Lost Heroines
Lost Heroines
“Is there a taste you want to remember?” In a quaint alleyway in the heart of Seoul, a scarred, reticent chef known only as “Master” operates a low-key eatery from midnight to seven in the morning. The menu has just one modest dish, but patrons are free to order whatever they want. Night after night, various sorts of workers drop by and share their woes and joys over the hearty dishes, while…
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H Universe Awards 2024
Potential Lifesaver Award
Baby Reindeer [United Kingdom]
Care is not an invitation for possession. Self-hatred may get in the way of justice.
Most Meaningful Character
Squid Game Season 2's Player 120 Cho Hyun-ju [South Korea]
Discriminated people are more than their discriminated statuses and traits. Femininity does not lessen a person's capacity for toughness or leadership. We often don't fall neatly into one box or another conceived by society. So. Stop. Treating People. As. Little. Categorization. Games.
Hyun-ju cannot be mentioned without mention of the silver-haired mother, player 149 Jang Geum-ja. The ignorant elderly woman frowns upon gender transition yet she tenderly looks after the much taller and well-built Hyun-ju more than many trendy young people around you and I care about marginalized individuals in their midst.
Most Thought-Provoking Series
Hellbound / Hell Season 2 [South Korea]
Human hubris manifests not in defying divine forces, but in knowing that which you do not truly know.
Best Ending
Self-love-themed finale of Eternal Night Star River / Eye-Rolling Official English Title [Mainland China]
You're capable of tapping your full strengths to give important people in your life your all only if you are comfortable in your own skin. The other side of the coin, though, is Murder Mindfully. Ziqi's problem is not that he is a demon in the conventional sense of the term, but that the him beneath it all wrongly identifies as one.
Geekiest Series
Avatar: The Last Airbender [United States]
Diverse cultural elements and martial arts galore.
Best Aesthetics
Blossoms Shanghai / Luxuriant Blossoms [Mainland China and Hong Kong in relation to the cinematography]
Wong Kar-wai did not compromise for the small screen. The question is whether any scene is overdone. It's also a pity he could not get the color grading perfected in time for the CCTV broadcast. A "director color-graded version" with richer colors in at least various scenes was later released.
Best Music
What Comes After Love [South Korea and Japan in relation to the soundtrack]
What comes after that? Fragrance notes-like music that takes you places, of course.
Notes
There is plenty of online discussion revolving around acting, directing and writing, so awards in those areas are unnecessary. The acceptability of acting, moreover, is perhaps particularly vulnerable to cultural differences. Also subjective is the weights and combinations of factors that should go into the assignment of any Best Drama award. On a gut level, the drama that worked best for H this year is China's beautifully-shot sci-fi adventure series Tibetan Sea Flower / Adventure Behind The Bronze Door, but why should it be important to anyone reading this? Is it as thematically meaningful as various dramas above? Is its adrenaline-pumping, breathtaking directing and writing close enough to flawless, given its repetition of a certain trick and choosing to tell instead of show when unveiling the secrets to certain mysteries? How important is it for everyone to accept like H does that some choices can be justified by its place in a larger network of stories (the Lost Tomb franchise) apt for Easter egg hunts and jigsaw puzzle games? A more level-headed personal pick in any event would be any drama conferred the honor of Potential Lifesaver Award.
Beware of sampling errors that may contribute to the appraisal of shortlisted dramas. This unspecified shortlist, in turn, is subject to marketing prowess and social media reach.
Thingamajigs have a lot to say today✨🖤
After a long career passively (but not necessarily bitterly) hosting characters' romantic moments under or in the vicinity of their canopies, what do trees want in their retirement lives?
What if their aged selves will have ideas of romance different from characters' ideas of romance and our expectations of old trees?
What if those with the requisite magical power have only stayed rooted all their lives because they don't want to be fan-less, threatened freaks?
Ceramics Yoga, Anyone?
The world breaks everyone and afterward many are strong at the broken places. (Ernest Hemingway)
There is a crack, a crack in everything. That’s how the light gets in. (Leonard Cohen)
Luminescent Scars: As light pours into a cavernous space, participants in ballet tights practice their yoga poses within its ceramic-like, curved walls crisscrossed with fracture lines. Powdered gold, copper, brass, silver or platinum fill the lines. The instructor, in shimmering tights, is one of the bundles of rays that have descended to the weary and wounded. Shadows of other scar lines flit across participants’ bodies from time to time in acknowledgment of feelings all around, before transforming into waves of light. The above quotes reproduced by Critical Dance from program notes of Aurum, a ballet set in motion before such patterned backdrops, have told us the art form kintsugi’s ideal of embracing and growing more beautiful through broken parts. Ceramic surfaces portrayed across the sessions hail from a number of masterful or storied wares
:: Full concept ::
Rediscovering the intellectual life through Asian dramas
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The Asian Drama Philosopher (A-Philosopher)’s Chair provides weekly updates of literature, art and ideas featured in Korean/Japanese/Taiwanese/Chinese dramas.
Outreach: APC Suicide Prevention Campaign
Caution: Indirect spoilers ahead.
If a writer's work can save a life, should we be finicky about the medium the finished product officially appears in? Quite a number of us must be wishing we could turn back time and dissuade someone from taking his or her own life, however devastating circumstances might have been. Planned for slightly more than half a decade since the year a colleague committed suicide, screenwriter Kim Eun-sook's hit drama Goblin (available on Dramafever) tells the tale of a Korean mythical being known as dokkaebi, often loosely translated as "goblin," who longs to end his 939 years of immortal existence only to change his mind when he develops feelings for the human bride sent by God to fulfill this wish. Viewership soared to record-breaking numbers for Korean cable television history as the couple and their offbeat friends confronted the implications of life, death, suffering and co-existence with the miraculous, alongside heartbreaking dilemmas of living for their love versus dying for others. Adding more pathos to the series is the common tragic sin the formidable-looking army of amnesiac grim reaper bureaucrats in their universe are revealed to be undergoing rehabilitation for.
Kim Eun-sook's love for language is palpable not only in her lyrical sentences, including those used in scene descriptions found only on the script, and humorous wordplay, but also in her well-thought-out choices of poetry for mood creation purposes. Selected from the anthology Maybe The Stars Will Take Away Your Sorrow, Kim In-yook's entrancing lines in "The Physics of Love" mark the goblin's awakening to love and perhaps the allure of life, while Hortense Vlou's short but unforgettable French poem "Desert" brings out the bleakness of isolated existence. On February 10, 2017, sponsoring publisher Wisdom House shared that other books featured in this 2016-7 production include:
One Word From God - Japanese author Hiroshi Ogiwara's salaryman novel touching on work-related suicides
The Lives of Real Men - collection of meditative letters from Joseon scholars
Let's Meet! There's No More Time for Love - collection of healing essays by Korean multidisciplinary arts practitioner Shin Hyun-rim
This Unfinished Life [Chinese title] / Why I Live Today [Korean title] - deceased Chinese professor Yu Juan's answer to The Last Lecture
The Time of One Spoon - Korean writer Ku Byung-mo's fantasy novel in which a key character lives on bravely despite setbacks
There is no such thing as a free lunch, but it sure is hard to lament too much during the times the television industry pays for its costly diet of (God/goblin/reaper/ghost-inflicted) vehicle wreckage by offering nutrition for the soul.
Here is the announcement you have been scrolling down for: Suicide is not a risk emerging only on World Suicide Prevention Day. All year round, we need reminders about the sacredness of life and about the importance of being patient for things to work out, be this through self-growth, perspective changes, or arrival of unanticipated help. So, RECOMMEND a book, play or screen production that would curb suicidal ideation and give all of us a strong reason to live on. The work need not be Asian or fiction, but should preferably contain no evangelical content.
If you have a social media account, post a description of the work and attach the tag "APC Friends Against Suicide" (for Twitter users, that would have to be #APCFriendsAgainstSuicide) so that we can see each other's recommendation. To save time, you can also choose to submit a simple reply with the title of the work using the messaging functions on Tumblr or tweet the name to APC. Selected responses will be shared on Dinner Talk With The A-Philosopher's Chair, if time permits.
Help a reader choose endurance over death and help APC drum up much-needed support for its existing articles on inter/intra-group biases and cognitive illusions. Let everybody keep an open mind to the possibilities of life!
This brief commentary was written after the conclusion of Beautiful Mind.
What have been pumping up The Asian Drama Philosopher (A-Philosopher)’s Chair all this while are writings and dramas that take their audiences in weird and wonderful directions. W – Two Worlds (available on Viki) tops all dramas in this category so far with twin universes where a faraway river surreally floats up to you in a restroom, taking the metaphorical red pill freezes everyone else and leaves you terrifyingly alone in your expansive, fabricated world, and going on rampage is a literally faceless killer who can take any form (including a vehicle!) and teleport anywhere at anytime without any reason to take down a target so long as Creator wants him to. But now that its webtoon protagonist and his killer have both become self-aware, the former asks why he should be an alcoholic artist's alternate self or a starry-eyed fangirl's plaything while the latter, flashing with pixels of anger, demands an identity. There are elements of shows like Stranger than Fiction, Pleasantville, Dollhouse and, of course, The Matrix here, but the overall setup is rare enough, particularly when it comes to nonwhite lead characters, that it still feels remarkably refreshing.
W is not just a flashy show. Among other topics, it poses hard questions about the psychology of fiction creation. Thought policing can be repulsive and is as yet difficult to perform consistently with precision. Yet, in a strange turn of events, this freedom of thought also accommodates contemplation of the aesthetics of thought, for better or worse. With regards to such aesthetics in storytelling, W wonders if it is pathetic to live vicariously through a character who has everything—youth, success, strength of character—you do not have and if it is repugnant to, for the sake of dramatic tension and venting personal emotions, make a character go through traumatic experiences you would never wish for or be capable of enduring yourself.
Some viewers may not be used to the plot's bizarreness and sensational and slightly complicated twists, but, with sincere respect to fellow commentators who have expressed those views, if we cannot tolerate ideas that challenge the mind and defy conventions in an imaginary reality, how bleak is the prospect of us treating with civility someone who is "different" in our inescapable, physical reality? Fortunately, perhaps thanks to its intense cross-universe romance, W has been the rare mind-bending Korean drama in recent years to attain healthy ratings. All the best to it retaining the champion position for its time slot for the remaining episodes. Fanart creators would be happy to draw in a gigantic medal, and probably few would denounce this as vile.
A Soldier Wearing a Ball and Chain
A Soldier Wearing a Ball and Chain
Eminent American judge and legal scholar Oliver Wendell Holmes, Jr. once expressed the following disturbing opinion: “If I were having a philosophical talk with a man I was going to have hanged (or electrocuted) I should say, I don’t doubt that your act was inevitable for you but to make it more avoidable by others we propose to sacrifice you to the common good. You may regard yourself as a…
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An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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