Eras Of Fall Out Boy [insp.]

“rework of a magazine page from the 2000s to fit today’s artists” by @wakeupzuzi on instagram

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reminder:

it’s okay to have days where you don’t study at all if you need a mental and/or physical break.

it’s okay to prioritize other things in your life over school, if they’re more important to you and benefit you moreso.

it’s okay to fail a test or get a bad grade or get on the bad side of a teacher; your academic career will never go perfectly, but that doesn’t mean it’s spoiled forever, and that you will go nowhere.

it’s okay to not be accepted into programs, classes, clubs, or anything of the sort. just keep going forward, and new & better things will come along.

failure! is! okay!

breaks! are! okay!

you! are! okay! 

the secret history is fight club for pretentious english majors

cmbyn bts pics from deluxe japanese broxure

Timothée Chalamet + photoshoots (2017)

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Script Format: Action/Description

In a screenplay, the action/description sets the scene, describes the setting, introduces characters, and set the stage for your story.

Example: excerpt from the unproduced draft of Seven (1992)

Format: -Action appears after the scene heading. It is left aligned, single spaced, and mixed case. -It is written in present tense, active voice, and in as few words as possible. -Action should be no longer than 4-5 lines at a time. -When introducing a speaking character for the first time, put the name in all caps. -Capitalize specific sounds in the action. (Radio, door slam, shouting, etc.)

Content: -The action describes what can be seen on screen. Do not describe thoughts or what happened off screen unless it can be shown. (For example:You can’t say a character arrives home after a lunch out with friends. You need to show it via visuals, action, or dialogue. The character could be holding leftover food from a restaurant or tell another character about the lunch.) -You can use the action to describe a new setting or character. -Describe what is important in a scene, nothing more. Call attention to important details that give the setting or characters personality. For example:

“THOMAS (34), stands in the middle of the pristine, unfurnished foyer in muddy jeans and a tattered shirt.”

“Gabby (8) sinks into her seat in the back of the classroom. All eyes are on her bright purple Mohawk.”

-You can get fancy by having the action transition to another scene. You could say, for example:

“Suddenly, Maya bolts from behind her desk and runs out into:

INT. DRISKILL HOTEL HALLWAY - DAY”

-Avoid putting dialogue in the action. You can put generalizations about crowds (such as “Rosa pushes her way past a jeering crowd”) but specific dialogue should not be in the action. -Do NOT write camera angles or shots unless absolutely necessary! It’s the directors’ and cinematographers’ jobs to visually interpret the script.

*Note: There are definitely screenwriters (especially famous ones) out there that break these content “rules.” But they can afford to break the rules. When starting out, you should follow the rules until you can prove to people you know your stuff.

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Raffaella Carrà Butterfly Dress by Luca Sabatelli  for Fantastico, 1982 Rose su rose by Michael Bailey Gates, Vogue Italia, October 2018