I know Anakin's desilusions of grandiosity are the talk of the town, but something something Padmé dehumanization of herself as a result of so much survivor trauma and so many close death calls. She's the senator with the highest murder attempts on her, she gets assesination attempts weekly and brushes them off, and she keeps chasing for justice to the point of collition, she sees people dying around her all the time but she keeps on living and living, at some point she's flirting with death as much as Anakin does in the battlefield. And something something, Anakin, ironically, in his extreme trauma and fear of death taking the people he loves, being the only one to say "You're a person, and your name is Padmé, not queen nor senator, and you're as fragile as any other live being" Something something the irony that person that most adored her being also the one who saw her as a person Something something Anakin commiting atrocities not for a goddess, no for a politician no for royalty, for a person. Something something how contrarian it is, that Anakin sees himself as a weapon, and Padmé's extreme guilt becoming what seems like superiority.
And particularly here in this comic something something how easily Anakin can walk through that storm Padme has created, how easily he can enter into her headspace and she doesn't flinch, doesn't blink, she isn't even surprised because she expects him and he's the only one that knows and can reach her like this, they're just having a conversation, something something.
Something.
I swear this was the end of me, so idc if i'm rambling, this comic kept me up awake for more than one day, because the power would go out every single time i sat to work on it, damnit
i need to sleep asap, and eat, eating first probably
Weep for yourself, my man You’ll never be what is in your heart Weep, little lion man You’re not as brave as you were at the start
Song: Little Lion Man by Mumford and Sons
One day Alison and Mike receive a letter. It’s from a woman asking very politely if she could bring her father to see Button House; he was stationed there for a time during WWII and is now very elderly - his fondest wish is to see the house one last time before he dies. The letter is signed by the woman, her surname is Havers.
Alison (forgetting that the Captain mentioned that name in ‘Redding Weddy’) asks Cap if he knew or remembers anyone called Havers from his time in Button House. Very quietly he tells her that yes, he knew a Havers, why? She explains the situation, that he wants to come and look at the house before he dies. When the Captain doesn’t answer, Alison asks if everything is okay. His only response is a very quiet, “Yes. I should like to see him again.”
So Alison replies to the woman, agrees that she and her father can come to the house. To make the journey a little easier on the old man, they agree that they can spend the night so he’s not doing to much exerting travelling in one day.
When they arrive, the Captain is at the door with Alison to greet them although they can’t see him. It’s his Havers for sure. He has aged, obviously, well into his nineties by now, but it’s definitely him. Cap could never forget that smile. He watches Havers as he, his daughter, Alison and Mike slowly make their way around the house. He remembers walking these same hallways with Havers, an unspoken truth between them beating like a heart. It’s bittersweet, seeing him again after so long, but he’s glad he got this final chance.
He talks to Havers as they all go around the house. Pointing at things and down hallways, asking him “Remember when we...” followed by a question Havers won’t answer. Alison can hear it but she’s kind enough not to say anything. She knows this is between Cap and Havers.
The Captain goes into Havers’ room that night, just to get a look at him alone. Say the things he didn’t want to say in front of Alison, even though Havers is asleep and wouldn’t hear him anyway.
But then something happens - Havers begins to glow and too late Cap realises that he’s dying. He calls for Alison, but she’s fast asleep elsewhere in the house and wouldn’t come. Havers’ spirit is there and he can see Cap now.
“Captain,” he says, “is that really you?”
“Yes,” Cap replies weakly. “I... I have missed you Havers.”
“I have missed you too. Am I... dead?”
Cap sniffs. “Yes. Yes, I’m afraid so.”
“Oh.” He sounds underwhelmed, like he expected more from death. “Well. I am glad I got this chance to see you again before I go. I missed you every day after I left. I came to your funeral, sir.”
“I saw,” Cap replies, “I was there.”
At that, Havers’ spirit laughs and Cap suddenly doesn’t care. He knows times have changed now, he knows that he would be accepted by now if he’d lived long enough. In another life he and Havers could have worked, they could have been happy.
So he gives in and says, “I loved you, Havers.”
Havers gives a weak smile, returns, “I loved you too.”
And then he moves on, and he leaves Cap for the second time.
I want to follow some people for Ghosts (BBC or CBS or both)
So reblog or like for Ghosts
Codyyyyyy. Halo? Sun? Crown of thorns? Who knows
"Thomas you have got to stop listening to gangster rap" contender for line of the entire series tbh
My brother’s take on tonight’s events
Pats all of them 🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
He/they, i occasionally will post art, i passionately hate seagulls
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