cup of tea or they notice a tiny crack in the wall that they never noticed before because they’re spiraling. It’s those little, relatable moments that make the angst feel real, not overdone.

3. Embrace the Quiet Moments It doesn’t always have to be yelling or crying to show that your character is struggling. Silence can be loud. Sometimes it’s the things unsaid that carry the most weight. Maybe your character withdraws, or they’re stuck staring at the ceiling for hours. A pause in the conversation, a long sigh, or a blank stare can be just as gut-wrenching as full-on breakdowns.

4. Avoid the Obvious Clichés (If You Can) Okay, this one’s a bit tricky. It’s not that you can’t ever have rain scenes or broken mirrors (I see you, “symbolism”), but if you’re gonna go there, give it a twist. Maybe instead of staring out a window during a storm, they’re in a brightly lit, overly cheerful room that just doesn’t match how they’re feeling. Play with contrasts. Make the environment work against their mood rather than mirroring it perfectly.

5. Let the Angst Breathe Don’t feel like you need to dump all the angst in one scene. Let it stretch out a bit. Give your characters space to process (or fail to process) over time. A lot of times, readers will feel more for a character who’s quietly unraveling over several chapters than one who explodes all at once. It makes the eventual breakdown hit harder when it does happen.

6. People Are Weird When They’re Hurting They joke at the wrong times. They say things they don’t mean. They shut people out, or they get way too clingy. Don’t be afraid to make your characters react in unexpected or contradictory ways—people do that when they’re feeling too much. Let your characters be complicated, because real people are.

7. Subtle Can Be Stronger Not every angsty scene needs a screaming match or someone running away dramatically. Sometimes, a single line of dialogue or a character’s slight change in expression can hit like a freight train. Try letting things simmer. Hold back when it feels like you should go big, and you might surprise yourself (and your readers) with how much more intense it feels.

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

Maybe some of us had messed up parents and never knew ourselves

“Do you ever miss yourself? The person you were before you had your first heartbreak or before you got betrayed by a person you trusted?”

— Unknown

Don't abandon your writing

It’s pretty common to lose love for a project at some point during the writing process. If that happens, it’s always okay to step away.

But (and this is the important part), don’t quit! Take a break, give yourself a breather, but always remember to come back. Your story deserves to be told.

Writing is all fun and games until you have to describe a room.

You don't need anyone's approval for the stories you write and the art you create. But it's also absolutely valid to want some approval from your audience. Kudos and likes don't determine your creation's worth. But it just feels amazing to receive them.

Sometimes I think writers block isn’t real, and what we’re actually experiencing is a fear of inadequacy. What if we write and it’s bad? Or terrible? And no one reads it or cares? The reality of that is too awful to confront because the act of writing is like bleeding out onto the page so if we put ourselves through the pain of bloodletting and it’s all for nothing… what does that mean for us? What are we left with? So instead we’re are paralysed into inaction because not writing is safer than writing and risking our whole sense of self.

write the story only you can tell, because you aren't the only one who needs it

get up and go write.

write for the people who will one day pore over the words you've chosen.

write for the people who think you could never have gotten so far.

write so you can bring words to life.

write so one day you can look back and see how far you've come.

write to inspire people who are too afraid, or who cannot, put words to paper.

write, because if you don't create this, who will?

and if anything, get up and go write for yourself. there's still so far to go. take a break, breathe, but go back. there's still so many things to share.

Notes from a 5-day creative writing course:

Motivation

Make it a habit. That way, each time that familiar voice of self-doubt makes its appearance, it’ll be easier to ignore it, because writing will become something that you do-your thing-and you’ll gain confidence in it.

Visit your novel every single day. It doesn’t necessarily mean that you have to write something every day. You could outline the plot, or write character portraits, or draw a special part of your world. Your subconscious will work on your story even when you don’t. So, each time you visit the story consciously, you’ll find that things have developed in the story.

Manage the time of writing in a way that it is manageable for you. (It can be that one hour between classes or your lunch break or the morning before you go to work or at night before you sleep - Schedule it in a way that suits you and then, be serious about it.

Set a goal. For example, 100 or 500 words a day.

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