Character Development - Blog Posts

Would be neat to try answering oc asks.

oc asks: not-so-nice edition

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?

betrayal: Has your OC ever been betrayed by someone they thought they could trust? Has your OC ever betrayed someone who trusted them?

bound: Has your OC ever been imprisoned or captured? What happened? How did they get out? Did the experience leave any scars?

break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

failure: What's your OC's greatest failure? Have they been able to move past it? Does anyone else know about it?

fear: What is your OC's greatest fear? What do they do when confronted with it? Are they open with their fear, or do they hide it away?

future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?

ghost: Who or what haunts your OC? What happened? How do they live with their ghosts?

guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?

hate: What does your OC hate? Why? How do they act towards the object of their hatred?

heartbreak: Have they ever had a relationship that ended badly? Experienced some other kind of heartbreak? What happened?

hide: What does your OC hide? Why do they hide it?

hunt: Who or what is your OC hunted by? A person, a feeling, a past mistake? Is your OC able to let their guard down, or are they constantly alert?

mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?

midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?

mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?

monster: Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?

nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?

pain: What's the worst pain your OC has ever felt? Do they have a high pain tolerance?

secret: What's one secret your OC never wants anyone to know about them?

skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?

torture: Has your OC ever been tortured? Would your OC ever torture someone else?

wound: How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?

Loki & Thor Reunion Idea 

After seeing how much Loki's grown in his series, I really hope we see him return to the movie series. He doesn't have to be the main focus for a whole film, but a few scenes where he's important would be good.

Maybe, there can be a movie where Loki and Thor reunite. From what I remember, the original Loki (the one killed by Thanos) and Thor didn't outright say they loved each other. Of course, you can still express love without saying it but, after seeing them fight for years and resolving it right before Loki's death, seeing them say that they love each other.

I imagine that they see each other, and freeze (Thor because of shock and Loki feeling nervous about what to say), but Thor immediately snaps out of it, runs towards Loki, and bear hugs him. Though shocked, Loki hugs him back, and the brothers start crying. Loki starts apologizing for all the pain he’s caused Thor, to which the latter responds, “I’ve already forgiven you, brother. I missed you so much.” Loki smiles and says, “I missed you too brother.” 

Later on, when he has to return to the TVA, Loki and Thor say their goodbyes. Thor tells him that he’s proud of how much he’s changed and is happy he has friends there for him. In turn, Loki tells Thor that he’s proud of him too and jokes about how they are no longer the arrogant fools they used to be. They wish each other happy lives and say, “I love you.” Then it flashes back to them playing as children and being happy. 

I think this would be a very sweet way for Thor to move on from the pain of losing Loki. I wish it was acknowledged more in Endgame and Love & Thunder, but his depression was mostly played for laughs instead of developed into a full character arc. It also gives Loki the chance to apologize for some of his mistakes and have a nice reunion with Thor, unlike in his timeline where he was still a villain and Thor disliked him.  

I forgot to say in my last reblog that I don’t think Liu Kang was at fault for everything that had gone wrong. Though he’s a god, Liu Kang is capable of making mistakes like a human. I do believe that there are events that can’t be changed such as the clans fighting, Tarkatans, etc. I actually wrote a theory post a while back on why I think Tarkatans couldn’t be erased. Basically, I believe Liu Kang tried getting rid of Tarkatans but couldn’t due to Time Keeper rules. So, he changed it into a disease that is pretty hard to contract. I think that Liu made a bad call giving Shang Tsung and Quan-Chi meaningless lives (as he put it in the story mode). I wish he specified his intentions with Shang and Quan-Chi’s life. It’s hard to tell if he gave them hard lives in hopes they’ll grow kinder or he gave them average lives and, unfortunately, he had no control with their lives getting worse (Quan-Chi being in the mines and Shang having a hard time making a living). Liu Kang definitely didn’t have a hand on Bi-Han’s betrayal because he didn’t expect the cyromancer to betray his brothers for his own interest. General Shao’s arrogance returned because of Shang’s manipulation. 

I’m the type of fan who sometimes overanalyzes things, especially when things aren’t explicitly explained. Because of this, I question which occurrences in the New Era are due to Liu’s interference or if it's meant to happen (a canon event). For example, Liu Kang interfered in Shang Tsung, Shao Kahn and Quan-Chi’s lives to make sure they didn't become their previous selves. He made sure Mileena was Kitana’s blood sister and not a clone. He also had the Lin-Kuei act as Earthrealm’s defense instead of continuing their assassination system that was for their own interest. That’s Liu interference. A mix of Liu’s ability to manipulate outcomes and his cryptidness definitely leads to questioning what else he’s done, at least for me. Time is a very complex matter so it leads to more questions than answers. I hope in the next story there will be an explanation on Liu Kang’s limits and what he specifically did to create the timeline. 

I don’t think I explained my reasoning on why I think having Kuai and Harumi together makes me feel like Kuai is kind of like “Hanzo with a different name” very well. 

My main reason for saying this is because they got together during a Tower Ending instead of the story. It feels rushed to add this relationship in 90 seconds so it feels like the writers did this to fulfill a checklist (have a Scorpion and Harumi together). I think I would like this relationship if the expansion story focused on them and I see why and what made Harumi and Kuai love each other. They could be in the beginning of their relationship and seeing their dynamic would be enough. But they are married so it wouldn’t happen exactly like that. I guess I’m the type of person who only really feels for a ship if I see their growth. From what I remember, all that has been mentioned about their relationship is that they are childhood friends and have mutual respect for each other, which is a good starting point though not enough for me to feel anything other than neutral. I’m very for the “Show don’t Tell” idea of storytelling.

I am looking forward to seeing Harumi in the story and what you listed about her makes me interested in her as a character. I hope she’s a badass who will be added to the main roster in future games. We need more female fighters.

I see your points on why you think Hanzo is an adult, but I still think Hanzo is underage. Not by a lot though, I think he’s at least 16-17. 

His arms are bigger than most teens but he’s been training and before that he had the minimum amount of skill to steal. Smoke stopped him because he’s trained longer but I am certain an average person would not defend themselves as well. In the image I added, you can see his muscles are smaller compared to the images you included. This shows that training and eating more (like you said Hanzo was starving before joining the Shirai-Ryu) were major reasons his muscles are larger, not age. What I’m trying to say is that it’s possible for a slightly underage guy to look like an adult due to physical fitness and eating right (I expect the Shirai-Ryu to have a healthy regiment). I think a time skip happened between my image and yours, but they are probably at least a few months to a year apart since Bi-Han doesn’t seem like the person who would wait very long. After all, he hunted Kuai and Tomas after Titan Shang Tsung was defeated.

Also we have to consider some things. Compared to a front view, a side view of muscles will look larger because of perspective (the second image you added proves it since his arms are slightly slimmer compared to the first image). Hanzo is flexing as well which makes muscles look larger. I also searched up what muscular guys (16-17 years old) look like and they look very close to Hanzo’s physique. 

With his voice, I agree that it’s deep though guys in my high school sounded very similar when they were 16-17 because of puberty. A deep voice doesn’t always equal being an adult. Also, it hasn’t been confirmed if the voice actor that did those grunts will be Hanzo’s in future appearances. They could’ve been another va who’s voicing another character that did those grunts because NRS didn’t want to hire a new va just for grunts. I’m going to wait for the voice actor hired for Hanzo’s official appearance in the games to see if Hanzo is a late teen or adult. 

I agree with you about adults being born shorts. Everyone grows at different rates and it doesn’t physically show someone’s maturity. I still somewhat considered it (though not as much as other points I mentioned) because the media usually use height to show age, especially in animated projects. Short adults or tall teens/kids are rarely shown unless for comedic reasons. I’m not saying Mortal Kombat is like that but I still keep it in mind in case they do use height = age formula. 

Although I see your points on why you think Hanzo is an adult, I’m going to assume he’s underage until the game confirms his age or at least gives strong enough hints to make an educated guess. 

Thank you for replying back to me! I appreciate your pov because it evolves mine at the same time. I enjoy our conversations. I apologize for taking the expected, life got a little hectic. Sorry for going into crazy specifics near the end. It was the only way I could think of to better explain my points. Also, I noticed in your tags that you don’t like being a Liu Kang apologist or something along those lines. I’m curious as to why. 

My Thoughts on MK1 Hanzo

(Spoiler Warning: Smoke’s Tower Ending is discussed)

I saw Smoke’s tower ending and was surprised to see Hanzo in the new timeline, let alone as a child. Although I’m open to how the writers will handle his character, I’m kind of disappointed that they went this route. When I learned that Kuai Liang would be Scorpion in the new timeline, I expected Hanzo to either not even exist or live a nice life with Harumi and their son. Instead, Kuai Liang is married to Harumi and Hanzo is much younger than them, which is so weird. I really hoped Hanzo would have a happy life and only be involved in the games through mentions at least.  Also, this decision paints Liu Kang in a bad light. It’s no secret Liu Kang made sure his allies had a good life while making some of his enemies’ lives (Shang Tsung and Quan Chi) insignificant to prevent them from turning into their past counterparts. So, it makes me wonder why Liu Kang didn’t think to give Hanzo a good life or at least watch over him. It’s shown that Hanzo is a starving orphan forced to steal for essentials. I have no doubt Liu Kang knows about Hanzo’s past since he met the older and kinder Scorpion in MK11 and Raiden has disclosed Hanzo’s past in MK 9. Plus when Liu Kang fused with the Hourglass, he most likely became aware of what happened in MK9 and MKX. He gave Shao Kahn the chance to be a better man by being the Kingdom’s general- a risk that didn’t pay off, yet didn’t give Hanzo what he always desired- his wife, son, and the Shirai-Ryu. It feels so out of character for Liu Kang to not make sure Hanzo had a good chance at life. 

If I had the opportunity to write Hanzo’s character, it would’ve been very different. I would’ve made him a former Lin Kuei member(he would be 5 or more years older than Bi-Han) who held the Scorpion title until he retired to Japan- where met Harumi and had their son. Hanzo would’ve also been the one to train Kuai Liang in his fire powers in the latter’s childhood. In his honor, Kuai would take the Scorpion mantle after Hanzo retires. Hanzo could also help Kuai and Smoke form the Shirai-Ryu but Harumi helps in recruiting and training while he takes care of their young son. 

Though, I still hold some faith that NRS will write the new Hanzo well. I guess I’m just disappointed because I wanted Hanzo to finally live a happy life where his family stays alive. He was one of my favorites in the MK9-MK11 era so I can’t help but feel a connection towards him.

MK1 Character Writing Review

I'm curious about other fans' opinions on MK1's character writing. Personally, I think it's improved most characters but there are some issues.

Ashrah: I'm happy she's back because Ashrah was the 3D-era character I wanted to return. I really like that they kept her story from the 3D era but improved it. I'm curious to see if she'll get corrupted by the Kriss in the next game.

Baraka: His story improved immensely. I never cared for Baraka in the previous games since he wasn't developed enough and was just one of Shao Kahn's henchmen. Baraka being a victim of Tarkat makes him more sympathetic and interesting. I hope he gets a happy ending but I think he'll die in the later games.

General Shao: I'm a bit disappointed in how he was written. I was hoping we'd learn about his past and how it affected his personality. Shao was born with a weak body, so I expected his father to be abusive by forcing Shao to go beyond his limits. This would cause Shao to believe being strong is the only thing that matters. Hopefully, the next story portrays Shao as more than a stock villain.

Geras: I really liked this version of Geras compared to MK11's since he's more than Kronika's minion. He's loyal to Liu Kang but they are friends/partners, and Geras wants to protect Liu Kang's timeline because he believes in its potential.

Havik: I was really interested in learning about Havik, his powers, and the Chaos realm. I was disappointed that Havik was a minor character and his powers weren't explained. I heard that there will be a story taking place in Seido/Order Realm so I'm crossing my fingers that we'll have a great story for Havik and other Order/Chaos realm characters.

Johnny Cage: His backstory and personality didn't change that much which I'm glad for because MK9-11 Johnny had one of the best character arcs in that era. I really enjoyed his bromance with Kenshi and his comedic moments were really fun (my favorite was the Alien reference).

Kenshi: Kenshi's story was already good but it was improved upon and explored further. Kenshi wanting Sento to protect his family from the Yakuza and bring back the Taira clan made me sympathize with him, and actually seeing how he loses his sight was horrifying and broke my heart. His bromance was Johnny was one of my favorite parts and I hope they are in future games together.

Kitana: I found Kitana kind of bland. Unfortunately, with her old goal of wanting to be an Empress going to Mileena, she lost what made her interesting. She felt more like Mileena's sidekick rather than her own character. Maybe that'll change in future games since she's a part of Mileena's council.

Kung Lao: Kung Lao was likable and enjoyable. I don't have much to say other than that. I want the next story to explore his ego/arrogance and why he has that attitude. Although I really like Raiden as Earthrealm's champion, I sort of wish Kung Lao was the champion since he's wished for that opportunity for so long.

Li Mei: Li Mei is an okay character. She's kind of boring since she's a "follow the rules" character. Her and Sindel's friendship was the most interesting aspect of her. Li Mei's powers are really cool though, and I'm a big fan of Kelly Hu (her va).

Liu Kang: Having Liu Kang as Earth's protector and Time Keeper made his character more interesting compared to him being the "Chosen One." I am slightly disappointed in the way he was written. I expected/wanted Liu Kang to be a neutral good character where he's willing to do bad things to keep the peace. They kind of did that with Liu Kang creating meaningless lives for Shang Tsung and Quan-Chi, but he was never called out for those decisions. I also wanted the other characters to start questioning Liu Kang about why there are still tragedies occurring and why doesn't he intervene. Though we get it in the battle intros, I wanted it explored in the story. The writing for how Liu Kang's time powers was also pretty unclear. The power's restrictions were never specified so it's not obvious which events in the timeline are Liu Kang's mistakes or not.

Mileena: Adored her in this game! I love seeing Mileena happy for once with a loving family and a good life. I expected her to be overtaken by Tarkat the whole but was happy to see her with a regular mouth for most of the game. Having her as Empress is really interesting and can't wait to see more of that.

Nitara: I really wanted to like Nitara, yet she's so bland. I thought we would learn about Vaternius, and see Nitara being a truly neutral character. Compared to the other 3D characters in the game, she was the most disappointing.

Raiden: This version of Raiden is way more likable than previous iterations. He's nice, humble, handsome, and strong. He's literally the perfect man! I'd like his anger issues from the previous iterations to be developed in the next story. His anger would get out of control after a tragedy and he feels like being more ruthless is more beneficial to protecting everyone.

Rain: I don't have much to say about Rain. He's kind of boring and was sidelined in the game. Maybe he'll have some kind of connection to Delia and Argus, which will introduce them to the new timeline.

Reiko: Reiko's okay. The only thing I'm really interested in is his relationship with General Shao and it's mostly me wondering whether Shao is capable of caring/loving someone.

Reptile: Love this rendition of Reptile! Like Baraka, Syzoth is more complex and isn't only Shao Kahn's minion. He has one of my favorite designs in the game and his backstory shows the issue of internal racism. The only thing I'm iffy about is his family that was murdered was his wife and son since that is very similar to Baraka's backstory to losing his wife and children to Tarkat. Plus, it's kind of weird that he moved on with Ashrah relatively quickly. I would've preferred if his family were his parents or siblings.

Scorpion: At first, I was a bit iffy about Kuai Liang being Scorpion but think it was a good choice since it makes the rivalry between the Lin Kuei and the Shirai-Ryu more personal. I'm excited to see how his and Sub-Zero's story moves forward.

Sindel: Good queen and mom Sindel is best Sindel! She was very likable! I had a feeling she would die in the story though her soul being absorbed into Ermac was unexpected. I'm interested in where this story will go.

Shang Tsung: I really enjoyed how sassy Shang Tsung was, and was glad he was the main villain after so long. The only thing I'm disappointed in is we didn't see more of his backstory. Also, the idea of Shang Tsung being evil all along NRS was going with was pretty lame. I wanted to see whether Shang Tsung was truly born evil or if was he made that way because of his hardships. It being the latter would've been intriguing because it means Liu Kang technically created Shang Tsung.

Smoke: Smoke is a sweetie, but didn't have much going for him. I was really interested in Smoke when he was in MK9 so I expected him to have his own chapter and develop. Maybe the Lin Kuei/Shirai Ryu war will give me that.

Sub-Zero: I hoped Bi-Han would be an interesting antihero instead of a generic villain. His betrayal is fine, but I wish he was more indecisive or slightly regretful of his choice since he lost his brothers. For example, when he slashed Kuai Liang's eye, I wanted to see him be regretful and sorry for hurting his brother. We didn't get that, which is one of the biggest disappointments of the story.

Tanya: I'm neutral with Tanya. Personally, her role and personality are too similar to Jade's. She felt like a totally different character who happened to have the same name as the original Tanya. Changing a character's story is okay, yet there should be some part of the original iteration that stays. I do find her and Mileena super sweet and I hope they live a happy life.

Thoughts on Time Skip in Rise Movie

Recently, it was revealed that the Rise movie takes place two years after the finale. I don’t have a full opinion until the movie is available but so far I don’t like the time skip. I was really hoping the movie would take place a few months later so we can see how Cassandra is getting along with the group, Draxum’s growing relationship with Splinter and the Turtles, and the Turtles handling their new power up. I’m nervous that the time jump will skip over that development. That’s what I was most hoping for from the movie.

I’m still excited for the movie and hope the time skip has a purpose.

2012 April Headcanons

-April is not as in touch with her emotions and sees holding your emotions as a benefit since her dad never talked about his emotions.

-Since S1, she has PTSD and dreams of being experimented on the Kraang.

-She had a small crush on Casey in S2, but they decided to be friends since they saw themselves as brother and sister.

-April is very insecure about herself and hides it by trying to act confident (usually overconfident.)

-Dating never interested her until her feelings for Donnie grew in S3.

-While in the farm, April took care of Leo the most because she blamed herself for the invasion happening.

-Her mom’s disappearance had more of an impact on April than she told.

-April has anger issues, but not towards others. Though she unintentionally lashes out at others whenever she’s frustrated with herself. She wants to work on it.

-After the end of the invasion, April would stick close to her dad out of fear that he’ll mutate again.

-When it was revealed that Karai was Splinter’s daughter, April tried returning her tessen to Splinter. Though, he told her to keep it since he sees her as his daughter too.

-After living with the Turtles, April grew more affectionate towards people, especially Donnie.

-For the last year of high school, April decided to take class about the Japanese culture and language, in honor of Splinter. 

-One of the things in her bucket list is to travel the world. 

2012 Casey Jones Headcanons

-Casey is a good mechanic because one of his jobs is working in a repair shop.

-His mom died in a brutal robbery.

-He blames himself since she was picking him up.

-As a kid, he was afraid of the dark.

-The reasons why Casey is doing bad in school is because of working multiple jobs and having dyscalculia.

-Has some sense of emotional intelligence.

-He doesn’t like sharing about his home life and past.

-OG Dragon Ball & Sailor Moon was his bad experience with dubbed anime.

-He had a crush on Marie Philip Roulin- an ice hockey player- and Ronda Rousey.

-Although Casey can be a womanizer, once he gets serious he’ll be a great boyfriend.

-Is a big fan of Eminem.

-Would definitely dress up as Jason Voorhees for Halloween.

-The person he cares about most is his little sister. 

My Version of the Hamato Family

Hi everyone! Thank you for reading and liking part one. It made my day!

So, this is where I shine in writing. I love creating characters and their backstory; it’s so fun. I think it is more important to focus on characters than the plot since a character can create the storyline- well at least for me.

I’m excited to share! Hope you enjoy!

Comment your thoughts! It would be cool to read them! 😁

……………………..

 Leonardo:

We’re starting with the usual leader-in-blue!

Although I adore Leo, his “perfect” personality can get a little boring. His versions usually have flaws, though they are the kind that makes you sympathize with him rather than feeling indifferent like with Raph’s anger issues.

Season 1 Leo would be a toned-down Rise Leo. He can be cocky when he succeeds over his brothers and would jokingly comment how he is Splinter’s favorite. However, it doesn’t come without hard work. Leo trains the most out of his brothers and spends most of his time studying fighting techniques. He is not naturally talented in ninjitsu like the past incarnations. Also, Leo’s motivations for training very hard and wanting to be leader is more for himself than anything.

Compared to his brothers, Leo was relatively average. Donnie was extremely smart, Mikey had his kind and joyful soul, and Raph was naturally a great fighter. Leo felt left out and decided that training to be a hero would be his way of standing out. He also believed that being special like his brothers was the only way to get Splinter’s attention; and it kind of worked. With all the progress Leo made, Splinter praised him, and they had a way to connect.

Around the beginning of S1(maybe ep. 5), Leo became the leader though how was different. Instead of Splinter deciding, the brothers did; the explanation was the turtles were a team and should make a consensus as one. This news made Leo ecstatic; he was finally living his dreams. Even so, he didn’t realize the baggage and responsibility a leader had to shoulder. Over the course of the story Leo grows as a great leader and fighter.

The Karai/Leo subplot will follow the 2003 version. He is convinced that Karai is a good person and tries to have her switch sides. There will be romantic feelings but its not the main motivation for both of their actions. I can’t say too much since this plot revolves around Karai more.

   Donatello:

Donnie is a blend of 2003/12 versions. He is intelligent with an extremely high IQ and was a gifted child. However, his intelligence came with a cost; making connections with his brothers and father was really tough for him because of their different interests. This left him withdrawing from everyone and focusing on his inventions. His social skills evolve once the turtles visit the city and meet April. The increasing danger of the Kraang further builds his relationships since communication is important in teamwork, and Donnie’s talent in inventing grew more in the spotlight.

Because of her fascination with Donnie’s smarts and inventions, April and Donnie become good friends as the story continues. Donnie also gets close with April’s best friend, Irma since they are science lovers. At first, Casey irritates him as they have clearly different personality; Casey’s impulsive and extroverted attitude conflicting with Donnie’s plan-based mindset.

Donnie’s love for his family is showcased after witnessing a terrifying, apocalyptic future where his family suffers. Paranoia sets in. His work to calculate the cause of this terrible, and its solution leads Donnie to rarely take care of his needs. He has to learn to trust in others instead of doing things alone.

 Raphael:

Unlike Leo, Raph is instantly gifted in fighting. He has more physical strength than his brothers and would constantly beat them in practice. Since childhood, Raph was Splinter’s “favorite” in the dojo and that definitely got into the red-banded turtle’s head. He would brag to his brothers and jokingly poke fun at their techniques. It wouldn’t affect anyone. Except for Leo.

Raphael’s ego started taking hits once Leo caught up to him and beating him in practice once in a while. It turned into anger after noticing Master Splinter praising Leo more. The tension soured their brotherhood. Unlike most versions, Raph’s anger is fueled by insecurity. He believes that fighting is the only thing he is good at and will get territorial if his spotlight is threatened.

Throughout the story, he learns to move on from his demons and realize his worth.

Family is important to Raph. He can be hard on his brothers yet will do anything to keep them safe, especially Mikey- his positivity must be protected. Casey and Raph become best friends for their similarities and love for fighting- they are impulsive bros.

 Michelangelo:

Mikey’s role is to be the positive and glue of the team. He loves to make people happy and would always do something goofy or kind to do that. His family have nothing bad to say about their youngest member and are very protective of him. The youngest brother doesn’t take ninjitsu as seriously as skateboarding, dancing, or just general fun. Though, he will be serious when the situation calls for it, such as the fate of his family and the world.

Although being an open ear to anyone, Mikey is not open to expressing his negative emotions due to his fear of damaging the family dynamic. It is noticeable when he is upset because he jokes more often and not focus. A lesson he must learn is to accept the good and the bad. Mikey can be reckless, mostly when his brothers rarely let him participate in missions. He wants to prove to his family that he is strong enough to protect himself and others. Reading people is his best skill and takes great pride in it, usually taking on the role of a therapist.

 Splinter/Hamato Yoshi:

I really wanted to take Splinter’s role in the Shredder’s descent to evil in the grayer area. He is usually the victim/innocent party of the story, which can get boring after a while.

Hamato Yoshi was born as the heir to Hamato Clan and childhood best friend of Oroku Saki. The Hamato and Foot clan were allies for centuries and would usually fight by each other’s side. Matters changed when the Foot’s beliefs grew more sinister. This left the Hamato Clan to eradicate their former ally. Splinter saved Saki before he could be killed, though, it came with consequences. Oroku Saki vowed to exact revenge for his fallen home. Growing up, Splinter became one of the strongest martial artists in Japan and married a woman named Tang Shen, later becoming a father to a girl. His world ended once he saw his clan destroyed and his family killed by the renewed Foot Clan.

Yoshi decided to move to New York and forget his old life. Years later, the martial artist noticed strange people caging defenseless animals. He would fight them long enough to protect four humanoid turtles, deciding to keep them after a moment of compassion. Splinter would continuously fight the strange men until a strange liquid turned him into a rat. This turning point banished Splinter and the turtles to the sewers for protection.

Splinter equally loves his sons. He would always make sure to give them equal amounts of love to avoid lasting issues. Though, he has made some mistakes. Emotions were rarely discussed because of Splinter’s unintentionally withdrawn attitude. The rat master wouldn’t instantly notice problems between his sons, and usually didn’t know how to resolve them. No matter what, Splinter is proud of his children and would do anything to keep them safe; sometimes not realizing that it could hurt them.

Hamato Yoshi’s guilt and trauma over the terrible moments in his life would be the main focus of his development.

Mako & His Development

Most people say Mako didn’t get development at all. I kind of disagree.

When we first meet Mako, he’s a standoffish loner who believed that getting money to protect his brother was his only job. Mako never had his own life because of these worries. By the end of LOK, he’s more open, kind, and gets to do what he wants- be a detective. Mako is free to be a bit selfish and not worry about his brother as much as before. He doesn’t need to be some kind of parent.

I think the reason why people kind of forget about this is because Mako’s development kind of matches his personality. He’s quiet and isn’t one to stand out like the others.

I feel like he is kind of the Toph of the gang. Tbh, I found Toph’s development to be Mako’s-not as in your face. Toph kind of stays the same except becomes more open. It was more of her skills that gained development.

I understand why people say Mako has bad development because of the romance debacle. That plot point messed up some progress in the show.

Thoughts? 😊❤️

Do you guys like magical girls???

Here’s some magical girls for you!!! ✨

My Roller skating magical girls story projects for my character design class!! I had a lot of fun plus these are very cute so I might continue developing some more plot for them!!🩷

Still on about tea, oh Iroh. 

So this is how the great Commander Zhao acts in defeat. Disgraceful.

“I can't remember how it starts but the punch line is, leaf me alone”

S1E01 // S3E14

Writing character arcs/character development

Guide to character arcs

Writing character development

Character arc ideas

Why character arcs don’t have to last forever or be linear

MASTERLIST ✍🏻

Hi! This post is a huge collection of all my writing tips in one place. I will update this list and add new posts✍🏻

Writing Tips

How do i Plot a Book?

Childhood Friends to Lovers Gestures

Showing 'Fear' in Writing

examples of body language and action tags

Writing Trust Issues Tension

Quick Tips for Writing Emotional Tension

How to Write a Ruthless Character

Showing 'Anger' in Writing

12 Emotional Wounds in Fiction Storys

Gestures for Shared Moments

Symbolism in Writing

Instead of "Looked", consider

Words to Use Instead of "Said"

Showing 'Determination' in Writing

Showing 'Confusion' in Writing

Showing 'Anticipation' in Writing

Introduce characters

Showing 'Exhaustion' in Writing

Showing 'Excitement' in Writing

Writing a Morally gray character

Showing 'Jealousy' in Writing

Showing 'Love' in Writing

OC Developement

Eye Color to Define Your OC,

Describe your Main Character sheet

Body type and shape

Good Traits Gone Bad

Dialogues

Dialogue Prompts that Hurts

Jealousy Starters

Dialogue Prompts for Friendship

Dialogue Prompts for Unrequited Love

Gestures of Loss

When A Character Is dealing with anxiety they…

When A Character Is hilariously confused they…

Isolation Starters

Regretful gestures

Undermining Confidence Starters

When a character is Babysitting for the first time

Control Starters

Guilt-Tripping Starters

Soft angers Dialogue

Gaslightning Starters

Emotional Blackmail Starters

When A Character Is stuck in a never-ending traffic jam they…

Dialogue Prompts for Mystery/Thriller

When A Character Is dealing with an overenthusiastic fitness trainer they…

Confidence Starters

Prompts

Physical Intimacy Prompts

forced proximity prompts

When A Character Is feeling nostalgic they…

When A Character Is excited about something they…

Prompts for self-Doubt

When A Character Is excited about something they…

Grumpy & Sunshine Affection Prompts

Moral Dilemmas Prompts

when a Character us stressed they…

Supernatural Elements Prompts

Family Secrets Prompts

When A Character Is in a state of panic they…

Inner Conflict Prompts

Twist Prompts

Conflict Prompts

Signs of ….

Signs of Embarrassment

If You’re Writing a…

How to Create a Villain

If You’re Writing a Female Character, Avoid these Bad Writing Mistakes

Emotionally reserved characters

If you’re writing a character who is Naive

Writing Love

How to Write a Confession of Love

forbidden love prompts

When A Character Is in love they…

Signs of Falling in Love

Gestures for Expressing Love

Love Triangle Gestures

Writers Block

Ideas to Get Rid of Writer's Block Inspo

Positive Character Traits

Below is a list of 219 positive traits to describe your character.

Lees verder

masterlist of characters’ deepest fears

ok maybe i shouldn’t call this a masterlist but it’s pretty comprehensive i think hello!! i was having a lot of trouble finding resources for ideas of fears to give to characters so i thought i would compile my own list, then i figured i might as well share it with y’all! 

this list is for those deeper, more intangible, existential type of fears rather than fears such as illness or bugs or clowns (all very valid fears!! just not the kind i needed rn) it might be a little repetitive but i wanted to be thorough/account for nuances and such. hope this is helpful :-)

• Fear of intimacy • Fear of death/dying • Fear of failure • Fear of rejection • Fear of commitment • Fear of being alone/loneliness • Fear of God • Fear of abandonment • Fear of change • Fear of the unknown • Fear of success • Fear of love • Fear of being forgotten/ignored • Fear of getting old/growing up • Fear of the future • Fear of loss • Fear of forgetting/losing memories/amnesia • Fear of becoming their parents • Fear of being a bad person • Fear of being unwanted

Lees verder

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

10 Tips for Crafting Authentic Characters

Give them depth: Create characters with multidimensional personalities, including strengths, weaknesses, quirks, and flaws. They should have a mix of virtues and vices that make them relatable and interesting.

Provide backstory: Develop a detailed backstory for each character, even if only a fraction of it makes it into your story. Understanding a character's past experiences, traumas, and motivations will inform their actions and decisions in the present.

Show their emotions: Allow your characters to express a range of emotions realistically. Show how they react to different situations, both internally and externally, to make them feel human and relatable.

Give them distinct voices: Each character should have a unique way of speaking, with distinct vocabulary, syntax, and speech patterns. This helps readers differentiate between characters and adds authenticity to their dialogue.

Create internal conflicts: Give your characters inner struggles and conflicting desires that they must grapple with throughout the story. Internal conflicts add depth and complexity to characters, making them more believable.

Show their relationships: Develop meaningful relationships between characters, whether they're familial, romantic, platonic, or adversarial. Show how these relationships evolve and influence the characters' development over time.

Make them evolve: Characters should grow and change over the course of the story, driven by their experiences and the challenges they face. Allow them to learn from their mistakes, overcome obstacles, and develop as individuals.

Ground them in reality: Anchor your characters in the real world by giving them relatable experiences, hobbies, jobs, or cultural backgrounds. Incorporating realistic details adds depth and authenticity to their portrayal.

Show their flaws: Imperfect characters are often the most compelling. Don't be afraid to showcase your characters' flaws and vulnerabilities; these imperfections make them more relatable and human.

Give them agency: Allow your characters to drive the plot forward through their actions, decisions, and choices. Avoid making them passive observers or mere vehicles for the story's events. Characters with agency feel more authentic and engaging to readers.

Substitutes For "Dead Parents"

Okay you guys! I mentioned this in a past post, but when it comes to family, some of ya'll are just... not creative. And don't get me wrong, having deceased parents is deep, dark, and hard, but at this point, a lot of readers simply overlook that because it's just that common. Not to mention, a lot of you guys aren't doing nearly enough with that information! So, for this post, I'll give some new examples relating to "family struggles!"

>> Neglect: Neglectful parents often don't give their child enough attention, time, or care. They don't always hate their kid; quite the opposite, really, they can still love their offspring and are simply unaware that they are being neglectful. This happens for a multitude of reasons: all their attention is focused on a different child, they're busy, or they're just uninterested in their kid's activities.

>> Abuse: Abuse is rather straightforward; it can be physical, mental, or even both. Even if it's only physical abuse, it can heavily damage the child's mental health and make them question their self-worth.

>> Fighting: I think that a lot of us have endured our parents fighting, and I'm fully confident that none of us enjoyed it. It's incredibly difficult for a kid to listen to their parents fight without knowing how to stop it, being stuck in the middle, and even worse, being the center of the argument. As it escalates, the child may even feel neglected, because their parents are only focused on each other.

>> Absence: Like neglect, these parents don't devote nearly enough attention and time to their child. However, this is because they are hardly present in the household to begin with. Normally, it's their career that keeps them away, leaving their kid to raise themselves.

>> Controlling: Oftentimes, controlling parents are found in, believe it or not, more successful households. Kids who have parents that own a successful business or are powerful in general are sometimes raised to follow those footsteps regardless if they want to or not. If they don't want to, as a result, they are kept on a tight leash. Controlling parents can also be found in stricter households.

>> Toxicity: Toxicity, a form of emotional abuse, can come in many forms, gaslighting, demeaning words, constant criticism, comparison, etc. Frequently, the child is unaware that their parents are being toxic until a third party points it out to them. This is because they've only known their parents acting in toxic manners; thus, it becomes their norm. However, it's also entirely possible for the parent to be oblivious to the fact that they're being toxic.

>> Distant: Being distant doesn't always have to be because of some crazy reason; they might've been a very happy and close family once, but as time passes on, they just simply start drifting in their separate ways. It's not the same as neglect or an absence; the child is usually able to adjust to it easier, and it might've even been their choice to be distanced from their parents.

>> Child Responsibility: This is a scenario where the kid acts more like a parental figure--they have to take care of both themselves and their family. In some situations, they also have to work in order to supply their family with enough money to be able to pay for life necessities. This normally happens when a/the parent(s) are out of commission and struggle to provide for their family. If the household is poor, the child might be working alongside their parents in an attempt to make their lives easier.

Did I miss anything? Let me know what you guys think about these substitutes!

Happy writing~

3hks :D

19 Most Common Character Flaws in Horror Fiction

Curiosity: Characters who are overly curious may investigate dangerous situations or places, leading to their downfall.

Arrogance: Arrogant characters may underestimate threats or refuse to heed warnings, putting themselves in danger.

Recklessness: Characters who act impulsively or without considering the consequences may find themselves in perilous situations.

Naivety: Naive characters may be easily deceived or manipulated by villains or supernatural forces.

Overconfidence: Overconfident characters may believe they can handle any situation, leading them to take unnecessary risks.

Stubbornness: Stubborn characters may refuse to listen to advice or change their course of action, even when it's clear they're in danger.

Greed: Greedy characters may prioritize personal gain over safety, leading them to make unethical or dangerous choices.

Distrust: Characters who are overly distrustful may alienate allies or miss crucial information, making them more vulnerable.

Cowardice: Cowardly characters may abandon others in dangerous situations or fail to confront threats when necessary.

Impulsiveness: Impulsive characters may act without thinking, leading to mistakes or putting themselves in harm's way.

Lack of Empathy: Characters who lack empathy may disregard the well-being of others, making them more susceptible to manipulation or isolation.

Overprotectiveness: Overprotective characters may prioritize the safety of loved ones to the detriment of their own safety or the safety of others.

Addiction: Characters who are addicted to substances or behaviors may make irrational decisions or be more easily controlled by external forces.

Obsession: Characters who are obsessed with a goal or idea may pursue it at any cost, even endangering themselves or others.

Paranoia: Paranoid characters may see threats where none exist, leading them to take extreme measures or isolate themselves unnecessarily.

Lack of Self-awareness: Characters who lack self-awareness may fail to recognize their own limitations or the impact of their actions on others.

Insecurity: Insecure characters may doubt their own abilities or judgment, making them more susceptible to manipulation or self-destructive behavior.

Ignorance: Characters who are ignorant of the true nature of the threats around them may underestimate their danger or fail to take necessary precautions.

Desperation: Characters who are desperate may make rash decisions or ally themselves with dangerous individuals or entities in hopes of achieving their goals.

Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

some original character (OC) questions that might pique your interest and spark your creativity:

What is your character's biggest fear, and how does it affect their actions and relationships?

What is something your character is deeply passionate about, and how does it drive their goals and motivations

Describe a memorable childhood experience that shaped your character's personality or outlook on life

What are your character's quirks or eccentricities that make them stand out from others?

Does your character have any hidden talents or abilities that only a few people know about?

What is your character's preferred way of coping with stress or difficult situations?

How does your character handle failure or setbacks? Are they resilient or easily discouraged?

Describe a significant relationship in your character's life and how it has influenced them.

What is your character's moral compass? What principles or values do they hold dear?

Imagine your character in a challenging moral dilemma. How would they approach it, and what choice would they make?

Is there a specific physical feature or item that holds special significance to your character? Why is it important to them?

How does your character react to change or unexpected situations? Are they adaptable or resistant?

Does your character have any recurring dreams or nightmares? How do these dreams affect them?

What is your character's preferred method of self-expression? Do they have any artistic talents or creative outlets?

Describe a defining moment in your character's life that marked a turning point or significant change in their path.

Character developement

- Create a detailed backstory: Develop a rich and layered backstory for your character, including their upbringing, past experiences, and significant events that have shaped them. This will provide a foundation for their personality and motivations.

- Define core traits: Identify a few core personality traits that define your character. Consider both positive and negative traits to make them more well-rounded and realistic.

- Give them strengths and weaknesses: No character is perfect. Give your character a mix of strengths and weaknesses to make them relatable and interesting. These flaws can create internal conflicts and opportunities for growth.

- Establish goals and motivations: Determine what drives your character. What are their goals, desires, or ambitions? Understanding their motivations will help shape their actions and decisions throughout the story.

- Create relationships: Develop meaningful relationships for your character with other characters in the story. This includes friends, family, romantic partners, and even adversaries. Consider how these relationships influence and shape your character's development.

- Show internal conflict: Explore the internal struggles and dilemmas your character faces. This could be conflicting emotions, difficult choices, or battling their own fears and insecurities. Internal conflict adds depth and complexity to their development.

- Allow for growth and change: Characters should evolve throughout the story. Consider a character arc that takes your character from a starting point to a transformed state by the end. Give them challenges and experiences that allow them to learn, grow, and change over time.

- Use dialogue effectively: Craft dialogue that reflects your character's unique voice, speech patterns, and personality traits. Dialogue can reveal their emotions, beliefs, and thought processes, providing insights into their character.

- Show, don't tell: Instead of explicitly telling readers about your character's traits, show them through their actions, choices, and interactions with others. This allows readers to form their own opinions and connections with the character.

- Continuously refine and develop: Characters are not static entities. As you write, remain open to new ideas and opportunities for character development. Allow your characters to surprise you and evolve beyond your initial plans.

20 secrets that your character has

1. Hidden Identity: The character is living under an assumed name and concealing their true identity for personal or safety reasons.

2. Past Trauma: The character has experienced a significant traumatic event in their past that they have kept secret, shaping their behavior and motivations.

3. Forbidden Love: The character is involved in a romantic relationship that goes against societal norms or has complications, forcing them to keep it hidden.

4. Hidden Talent: The character possesses a remarkable talent or skill that they have kept hidden from others, fearing judgment or exploitation.

5. Criminal Past: The character has a history of involvement in criminal activities, either as a former offender or as an undercover agent, which they keep concealed from their current life.

6. Family Secret: The character comes from a family with a dark or scandalous secret that they are determined to keep hidden, even if it means sacrificing their own happiness.

7. Betrayal: The character has betrayed someone close to them in the past, and they carry the guilt and shame of their actions as a closely guarded secret.

8. Hidden Agenda: The character is harboring a hidden agenda or ulterior motive, manipulating events and people to serve their own interests.

9. Hidden Wealth: The character possesses significant wealth or resources that they keep hidden to maintain a humble or low-profile existence.

10. Supernatural Abilities: The character possesses supernatural abilities, such as telekinesis or mind-reading, which they keep concealed for fear of persecution or exploitation.

11. Lost Memories: The character has gaps in their memory or a forgotten past that they are desperate to uncover, unsure of what they might discover.

12. Hidden Agenda: The character is working undercover or as a double agent, keeping their true intentions and loyalties hidden from those around them.

13. Terminal Illness: The character has been diagnosed with a serious illness but chooses to keep it a secret, not wanting to burden others or alter their relationships.

14. Stolen Identity: The character has assumed someone else's identity, perhaps due to a troubled past or to escape a dangerous situation.

15. Secret Society: The character is a member of a secretive organization or society with its own rules, rituals, and agenda, which they keep hidden from the outside world.

16. Guilty Pleasure: The character has a guilty pleasure or indulges in a secret hobby that is incongruent with their public image or perceived personality.

17. Hidden Fear: The character has a deep-rooted fear or phobia that they go to great lengths to hide from others, fearing it will make them appear weak or vulnerable.

18. Lost Love: The character had a past love or relationship that ended tragically or abruptly, and they keep their feelings and memories associated with it concealed from others.

19. Hidden Enemy: The character is secretly being targeted or pursued by an unknown enemy or antagonist, and they must keep their guard up to protect themselves and those around them.

20. Unfulfilled Dreams: The character harbors dreams and aspirations that they have never shared with anyone, feeling uncertain or afraid of pursuing them.

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30 Questions for your Dark Urge

These questions can be used as an Ask Game or just answering them all for fun character development!

(Tav edition here)

What circumstances led to your Dark Urge becoming their Class/Subclass?

Did your Dark Urge have any romantic and/or sexual relationships prior to their illithid adventure? If yes, who was it with and what was it like? If no, how did they feel about being single?

What would your Dark Urge consider to be their greatest skill? Is this accurate?

What would your Dark Urge consider to be their greatest flaw? Is this accurate?

What opinion does your Dark Urge have about the Gods?

How does your Dark Urge react to waking up with memory loss?

Did your Dark Urge recall any childhood memories? If yes, how do they feel about the revelations? If no, was it by choice or lack of options?

How does your Dark Urge feel about the wilderness?

How does your Dark Urge feel about the city?

What motivates your Dark Urge to either embrace or resist the tadpole?

What motivates your Dark Urge to either embrace or resist the Urge?

How does your Dark Urge feel about being a bhaalspawn?

How does your Dark Urge feel about killing?

How good of a liar is your Dark Urge? How do they feel about lying?

What is your Dark Urge’s greatest fear?

What is your Dark Urge’s greatest desire?

What is your Dark Urge’s greatest regret?

How does your Dark Urge feel about love?

Has your Dark Urge become particularly close to anyone romantically and/or platonically in their journey? If so, who, and what is the relationship like? If no, why not?

Is your Dark Urge open about their Urge or do they try to hide it? Why?

What are 2-3 songs that your Dark Urge would relate to?

What first impression does your Dark Urge give off to strangers?

How does your Dark Urge feel about what others think of them?

Does your Dark Urge have a treasured item with them? If yes, what is it and why is it special? If no, how do they feel about item sentimentality in general?

How does your Dark Urge feel about Sceleritas Fel?

How does your Dark Urge feel about Bhaal?

How does your Dark Urge feel about giving and receiving orders?

How well does your Dark Urge function under pressure?

What advice would you give to your Dark Urge?

What are your Dark Urge’s intentions/goals after the end of the game?

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

quick character sheets for my animation pipeline class! the assignment is to make a quick animated short

an old character sheet of one of my characters :^)

> random bakugo rant

ive seen a lot of hate regarding bakugo's character development, and though i understand most people's viewpoint, we have to remember that bakugo was inheritly a kid that was taught high expectations from early on, he was praised since young, taught that his worth came from his abilities. either he was the best, or he was nothing. he had a mentality where you were all or none. he never had any room for failure admist all that, so he couldn't grow to accept the fact that izuku was better. and by disregarding bakugo's development as much haters do, you're disregarding izukus strength. the whole fandom sees izuku as weak, which is inheritly wrong. izuku was strong, not because he had OFA, not because he had All Might beside him, but because he kept going no matter what was in front of him. and Bakugou loathed that, because all he saw was strength. and he couldn't bear the fact that Izuku held his head up high regardless of how physically weak he was. it didnt make sense to him, so he tried to wear Izuku's strength down, by bullying him, by lowering his worth. and it still didn't work. because izuku would always be stronger, and you know what the strongest thing izuku did was? it was forgiving Bakugou. the reason why Bakugou could never be as strong as izuku was because he was scared of being weak. but izuku was weak, yet he still kept going. and because of that, Bakugo thought he was looking down on him. Bakugous journey is accepting that, its trying to change all he was taught his entire childhood. and its not easy to do that, when you've had your ego held up high your entire life, when your mindset was shifted to only being of worth. all he was is a scared 15year old, growing into someone that can come to understand their flaws and make amends for it.