A comment made by one of my favorite artists here on Tumblr (and DA), that really made my day. I was beginning to think I was the only one that had a thing for masked men! xD
Did you intend for Cal to be smokin' hot or is it a happy coincidence?
Bit of both~
He’s an incubus. Being hot is literally his JOB. So his design is a lot of what I personally find appealing/attractive in a character, aka faceless masked figures, but I never expected him to be so popular with everyone else (I’m so glad though haha!)
Kore Yamazaki : My Newest Idol
Yamazaki-sensei is a manga artist I really admire. I love the amount of detail she puts into her work - story and art, and how she can make even the most of the mundane seem magical. I haven’t admired an artist this much since Hayao Miyazaki.
And then I saw a photo of her and my admiration doubled.
Because it’s just so refreshing and validating to see a superstar of art not look like a glamorous hipster.
So many of the artists I admire look super well put together and almost all of them are thin. In fact, a lot of people I admire in the creativity fields are super thin and I guess I never realized how much that negativity affected me.
Feeling like I could never be as creative and successful as them because I’m not disciplined enough to put in the work to make myself glamorous and somehow that’s tied to my creative abilities and skill level.
An irrational thought, I know, but that’s how much the media has brainwashed me with it’s damaging messages of “if you’re not thin you can never be successful.”
I think it’s because it’s so rare for me to see pictures of any plus size artists and writers. And even then it’s even more rare to see anyone who has a face as round as mine.
So it was a thrill for me to see such a successful woman who looks a lot like me. And it’s especially gratifying to see a woman my age who doesn’t bother with makeup!
So thank you, Yamazaki-sensei, for being you, and inspiring the women who don’t fit the media mold.
The trailer for the new Disney animated film, Encanto, just dropped and IT LOOKS GORGEOUS!!!
But can we all just stop and admire how much personality and character development is already being conveyed by Maribel (the main protagonist, I’m assuming) in her outfit alone?
To me, it looks like she took already made clothing, and then was like, “I think this needs more color”. And then proceeded to embroider without a plan. In fact, I wouldn’t be surprised if the embroidery continued to spread like a doodle gone wild lol.
this is going around twitter rn but im also super curious: please tell me your top four comfort movies that you’re always down to watch bc my friend thinks mine are ridiculous and now we’ve realised everyone’s version of “comfort” is hilariously different
Lt. Commander Data - Star Trek: the Next Generation (1987)
Sherlock Holmes - Sherlock (2010)
Thrawn - Star Wars (1992)
Subaru Mikazuki - My Roommate is a Cat (2019)
Damian Wayne - Son of Batman (2014)
Newt Scamander - Fantastic Beasts and Where to Find Them (2016)
Drax the Destroyer - Guardians of the Galaxy (2014)
Reed Richards/Mr. Fantastic - Fantastic Four: World's Greatest Heroes (2006)
Donatello “Donnie” Hamato - Rise of the Teenage Mutant Ninja Turtles (2018)
Tech - Star Wars: The Bad Batch (2021)
Dipper Pines - Gravity Falls (2012)
Rei Suwa - Buddy Daddies (2023)
Abed Nadir - Community (2009)
Hunter - Owl House (2020)
Seto Kaiba - YU-GI-OH! (2000)
Of all the traits I share with my cat, the one I find the most hilarious, because it’s unnervingly close, is the fact that he and I don’t like drinking plain water.
We prefer our water to be flavored.
Yes, he prefers his to be flavored with salmon and other ocean fish while I go for a neon syrup that makes mine taste like a de-fizzed orange cream soda, but that’s merely a minor personal preference between sweet and savory.
Wanted to see how this works. (P.S. fave character on TFP)
Personally, I find it funny that despite loving costume and fashion design, the most expensive and only top name brand piece I have in my wardrobe is: a Calvin Klein winter coat I bought for around $100, plus tax, but minus a random percentage coupon.
Discovering My Personal Style
Needless to say, it hasn’t been easy. Lucky for me, I was fortunate not to be influenced by outside forces: aka, the modern world in the form of public school. Because they would have attached stereotypes to me at best and bullied me at worst.
Before puberty, I didn’t really care about my style, because at that point I didn’t even know who I was. I didn’t have a firm grasp on what my likes, dislikes, personal goals and dreams were, and that was fine - it was normal. I was still learning about new things every day.
When puberty did hit and I suddenly started to care, things got confusing fast. For one thing, I went from being an elfin waif to a Germanic/Latina so full of curves the “teen” clothing section was not an option for me. So I turned to thrift store oddities and boys’ clothes… and growing my hair out to Sailor Moon anime lengths. Looking back, I think I knew I wasn’t going to be one of those people that strictly adhered to ever changing fashions, I wanted practicality and comfort, but all while still maintaining my femininity.
Those years, from my early teens to my early twenties, were hard on me, because I didn’t know who I was and what I wanted, so I lacked confidence in myself. Mid twenties weren’t all that helpful either. But between living abroad, working miserable jobs to save up for grad school and of course grad school itself, I didn’t have a lot of time and brainpower to stop and really reflect on what kind of styles felt like me.
And that was the missing piece I wasn’t getting for the longest time; what did I gravitate towards, what aesthetics brought me joy, what styles made me feel the most comfortable to be in my own skin?
Over the years, I think I picked up bits and pieces but didn’t put them together until recently. As a teen I wore boys’ cargo pants all the time. In my early twenties I had lots of tailored blouses. In my mid twenties I finally mastered some makeup techniques. In the past few years I’ve been on a 1940s-1960s vintage kick.
The result is what I think of as “Audrey Hepburn meets Evelyn O'Connell in the 21st century” (with a little Anazen originality thrown in).
So for those of you who are still trying to find your style, don’t feel pressured to do so. I didn’t know what mine was until I hit 30, and to be honest, it might change later! But right now, this is what I like and feel the most comfortable in. And for those that have found a style that doesn’t fit a stereotype; ignore the boxes! Especially if like me, you were worried about how your unique style would cause others to form false opinions of you before they got to know you. That’s not your concern, it’s completely on them. True relationships aren’t about what the other person is wearing.
We live in an age where it is ridiculously easy to experiment with an endless selection of styles and combinations, so it’d be a shame not to find a look that is perfect for you.
On September 11, 2001, the day my young life tilted towards adulthood, I remember exactly what I was doing when the Twin Towers came down.
I was having a piano lesson.
I remember it starting out like any other Tuesday morning. I know it did because I can’t remember the details of the ‘before’ because I was just a kid, and such trivial things like what I was wearing and what I had for breakfast and whether I’d gotten into a fight with my sister yet wasn’t important enough to stay in my head for more than an hour.
My sister and I took piano lessons from the same sweet little old lady who lived a few streets down from us at the time. My mother homeschooled us, so we always had the morning lessons. It was my sister’s week to start first, and my mom and I were left to wait on the old fashioned chaise lounge.
And then my teacher’s husband, who never came in during lessons, appeared. He said something to the adults, I don’t remember what. But whatever it was, it was enough for my mom to leave with him to where they had their TV set.
I can’t remember if I got my turn on the piano. I honestly don’t even remember leaving. My memory jumps from my piano teacher’s parlor to my mother sitting in front of our TV, her eyes glazed over, her posture hunched and rigid.
Because my papi wasn’t there to tell her everything would be alright.
He was in law enforcement at the time, and by the time the second tower had come down, his work had put everyone in lockdown, underground, and unable to contact anyone until the danger had passed.
I can’t remember how long it lasted, until my papi was able to come home. I can only remember my mom, sitting on the couch, staring at the TV, praying for the victims, praying for the first responders, and praying that her husband would come home.
During that whole time, we didn’t have school, we didn’t have activities, we didn’t have anything. My sister and I didn’t take advantage of all the free time. Instead, we sat in our rooms, and every once in a while, went to see if mom had moved, the signal that papi was coming home.
I say that’s the day my life tilted towards adulthood, not because I understood what was going on, but because for the first time in my life, I realized adults could be afraid too. That the people I had always looked to for stability could be shaken too. And that one day, I was going to have to be one of them.
In the last twenty years since that day, I’ve grown up. I’ve completed school, got a job, got a home of my own and got a cat. By all accounts, I’ve become an adult.
And now that I am, the understanding of what happened that day has only become worse.
My papi did come home safe. But there were so many that didn’t, or didn’t come home at all. So many people whose lives become harder after what happened that day.
My heart goes out to the victims, the regular heroes, and the people who were negatively impacted by the events and still continue to be to this day.
I don’t have the elegant words to offer hope, or the phrases to convey my sympathy to its fullest.
But I couldn’t let this day, now 20 years later, pass without saying, “I remember…”
And perhaps, remembering what happened, how it affected people, and thinking about what we learned and can do in the future, is enough.
Good things to keep in mind everyone!
The title says it all really. So if nothing else, please share and reblog this post to raise awareness for those that might be caught out - both artists and followers. For a TL:DR, please look at the bottom of the post
Right now, there is at least one person actively impersonating multiple artists across tumblr in an effort to scam their followers into paying for fake ‘cheap commissions’. The scammer will clone a tumblr, usually using a slight change to the url/account name to look like the real deal. They will then message people directly through Tumblr with messages along the lines of “Hey, i’m doing cheap commissions right now. DM me to get one”. Naturally, this is ends up just being a way to take their money without giving anything back in return.
Everyone. Simple as that. As long as the scammer in question works unopposed, they are free to spread their influence and continue to scam more people. Even if you haven’t been targeted yet, it does not mean you are safe or immune. Several artists have already fallen victim to this scammer, and I encourage any artists that have to reblog this post with the details of their affected account(s) and the ones the scammer has set up.
Tumblr, like many other social media platforms, seems to care very little about ‘minor’ occurences like this one, and despite reaching out directly to them over a week ago through multiple avenues of contact - they have refused to comment on the situation, provide a recommended response for users, or take action on behalf of those already affected. Despite this, there are still tools at our disposal that we can use to make this scam more difficult, and to increase its visibility to those within Tumblr staff that are required by policy to take action. Tumblr has the following to say on the topic of impersonation: Confusion or Impersonation. Don’t do things that would cause confusion between you or your blog and a person or company, like registering a deliberately confusing URL. Don’t impersonate anyone. While you’re free to ridicule, parody, or marvel at the alien beauty of Benedict Cumberbatch, you can’t pretend to actually be Benedict Cumberbatch. They then provide a link to this online form that you can fill out if you suspect someone’s identity is being confused. Unfortunately, this can only be filled out if you are the victim of impersonation. In other words, only the artists can fill this out legitimately. So, what about the followers and users of tumblr whom aren’t being impersonated? Our most valuable tool in this online platform is the platform itself. It enables us to spread our word near-virally across all the many sub-communities on Tumblr with remarkable efficiency for a user-driven system. We can take advantage of that effect to increase awareness of the situation. Even if you - the one reading this right now - aren’t an artist or don’t know an artist, the act of reblogging this post or sharing it directly with friends improves it’s 'ranking’ in popularity increasing its chances to be seen by more people. We don’t need everyone on Tumblr to see the post for it to be effective, just like we don’t need the entirety of the human population of the world to be immune to a disease for that disease to be rendered ineffective or eradicated. If enough people are aware, the likelihood of pulling off a successful scam increases dramatically reducing efficiency to a point that it no longer becomes profitable to continue.
It disheartens me to say this, but of the many artists I contacted directly over the past week to warn about this issue many of them refused to listen or dodged the responsibility with lines like;
“I’m not being impersonated, so it doesn’t affect me”
“I’m just one person. I can’t make an impact”
“I need to take care of my community. Other people can look after theirs”
This is honestly disappointing that so many artists or art-rebloggers care so little as to intentionally wave the responsibility of keeping their followers and fellow artists safe from this, that they cannot spare 10 seconds of their time to share an informative post. I’m not here to bash artists, but it is time that everyone takes responsibility for their own communities, and of those around them. Artists: You have a responsibility to ensure that your followers and fans aren’t being abused by someone who may impersonate you. If they succeed, your reputation will be damaged, and your followers will resent you. Your followers are also almost guaranteed to be following other artists meaning your efforts can spread beyond your own circle of influence, so don’t be naive when you think you have little effect. Followers: You have just as much responsibility to be aware of those that might try to scam you or your fellow followers. Don’t just sit in silence when you see something wrong: Ignoring the issue only makes it more resilient to our efforts to stop it. You are the vocal majority if you just use your voices to be heard!
A scammer is impersonating artists and scamming money from their followers under the guise of 'cheap commissions’. If we ignore the issue, it will get worse. Every single person that reads this can afford to spend just 10 seconds to reblog and share this post. Those 10 seconds can save others from being scammed for hundreds of dollars. Reblog & Share
Just random stuff that pops into my head or tends to circulate through my brain.
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