PSA WARNING : DO NOT READ IF YOU CANNOT HANDLE TALKS OF SUICIDAL THOUGHTS.
Background Context: I was speed running my chance to have Inky the stray black cat as my pet and changed the time to Evening, but I was at Lumina Square when I did it. So, I went to the map icon to go back to Sixth Street when I saw Lighter’s icon in the Lumina Square area and I had to check out why he’s there.
I was not prepared for the interaction between us.
I just want everyone to know that I am not a licensed psychologist, I am only days away from getting my Bachelor’s degree in Psychology, but Lighter’s choice of words are heavily implying that he has suicidal ideation.
You have three choices to tell him. I already did the second and third choices. This is what he’ll say:
The first pic happens when you picked the last one, and he’s going to do a bunch of death jokes to lighten the mood, but the Proxy will still remind him in the end to live his life. If you pick the second, it’s the rest of the pictures and he’s going to tell you that he is doing fine and was overthinking his situation, but will say he envies you for a secret reason. I will try to find him again tomorrow for the first one, but I just want people to know that Lighter has suffered and is still dealing with PTSD from his past so every time the Proxy talks to him, Lighter becomes happier because of us. His interactions with the Proxy does show that he does care about our relationship with him and that he will not do anything reckless for the sake of his relationship with us.
Literally minutes after our interaction. He’s in a happier state.
Lighter might not want people to know his situation, but the instant he hears someone wanting him to live or is willing to die with him, he changes his mind and wants to live so the person who cares about him doesn’t have to worry about him. He truly is a well written character and I will defend him with everything I have.
I cannot get argenti(na) out of my head he's invading my brain like a parasite, what do you mean he owns the equivalent of a formula 1 car where did he get that, do all knights of beauty own one or Just him, how? Does someone give them an allowance and he wasted all in that fkn ship, how does he survive? is he hitting every small planet like a late night fast food/convinience store hunt at 3 am? HOW is he conveniently on time to save someone in extreme situations like yknow INSIDE AN AEON'S STOMACH and FUCKING LIMBO being completely normal about it then skiddadle away to god knows where, btw your god is 100% DEAD (I think?) and I have no idea what the FUCK you are seeing in your hallucinations near death fucking adrenaline junkie what the fuck is wrong with him, he's insane he's suicidal and god he loves everything and everyone, he sees everything with such vibrant Pink filter that should've melted his eyes by now AND WHAT DO YOU MEAN HE LITERALLY APPEARED OUT OF FUCKIIIKNNGGG NOWHERE AND WENT HAHA HEY YOU BEAUTIFUL PEACOCK HOP IN and the back of the ship is a sticker that says only beautiful beings allowed which is, everyone, and aventurine was so fucking baffled at this like haha hey jade yea so um I was in limbo kinda and this category 6 florida man showed up out of nowhere in his ferrari while constantly flirting with me and suddenly I was in the hotel and now im talking to you BY THE WAY WITH WHAAHSHE IS UP WITH HIS VISIONS OF AN AEON HE SAYS IS SOOOOL BEAUTIFUL IT MIGHT BE IDRILA AND IM LIKE WELL, WITH HOW MUCH YOU LIKE ADRENALINE AND ALMOST DYING YOU MIGHT AS WELL BE SEEING NIHILITY BITHC GTE A GRIP
I am not normal about him
Just Lighter sketches because he's on my mind all the time now, maybe i'll refine these later, don't know yet ;w;
Ten little Soldier boys went out to dine; One choked his little self and then there were nine. Nine little Soldier boys sat up very late; One overslept himself and then there were eight. Eight little Soldier boys traveling in Devon; One said he’d stay there and then there were seven. Seven little Soldier boys chopping up sticks; One chopped himself in halves and then there were six. Six little Soldier boys playing with a hive; A bumblebee stung one and then there were five. Five little Soldier boys going in for law; One got into Chancery and then there were four. Four little Soldier boys going out to sea; A red herring swallowed one and then there were three. Three little Soldier boys walking in the zoo; A big bear hugged one and then there were two. Two little Soldier boys playing with a gun; One shot the other and then there was One. One little Soldier boy left all alone; He went out and hanged himself and then there were none.
- Agatha Christie, And Then There Were None
I am so in fucking love with the stairway to heaven animation and the only ways I can express that is to either say I am bricked the FUCK up, or I give in to the uber instincts of my uber autism and write an essay on what I THINK are some of the references/inspirations used in the animation. I chose the essay because I need people to know why I am "bricked up."
I am fully willing to accept if I am wrong/reaching for some of these but even then, I think it's cool that I can still connect certain moments with things I enjoy. With that out of the way, behold my analysis/breakdown of Stairway to Heaven!
Spoilers below the cut not just for the animation, but also minor spoilers for Kane Pixel's backrooms series, Liminal Land, Skinamarink, and Mandela Catalogue. Also just a warning for the incoherent ramblings of a guy who's abnormal about analog/indie horror. Please please please please PLEASE go watch the animation if you haven't.
First, "subject 087" is in reference to SCP-087, the never ending staircase SCP. I actually didn't even catch that the first time until I scrolled down to the comments lmao. In my defense, when SCP was blowing up in the mid 2010s I wasn't really old enough to appreciate it or find the format interesting (and honestly it is still hard for me to really get into it, but that's more of a me thing. Conceptually a clinical approach to horror like with SCPs or in All Tomorrows is fascinating, but it can be a bit of a slog for me), so I only knew the main three's numbers. (173, 096, and 682).
"Motion detected" has been used in just about every analog horror series now, but Mandela Catalogue is probably the main series that popularized the trope when analog horror first started getting popular.
The backrooms is, obviously, the backrooms. You can probably assume it's Kane Pixels' backrooms because his version really blew up but it feels more like early days backrooms before we got all those monsters and almond water stuff. (Which btw it's so funny we got "almond water" from whoever the first person to say the air smells like almonds was. For reference, almonds smell like cyanide. OP was trying to say the air smells toxic, not that almonds are the safest thing to consume in the backrooms.)
This shot just reminded me of The Oldest View, ALSO from Kane Pixels. Tbh that's probably just me but I thought it was neat.
Next up, the door. Aside from the obvious 333 angel numbers which also appear very prominently in Mandela Catalogue (this series is going to pop up a lot, I'm sorry), but for some reason it reminded me of the Silent Hill 4 door. Again, that's just the tism probably.
Skinamarink ahh shot, was honestly expecting the door to just poof, disappear.
Next, the shot with all the houses. While KP's Backrooms do have that creepy neighbourhood, this exact shot and set up feels closer to H.O.M.E. from Liminal Land.
And then our most darling biblically accurate horror icon Columbina would make False Gabriel proud, and just... she is so fucking cool and creepy in this and I love her so much.
This whole sequence was for one absolutely horrifying and beautiful, but what caught MY attention were the settings and locations shown. These are standard creepy liminal spaces and analog horror gore censorship, yes, but they also reminded me of the locations Trevor Henderson uses in his art pieces, so suffice to say I think Columbina looks RIGHT AT HOME regardless of how you wanna look at these shots. And the animation on her face opening up into wings and eyes is just an absolute chef's kiss moment. Props to the animators, man.
This trope, the whole main character monologue overlaying the screen moment, very common in analog horror but for me, again popularized by its use in the Mandela Catalogue.
The smudged picture is a reference to one of the ending shots in Skinamarink, where it pans over the childhood photos only for their heads and faces to now be missing, which most agree is the movie's way of saying these kids were trapped her for so long they eventually just stopped existing/faded into nothingness.
And finally, the classic ending scene of KP's first Backrooms video.
I know for a fact there are probably other references to liminal spaces/analog horror that I either missed or they're like general concepts/tropes used in analog horror. I did almost mention the mill in petscop because of Columbina's "two in the mill, one taken, one left" because that phrasing felt really specific, but it doesn't quite fit the vibes of all the other references. Also her only being seen in the camera is a trope used in all manner of horror media. My first thought was the forest scene in VHS (2012) where the murderer could only be seen in the film static.
I just wanted to get the especially cool/unique moments out there. I didn't even touch on the storyline but that's because it seems pretty straightforward. I'm also aware not many people are gonna read my red string corkboard ramblings, which I'm fine with. I just needed to get this out of my system, but I do appreciate those who did take the time to indulge my ramblings!
That's all for now, back to whatever the hell I had planned for today.
why does the doa wear so many layers
what point in the year is it, how do they not overheat
I hate when I can't buy a Sampo Koski because I've reached the maximum Sampo Koski storage limit
Those delusions and fallacies have been shattered. He wanted to be the sun of the whole world, yet He fell from the sky.
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