The Way That They Have Been Through So Much Together And Know Each Other So Well That Even Though Ahsoka

True, so true

I kinda can’t believe that it’s 2016 and Marvel has released a *solo film about Doctor Strange*…and DC hasn’t even acknowledged that Batman has children yet.

Thank you for this. This made my day

So, I feel like confessing something,,,

I don’t like Fudou portrayed as a punk.

I never liked it since the very early 2000s fashion choices of the show, it just didn’t feel right to me, something seemed out of place. And then Outer Code came around and finally I knew.

To me, Fudou dressed a certain way because he had no money to spend on trivial things like nice clothes, plus, he had to survive on the streets of a darker side of town and to deal with all sorts of bad people.

He couldn’t simply do that with a nice looking cardigan, could he?

He had to adapt to the habitat he was living in, much like a chameleon does to protect itself. Some things stayed with him, of course, he still was power hungry and ready to do anything but that is a completely different point from his fashion style of choice!

Yes he has a sharp tongue, is a sarcastic lil shit and surely knows how to pick a lock or survive in a fist fight, but those are all things he HAD to learn, not ones he actively choose to learn. Same thing goes for fashion choices.

I honestly headcanon for him to always have looked longingly at the windows of the nice shops uptown, secretly wanting for nothing but to relax in a fitting room with something more colourful, something that could make him feel like he didn’t have to always look mad at everything.

In this new universe he somehow had some more money and what did he do?

He bought white, purple, nice looking outfits almost all without any trace of punkness in them and he went to the hairdresser, not a barber shop, a hairdresser. And as far as the short tell us, he goes there pretty often.

So no, I don’t think Fudou owns a collection of knives or that he would wear black outfits or leather and dark makeup and overall be a street baddie because I don’t think that’s who he truly is.

He is someone who went through a lot and just wanted to sit back, wear pink, make his hair grow and help other kids like we saw in GO.

To me Fudou is yes sassy but also gentle as he writes love songs for Kidou on the acustic guitar. He knows how to send you k.o. but is happier cooking with Tobitaka. He was once a lone wolf but actually really love being sureounded by his friends. He wore cheap, dark looking clothes to be seen as someone to not mess with but just wanted to be a fashionista with lighter fun colours. He knows how to handle a knife perfectly but uses it only to cut gourmet food.

I know it’s funny to joke around and memes are cool, but I heavily dissociate from the heavy punk bad boy Fudou many seem to enjoy.

Not to say yall should stop seeing him like you do, take this as foor for thoughts and keep doing what you love. I know I’ll keep portraying him the way I always wanted, now that I can~

Reblog this if you ship C-3PO x R2-D2, the tag is barren and I feel alone

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abyss prince kaeya my beloved

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The Minimalist Character Sheet

So I am not the biggest fan of those ten page character sheets that include 100 questions like “What’s their favourite ice cream?”. Don’t get me wrong: If those help you with your writing, more power to you! Do what works for you. But I tend to discover all the little details of a character while writing. I only need the fundamental things. Maybe this works for you too!

The Basics

Name: including all nicknames, titles, etc.

Gender

Age

Role in the Narrative

Physical Description: focus on defining features

GMC (If you want to learn more about the concept, check out this post.)

Internal Goal

Internal Motivation

Internal Conflict

External Goal

External Motivation

External Conflict

Personality

Short characterization: internal personality and external behavior

Their biggest failure/issue/flaw: and how it impacts their life/personality/behavior

Backstory: and its consequences, such as triggers

Speech pattern: at least three speech marks that emphasize their personality (if you want to learn more about speech patterns, check out this post)

Behaviour pattern: at least three habits that emphasize their personality

Character Arc: where do they start, how do they change, where do they end?

That’s it! Hope this gave you some pointers on how to start out with character creation.

Have fun writing!

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Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

"Ya want to stop? Gettin' tired won't help anyone, ya know?" - Kurosaki Yukine

"Again. I'll get it right this time." - Tsurugi Kyousuke

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in which kakashi is a badass cop, obito is an environmentally-friendly reformed terrorist, and ‘can you pick up groceries’ is always a fight

iruka is just

why is this my life

(set in the criminals do it better AU by @blackkatmagic, pls read it it is very good)

This is quite a subjective opinion; but I am endlessly fascinated by how the romanticization (or sentimentalization) of Sebastian and Ciel’s relationship is such a big, important part of Kuroshitsuji—partly due to Sebastian’s own nature as a demon, but also due to Ciel’s character himself.

Sebastian is evil, and he is meant to lure people into damnation. He is the embodiment of a poisonous yet appealing temptation. He speaks sweet, gentle words. He is undeniably physically attractive, and generally, people find him charming. I can go on forever, but you get the gist; all of him is designed to slowly attract and lull people into complacency with him—into not seeing the predatory nature that lurks beneath that gorgeous skin.

This powerful creature, who can kill people with his bare hands, prefers to use sweet promises over threats—finding physical torture less effective than honey; so confident in his ability to understand human desires and tempt any person into the route he designs for them. He presents people with two choices; one of which seems infinitely more attractive than the other—but would certainly lead them to damnation. And it delights him very much when they inevitably chooses the sweeter option. It seems to be essential to the demonic contract that the contractor gets to choose (even if the choice was most likely—almost always—highly uninformed).

Now; if the contractor was an unassuming human who was tempted or fooled by the demon, or if the contractor was someone who’d kill and sacrifice another person on purpose, maybe we would say, “Well, he did that to himself.” Or even, “He deserved that.” But not only did Ciel manage to summon Sebastian by happenstance; he—arguably—did not have much choices other than to agree to the contract; it was either the contract or death at the hands of the cultists.

His consent was highly dubious (not that Sebastian ever cares); he was in a state of emotional distress—unfit to be making choices that would define the rest of his life—not to mention his youth, his vulnerability, and the glaring power imbalance with the predatory adults and demon surrounding him. From that moment on, his soul is forfeit; no matter how many times Ciel states that he is firm on his revenge and that he is doing this for himself—you can always argue that he is only saying this because the choice is either this or death.

Still, instead of highlighting the dubious nature of this agreement, the author shows that despite his young age, he is perceptive enough to read through Sebastian’s lies and see Sebastian’s true nature for what it is, and still “chooses” to have the contract. The author repeatedly, over and over, shows Ciel “choosing” this road for himself, Ciel saying that he has no need for the past and will not look back—and the whole time that Ciel charges unwaveringly into the darkness, Sebastian looks at him and smiles meaningfully.

Since we have no idea what “souls” present in Kuroshitsuji; the concept of what Ciel is actually paying with in order to get his revenge is exceedingly vague—it’s difficult to feel loss over something with an unknown value. This is exacerbated by Ciel’s easy acceptance of his own fate, and the practical logic on how it’s simply fair to pay a servant for his services.

Sebastian, for his part; always revels and delights in how Ciel chooses him. He basks in it, and gloats about it; the dubious nature of Ciel’s agreement forgotten, or frankly does not even seem to compute in Sebastian’s mind. What’s important is that Ciel made a choice; and that choice was Sebastian. We know that Sebastian will eventually kill Ciel, but we may contend that Sebastian is good for him. Sebastian saved Ciel and Ciel consented to having Sebastian. Sebastian gave Ciel the autonomy and independence and protection he desperately needed. And this does not come out of nowhere; as the author too, seems to deliberately romanticize/sentimentalize their relationship—the readers are simply picking up on the context cues.

They are certainly predator and prey; but people may love their appeal as a pair of lovers, like Bonnie and Clyde; or as found family along with the rest of the servants; they are partners-in-crime; soulmates; always understanding each other with just a glance, simply meant to be together, there is no Ciel without Sebastian and vice versa, etc.; it’s all a terribly romantic and sentimental view of their relationship.

The portrayal of Sebastian as a loyal and caring protector (although he is always hiding his hunger and fangs) and Ciel as a brave and pitiable victim resolutely seeking justice (although he arguably never had much choices) are done on purpose to allow their relationship to be romanticized/sentimentalized by the readers who want to root for them. If Sebastian was not portrayed attractively enough; if he wasn’t a handsome, gentle caretaker, who is devotedly loyal to Ciel and protects him from kidnappers and assassins and whatnots (see how he treats Ciel so much better compared to Ciel’s fellow humans?), this romanticization of him will not be possible. Likewise, if Ciel was portrayed as an innocent run-off-the-mill ten year old—instead of a smart one, a perceptive one, one who is “mature for his age”; if Ciel was a regular noble instead of the Queen’s watchdog; one who is meant to be the Earl of Phantomhive despite being born as an underdog (which makes the readers want to root for him and believe him to be capable of besting a demon on the negotiation table)—we will not be reading the contract scene and thinking, “Can he outsmart the demon?” Or even, “Well, certainly this ten year old understands what he is doing.” We would have instead understood the contract to be an exploitation of the child’s vulnerability and circumstances. Instead, Ciel is portrayed as wanting the contract; willing to sacrifice his soul to get his revenge; a fully-consenting party in a mutually beneficial agreement. When Sebastian offers his hand, Ciel consensually places his own hand in Sebastian’s.

What is truly “good” for Ciel becomes a moral dilemma that the readers cannot solve, and Sebastian’s true “feelings” (or whether he has any at all) is never explained. The readers are left to guess and come up with our own theories that will remain unanswered—we insist that Ciel needs and wants Sebastian, that Sebastian cares for Ciel beyond seeing him as food; and the whole thing is so morally dubious, but we are given a lot of incentives to see them in a positive, sentimental light. Every once in a while something may happen that seems to reinforce our beliefs in their relationship, but never fully confirm how they feel towards each other. The occasional “warning bells” reminding us of Sebastian’s nature as a demon are—more often than not—ignored, as the future when the contract ends still seems so far away, and regardless; Ciel is far too dependent on Sebastian to even think of living without him.