Aro-in-danyl - Sarcasm Is My Name. Sincerity Is My Game.

yeah so,

Making another post based on Alastor knowing everything that plays over his airwaves, but this time combining the radiohuskerdust and radioapple

Angel decides they need a Boys Night, and coerces Alastor, Husk, and Lucifer to join him in drinking and listening to music (aka Alastor)

Angel forces them all to (if not wear pajamas) to be SEVERELY dressed down, and is like if you're wearing too many layers, we're playing strip poker until you're not *glare* so they dont

So Angel is in like a crop top hoodie and low-rise shorts, Lucifer is definitely in some kind of duckie pajamas, Husk is basically in the same outfit except he swapped out the pants for sweatpants, and Alastor is in a loose button up shirt with the sleeves rolled up and the top buttons undone, and comfortable slacks

And as they're drinking, Angel keeps requesting more and more random and obscure songs for Alastor to play (Lucifer is greatly confused by this, but then eventually joins in because he's never seen Alastor so indulgent in something so stupid before, and it's fun)

Eventually Alastor gets drunk enough to start singing along to the songs, and after just a few more drinks he grabs Husk and makes him dance with him (he grabs Husk because they've known each other for years and have basically done this every time they get drunk together)

Husk is enjoying the attention, because while Alastor owns his soul and they do have tense moments, they have known each other for years and Husk does genuinely care about him (and he thinks there Could be something, if Alastor only let it)

(Alastor will not, because even with them becoming close over the years, he is Uncomfortably aware of the power difference, and as a mixed man from the 30s, that is a line he will NOT cross. Meeting Angel and his issues with Valentino only confirms this to himself.)

It's at this point that Alastor drops the transatlantic voice and starts slurring in his Louisiana Creole, and his radio static keeps dropping out for his real voice to come through (both Angel and Lucifer are shot dead, they didn't know this was a possibility and now they're going to be thinking about it forever. Husk is only safe because he's experienced this before)

Angel immediately has to join in with the dancing, because Hot Deer Daddy being drunk and playful??? He needs IN immediately.

Lucifer is having a crisis, he thought he had a handle on thinking Alastor was hot, but then he brought his TAIL and his ACCENT and his DANCING and he's flushed and giggly and. Oh no. Maybe Charlie IS going to have a second father after all???

Alastor eventually coerces Lucifer into dancing too by asking if he's a bad dancer, and if that's why he's still sitting. Lucifer, obviously, has to prove him wrong. (He doesn't, but it's worth it because Alastor giggles and grabs him to correct his form.)

All 3 of them revel in Alastor being much more genuine than normal (and the fact that not only is he touching them as they dance, he doesn't seem to mind when THEY touch HIM), and the fact that they get so see Alastor not only dressed down and drunk, but him relaxed and dancing with his face flushed (they all wish he didn't hate cameras or video because they wish they could keep this memory forever)

Eventually, they have to wind down and end up in a giant cuddle puddle on the floor, sleepover style

The next morning is about as awkward as you'd think, especially since somehow Lucifer fell asleep practically on top of Alastor, and Alastor himself is surrounded on both sides by Angel and Husk (which he could have handled if he was the first one to wake up so he could escape, but no, Charlie came downstairs and squealed so loud it woke up all 4 of them and made them come to terms to how they were cuddling each other. Hell.)

It should be read from left to right and up to down. My comfort doujinshies. They're so funny. I'd watch them be stupid, my god. Please, look at this and tell me, isn't this what mstans should thrive for instead of being a snater or a self-claimed-not-hp-fan-but-an-mstan type.

These two doujinshies are my oasis in the Sahara of Snape hate. It's so rare to find Snape with marauders in 1 art. My babies. My treasures.

Ps: not my art

So if I’m getting this right, the abridged version of Lil’ Zuko is like

Ozai: To get your honor back, you need to obtain something almost impossible to find.

Zuko: Whatever it is I’ll find it.

Ozai: The Avatar.

Zuko: *instantly finds Aang*

Ozai: What the-? Where did you get that?!

Zuko: I found it.

Ozai (hurling Aang): WELL GO FIND IT AGAIN

The thrown Aang, with little Zuko in hot pursuit, ricochet like pinballs across the global political landscape, wracking up high scores in Plausibly Deniable Treason.

Bleeding Out, Bleeding In - the Start

This is the start of the resulting fic from the winning poll option of 'Crime Boss is a Dangerous Job'. And boy did it go places.

A solid 40 of you wanted to wait for ao3, but the other 59 are feral gremlins who want a part now! Those who want to wait, don't feel pressured to read. This might be up on ao3 this week or if not then next week! (Yes, that doesn't add up to 100, one vote is me so I can see the poll results.)

wc: 1059 Content Warnings: canon typical violence, blood, blood drinking, mentions of death and dying, brief mentions of human tracking, so much cussing.

-

Brainless motherfuckers.

Every single one of them, brainless motherfuckers.

One would think that eight heads in a duffel bag would have been enough.

One would think that people would learn his fucking rules. They were easy rules. Don’t hurt kids. Don’t sell to kids. Don’t hurt sex workers. Don’t traffic people. Don’t fuck with him.

And these motherfuckers had fucked with him. They had fucked with his rules.

Red Hood stared down at the lifeless eyes of the traitorous lieutenant.

Ex-lieutenant.

Brainless motherfucker.

Hood was insulted that someone that incompetent had managed to make him bleed, even if it had been eleven against one. And fuck if he wasn’t bleeding badly. Hood pressed his hand tighter to his wound with a hiss and let himself slump back against the grimy wall of the ally that he had slunk into. His hand became wet with warmth.

He must have already bled through the hasty field bandage that he had slapped on the wound.

Numbers slipped through Red Hood’s foggy mind as he tried to calculate about just how bad of a fact that was— about how heavily he must be bleeding out. Fuck if he wasn’t bleeding out.

Could he make it to his safe house in time? No. Could someone make it to him in time? Maybe, but who could he call? He wasn’t going to turn around and let another lieutenant stab him in the other side. B— maybe it would be better to just bleed out than deal with B and another lecture. As if this hadn’t been in self defense. As if he hadn’t acted to stop kids from being sold. As if a moment of hesitancy about killing a man he’d been working closely with for a year had been what got Hood in this spot.

And Dick was off world.

Dick was always off world when he needed him.

That wasn’t fair. What did Dick owe him? It’s not like they had ever been family. Dick had never wanted him. The last person who had wanted him didn’t even want him enough to stay sober.

Blood loss made him maudlin, apparently.

Dying by explosion had been easier.

“You know, not what I expected to find dumpster diving tonight.”

Hood’s hand dropped to brush over the grip of his gun. It was up and aimed before his head even had time to lull towards the voice. The hand holding the gun was steady even as his vision swam staring down the sight.

“Not that I’m doubting you can use that, Boss, but would rather you didn’t,” the stranger said, hands up in the air. One large duffel sat at their feet. Another smaller duffel was slung over their back. A hoodie at least three sizes too big swamped the slim figure— hiding both their form and face. The steel toed boots looked comically large at the end of stick thin legs.

Hood knew better than to think they weren’t a threat.

Anyone could be a threat in Gotham.

“Really, Boss, I’m just out here dumpster diving for supplies,” they continued, motioning to the warehouse district around them. “Not going to lie and say I won’t happily loot your corpse if you keel over right there, but would rather you stay breathing. I can help with that, if you let me.”

“And if I say no?” Hood asked, his voice a breathless rasp even through the modulation of the helmet.

“If you say no to the help, I’ll just be on my way. There are other dumpsters to go through like the feral raccoon that I am.”

His arm dropped down to hang limply at his side. He didn’t take his finger off the trigger. He shouldn’t trust this stranger. “Look more like a street rat to me.”

“We’ll compromise to possum then,” they said, slowly lowering their arms.

He shouldn’t trust this stranger. Did it mater if he did?

He was bleeding out.

The gun slotted back into its holster.

“There you are Boss, we’ll get you patched back up.”

Hood blinked. They were tucking themselves under his shoulder, leaning him up off the warehouse wall.

Hood blinked. They were disabling security on a heavy, cast iron door set into a concrete floor.

Hood blinked.

“Not going to lie, Boss, you’re in a bad way.” The words were distant— like listening to them through a thick wall. Static ran under the words. Static that burrowed under his skin and into his blood.

Static that burned at a part of him he tried to ignore.

“Think they got something pretty vital with that knife.”

He didn’t want to burn.

“Stitched you up but…”

He didn’t want to die.

“Oh Boss.”

Not again.

“I know, Boss.”

A cold hand brushed over his temple and he couldn’t hold back the whine at the sensation. He strained to arch up into the touch. He wanted it. He wanted to feel. He didn’t want to slip away again. He didn’t want that void of death. He didn’t want to die again.

The voice shushed him. “I know.”

He trembled. The static sang in his veins.

“There’s something I can try, Boss, but it will change thing.”

Things were always changing.

“Not like this. You’re not on the knife’s edge yet. You’re still living. If you die you right now you tip over to the other side.”

He’d done that before.

“I know, Boss. But if we do this, you’re not going to tip over anymore, you’re going to balance on that knife’s edge. Not dead but not alive. It’s a fine line to walk.”

Everything in his life was a tightrope: hero, villain; son, enemy; brother, stranger. What was one more thing? Alive, dead.

He didn’t want to be dead again.

“Okay, Boss, okay.”

The hand pulled a whine from his throat as it moved away. A soft coo hushed him quiet again. The sound rumbled in with the static untill the soothing noise sat inside him.

His head tilted up as something slid under his neck. Hands guided his head to lay back down onto a soft surface.

Something wet dripped against his lips. Spice bloomed across his tongue.

“There you go, Boss,” the voice soothed. The coo rumbled in his chest like a fluttering bird. “Drink up.”

Cold skin and wet warmth pressed against his lips.

Jason drank.

i personally need 'em to team up real bad

Every writing advice thing ever: Don’t get bogged down in details on your first draft. Just write! ☺️

Me: How I begin this scene hinges on whether cheese sandwiches were served with mayo in the 50’s.

Snape is so physically non violent it's honestly kind of weird, considering how nasty he can be verbally. He's by some distance the nastiest Hogwarts teacher in the classroom (I'm ignoring some of the DADA outliers), but at the same time he's by far the most responsible in terms of student safety and appropriate punishments. He's one of the very few who never endangers them in some manner, and the one who most goes out of his way to protect them. I wonder why that is. With Harry it's fairly simple to see why, given that he sees him as James yet has promised to protect him. With other students it isn't so simple.

Alastor's Father

WARNING: period-typical racism, WW1, race-based murder

I see a lot of fics where Alastor's dad is a piece of shit and abusive, but I'd love to see one where Al's dad actually loves and cares for his family but was taken from them when Alastor was too young to remember much about him.

Maybe he died as a soldier in WW1 or made it back to the US only to be killed some other way. If he was black, then those odds go way up unfortunately.

We don't know much about Al's parents but if it's still canon that he's creole, then that means at least one of his parents has black ancestry. A lot of the fics I've seen give him a black mom/white dad, but I think it would be interesting if both his parents were mixed too.

Anyway, what I'm getting at is if Al's dad was killed when he was still little, then they wouldn't recognize each other in hell now would they?

Al's dad sure does love his family, but everyone else can fuck off. And ooh boi did he earn his place in hell trying to protect them, not that heaven cared about his motives.

The second he finds out Alastor the Radio Demon is his baby boy? Hell hath no fury like a protective parent. He doesn't give a flying fuck about the atrocities Alastor has caused, that's his baby and no one is going to hurt him while he's not double-dead.

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!