Parseltongue & Tom Riddle

In the Danny is Damian’s brother trope what if instead of Damian not telling the family about Danny wasn’t because of grief or shame or any of the more commonly used reasons for his silence. What if it was because he heard about how his father talked about Jason after his death, focusing and exaggerating the negative. That he was violent, angry, never listened to orders but in some iterations and popular fanon is that Jason was a cheerful and studious Robin.

What if while compiling info and researching the former robins during his tumultuous introduction he saw what kind of robin Jason was, good with kids and victims. Talking about his favorite books while on patrol and similar. Reminding Damian of his most Beloved brother.

Then he finds out about how Bruce talked about Jason after he died. Using him as an example as what not to do, erasing his good traits and just using him as a cautionary tale of what happens when you don’t follow orders. Just like what Ra’s said about Danny.

So he didn’t tell the family, not out of guilt or grief. But because his father stripped away Jason’s positive traits after death, the son he chose, adopted and loved. Who when he failed because he was a child led astray by his mother. What would he do to his brother, who loved the stars and excelled in stealth, who was quite in his kills but had no lust for killing.

Whether or not Bruce would do this to Danny’s memory doesn’t matter. B’s actions are gonna affect how Damian views his father even years after the initial actions. Because Damian will protect his brothers memory from being twisted even by their father.

quirky wizard petrigrof.

the lore:

simon never found the crown. he and betty found marceline and raised her together, but eventually their travels took them to settle near an ancient artifact unearthed by the fallout. its power has seeped into the ground, and when simon and betty's first crops were harvested, it cured them of their radiation poisoning- and turned them into wizards, both of them. I'm on the fence as to whether or not marcy was effected, but I've moved ice punk (ice crown marceline) to this universe.

flash forward a thousand years, and simon and betty are currently the owners of a business dedicated to nullifying, breaking and cleansing curses and harmful magical artifacts. they hoard stuff from times of the world long past, and are terribly enraptured by humans, and study them. they also dispel demons and ghosts if needed. their goal is to protect others.

simon is less affected by the symptoms of MMS than betty, but both are rather sane. the both of them are known to be eccentric and simon is a curse magnet, to the point where when he is cursed he's just like "oh, ok, we'll fix it." betty and simon are a bit unnaturally cheery because they have seen a lot of stuff in their time and sort of know that somehow, things will turn out just dandy.

side note, their universe's marceline was attacked by a vampire and the two of them responded by wiping out the species. do not mess with their baby.

Betty's got more experience with magic and magical artifacts than simon, and simon tinkers a lot in his spare time. they both are researching the crown to un-ice punk marcy, but they are still on good terms with their crazy daughter.

simon and betty are married (had their own little wedding during the apocalypse, marcy helped) and very frequently flirt with each other even with it having been a thousand years. they rely and trust each other, and they communicate in a healthy manner!!

bonus: my first concepts of them, which are largely the same + their info is relevant

Dorks <3

could you imagine any shit ass naval officer trying to make idle small talk with the wheezing refrigerator of a cyborg haunting the bridge of his ship and the guy is like, talking fondly of naval academy experiences and in a genuine overture the guy casually asks vader what year he graduated his own academy. and not only did vader never so much as look at a military school he also only turned 23 last week

Muggleborn Conspiracy of the Statute of Secrecy

Anyone think how weird it is that none of the Muggleborns question the Statute of Secrecy? 

Even if you think Rowling is correct that re-introducing magic to muggles would be a very bad idea there’s always that one special pick-me 11 yr. old who thinks they’ll be the one to change things. Having a special secret that no one knows about and living with a bunch of kids your age and no parents is fun in the short-term, but you can’t tell me these kids didn’t get frustrated with the no magic during the summer rule, the exclusion of their parents from magical events (muggle parents could also be targeted by trigger-happy aurors, so there’s the constant fear that your parents could be obliviated), the muggleborn discrimination, and even just the difference in culture could be jarring. 

That’s enough to make any kid frustrated and want to change things. So why don’t they? 

I have no ducking clue but I’m gonna find out. 

Muggleborns find out about the wizarding world before their first year at Hogwarts on their 11th birthday. Why not earlier? 

First, let’s look at it from the angle of moving to a new country vs being a tourist in one. You see the pamphlets and the guidebooks; they all talk about how amazing this place is. The travel agent (aka the Hogwarts professor) that’s been working with you had done all of the hard work for you. In both instances you probably see the destination through rose-tinted glasses in the beginning. But if you’re living there eventually the glasses come off and you start to get opinions about how to make it a better place and more accommodating for you. 

Telling Muggleborns earlier gives them time to get used to the new culture they’ve found themselves in, and the lack of school gives the parents more opportunity to explore it too. But by being introduced so close to the beginning of the school year, the introduction to the wizarding world becomes all about school and preparing for that aspect of this new culture. Everything else is secondary to that and it puts both the parents and the child at a disadvantage. It also makes this new world feel more temporary. For example, the difference between dual citizenship vs studying abroad on a temporary student visa (not an exact comparison but you get what I mean right?). All the parents know is that their kid needs to learn how to control their magic and they need to go to magic school to do that. The parents and the kid probably aren’t told what happens after, the kid at least is definitely not thinking about the long-term. 

When you tell the kids right before school starts and offer a professor to guide them through the world, the parents don’t exactly get time to adjust and learn with their kid. And before they get the chance to bond as a family over this crazy new world they’ve found themselves in, the kid is off to boarding school and whoops how the fuck are the parents going to explore now without A) magic B) being obliviated by uncaring Aurors C) a convenient magical guide or D) getting past the anti-muggle wards.  

Then once the kid comes back from school for the summer, it’s not a family experience anymore: it’s an us vs parents. The parents have missed out on the cultural immersion. The kid gets irritated because not only are they not allowed to do magic during the summer but their parents just seem so ignorant and oblivious now. They keep asking questions about the magical world the kid doesn’t want to talk about it bc they’ll have to explain every other word and it just reminds them that they’re not allowed to do magic did you make friends? mudbloods stick together but they can’t tell their parents about that part bc what if they try to kick up a fuss. The purebloods could kill them and no one would care did you try anything new? someone dosed them with a love potion for a day and was mad when they got upset about it. and how was school? what was the school like? the staircase is a death trap mom. There was a whole corridor sectioned off bc whatever was there could kills us dad. My friend told me you could get sent to the forbidden forest in the dead of night for detention while a unicorn killer was on the loose. I’m scared but I can’t tell you bc they won’t listen to you and if you’re too loud they’ll just obliviate you. 

The parents want to help but being away from them has made the child distance themselves from needing their parents help. I also imagine that all of the anti-muggle talk might’ve gotten to them a little bit. Kids aren’t saints, they like to believe that they know better and being surrounded by other kids who were also thinking the same thing did not help. And in this case, where they have something their parents will never have in a world their parents will never be able to enter without them I imagine some of them starting feeling a little superior Hermione. And the thing is they’re right in a way, the parents didn’t get to experience the culture, the discrimination, the people, the context. Muggleborn children themselves are kind of gatekeeping this knowledge to weaponize the parents ignorance for their own benefit. As the parents continuously stay ignorant, the children steadily feel more justified in their belief that they know best. They’re doing the Purebloods job for them. 

The Wizarding government is actually very clever for doing this. It’s sick but you can’t deny it’s effectiveness. 

If you tell the kid that they have magic earlier, then it gives the muggle parents time to adjust with their child and create a united front. It also gives them time to find other Muggleborn kids and parents experiencing the same thing. 

But if you tell them right before they legally have to go to school...the Wizarding World appears like this mystical solution to the Muggleborn parent’s problems after years of unexplained accidental magic. It also has the added benefit of weeding out the more extreme end of the anti-magic parents bc those that didn’t tolerate the accidental magic probably got rid of their kid one way or another so now the Wizarding World doesn’t have to worry about policing those parents or helping that kid from an abusive home! (it’s dark I know but this is a government we’re talking about. You can read worse in the news.) It definitely didn’t catch all of the abusive muggle parents, Harry Potter notwithstanding, but I digress. The parents that did keep their kid could develop a strained relationship with them due to accidental magic and the parents not believing the kids. Then there’s probably the lack of muggle friends due to said accidental magic in one way or another. The kid is feeling freakish but special, alone, scared, and frustrated that no one seems to know how they can do the things they do. The parents were at their wits end when magic came knocking and offered them a solution. 

This scenario didn’t happen to every Muggleborn but I imagine there were enough of them going through some variation of this and that’s enough for the Wizarding World. 

The Statute of Secrecy stays intact because Muggleborns aren’t introduced into the world early enough to question it beyond the surface level. And by the time they realize what they’ve gotten themselves into, they’ve deluded themselves into thinking things are better this way. 

And for the few that grow up still desiring the Statute’s abolishment, what are they going to do as a lone ranger standing against the wealthy pureblood elites? They can’t get anywhere of note without a Pureblood’s backing and breaking the Statute would result in mass chaos, it’s unprofitable, why would they endorse it? Not to mention, in the aftermath of Grindelwald any talk of that would be shut down quick. 

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

Head canon accepted, it is now canon in my eyes.

He probably learned how to pickpocket from older orphans. Nothing like an unassuming small child to lower a person's guard.

He had to learn to resist the urge (or ger more creative) in Slytherin because if anything went missing, he'd be the first suspect.

Tom also curses like a sailor whenever his control slips & his sticky fingers never quite go away

Peep snakefaced Voldemort slipping a wall ornament from Malfory Manor into his robe when nobody but Nagini's watching

Subtitle: Everything I’ve learned so far.

*more added on bottom of list*

made for a friend but I figure I’ll post it if it’ll help anyone ^-^

Probably will add to this every now and then if anything new comes up.

All links marked as “❤”

Most link to written tutorials but some are videos. Scroll over links to see if it’s a video in case there’s a reason why you can’t watch them.

Also posted on Deviantart 

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Super helpful tutorials made by other people:

The shrimp method (How to draw anything) ❤ 

Colour turtle ❤ 

Background composition ❤ 

Colour theory ❤ 

Perspective trix for the needy & lazy ❤ 

Step by step digital painting ❤ 

Action line ❤ 

Perspective tutorial ❤ 

All of these video tutorials ❤ 

All of these resources ❤ 

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Human anatomy basics:

Hair ❤ 

Hair types ❤ 

Head ❤ 

Face ❤ 

Eye and eyebrow ❤ 

Ear ❤ 

Nose ❤ 

Mouth ❤ 

Chin ❤ 

Neck ❤ 

Shoulder ❤ 

Forearm ❤ 

Arm ❤ 

Hand ❤ 

Finger ❤ 

Back ❤ 

Breasts ❤ 

Chest ❤ 

Hips ❤ 

Butt ❤ 

Vagina ❤ 

Penis ❤ 

Legs ❤ 

Knees ❤ 

Feet ❤ 

Skeleton ❤ 

Body type ❤ 

Weight gain + loss ❤ 

Age ❤ 

Skin ❤ 

Average female face ❤ 

Average male face ❤ 

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Quotes:

– 

The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark. -Michelangelo

“If you don’t know what colour to use, use black” -Pablo Picasso

–

“The aim of art is to represent not the outward appearance of things, but their inward significance.” -Aristotle

–

“The purpose of art is washing the dust of daily life off our souls.” -Pablo Picasso

–

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.”  -Neil Gaiman

–

“No one’s better than me. I’m not better than anyone. ” -Carlos Santana

–

“Learn the rules like a pro, so you can break them like an artist.” -Pablo Picasso

–

“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” -Vincent Van Gogh

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Advice:

Loose grip = better for your hand & better precision while drawing.

If your hand hurts after a short amount of time drawing your grip is too tight.

–

Colour is a very personal thing. It has a lot to do with the way you see colours and the way you feel about those colours. So as much as things like colour theory are important, you’re the one choosing the colours,  you’re in control.

–

People who say things like “a poor workman blames his tools” really need to stop. Your tools make a big difference, there is no denying that. Anyone who’s ever tried Roseart crayons knows using them it’s like hammering in a nail with your bare hands, there are easier ways of doing things.

Of course this doesn’t mean you’ll draw better with more expensive tools but it does mean that if you don’t like using a particular pen/brush/software/etc there’s no use continuing to use it. It’s distracting, makes you feel worse about your art and you’ll be more likely to just not draw anything at all.

–

Experiment that’s all. Just keep experimenting with things until you find out what you like. (guess that can also be life advice)

–

You can always improve. This doesn’t mean you’ll never be good, it only means you can get better even if you’re an expert.

–

Okay let me use this quote as a start off point “The enemy of art is the absence of limitations.” -Orson Welles. This might sound counter-intuitive but it’s very true. Your brain can only handle a few things at once, if you’re told to draw anything you want you’ll most likely draw something like a cat or dog or a house, things that are very normal to you, things that you’ve probably drawn a hundred times before because when you’re faced with too many options you’ll most likely pick the simplest and most familiar things to you.

Give yourself limitations when you’re drawing. Before you draw start with a theme or palette (etc) to let your mind relax and boost your creativity. (of course you don’t have to do this every time you draw, just when you want to draw but have no ideas.)

–

Write down/sketch your ideas as soon as you get them because chances are you won’t remember them. Not that you can’t change your mind about it later, it’s just good to know they’re there and you haven’t forgotten anything.

–

If you feel like there’s something not quite right about your drawing, take a break. Come back to it the next day even. If you focus on something too long it messes with your judgement.

–

You don’t have to show anyone what you’ve drawn. It’s your business what you draw so draw anything you want. 

–

Chances are you’ll come across people who have no idea about anything to do with art but still tell you how to do it/ what you’re doing wrong. These people aren’t worth listening too. Ignore their advice.

–

There’s no problem with learning from tutorials, absolutely none. It’s just one of the ways people learn. It’s the same with art classes or anything similar. If you learn from it then keep doing it, but if you’re not then don’t.

The best tip I can offer about tutorials is if you don’t like the art style of the person who made the tutorial there’s no reason to learn their techniques. Study artists who have art styles you like and figure out what it is you like about them. (their use of colours, emotion conveyed, etc)

And honestly if you’re a good artist and you’ve never used tutorials or been to art classes, good for you, but it’s nothing to be smug about and no one is a lesser artist for using them. 

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Referencing:

I made a mini tutorial on how to reference here ❤ 

Here’s one on how to use them another way ❤ 

Also see 'Tracing vs referencing' ❤ 

also these are a couple great sites for references

Humans ❤ 

Animals ❤ 

Plants ❤ 

Objects + architecture ❤ 

Everything all together ❤  

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Things that are really good to focus on and practice in your drawing:

-Light & shade ❤ 

-Wind ❤ 

-Reflection ❤ 

-Perspective ❤ 

-Movement ❤ 

-Composition ❤ 

-Emotion ❤ 

-Mood ❤

-Values ❤ 

-Texture ❤  

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Warm ups and practice

If you don’t know about gesture drawing here’s a tutorial ❤ 

If you do, this site is good for it ❤  

Draw shapes, draw lines, draw random squiggles, whatever helps you warm up.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Possible reasons for artblock and remedies: 

-Stress. Sometimes there are certain times when stress is for whatever reason unavoidable. It’s a difficult thing to deal with and there can be a lot of different reasons why you’re stressed. Take breaks, try yoga or something that’s more of a workout like boxing if it helps, meditation, anything that helps you feel better is a good start. Try writing down everything that’s making you stressed so you can get more of a perspective on why you’re stressed and deal with the smaller problems first. Things like cleaning your room/house or fixing something that’s been bothering you can help a lot. There’s also this helpful list if you wants some more ideas ❤ 

-Depression. *groans* don’t get me started. Depression is a big deal and I have no idea what the best way to help it is. Maybe time. Maybe feeling useful. Maybe leaving your current life situation. Depression makes the simplest things difficult so the main thing to remember is to put your health before your art. Art will wait for you and be there when you’re ready, it always does.

There’s also this masterpost on depression if you’d like to have a look ❤ 

-Feeling inadequate. This might sound like a strange thing to say… It’s kind of a good thing. You are wanting to improve and that’s great. It’s safe to say everyone experiences this multiple times in their life at some point but what you need to keep reminding yourself is, if you know you love doing something then you’re on the right track so stick to it. 

-Feeling Un-motivated. Make an inspiration folder and go on a picture finding search to fill it with anything that makes you want to draw. Learning something new always helps for this as well so read/watch tutorials or someone drawing/painting. 

-Not having ideas. Surprisingly easy fix most of the time. Use a random generator like this ❤ or start some kind of art challenge to get you started.

-Boredom. (or being bored with the way you draw) Try using a different medium like sculpting or pixel art, anything you don’t normally do. Surprisingly changing your image can help as well so getting a new hairstyle/colour, anything like that can work.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ Selling art:

Don’t under charge for your work. It doesn’t matter how much you love to draw, you shouldn’t have to under charge for your work. You’re not only charging for the piece its self but for your skills as an artist and for the time and effort you put into it. 

“So how much do i charge?” This question is one of the more difficult ones to answer. It can depend on the demand and the time it takes for you to make, etc. So this is just a basic list of things to ask yourself before you decide how much you should be charging.

-'How much time do I spend making it?’

-'How much am I willing to work for?’

-'How much do other artists charge?’ (not always relevant but something to consider)

-'What kind of customers will i get?' 

-'What is the customer going to use my art for?’ (if it’s for a personal thing it’s no problem but if it’s commercial and they’re going to use it on multiple occasions profiting from it, either charge more or work something out where they have to pay you each time it’s used)

Don’t worry if you realise you’ve been undercharging for your work because it’s part of the process of finding out what’s right for you.

If someone challenges you on your prices or says you’re charging too much remember this

“If you like what I do, this is what I charge. If you don’t want to pay it, you don’t have to buy it.”

Visual examples work better than descriptions. Show what you’re willing to draw and what kinds of commissions you offer with the prices listed. It can be laid out however you like. Here’s an example ❤ 

Additional payments. Something to consider is are you going to charge more per added character or for a detailed background anything else that requires more work than your set price.

Make a check-list for commissioners to fill out. Not always necessary but can be a good thing to have. Things like “character:  background:  outfit:  ” anything that you would usually ask them.

Some people might ask you to copy or trace something. I have absolutely no idea why people want something that’s traced but don’t do it. I promise you won’t like working with the client and you won’t be proud of your work at all.

Explain when you expect to receive payment. Either before you start, after you show them sketches or when the whole project is completed. In this case just do whatever feels right to you. But keep tabs on who hasn’t played because there are some people that think they can get away with not paying. (just something to be aware of)

There will be people who try to get things for free. Ignore people who say things like “I wish could have something like this but i don’t have money :( ” please, please, please don’t respond to these people with anything other than something along the lines of “Thank you, maybe next time :)” because the only reason they’re saying that is because they want it cheep or free. These people aren’t your customers, don’t worry about supplying to them.

Also along those lines, if someone asks you to do work for them for free and “maybe they’ll hire/pay you” if they like your work is bullshit. They’re conning you. What they do once they get your designs is tell you they’ve decided not to hire/pay you when they’ve actually stolen your design and get their designers to finish/alter it. DON’T TRUST THESE PEOPLE.

Have a paypal or something similar set up. This is completely necessary unless you’re working with someone face to face.

You can decide whether or not to work with someone. If whoever is commissioning you is making you feel uncomfortable or asking too much or is trying to make you do anything you don’t want to, you don’t have to work with them. It’s entirely your choice. 

Little bit more commission advice by someone else ❤

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❧ More stuff added by others: added by fruitncreme - What is talent? ❤ 

- Anatomy, Manga to realistic and perspective ❤ 

- Poses ❤ 

- Anatomy and proportions ❤ 

- Folds and wrinkles ❤ 

- Tips and tricks ❤ 

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

❀ Hope this helped ❀

Feel free to add to this list if you have any other advice or tutorials you think would be helpful

I will read a thousand fics with this trope. It’s hilarious every single time. My favorite has to be Dermabrasion by pennydaniels

have a silly drabble since I’m still unsure if the tags work properly yet ~

The idea of adult Dabi actually meeting Shoto is so insanly funny to me, like;

Dabi’s had Shoto built up as this perfect Enji 2.0 in his head his whole life, a cocky little shit who’s insanly powerful and pretty and popular and better than him in any way, and god he hates him for it!

But, they somehow meet, and somehow they have to work together for something, (let’s say it’s a league as vigilantes au or smt), and Dabi is like, side-eyeing him super hard, being short and harsh towards him, expecting Shoto to do the same, but no

Sweet, dense Shoto doesn’t even pick up on it, he’s just like

«yes, yes, I heard you are my brother and I must say it is nice you are not dead after all, now, shall we do what we need to do?»

and Dabi is just like…

«is this motherfucker being funny? is he trying me???»

Shoto is, of course, just doing his thing, and Dabi slowly realizes as they go, and while they do the mission they’re supposed to, Dabi is slowly coming to terms with the fact that he’s spent the last 16-17 years feeling threatened by this unaware little bean of a boy, and it is leading him to a full blown existentional crisis.

Shoto, however. just thinks they had a nice time together ☺️🥰

I was on the bus thinking about Harry Potter tonight and I remembered the part where the Dementors all show up at the Quidditch game, and I remembered how they were all looking up at Harry, and I wondered why they would all be staring at him, and then I realized that it’s because he has two souls in him.