A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

[Image text] Arm bends a little. Cane height at hip joint. Many canes have adjustable height. Cane sits within the natural center of balance. Causes stress on: Triceps, upper back, wrist (pressure) fingers (grip). Helps with: Joints (lower back, hip, knee, ankle, foot), weakness, balance, pain.

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

[Image text] 4 Major Handle Shapes (significant variation and uses). Tourist/Crook/Hook. Classic shape, fashion and medical, easy to hook on things (arm, door, chair, etc), generally solid wood (stronger, heavier). Offset. Newer design, not a fashion handle, only handle for quad-bases, generally better balance, usually aluminum (light + cheap), soft handle, adjustable (rattles/clicks when swinging). Derby/Fritz/Anatomical/Contour. Classic medical shape, many fashion variants, some fashion + medical, varies in many ways, sometimes contoured to hand, comes in foldable styles, many aluminum styles, many customizable styles. Knob/Decorative. Fashion exclusive, knob shape hurts the hand after prolonged pressure (especially with designs), tend to be heavy, "sword canes" have the same issues.

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

[Image text] 4 Major base shapes (significant variation and uses). Adjustable base. Aluminum, standard modern medical, adjustable height, rubber base, wears down over time. Tripod/ quad base. If you need extra balance. Terrain attachment (varies, this is for ice). Removable, helps stop slipping on ice/snow/sand/etc, some canes have a retractable tip for ice. Classic base. Non-adjustable, custom only, modern standard still has a rubber base.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

Two canes side by side. The one on the left is painted a light pink, and the one on the right is painted black with a fire/lava pattern.

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

More Posts from Aro-in-danyl and Others

1 year ago
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9 months ago

Alastor as a "Gift from God" AU part 2

I'll have you know it is very difficult to write from the POV of God so you get Roo instead. I had to look up bible verses for this.

PART 1 here.

-------------------

On the day of the first extermination cleanse.

When the first sinner was slain, Roo felt the soul attempt to rise. A fruitless endeavor, for their sinful deeds in life and in death ensured her roots bound the severed pieces of the soul to her.

Foolish angels, in culling the herd and stifling even the thought of rebellion, they only made her stronger. Roo tightened her vines around the soul and attempted to drag it down, down through the 7 rings, and to her.

Attempted, because before she even got past the Pride Ring, a stronger force yanked the soul upwards. Enraged and in disbelief she tightened her hold around the other souls being slaughtered by the dozens, but each and every time they were ripped from her grasp.

At the end of the day, when the exorcists were flying up and away from the slaughter, the portal to Heaven opened and Roo latched onto the connection and demanded an explanation.

"Have you gone back on your word?" her tone was taunting but her desperation and anger festered, "These souls are mine. Their punishment is meant to be eternal!"

Roo did not expect a response, God had not spoken to her since The Beginning, and God had no foothold in hell - usually. Today, apparently, was an exception.

God spoke to her, "My creations all return unto me in The End regardless. You know I cannot bare to be separated forever."

Roo did not buy this, "What ever happened to 'Depart from me, you who are cursed' was that not written?"

"Said by a King, not I." God refuted.

"But within your holy text." Roo sniped, "You reward their sin, their rejection of you, by accepting them back with open arms?"

"If you think that is what will happen to those who reject me twice, you know me not at all." And perversely, Roo felt relieved at this admission. "The righteous will have eternal life, the sinful - upon second death - nothing."

"And keeping them from me was merely a happy coincidence?" Roo felt emboldened, God must see her as a bigger threat than she thought, "To twist the meaning of your eternal punishment to exclude me, why I'd almost call that a quality worthy of a demon."

The portal, which had only been open seconds, pulsed with the force of God's anger.

Roo laughed. "You fear me enough to risk your angels falling into my grasp once again. Do you think this latest stunt of yours will keep me weak forever?"

"My angels have learned to evade you since then."

"Careful there." Roo feigned concern, "Anymore hubris and I'll have to save you a seat in Pride. I could put you next to your favorite child, wouldn't that be nice?"

God ignored the taunt, "I know your roots grow stronger on Earth. More fall to you everyday. Faster than even my best angels can catch them."

Roo smiled at the admission. To have her work acknowledged by the being who created everything, everything that would someday be corrupted and belong wholly to her.

God continued, "It is a testament to your strength that The End may be sooner than I thought."

Roo stopped cold. Her strength came from corrupting the creations of God, but if there was nothing to corrupt...

Ah. She thought. Nothing truly is an eternal punishment.

"Unless," God hedged. "We come to an arrangement?"

Suddenly the reason for God's desire to converse with her made sense. Here she was, weakened from the loss of over a hundred damned souls, from an event that would become a yearly occurrence. Here God was, with the threat of The End poised upon their fingertips, attempting to force her compliance.

And it was working.

But God had shown their hand too early, "How utterly demonic of you! You want to compromise with me? To reason with me?" She used her roots to trip a flailing exorcist trying to remove its spear from a corpse just because, "What can you offer me?"

"I will not hasten The End before its time." God stated, as if the threat of nothing was enough now that she knew God wanted something from her that they could not get themselves.

"You do not want to destroy everything you've created; you want it even less than I do. What is it you desire?"

The last few exorcists were getting ready to return via the portal, their clothes splatted in shade of red and an abundance of gore. They had yet to develop a tolerance to the violence they were perpetuating. Roo knew, just as God did, that many of the angels after slaughtering their first few sinners, had ripped their helmet off and vomited in disgust and despair.

Roo could feel their shock, their inner turmoil, their sense of righteousness, their loyalty to heaven. With time, and more exterminations cleanses, they would learn to enjoy the bloodshed. Or they would break. Such was the way of war.

"I wish to create a gift for Lucifer," God began, "A gift that will challenge him, embolden him, and remain by his side."

Lucifer! Why did it always come back to him? Around them, the corpses of the damned littered her domain never to rise again, God's angels grappled with the weight of their heavenly duty, and her influence weakened for the first time in decades. And yet it was Lucifer that made God lower themselves to speak with her!

Roo reigned in her rage, "And what does that have to do with me?"

"I am creating something unlike anything I've ever created before." God directed her attention back to the weak angel who'd finally pulled their spear from a corpse, "Immune to angelic destruction. Stronger than a thousand sinners, with the potential to stand against my Archangels, capable of vengeance and retribution."

Roo salivated. "And you're sending it here." Roo let the last of the shattered souls in her grasp go, not even paying attention as it shot upwards and away. "You'd create such a thing and put in my hands the instrument of your demise?"

"Which is why I appear before you. You know sin more intimately than I. So I implore you to cast off a piece of yourself for this gift and I shall do the same."

"And what is this gift?" The exorcist was attempting to clean the gore from the spear and failing. "And why should I give you anymore of myself when you've already taken so much?"

"A human soul."

"You intend to create a soul destined to hell before its first sin and gift it to the being who prizes free will above all else. Do you imagine he will thank you?" Roo didn't care about Lucifer's feelings regarding this gift, she couldn't wait to see the fallout actually, but she couldn't help but point out the obvious.

"No," God said, "he will not. As for you, this soul will bring a new age upon your realm. They will be The Avenger of the worthy. And a nightmare to everyone else."

"Do not repay anyone evil for evil," Roo quoted. "Is that why you need me? You want to avoid going against your own words, so you seek to blame me instead."

She did not give God time to respond, "But you still haven't told me what I gain. What do I care for this promised 'new age' or so-called Avenger when I am still trapped?"

"And that is my bargain," God attempted to comfort one of the angels weeping over a small sinner's corpse but their touch fell short. Seems they did not have power over anything in her realm but exorcised souls, she mused.

"With a piece of us both, this soul will have a direct link to us in a way no fully mortal being has before."

Roo would've gasped if she was capable of breathing, "Speak plainly!"

"They could free you."

"What's the catch? Why would you give them this power?" She could hardly believe it. It was too good to be true.

"You have the chance to be free. But you must convince this soul to do so of their own free will, knowing fully the consequences of your freedom." Roo dismissed this, she was The Root of Sin for a reason, and this soul was destined for her realm anyway.

"You are forbidden from interfering with their life before hell. And you must find this soul yourself once they fall."

A minor setback, but the call of freedom was strong. Still, she was not so blinded by this opportunity that she wouldn't ask, "And what, do you, The Almighty God, gain from this bargain?"

"A hellborn will become your greatest adversary, they will attempt to redeem sinners and remove them from your grasp." The portal to Heaven began to close.

"And should they succeed, your chance to convince The Avenger will begin to close. And you will never know freedom."

"A time limit!" She should've known they wouldn't play fair, "How long?"

They turned her attention to the newly built Tower in the center of the Pentagram. The timer below flipped through the numbers at record speed until it hit 365. "Seven full moons after the clock strikes zero for the last time. Do we have an agreement?"

God's voice was strong as ever, but the portal was now only the size of a quarter. Roo knew manipulation and this reeked of it, how clever of God to wait until the last moment to share all the details when she had so little time to think of it.

"When in hell, you use the proper term." Roo pretended to scold them. She reached out to the fading tendrils of God and sunk her thorns in as deep into the connection as she could.

"We have a deal."


Tags
hazbin hotel (for now) hazbin hotel au alastor gift from god au hazbin god hazbin roo Sorry no alastor yet I got caught up in the backstory because I had to figure out a reason God would even consider doing this I also had to figure out why God allowed Sera to keep doing the exterminations God is very manipulative and Roo is not afraid to point it out there's another reason God gave this specific time limit It ensures that Roo will actively encourage the Exterminations to keep happening despite how much power she loses from it As long as the clock never reaches zero for the last time she will have eternity to convince Alastor A bit of yandere! God slipped in with the whole 'No one can stay away from me forever. I'll kill everyone first' God doesn't like the pain the exterminations cause but they do like yoinking souls away from Roo Roo: :P sweet a shattered soul to feed me- God: YEET Roo: My Souls!! D:< Also Roo is not a reliable narrator God does not like having angels kill for heaven but it's the only way to keep Roo weak notice how God answers Roo without actually answering her and plays up the connection Alastor will have to Roo and how it could free her rather than trap her further And scurts around the fact that Alastor will have the same connection to them don't worry though cause Roo is gonna realize that last bit eventually Neither God or Roo want The End and that is why they both agree to this It's a risk to them both but it's better than nothing Sure God put in a lot of caveats but Roo if given an inch will make an apple tree and God knows that
3 years ago

Parseltongue & Tom Riddle

I really need to see more fics with snakes being assholes and Tom having to suffer because they refuse to leave him alone. 

You can’t tell me on a cold night 20 something snakes wouldn’t stick to Tom like glue. 

Or the cat equivalent of sitting on your face while your asleep and suffocating you with fur. AKA noodle boi accidentally wrapping around his neck too tight. 

And snakes do not know boundaries:

Snake: damn it’s cold 

Tom: *minding his business*  

Snake: ah-ha! *shoots up Tom’s pant leg just a touch too far*

Tom: *shrieks* MOTHERFU-!


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1 year ago

I started watching Dirk Gently's Holistic Detective Agency and honestly I'm not super into it but Ken Adams fucking kills me.

Like. You meet this crazy woman who kills your employer and hasn't showered in weeks. Her hair is a nightmare. She's kidnapping you. She's talking about the path of the universe and her fate and how she's supposed to kill everyone she meets, she's fucking nuts. You're gonna die.

And then you don't. And the further you go with her, the more you start to realize that she's not bluffing, she legitimately kills everyone she meets. She won't die, the universe won't let it happen. She is completely unconcerned that you didn't die, because apparently this is just the way things work around her.

What if you met the god of death and she didn't kill you is already an insane starting point. What if the god of death took you on a roadtrip where she kills everyone she meets and you don't fucking die, despite all signs to the contrary? That's so insane, I love it.

3 years ago

I have, in fact, read the entire thing more than once and it was the inspiration for my current nobby leach crisis. 😭

And I do love the idea of LeachxRiddle but I didn't want to come off too strong in the first post.

I loved Retired Prometheus but Leach's character just fell a little short for me. It absolutely worked for the fic as a whole since he wasn't the main character, but it's just made me want to see him more fleshed out in other fics.

This man had the balls to run as minister for magic and be the first muggleborn to win. That speaks of ambition and cunning, and I very much want to see more of that.

Nobby Leach and Tom Riddle together? Now that is a power couple in the making. They're goals could arguably be the same, but the different methods they use to go about accomplishing them are very much opposites.

Also I don't know about you but I love the idea that Leach's personality is the exact opposite of what would you expect from the token muggleborn character. You know the muggleborn who's soft-spoken, quiet in their convictions, and polite no matter what slurs they're called.

Give me a Leach who spits in Purebloods faces, goes to muggleborn protests with a megaphone, and displays his outrage for their sub-humane treatment blatantly.

Give me a Leach who should not have won the election because he wasn't a tolerable, charismatic, token minority but did anyway.

Its supremely unfair how under utilized Nobby Leach is in fanfic.

He's a blank slate! The 1st Muggleborn British Minister of Magic but we know very little about him personally or even the circumstances of his election.

Voldemort rose to power in the late 60s-early 70s. Leach was minister sometime between 1962-68. And Leach was supposedly threatened from returning to his position or possibly assassinated.

Do you think poor, working-class, assumed Mudblood of Slytherin Tom Riddle didn't see these shady dealings and go "Okay so taking the legal route to power won't work."

If having power was Tom's only goal then he absolutely would've taken a quicker route to it. But instead Nobby Leach's failure just proved the system was too broken to fix from the inside.

(Quick disclaimer, I think Riddle only used the blood-purity thing to get an in with the purebloods who were running the country. There are better posts that expand on this idea in detail so I'm not going to get into it too much here. Okay? Okay.)

We know so little about Leach that he could conceivably have gone to Hogwarts at the same time as Tom Riddle. Did they know eachother? That's up to you, but if they went to school together then they definitely knew OF eachother.

So here you have Nobby Leach who hit the ground running after graduation, who clawed his way to being the FIRST muggleborn Minister of Magic in a government made up of bloodpurists, and then he just...resigned? Fuck that. That doesn't fit at all.

And anyone with half a brain would've picked up on that. Tom Riddle could not have missed how uncharacteristic this would be if he knew Leach, or heck just noticed the sheer will and patience it takes to become THE Muggleborn Minister of Magic.

On that note, there might've been some sort of Muggleborn movement happening in the background following Grindelwald's defeat. After all it takes more than one person to achieve this kind of victory.

So Tom Riddle watches (or is apart of 👀) a fast-paced, determined movement place the FIRST Muggleborn Minister of Magic and then watches as this victory silently tumbles down into forgotten history.

Meanwhile Tom builds the Death Eaters who also work outside the system via raids and murder despite the fact that they all work inside of it already. Theres already lots to unpack with THAT decision but moving on... Once the Ministry finally gets its shit together and arrests the (clearly labeled with Dark Marks) perpetrators, throwing them in wizard prison eventually reaching the point where they would be thrown in without a trial (Sirius Black), the Pureblood lawmakers all of a sudden realize "oh fuck, this is getting real."

And now what do they have to do to avoid suspicion in this very Red Scare-esque era of spying and tattling on eachother (it worked for Karkaroff) to avoid wizard prison? Play nice with the Muggleborns.

TL;DR

Nobby Leach: went the legitimate route to making change by working WITHIN the system. He rose fast and fell silently.

Tom Riddle: went the shady route to power by working OUTSIDE the system, painstakingly working for decades to build a support base, and falling in notoriety.

There needs to be more fics with them as foils to eachother. And if it has to be me, I warn you it will take YEARS to finish.


Tags
2 years ago
Tom’s Just Trying His Best

Tom’s just trying his best

1 year ago
Part 4 And End Of Alastor's Bad Day Alastor Survived His Fake Date And Will Probably (not) Think Twice
Part 4 And End Of Alastor's Bad Day Alastor Survived His Fake Date And Will Probably (not) Think Twice
Part 4 And End Of Alastor's Bad Day Alastor Survived His Fake Date And Will Probably (not) Think Twice
Part 4 And End Of Alastor's Bad Day Alastor Survived His Fake Date And Will Probably (not) Think Twice
Part 4 And End Of Alastor's Bad Day Alastor Survived His Fake Date And Will Probably (not) Think Twice

Part 4 and End of Alastor's bad day Alastor survived his fake date and will probably (not) think twice in the future before trying to one-up Lucifer on unknown projects. Part 1 | Part 2 | Part 3

1 year ago
Screenshot of a tweet that reads: Yknow what I’d like to see as an illustrator?

A database of cultural clothes/items submitted by people within those cultures with info like how often its used and reference photos

It would make diversity in art so much easier

Is there something like that??

tweet

Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.


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8 months ago
A digital sketch for Adventure Time depicting three little blue squares laid out in a row. In these squares are sketchy depiction of objects made to represent characters; in the first square, there is a purple Walkman with headphones lying down beside them mostly out of frame. This represents Betty Grof, who is seen with the same Walkman in Fionna and Cake. The second square shows Hambo, a purple, patchwork bear-like doll with long limbs. This represents Marceline, who was given the toy by Simon/Ice King. The last square shows a purple 00's era phone, with a phone charm in a shape reminiscent of Fionna's white bunny happy. This represents Fionna, who uses this phone throughout Fionna and Cake. Above the squares is written in purple 'who can say if i've been changed for the better but' and inside each of the squares is written in white 'because i knew you' and below the squares is written in purple 'I HAVE BEEN CHANGED FOR GOOD' (lines are from the song 'For Good' from Wicked).
A digital sketch that consists of two rectangles. The top rectangle shows Simon/Ice King (left) meeting Marcy (right) (as shown in the episode 'I Remember You') from a profile angle and wiping away her tears; most of his face is hidden, but he is smiling; his skin is a dull blue and his bears is grey. The background is a brown and blue with simple and loose white lines representing the buildings and street. At the bottom of this rectangle is written 'there is no tears without joy'. The bottom rectangle is almost a reverse of the top, with Simon on the right and Marcy on the left. Simon's skin is bluer, and his beard more white, and his hand is now sharper on Marcy's cheek. He is wiping away her tears, but has left a red scratch on her cheeks (as seen in the episode Everything Stays). Marcy is looking at him with her mouth open in distress, just like him (though his eyes are once again hidden out of frame). The background is blue and greys with simple loose white lines representing the ruins and snow. At the bottom of the rectangle is written 'there is no joy without tears' (finishing the quote by Shlomo Carlebach).
A digital sketch depicting Shermy and Beth from Adventure Time. Beth (a yellow dog with a horn on her head) is lying on the ground, eyes closed in contentment and her right arm resting on her chest. Her belly buttom is open into a portal, through which Shermy (a white cat with an orange shirt and brown messenger bag) is jumping down into, with his legs visible from the bottom portal. The other portal--the one from which Shermy is jumping--is above the belly button portal, and has a blue jagged ring around it; it is implied that Shermy is falling constantly through the portals. The background is green grassy hills, with grey snow-capped mountains in the distant left, and a grey clouded sky making up the top part of the background. Written on the right side of the image, in a yellow font ressembling the Adventure Time logo, are the words: NOW YOU'RE THINKING WITH PORTALS.
A digital collage of sketches. In the top left corner, is a drawing of Fionna wearing a blue checkered dress with long white socks with two blue stripes are the top, and red shoes; the outfit is reminiscent of the one Dorothy wears in the Wizard of Oz. Behind Fionna are the words 'there is no place like home'. To the bottom right of her are three circles; in the pink one is a drawing of Ice King excitedly wearing the Wicked Witch of the West's black outfit. The blue circle to his left says 'just happy to be included' with an arrow pointing to him. Below this is a light blue circle with a drawing of Simon as the Scarecrow. To the top right of Fionna is a postcard depicting Sydney Harbour, with the words 'AUSTRALIA: UNDOOM YOUR YURI TODAY*' written on it, with a yellow circle below is reading '*may doom the future of humanity'. To the right of this is a depiction of Betty and Simon sitting at a table doing taxes and laundry respectively, with the words 'In another life, I would have really liked just doing laundry and taxes with you' above them. On the table is a white line that divides into two, with the words 'the road not taken' written along it. One of the lines leads to the right where an older Simon watches the scene; his head is haloed by the Earth (within which is written 'je t'aime, je t'aime') and the Moon's orbit. To the right of him is a scene inspired by Eternal Sunshine of the Spotless Mind's cover, with a young Betty and Simon lying on blue, cracking ice. Under them is written 'I hear thee, view thee, gaze o'ver all thy charms, And round thy phantom glue my clasping arms'. Underneath these three scenes is a sketched 'photo' of Prismo, Ice Thing/Gunther (who is waving happily at the viewer) and Golbetty (of course, being so big, we see only their hand doing bunny ears over Ice Thing) all posing with Simon, who is standing awkwardly. An arrow is pointing at him, and under the photo is written 'PRIMORDIAL BEINGS' FAVOURITE LITTLE MEOW MEOW MEOW' and in smaller text underneath '(and honourary god and dad to a whole universe)'. To the left of the photo is a small sketch of Simon holding a pink dandelion (Fionna's World) with 'do you think a depressed person could make this' written above his head. To the left of this is a scene of a grump Fionna wearing her canon blue shirt, dark blue shorts outfit, but now the shirt says 'I MET GOD AND ALL I GOT WAS THIS STUPID SHIRT'. Cake is wrapped around behind her and is looking very happy. To the left of this Prismo and Simon are drinking alcohol, below which is written '(the gods in question)'. Above this is a Fionna-version of the 'I'm Thinking of Ending Things' poster, with Fionna wearing her work uniform in front of a background made of ice mountains and Ice King's crowns.
A digital sketch of a smiling Ice King waving around an asexual flag (black, grey, white, purple stripe) in one hand, and holding a disgruntled Gunther (penguin) to his chest in the other. Behind Ice King is written 'ACE' (horizontally, top of frame) and 'KING' (vertically, to the right of the frame), therefore in full saying 'Ace King', a pun of his name 'Ice King'. There is a purple hue over everything, giving Ice King's infamous blues an almost purple look to them.
A digital sketch depicting a four-panel comic. In the top left square, we are in Marceline's house, with the background made up on her pink and blue living room (angled so that we see the front door). We see Simon with his hair tied back and wearing a white vest and pants over a black sweater (an outfit seen in the Marcy and Simon comics). He has his knees to his chest, and is excitedly saying something to Marceline, who is the right corner of the frame. In a light blue speech bubble, in the font used in the Adventure Time comics, Simon is saying: 'And in that universe, I was in the body of this little cat called Shermy who had a friend named Beth. She was really wise and insightful, and she could make portals!'. The square to the right of this (still in Marceline's house, now from a new angle, so that we see the door to her kitchen) now focuses on Marceline, who is also sitting with her knees to her chest; her black hair is short, cut to the chin, and she is wearing a blue ghost earring, a light blue sweater over a yellow collared shirt, and purple-blue jeans. Simon is the corner of the frame to the left. In a light red speech bubble, Marceline is saying 'Aw dang, Shermy and Beth sound really cool. I wish I could have met them. It sucks that they're in an alternative universe I can never go to'. In the bottom left square panel of the comic, there is a brown banner in the top left corner that says '1000 years later'. The background is now they grey cloudy skies and green hills of 1000+ era Ooo. To the left of the panel stand Shermy and Beth, with Marceline standing on the right, her hair now longer and wearing a brown robe. In a yellow speech bubble, Shermy is saying 'Hey! It's nice to meet you! My name is Beth, and this is Shermy.'. The last panel focuses on Marceline, who is staring up at Beth (who is standing mostly out of frame along with Shermy on the left side of the panel) speechless; the background, however, is covered with her internal monologue in a pink-hued white thick text, most of which is covered by Marceline, Shermy and Beth. The parts that can be seen read: 'WHAT THE FUCK SHERMY AND BETH?? --D SIMON FUCK-- --TIME TRAV-- NT AN AL -- WAIT CO-- --SEE-- --AGA' Beth is also saying something, but all the can be seen in her small yellow speech bubble is the last word 'rebellion?'
A digital sketch that is cut in half by a line; above the line is 1000+ era Ooo, distant grey snow-capped mountains, and dull green hills, with two meeting just to the right of centre of the image. In the top left corner is a distant snippet of the 1000 year old Treehouse ascending into the clouds; in the top right corner, is the tree line of the forest. At the centre, above the line, Marceline floats; she is wearing a long brown jacket, a dull red shirt, ripped blue jeans and black shoes. She has her eyes closed, and she is hugging Shermy to her chest. Shermy also has his eyes closed, his arms resting on Marceline's shoulders. Along the line, rocks jut out. The part of the image of the image below the line is a blue-hued reflection of everything above, with one exception; in the place of Shermy, Simon is the one being hugged (as this is Simon in the body of Shermy, just as he was in Fionna and Cake), his eyes closed as he rests his chin on Marceline's shoulder, and arms hidden in a hug behind Marceline's back; his feet are cut off by the top of the reflection. In the top part of the artwork, written across the background in an old-fashioned cursive font, are the words 'one last goodbye', with Marceline and Shermy floating between 'last' and 'goodbye'. In the reflection, and upside down, is written 'for old friends', with Marceline and Simon standing between 'old' and 'friends'.

My brain got absolutely infested with art ideas this last week so now it's ✨sketch dump time✨

8 months ago
I Like To Think That Simon Finds The Remains The Restaurant He And Betty Had Dates In Post-cannon. I
I Like To Think That Simon Finds The Remains The Restaurant He And Betty Had Dates In Post-cannon. I
I Like To Think That Simon Finds The Remains The Restaurant He And Betty Had Dates In Post-cannon. I

I like to think that Simon finds the remains the restaurant he and Betty had dates in post-cannon. I also like to think that Betty doesn't fully remember what the restaurant looks like.

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aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

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