A full time student. Primary bread winner and loser of this family (of one). (She/They)
260 posts
They really trying to say she is not excited for the role.
a lot of the "Rachel Zegler is smug" hate train feels very much like when Anne Hathaway got the same response. Which basically was alot of people for some reason hate how passionate theatre kids are.
I'm sorry but if you in anyway contributed to this whole Rachel Zegler drama calling her smug, arrogant, ungrateful etc. you're not a girls girl. barbie did nothing for you. calling her antifeminist doesn't make you any more of a feminist.
"Let girls want marriage and feminine things!!" Sure if we're talking about wearing make up or getting Starbucks or screaming over our favorite boy bands.
I'm gonna speak about this from an American angle because that's my lived experience. And Disney's Snow White remake will likely cater to a mostly American audience. But are we not currently going through some of the most rigorous anti-woman legislation at the moment? The conservatives here are trying so hard to pass stricter abortion laws, getting rid of no fault divorce, banning contraceptives and birth control, anti-trans legislation for children AND adults. Straight men and the epidemic of podcasts they have are constantly pushing for a "high value" woman. They want us to get married and have babies.
Being a feminine woman and getting married is still the expectation for woman. I really don't care if someone gets married or not. But Rachel Zegler critiquing the prince narrative in 1937 Snow White is not controversial enough to crumble any feminist theory. Certainly not enough for all this discourse around her.
You just bought into the current racist, misogynist, anti-union propaganda.
You would think that after all that Brie Larson, Jennifer Lawrence, Daisy Ridley, Kelly Marie Tran and, most recently, Halle Bailey endured, we would’ve learned our lesson. First, you said Rachel wasn’t Latina / Latina enough; then you said she was Latina and therefore she can’t be Snow White.
Y’all spent years criticizing the princesses, – namely Snow White – calling them “weak” and “passive”, saying that young girls shouldn’t aspire to be them and shaming those people that did. Disney heard you and decided “Fine, we’ll give her a more modern update,” and tasked Rachel with playing her.
Now y’all wanna do a complete 180 and want to claim that Snow White is “sacrilege” and was always a beautiful role model. You’re calling on Rachel to quit, calling her ungrateful for her role (nevermind that these photos exists), saying she “ruined the movie” for you, and hoping the movie fails based on an out-of-context 5-second Tiktok clip from a year old video. Disney creatives are the ones who made the decision to portray Snow White this way; Rachel is merely her vessel. What is wrong with y’all?!
Not to mention that y’all have the Audacity™️ to compare her handling of this whole thing to Halle Bailey’s handling of the racist campaigns against her. Rachel doesn’t it to owe to you to handle all of this with grace, by staying quiet and putting on a brave face. This constant barrage of hate and over analyzation of everything she says, does, and thinks is clearly taking a toll on her. (Also, Halle has signaled her support for Rachel, so just try pitting these two against each other again.)
Y’all need to realize that you are bullying a 22 year old for sport and have no shame for it. It’s sickening. I am exhausted from watching female actresses get torn apart on social media, at this point for just existing.
We just had “Barbie” come out – a movie that famously talks about the difficulties of being a woman and how no matter what you do, no matter how hard you work or how hard you try, nothing you do will be ever be enough. Everyone missed the message. I’m disappointed, but shit am I not surprised.
to go with my very long raven cycle quote list here
Adam. Adam Parrish was the destination of this road trip. Is there any version of you that could come with me to Cambridge?
Adam. Ronan missed him like a lung.
He could feel his pulse thudding in his jaw. He could hear it in his ears. It sounded like everyone else’s heartbeat, he thought. Just like Adam’s heart when it was resting on his chest.
Ronan’s attention stuck on his hands. Lovely boyish hands with prominent knuckles, gaunt and long like his unfamiliar face. “Who’s that?” Gansey had asked, and Ronan hadn’t answered, just kept hanging out the window. As they passed, Adam’s expression was all contradictions: intense and wary, resigned and resilient, defeated and defiant. Ronan hadn’t known anything about who Adam was then, and, if possible, he’d known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: please.
Keep reading
This is a better endorsement for the movie than any 5 star review
I. HATE. IN-TEXT. CITATIONS.
Not just when I'm writing a paper, but when I'm READING a textbook it looks SO messy (Rick-Astley, 1969, p. 420) and it's SO distracting, (Morbius, 2022) and SO disruptive (Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner, Blitzen, & Rudolph, 1964.) to my reading and (Bird, Grouch, Monster, & Monster, 1997 ) learning process. And why are some of them SO FUCKING (According, 2007; To & All, 1991; Known, Laws, & Of, 2378; Aviation, 57 B.C.E.) LONG???
Do you have any advice for someone about to dm for the first time? I'm less worried about running the session than how the hell do you plan one?
Btw Iove your art and it's inspired me to try out line work again
Thanks! And hey, that's a good question.
*Some restrictions apply
How I like to think of when I DM is that me and my players sit in the middle of a WHEEL of possibilities. It looks something like this:
Every session you start with, you have a set amount of possible go-to points. These are limited. Usually, your party won't go from sipping drinks at a tavern to walking out the door and fighting cult members in ONE session.
The possibilities are endless, so what you need to prepare is just the next few steps. In the above image, what I mean is that they first two darker shades are representative of what you need to have prepared immediately, and the lighter shades are plans you can have on the back burner, but don't need to flesh out.
As your party makes choices and travels outside of the Starting Spot, you can prepare the NEXT steps based on the ones they chose.
So, say your party is in your tavern, and they decide to go to the Adventuring Guild to look for a job. You don't HAVE to prepare the Heist Mission in the Wizard's tower for that - you can know it's a possibility, but once they've made their first choice, you have a direction.
You can then kind of visualize what their next steps are.
Of course, this wheel isn't one way! Your players could always just... hop over to an adjacent topic! If they're solving a mystery, that could link up to a Cult involvement. And from there, they can discover a Secret Hideout for the Cult, which you already know was a possibility if they were to go into the forest.
And once that sort of adventure has started, you can go ahead and think about what other things you had planned out might link up to or evolve from where they are.
At that point, it's like playing a giant board-game. Which involves laying down track in front of an oncoming train.
My recommendation is that you keep a few things on hand which can be used anywhere:
a few maps that somewhat relate to multiple things on your map (for example, a dungeon-looking map that could be a Secret Hideout OR the Wizard's tower)
Some named NPCs - at least one per location that you can throw up immediately when they arrive
a few puzzles/plotpoints which can act as a placeholder while you think of details (for example, a Mystery can be hard to think of on the spot. Give them some random clues, such as a missing person, a few discarded items, etc and then take your time before the next session to link those items together!)
The rest is.. well... just making it up as you go along!
Of course, that's just MY personal way of doing things. Some people prepare way less, and some prepare way more. It's just all up to how quickly your players move/how comfortable you are with details.
No words
“The prince just fell in love with Cinderella because of her looks!”
Wrong. Okay, picture this–
So there’s the prince, okay? He’s like, smack dab in the center of the ballroom, and he is like, horrifically aware that this whole ball thing is a result of his dad falling into a panic about the royal lineage or whatever and he’s stuck listening to highborn girl after highborn girl, all lined up, introducing themselves like, “Oh yeah my family’s been a longtime supporter of the crown, and I think you’re cute, *cough* I’ve been told I have child-bearing hips *cough* Who said that? Anyway–” and Princey boy is just smiling through it, he has been the center of attention for entirely too long, he misses his emotional support horse, and is just internally like “Someone please kill me now.” And then… he sees her–This isn’t a love at first sight thing, this is a ‘what the hell is going on over there’ thing, because this girl has not gotten into the Debutante line for a solid 45 minutes.
She’s just at the hors d’oeuvres table going HAM on the prosciutto-wrapped asparagus, and like, she’s polite about it, she’s happy to move aside for other people grabbing punch and canapes (and she’s really so sweet with the wait staff, it’s kind of cute because they’re like… definitely not used to being acknowledged) but it’s like, “Damn girl, did you not eat today?” and then the prince is kind of stuck with the uncomfortable thought of ‘how many girls starved themselves to fit into a corset for this.’ And then the Prince realizes he’s missed the past 4 Debutante introductions because he’s watching Mystery girl hork down crab rangoons. So he’s like, “Excuse me” and manages to break free from the never-ending parade of girls who will hop on his dick for status.
And as he’s approaching Mystery Girl, it’s kind of hitting him that something’s not quite natural about her. Not fake, but not quite real. But at the same time this whole evening’s been just a whole circus of people acting fake as hell, so like, someone seeming a little off doesn’t seem bad, necessarily. And he sidles up to her like, “Hi,” and she’s like, “Oh–hey, have you tried the tapenade?” and she points to one of the plates, and at this point, he could hit her with the “You don’t know who I am, do you?” deal or the “Very funny, I see your play” deal, but at this point it occurs to him that, no, he hasn’t had anything to eat throughout this whole damn ball, partially because of being stuck in the debutante parade, partially because of nerves, and there’s something so disarming about the question that he grabs a crostini and she still seems so food-focused that it doesn’t seem possible that this is a play. So they both grab little plates and ditch the party.
She pretty much clears her plate in under two minutes and then has half of his plate, he’s cool with it, mostly he’s just absolutely fascinated listening to her.
See here’s the thing about Cinderella:
1. She doesn’t know he’s the prince. Like yeah, he’s been at the center of the room, but she’s kind of spent half the party eagerly looking around everywhere she’s allowed to go (”Have you seen rose garden? Have you seen the solarium??” further confirmation that she doesn’t know who she’s talking to) and the other half stuffing her face with food.
2. She assumes she’s never going to see anyone here tonight again, and no one recognizes her, so she has no filter.
So she’s just talking about whatever with this guy. He seems cool. She talks about her friends, who are rats. She makes little outfits for them. Sometimes they bring her little gifts. She is already the coolest person the prince has ever met because of this. She pretty much offhandedly talks about whatever is fucked up about the kingdom that would take his advisors two hours of hemming and hawing and watering down to address. She just says it like it’s nothing, just funky little things she’s observed, and again, she’s not aware that he’s the prince, but it’s still pretty damn bold to bring up at a literal royal ball.
She… seems to have the majority of graces that lots of girls from Respectable Families™ have, but there’s something strange about it, something simultaneously broken and hardened, like the way you can see where ice has thawed and re-frozen. Also the way she talks about her family, and the way she avoids talking about her family– is raising several red flags, not in the “Oh this is another person trying to take advantage of me” sense, but in the “Oh fuck, something’s gone really wrong and you need help” sense and also lowkey a ‘damn is she even getting fed?’ sense. But he can’t say, ‘Hey, that’s not fucking normal for people to say that to you or treat you that way. We need to get you out of there,’ without sounding crazy himself, so for now, he’s just going to chill, make sure she’s comfortable, and keep enjoying the evening. She’s somehow befriended like 4 of the waitstaff so they’re willing to cover for them while they disappear for a little bit, and they get plenty of time to talk, but eventually it hits her that she hasn’t danced yet and she’s like “Come on! I bet we can make the prince jealous!” and he just bursts out laughing at that like “hell yeah, let’s make the prince jealous. He’s a real asshole.” Like clearly she’s having a good time, so who is he to make it weird? So they head back to the ballroom and they dance. And our girl, Mystery Girl, Cinderella, while they’re dancing, becomes acutely aware that everyone is staring. That doesn’t seem quite right. Like, yeah she’s hot, she knows she’s hot, but at least a good third of the party should still be focused on the prince, right? Where is that guy, anyway?
Oh.
Oh wait.
Oh shit.
And Princey Boy actually picks up on her realization and they whisper argue for like 3 minutes. “Why didn’t you tell me?! Now I feel like a goddamn idiot!” “I dunno it was nice being treated like a normal person” “Well me treating you like a normal person makes me a goddamn felon or something did you consider that?!” “Hey–Hey–it’s cool–you’re cool–I think you’re amazing, and if anyone says shit about you, I can shut it down.” “Well I don’t like that! That’s fucked up!” “I agree. It is fucked up, but I believe in you, and I think you should have a chance, and I’m here to back you up. I know power is fucked up right now. I know. But are you cool with working with me to change that?” And our girl Cindy pauses on that for a couple seconds, because.. she’s just spent hours with this guy and like.. she knows he’s a good guy, she knows he means well, so she’s like, “I don’t know how long I can actually work with you.” and the prince is like “Look, I know your home situation is complicated right now, but I really think we can–”
And then the bell starts ringing.
It’s midnight.
And then she takes off in a panic, and our prince just met the coolest person ever, and like, he’s pretty sure whatever situation they’re headed back to is fucked up, and all he’s got going to find her is a shoe. A shoe.
taken out of context, Goncharov is actually one of the funniest characters of all time.
he refuses to have sex with his hot wife. she invites him to dinner with Sofia (and was almost CERTAINLY going to propose a threesome) but he's like no thank you. i have to go stare into Andrey's eyes for 3 hours. he gets a motorcycle and crashes it 10 minutes later. he gives a eulogy at the funeral of a guy he killed. he picks a fight with a grandfather clock and the clock wins. his wife loses the mansion in a poker game because he was busy throwing a tantrum in his man cave and then she comes home and points a gun at him and he looks at her like a middle-aged suburban dad whose kids just broke the TV remote for the fifth time.
2023
COLLECT PHYSICAL MEDIA
SAVE RECEIPTS AS ROOM DECOR
READ AND REREAD AND REREAD AND REREAD
LOSE YOUR PHONE
ORANGE
LOSE AMBITION
KILL THE SHAME MAN
DANCE IN THE KITCHEN
WINE AND ESSAYS
BUSES ARE ALIVE
ok but one thing i love about goncharov is the ironic subversion of themes. like we have katya, the madonna-like character whose white palette screams of loyalty and purity, while andrey is the judas-like character whose motifs are the dagger and the poisoned cup.
but at the end, it’s katya who draws a gun on goncharov, and andrey who’s left holding his bleeding body in his arms. by having the “loyal wife” be the backstabber and the “doublecrosser” be the broken-hearted lover, scorsese subverts both biblical imagery and gender roles, and he does it in such a subtle and poetic way too, without taking away the complexity of either character.
friendly reminder that you are safe if you choose not to reblog posts threatening ‘x’ bad thing will happen if you don't. i know that it can be anxiety inducing, especially to those struggling with intrusive thoughts. i promise you that you are safe love. if u needed a sign to believe that you and you're loved ones are safe, here u go. ʕ •ᴥ•ʔ > this bear is protecting you rn ♡
“break will be here in just a few days,” adam said. he kissed ronan’s cheek, lightly, and then ronan’s mouth. “i’m coming back. be here for me.”
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
sometimes being chronically ill is just like googling "how to cope with the inherent violence of my own body"
she's a 10 but she loves to read dark academia books and wants to cover up a murder with her non-existent found family
reading trc from gansey’s perspective and it’s an aurthurian tale where each character is a member of the round table accompanying a king on a fated quest…or reading trc from ronan’s perspective and suddenly each character is a biblical disciple following a jesus with a back tattoo who performs miracles every day…or reading trc from adam’s perspective and now each character is a card from a deck with a psychic dealer carefully flipping them to achieve the most fulfilling outcome…or reading trc from blue’s perspective and now it’s a flawed protagonist in a coming of age story surrounded by archetypical characters slowly breaking down their tropes…depending on where you began the story…
more adam parrish heartbreak bc i'm (still) rereading tdt and he's breaking my heart!!!
•"besides adam was good at hiding things"
•"but adam was thinking about the suppressed truth: the two of them were on perpendicular paths, not parallel ones, and eventually, they'd have to go different ways. by college, probably. if not college, then after. a tension was building in him, like the one that sometimes haunted him late at night, where he wanted to save gansey or *be* gansey"
•"he *was* adam parrish, army of one. gansey raised by these adoring courtiers, would never be able to understand that"
•"i won't take your pity"
•"i am unknowable"
•"adam has killed himself for aglinoby, he said suddenly and for what? education?"
•"the bruises he'd come to school with. who has he ever had to love him? ever?"
•"how terrible it would be, blue thought, her mind on adam again, to not have a mother who loved you?"
tbh i fully believe that healthy kids should be getting in some stupid trouble.
like, a child that’s in trouble all the time, frequently skipping school, getting caught doing crimes? that’s a kid that desperately needs literally any positive attention. that kid needs help. obviously.
but a child that is perfectly well-behaved, never speaks up for themself, is seen and not heard? that’s a child that’s afraid. they also need help.
annabeth was written as a smart blonde to break the "dumb blonde" stereotype. annabeth being black is still breaking down stereotypes as black women and girls are often ignored and undermined in academic spaces
yeah star sign whatever but are you a “what else can i possibly throw in to finally hit this word count”-person or a “the word count actively limits my freedom of expression and only exists because whoever set it fears my unlimited power”-person?
the punching scene where everything’s the same but Meeks is no longer Passively Angry™️ but outright furious alongside Charlie
I’m talking “keep my wife’s NAME out your FUCKING MOUTH” type beat
he’s 100% on Charlie’s side, he probably just held him back so he wouldn’t get in trouble
I mean, look at this man
he is ✨angy✨