Dewerstone Woods Dartmoor UK
Aukia-Fanchasca/ Mareacion de Principes
by Pablo Amaringo
Ayahuasca Visions Painting by JoLu Amaringo. Title: Medical Vapor. Acrylic on canvas. Year: 2021
Work description:
In this visionary work of art we see a large jar, it is called mahuete, where inside it there are three students who are learning to be master healers, these are called onayas. Inside this jar they learn the magical songs - icaros since many songs are filed and stored inside this jar. As with all sound, the things we say do not fade away, but are immediately transmitted elsewhere.
To the left of the work are the huarmi murayas who, like sirens, have golden hair. They are tending pink and white flowers for use in alchemical healing.
Guarding the entrance to the underwater kingdom are the red bufeo and the mermaids, the underwater guides of the onayas.
Behind them is a magnificent city protected by sirens with magical nets that prevent the passage of spells.
In the upper left part grows toé with its pink flower, sometimes added to ayahuasca to intensify visions. A piece of flower mixed with your ayahuasca brew can allow you to see a person clearly.
Artwork and description by JoLu Amaringo
Guardians of the Sacred
by Douglas Wolz
“Temple of Knowledge”
by JoLu Amaringo
JoLu Amaringo Arts
Title: Inca Knowledge
Size: 80x60 centimeters.
Technique: Acrylic on canvas.
Year: 2021.
Work description:
In this visionary work of art we can see a master Inca shaman. In Inca times this Master was a skillful healer with a great knowledge of medicinal plants. He could also travel to other galaxies and dimensions that is why we see planets in this vision. To absorb the feline wisdom, this Master Healer slept with the felines that we see on the upper right side of the work. These felines are mysterious creatures with a lot of wisdom and knowledge of plants. This close contact with the felines creates a telepathic communion.
Incan Master healers like the one seen here were once highly honored as princes and wore gold crowns encrusted with precious stones and brightly colored feathers. Among his allies are birds, such as the eagle that we see in the upper central part of the work. The eagle makes loud and strident calls to warn if someone is approaching and if they have good intentions.
At the top right is a woman wearing a gold crown with earrings (pendants). She is a spiritual teacher of the mysterious Chachapoyas (cloud people) who were never completely subjugated by the Incas. Below her is seen her magnificent city with immense walls, splendid palaces and huacas (shrines) shrouded in secrets and mysteries.
Beneath the Inca master, an ayahuasca vine grows and the galaxy indicates that the sacred vine is the sacred gate to these esoteric realms.
We also see two protective snakes, whose heads are different since they provide superlative abilities of observation and listening to warn of enemies.
Artwork and description by JoLu Amaringo
Untitled
by Ruysen Flores
JoLu Amaringo Arts
Title: Magic Plants
Size: 120x90 centimeters.
Technique: Acrylic on canvas.
Year: 2023
Work description :
In this visionary work of art, you can see the two plants necessary to prepare the ayahuasca brew. A snake emerges from the ayahuasca vine, surrounded by fuchsia flowers. There is also another snake, the chacruna snake, green in color with its luminous leaves. Radiation comes out of his mouth. The chacruna snake penetrates the ayahuasca snake, producing the visionary effect of these two magical plants.
In the central part we see the Ayahuasca ceremony where the master and his disciples are covered by rainbow colored radiation emanating from the ayahuasca and chacruna plants. The combined effect of these plants is esoteric: due to their supernatural properties, psychic bodies are created that the eyes have never perceived before, so that one is overwhelmed by this strange new dimension. This world penetrates the top of the head so that the aura stimulates a gland between the eyebrows and activates the third eye.
On the lower left side we see a great queen. Her name is Mariquita Toé. She is a very knowledgeable doctor, and on the right side of her is the legendary fairy Quetfael, who knows paranormal medicine and beauty.
In the upper right part we see the great sylph Resfenel, the guardian of several constellations. We see him here surrounded by brilliant sapphires that illuminate his clothing. This being has the rank of pythonic satrap, and always takes care of the ayahuasca plant. The butterflies that we see are in charge of notifying the sylph when someone cuts a piece of this plant without first making an offering. If the offering is made, he listens to the prayers: when ayahuasca is ingested it gives positive effects.
The palace in the upper left is where the shamans learn to heal. Ayahuasca reveals its deepest secrets when the visionary dizziness is strongest. Here he shows that human beings need to create a balance between their good and bad sides.
The lower right golden palace is the sanctuary of dignity and peace where you learn to show justice in your actions and attitudes, and to light your heart with compassion, truth and humility. Here you learn to express in thoughts, feelings and words that "I am" and "I exist". If a person thinks or says, "I am nothing and I have nothing," she is extinguishing his spiritual strength and is doomed to failure. It is important to think inspired thoughts and say empowering words about yourself and others, rather than complain about the negative aspects of a person, as we all embody both positive and negative qualities.
The steps that we see in the lower left part lead to the underwater kingdom where mermaids, mermen, pucabufeos and the yacuruna reside.
We can also see the huarmi murayas, who are like mermaids, dressed in the scale armor of the celestial fish that teach the shamans the art of alchemical healing.
Artwork and description by JoLu Amaringo
Title: Sanctuary of Onaya.
by JoLu Amaringo
In this visionary artwork we can see the shrine of the sublime master Onaya in this temple we can find the path to heavenly wisdom. The spirits encountered by the vegetalist in this journey are his masters, and from them he gets the entrance to the spiritual temple, which is composed of living pearls and precious gems. The columns of this sanctuary are made of flawless diamonds that can never be defiled.
Only the pure of heart enlightened by love, humility and wisdom can enter the magnificent and sacrosanct temple. In the water of the waterfall we see on the right side of the temple are the anguilamamas, who discharge electromagnetic rays that protect the sanctity of the temple. Also visible are the indigenous warriors who also act as guardians. The extraterrestrial ships at the top are from another galaxy and have traveled for thousands of years and visited many worlds to extract minerals and reach the Amazon jungle to receive vital energy.
The green patiquina in the lower right is used to represent a person's lungs; the different shades of green from the edge of the leaf to its center indicate the state of the person's lungs.
The hummingbird we see in this visionary work acts as a messenger. Its sweet trills are the most delicate and sublime icaros to sing to people seeking new strength or suffering from dreadful diseases. However, they must be sung with the utmost precision. These celestial spirits inhabit the palaces and temples at the top, where they gather to sing songs of worship.
Finally below is the sachamama (mother of the forest). She projects an electromagnetic rainbow symbolizing the elements that fertilize the plants. The healers in the ceremony are chanting the icaro of the sachamama to prevent the sorcerers from thwarting their work.
Artwork and description by JoLu Amaringo