Ratigan - The Great Mouse Detective (1986) Ursula - The Little Mermaid (1989) Hades - Hercules (1997)

Live footage of Scarabia during book 4

Since you mentioned this in an earlier ask, what is your take on feminist Leona? I see people saying things like "consent king" "he drinks his respect women juice" and "leona kingscholar says men ain't shit" but I think those are mainly jokes but I've also seen a lot of for example Leona x reader fanfics where he's a lot nicer to femme Yuus than masc ones. I don't play the game so I don't know how much of a feminist he really is, could you clarify and give your own insights? Ty Miss Raven!!!!!!!

[Referencing this post!]

Admittedly, I am guilty of having made “consent king” jokes but that’s mainly because I think consent + respecting others’ autonomy is very sexy important and it’s slightly funny to have a 185 cm muscular anime cat boy championing the concept. However, I try to avoid making jokes which would imply Leona puts down his own gender or thinks lesser of them because 1) canon doesn't indicate this and 2) it can be hurtful to non-femme Twst fans. Yes, most of the fandom is women--but that doesn't mean we shouldn't make this fandom space welcoming for masculine or nonbinary Twst fans.

Let's delve into a brief history of where feminist!Leona comes from! After that, I'll discuss my own thoughts and feelings about it.

The idea first came into prominence because of an exchange that occurs in Cater's School Uniform vignette. In it, Cater is trying to convince Leona to join him for a party that he's throwing for Rosaria, one of the talking paintings at NRC. At first, Leona refuses--but he quickly changes his tune once Cater mentions Rosaria is a "she/her". Leona states, "Portrait or not, I respect ladies and Rosaria is a lady." Cater then whispers to Kalim (who is shocked that Leona suddenly agreed to come along), "Leona's kingdom is all about being respectful to ladies."

It should be noted that Leona says something slightly different in JP: “Even if it’s a portrait, a woman is a woman.” JP does not have the “I respect ladies” portion; “I respect ladies” was added to EN, which may have further amplified the interpretation that he is a feminist.

Now, as we learn from that vignette, the Sunset Savanna has a culture of "respecting women". In Leona's Ceremonial Robes vignette, he elaborates that, “[Beastwomen are] already way stronger than [beastmen]." Furthermore, Ruggie states in one of his Chats that “Girls have both the grit and the camaraderie to triumph when the goin’ gets tough.” Then, in events like Tamashina Mina and late in book 7, we are told that many of the royal guards are women who volunteer for the positions and it's common for them to have learned martial arts from a young age. From this dialogue, we can glean that the women of Leona's home country are physically strong, strong-willed, and honorable.

With that being said, I think certain interpretations of Leona's "feminism" (a term not actually used by official materials; this is a fandom take) definitely take it a step too far by either assuming Leona treats woman as a special class and/or he dislikes men. Both of those interpretations (if serious and not said as a joke) are owed to a fundamental misunderstanding of what "feminism" is. Feminism is "the belief in full social, economic, and political equality for women." Feminism is NOT misandry (a hatred of men), and nor is it female chauvinism (the belief that women are superior to men)... unless, of course, you're talking about very radicalized forms of thinking. The basic concept of feminism doesn't involve man hate or putting women on a pedestal.

Twst itself appears to go with the basic definition of feminism. As Leona himself states, he doesn't treat anyone special. "I ain't extra nothin' to nobody. As if [women] even need men fawning all over'em."

Leona, whom we know to be arrogant and unwilling to obey others' orders, appears to be more willing to listen to and carry out tasks if there's a woman involved. I already mentioned the case with Rosaria the painting (which proves that his "respecting women" thing extends beyond just beastwomen from his home country). In his Ceremonial Robes, he also grumpily puts on the aforementioned robes and takes a picture of himself in it upon the request of his sister-in-law. But--and this should be stressed--he's not exactly jumping for joy or eager to do so. Instead, Leona cites that "Goin’ against [beastwomen] only brings more trouble.” This indicates annoyance at having to carry out this chore, and gives the impression that Leona's only complying because not doing so would only overcomplicate things for him. He's not an idiot--he knows when to make a strategic retreat if it's going to save him time and effort in the long run. (For example, he immediately surrenders to the Ferrymen in book 6 rather than continue to put up a fight.)

I should note that, like in the earlier definition of feminism I shared, Leona does not simply bend the knee to every single woman. In the first Halloween event, he was still capable of scaring off the Magicam Monsters (some of which have distinctly female voices) without any qualms. He was still fully able to express anger and upset when Eliza, the Ghost Bride, smacked him. "You've got a lot of nerve turnin' me down over some nonsense!" He's also not above tricking the Fairy Queen and her entourage to steal back the special magestone from NRC.

This shows us that Leona doesn't just... "respect women" indiscriminately. If someone is going to be rude and selfish to him, he's going to respond as is appropriate. He's not going to turn a blind eye because of the offending party's gender.

In terms of Yuu interactions (assuming Yuu can be any gender), Leona acts pretty aggressive towards them in their first meeting. Even though it's clearly an accident and Yuu didn't realize they stepped on his tail, Leona is annoyed by the act and them walking away without apologizing or stopping to acknowledge him. He also makes it known that Yuu is magicless, and thus has no way of defending themselves from him. And you know what this man does? He says, "Well, can't say it'd be much fun to hurt someone so helpless. Still gonna do it, though." AND HE THREATENS TO TAKE A TOOTH. His wording, "No one gets to stomp on my tail and just walk away without payin' the price" + him still deciding to attack Yuu desite knowing they are weak/cannot fight back, implies to me that he may have still reacted this way regardless of Yuu's gender. (Key word: MAY. We don't know if this is the truth or not, I am leaving this up to your interpretation.)

Notably, there is a light change between EN and JP versions for Yuu's dialogue choices in response to Leona's threat. The EN dialogue options are far more humorous, but the JP options clearly convey fear (ie Leona is being serious about his threat of bodily harm). The top option is like noises of surprise, like "Eh, eh, eh!!"; the bottom option is along the lines of, "What, I'm going to be hit/beaten!"

There are, in fact, multiple instances where Leona acts callous towards Yuu. He refuses to let Yuu stay in Savanaclaw unless they earn their keep by beating up some mobs. He constantly degrades them by calling them and others he considers weak "herbivore". He has to be goaded into helping us or taking us along on trips instead of automatically caving. It could be argued that he would be more agreeable or polite if fem!Yuu was in these scenarios. And who knows, that might be the case--but again, I don't think he would be egregiously kind. I would like to point out a more direct example of a Leona-fem!Yuu interaction. Leona has interacted with a female Yuu before: Yuuka Hirasaka, our main character for the Episode of Savanaclaw manga. There's some debate over whether or not the NRC students know that Yuuka is a girl since the topic is never mentioned once, but I assume that they are aware because: 1) Yuuka makes no effort to hide her figure or chest; she even wears her blazer open, and 2) she has no motivation to hide her gender; she is capable of defending herself if needed and has a nonchalant personality. Proceeding with the assumption that Yuuka being a girl is a known fact, Leona does not treat her any differently than any other student.

Yuuka seems to experience the same tail-stepping scene as is depicted in game, although we don't see the aftermath of it/if Leona gives her the same threat.

The more telling scene for Yuuka, however, comes when she and her friends arrive in Savanaclaw to investigate. They are confronted by a bunch of mobs that start to pick a fight with them. Like in the game, Leona intervenes (ie he doesn't stop the fight just because Yuuka is a woman) and has them duke it out in a game of spelldrive/magift instead.

And you know what? Leona doesn't hold back just because he's playing against a woman. In fact, he kicks Yuuka's ass and then some. Then he stands over her and tells her to get back up, to keep playing. Leona isn't cutting Yuuka any slack whatsoever. He treats Yuuka the same as the boys she's playing with.

This brings me to my final prominent example of Leona interacting with a woman, which I think best exemplifies what my interpretation of Leona's "feminism" is. In the JP server's 2024 Halloween event Lost in the Book with Nightmare Before Christmas, Sally indicates that she plans on making a meal using the plants from around the cemetery. Leona is at first displeased by this, but then agrees to help her catch snakes, rats, lizards, etc. as meat for the meal. This leads into a conversation about how sad Sally's home life is, which earns her sympathy from the other NRC students. Jade, Riddle, and Epel are shocked at the cruelty that Sally faces. Jade volunteers to take the doctor out for Sally, and Epel even tries to convince Leona to help him rough up Dr. Finkelstein. But Leona just smirks and tells them Sally's not in any need of their "help"; isn't she the one who slipped the doctor a "drink"? Riddle scolds him for this "ungentlemanly" behavior and Epel refuses to believe that the "kind Sally" would do something like use poison. Leona was able to smell the deadly nightshade on her and deduce that Sally slipped some to her guardian and then slipped out on her own. She's not a damsel in distress--she's resourceful. Sally used her brains and not brute force to rescue herself from a bad situation. (We know that this would deeply resonate with Leona because he has been struggling his entire life to have his own merits recognized.) Leona praises Sally for her cunning and goes so far as to offer her his arm and tell her that he's looking forward to this evening's dinner.

In this situation, could it not be said that Jade, Riddle, and Epel were the ones assuming Sally is weak that Leona was the one who saw her true worth? I'm of course not accusing anyone here of being sexist. Society socializes us to see women as the "fairer sex" in need of protection and aid--but isn't Leona being more equitable by not underestimating Sally because of her gender?

That brings me to my conclusion. Leona respects women, no doubt about that. However, that's NOT a blanket statement. He clearly knows how to separate who is worthy of his respect and who isn't, and then he acts accordingly. Yes, he is polite, slightly softer, and more willing to listen to women he knows (his sister-in-law), women who haven't offended him/are just existing (Rosaria), and woman who have demonstrated their own strengths to him (Sally). He doesn’t become a completely different character just to bend to the whims of women. Those who have acted in ways to earn his ire, woman or not, will be treated as such (Magicam Monsters, Eliza, even Yuu when they/she enters his territory and/or steps on his tail). At the same time, I don't believe he thinks that women are delicate flowers that need special treatment (as we see with how he handles Sally + the Yuus and, more specifically, Yuuka). If anything, the women from his home country have demonstrated that they can be strong and self-sufficient. Why would he feel the need to go out of his way to be extremely lenient with the women he is around?

Lastly, nothing in official materials implies Leona treats men significantly worse than women. If he seems exceedingly rude to men, it’s most likely the result of the main cast (the characters Leona most often interacts with) being guys. If we were to compare how he treats his peers and how he treats women who have irritated him, I would say the behavior isn’t that different.

I know that was a long post but 😅 Hopefully I was able to articulate my thoughts well enough… May you find it helpful in forming your own opinion, Anon!

I'm not going to hold your hands when I say this. No, you don't deserve it, I'm going to pull your ears and SHOUT OUT LOUD: I'm TIRED of this fandom being UNABLE to interpret a text.

Kalim doesn't need to become a macho man who protects Jamil from everything, and he's not a "uwu boy" either. No, Kalim is a child who was emotionally neglected by his family, and INFANTILISED by them AND BY JAMIL. Do you know why Kalim is so incompetent? Because even Jamil doesn't let him TRY to act like a person, in the Lab Card he even says that HE CANNOT USE KNIVES TO COOK.

And God, why are we ignoring how much Jamil abused this ignorance? Jamil's outburst was fair, but it EFFECTIVELY makes Kalim act more childish and useless and also cuts away a lot of his own freedom.

Kalim has shown COUNTLESS TIMES, during the events and in the main story, that he is not helpless, stupid or incapable of learning. But it seems that when you see Jamil's point of view, which is not 100% reliable because duh, you completely ignore that Kalim accepted being used by Jamil because he thought it was okay if it was Jamil. You forget how much Kalim was tortured in his childhood, and even though he went through a lot, he is still treated as stupid and imbecile. Kalim is very capable, he improved his magic in a matter of months, he can easily make contacts and has the sense not to reveal who he really is to strangers. Besides, his kindness got many characters out of trouble.

JAMIL'S FANDOM MAKES ME WANT HIM TO DIED HARD AT THIS POINT.

It took Tapis Rouge to remind me that I actually really like Jamil's personality and his interactions.

the downgrade in genshin impact’s character designs as the game has gone on is something that should be studied im not kidding.

Reminds me when a yt commentator said they hated Kalim bcuz they were convinced that he was a secret bastard. Saying the carriage took him “for a reason”…

Kalim gets disliked for the silliest of reason in this fandom 💔

Sometimes...being a hater in off is everything we have.

People hate Kalim for attention. I stand on that

Epel looks so miserable when you send him to self study help 😭

Where does your favorite lie?

A proper TWST elements of attraction alignment chart. No Poll because I will take no criticism. BUT if your fave isn't on here feel free to share what alignment or combination of traits you'd assign to 'em.

The little guy 😍

(Also I don’t know how to do anon request so I’ll just ask here, do you mind posting your head canons with Kalim ships?)

Kalim should have ten million ships. He deserves it. He deserves to be loved so many times over. He deserves the world and more. Alternate universes upon universes where he’s so happy and in love guys you don’t get it like he’s so happy. This guy has so many love in his soul

why exactly is geto such a good character?

(not compared to naoya but using naoya as an example lol. i have no opinion on naoya other than that hes apparently a misogynist but some ppl like him for some reason idk.)

geto is arguably jjk's best written character —which isnt an indictment of naoya but an anime only's premature opinion lol— and a testament to jjk's initial narrative strength. reducing geto's motives down to toji massively undermines the layers that catalyzed his breakdown, which ultimately, was loss and disempowerment leading him to break. it was him being unable to reconcile his moralistic outlook with the mechanistic nature of jujutsu society and the utter dehumanization it demanded of its sorcerers, it was his disdain for the self-sustaining nature of human vice and negativity and its perpetuation of their system of futile sacrifice and loss.

this disdain stems from the bleak reality of being surrounded by its grimiest depths, by the thanklessness of choosing platitudes and lofty ideals for those who spit in your face for it, who exploit you, objectify you. which is why amanai dying is what truly began his undoing, the personification of everything he believed to be worth fighting for snuffed unthinkingly by those he's told are too feeble to know better. its the malignance of pure ppl like haibara dying while evil endures, of the godless nature of being a sorcerer, and how its ungoverned and unphased by any morality or goodness or purity. and why it ended with him discovering the girls in the cage, the most innocent of society, who couldn't have possibly deserved it, who were persecuted for their nature, the actual people endangered for it. its him flipping the ontological framework jujutsu society operates on, questioning why they have to pay for humanity's vices and fallibility, why they cant fight back too, prioritize their own pitfalls, and thusly him giving gravitas to humanity's evil underbelly. while also recognizing the strength and brilliance of sorcerers and choosing to be selfish with this excellence, self-serving instead of self flagellatory, not leaving them to be fed to the beast of human weakness but instead unabashed in their talents and strength. bc at every turn he's told to temper himself, to fight for goodness, but is only ever met with cruelty, haunted by sorcerers' disenfranchisement looming over him.

contradictory to his newfound ideals, geto chooses family and love by vowing to sacrifice humanity instead, he reframes gojo and all those relegated cogs in the jujutsu machine to the ppl really worth fighting for, as precious enough to matter, to be sacrificed for. its why he forms a pseudo family while pursuing his plans, and why he embodies such a performative personality thereafter, bc ideals consume geto. he has to expunge himself of humanity and embody hatred bc that's whats contrary to his former ideals and disposition. that's what he thinks he has to be. but when the heart of his wants shine through, when he allows himself grace around those close to his heart, we see the core of who he is and always has been shine through (e.g at his death scene). geto sees vulnerability and sympathy as inherent to humanity and the things indenturing sorcerers to them, despite his fight for sorcerers being grounded in fighting for the weak, but he doesn't want to give into that human aspect to his motivations. he wants to determine his own future, beholden to no one. (e.g the reason he fights against kenjaku, and is given strength by gojo's words)

now naoya very well may be a better character and commentary on jujutsu society than geto, but using his attire as reason for it isnt exactly equivocal to the aforementioned layers i've outlined. geto's brilliance is in how aptly they condensed all these angles relative to his screen time. now that doesnt mean he's beyond critique: his characterization post-defection is a bit too caricatured for me, and amanai wasnt utilized to the extent that she could've been to complicate his motivations and expand/clarify his thoughts on humanity, plus his plan to exterminate humanity is just as futile as his former sorcerer work, but thats the point. that ideals are fallible and often arbitrary, and that being governed by them can be detrimental and self-destructive. geto wanted to protect those he cared abt above everything, and conjured smth just as grand and insurmountable as the jujutsu system to rival it without taking into account how that obfuscated things, that ultimately, ideals weren't ever what was important, but actually those around him. bc in actuality, what he's doing doesnt center them, it centers him. he who literally tasted the rot and gore of humanity, took it into his body and used it as a weapon for their service, until that poison metastasized and he vowed to amputate his brokenness, without realizing that he'd just opted for another poison instead. he's a tragic character.

having said that, you dont have to care abt him. but he's defintely not badly written lol.