when Lemony Snicket wrote “I will love you if I never see you again, and I will love you if I see you everyday” that hurt me
im such a man who leans in doorways. relaxes against the counter. drapes across a couch. sprawls over an armchair. my spine isnt straight and by god neither am i.
Alejandra Pizarnik, The Galloping Hour: French Poems
hyperfixating on this is not enough i need to eat it
Acacia: Hidden love, beauty in withdrawal
Amaryllis: Pride, a hard won success
Anemone: Vanishing hopes
Bells of Ireland: Wish for good luck
Carnation: Fascination, love and distinction
Daffodil (Narcissus): Honesty and truth
Dahlia flower: Warnings and change
Daisy: Innocence, loyal love and purity
Delphinium: Open heart, ardent attachement
Gardenia: Symbol of secret love
Gladiolus: Remembrance, faithfulness and sincerity
Hyacinth: I'm sorry, please forgive me.
Iris: Eloquence
Lily (general) : Purity of the heart and refined beauty
Lily of the valley: Return of happiness
Marigold: Passion and creativity
Orchid: Beauty, refinement and love
Peony: Happy marriage
Lavender: Love at first sight
Red rose: Love, respect, courage and passion
White rose: Purity, secrecy, silence, innocence and charm
Sunflower: Good luck and ambition
Tulip: Irresistible love
Violet: Faithfulness, modesty and delicate love
Zinnia: Lasting affection, daily remembrance and good memories
You’ll read a classic and it’ll be 3 pages of pure dialogue but it’s just one dude going on and on in paragraphs about one minuscule detail
I really enjoy the genre of “older literature featuring a really smart but deranged college student who does something really fucked up with his knowledge and has multiple breakdowns over it for the rest of the story.” one because it is entertaining and two it encapsulates the college experience in a way nothing else does.
Castle In The Sky (1986) Grave of the Fireflies (1988) My Neighbor Totoro (1988) Kiki’s Delivery Service (1989) Only Yesterday (1991) Porco Rosso (1992) Pom Poko (1994) Whisper of the Heart (1995) Princess Mononoke (1997) My Neighbors the Yamadas (1999) Spirited Away (2001) The Cat Returns (2002) Howl’s Moving Castle (2004) Tales from Earthsea (2006) Ponyo On A Cliff From The Sea (2008) The Secret World of Arrietty/The Borrower Arrietty (2010) From Up on Poppy Hill (2011)
If any of the links stop working, please let me know so I can fix it.
For Castle In The Sky, wait for the free user button to be clickable and it will send you to the video.
william shakespeare be like:
I really enjoy the genre of “older literature featuring a really smart but deranged college student who does something really fucked up with his knowledge and has multiple breakdowns over it for the rest of the story.” one because it is entertaining and two it encapsulates the college experience in a way nothing else does.
Actually, ancient glass, having been rather neglected by archaeology for decades, is a pretty exciting topic in scholarship right now. The main thing is that glass persists–it’s very stable. After fabric rots and metal turns to a scrap of rust, there will lie a necklace, still scattered across a chest that itself has turned mostly to earth.
Bead typologies, for example (that is, the classification of different styles/shapes/decorative motifs/colors) can allow scholars to trace trade routes, as they study the distributions of different bead types over time and geography. Glass production is kinda industrial in nature, not like spinning or beer that make good cottage industries. It was often produced in one place, and then sold on to artisans elsewhere, and then the beads themselves were traded across entire continents.
Chemical analysis of the glass can do even more to trace routes, since different compositions and incidence of different mineral contaminants can allow archaeologists to trace glass production to individual sites, thousands of years after the fact. It’s dizzying, really.
The downside is that for a long time, archaeologists regarded beads as unimportant trinkets, and antiquities dealers understood that they were easy to take and easy to move. So an awful lot of the most exceptional beads we have from the distant past spent time in private collections or uncategorized drawers somewhere in a museum back room, so they’ve lost much of what we could have learned from their original provenance. Maybe we’ll be able to turn new analytical tools on some of these to reconstruct more of their past.