Types of attraction
Sexual - I wanna have sex with that
Romantic - I want to date that
Sensual - I want to hug that
Platonic - I want to be friends with that
Platonic crushes do exist. They are called “squishes”. You go through the same process of having a romantic or sexual crush but instead of landing them in bed, you’re on the floor at 2am with pizza rolls, Shrek in the background, talking about eldritch monstrosities (or whatever your shared interest is)
Aesthetic - that looks so heckin’ cool/pretty I love it
Intellectual - the desire to engage with another in an intellectual manner, i.e. having a conversation, picking their brain, and finding out how they think
Terms describing degree of attraction
Aromantic - lack of romantic attraction
Asexual - lack of sexual attraction
Aroace - lack of both sexual and romantic attraction
Demi - attraction only forms once a strong emotional bond has been formed
Grey/gray - rarely/seldom experiences attraction
Allosexual - someone who experiences sexual attraction
I think I’ve also heard/seen it referred to as ‘arosexual’ but that’s honestly a bit confusing
Alloromantic - someone who experiences romantic attraction
I personally shorten both of those to “allo” (pronounced ‘aloe’)
Apothiosexual - sex-repulsed
Apothioromantic - romance-repulsed
Apothiaroace - often shortened to just ‘apothi’. In addition to being aroace, apothis are repulsed by romantic/sexual scenes, items, displays, etc. to varying degrees
Sex-neutral and sex-positive/favourable aces exist as well
Not all of us have the same level of comfort with sexual and romantic activities so please check. I mean that applies to everyone anyway, but please check and don’t assume that just because someone is aro/ace, that doesn’t mean they are sex/romance repulsed
Queerplatonic - Queerplatonic typically refers to a relationship that bends the lines between a romantic relationship and a non-romantic relationship. A queerplatonic relationship (QPR) often goes beyond what is socially acceptable for a platonic relationship but does not fit the typical notion of a romantic relationship.
Alterous attraction - a type of emotional attraction to someone that isn’t entirely romantic or platonic.
Chastity - actively refraining from sexual activities. This is NOT part of the ace/aro spectrum, though it is a common assumption when someone says they are ace/aro. Thankfully we’re getting a bit more representation in media now so it’s not as common of an assumption as it used to be, but it’s still there, especially in those communities.
Microlabels/Terms describing flavour of attraction Note: -sexual is used fo many of these so we don't have to deal with duplicates confusing things. All of these prefixes can be used with -romantic, -sexual, -platonic, and I imagine -alterous as well
Abrosexual - orientation fluctuates between a variety of orientations
Aceflux - similar to abrosexual, but orientation is contained to asexual spectrum
Acespike - someone who is asexual but may experience intense, brief, and random bouts of sexual attraction
Aegosexual - disconnect between oneself and the target of arousal
Amicusromantic/sexual - only experiences romantic attraction to those who they have formed a platonic relationship with (subset of demi)
Angled aroace - the same as oriented, but for those who are demi, grey, flux, etc.
Anthrosexual - someone who is attracted to humans and alterhumans regardless of gender identity/expression
Caedsexual - previously allo, but now ace due to past trauma
Cupiosexual - wanting a sexual relationship but not experiencing sexual attraction
Finsexual/gynesexual - attraction to femininity
Fraysexual - opposite of demi. Attraction dissipates once an emotional connection has been formed
Linsexual - attraction to androgyny
Lithosexual - experiencing sexual attraction but not wanting it to be reciprocated
Loveless Romantic/Lovelessromantic - those who cannot feel love or feel disconnected from love but can feel romantic attraction/don't feel disconnected from the concept of romance
Minsexual/androsexual - attraction to masculinity
Placiosexual - not wanting to be on the receiving end of sexual activities but wishing to perform them on others
Quiosexual - unable to distinguish between sexual attraction and other forms of attraction
Qui(r)oromantic - inability to distinguish between platonic and romantic attraction
Reciprosexual - not experiencing sexual attraction towards someone until you discover they experience sexual attraction towards you
Requiessexual - similar to caedsexual, but rather than trauma, ace identity originates from a state of emotional exhaustion, usually from a past sexual experience
Oriented aroace - an aromantic asexual (aroace) individual who experiences a form of tertiary attraction, that they feel is significant enough to warrant a place alongside their aroace orientation. (i.e. gay aroace, bi aroace)
Examples of mixed orientations
Heteroromantic asexual biplatonic
Poly greyromantic pansexual
Apothi abroplatonic
Placiosexual aromantic finplatonic
Aroace cupioplatonic
Pan lithioromantic
Fraysexual biromantic aplatonic
You can get WAY more specific than what these cover, but just to give a general idea
Amatonormativity
I think chapter 2 of TriMax Volume 6 might just be my favorite thus far. Everything in it hinges on this one iconic scene.
This isn't the first time Wolfwood has pointed a gun at Vash's head. Maybe it won't even be the last. But it holds a bit more weight here because just a few pages ago, we saw a flashback where Wolfwood pointed his gun at someone else's head.
His hand shakes as he aims at Knives. His breath is heavy, and the memory of the Fifth Moon incident is fresh in his mind. He knows if he can just pull the trigger, he can end it here. This being of destruction will be gone, and maybe this time his fancy scientists won't be able to bring him back.
But then Knives does Plant things, and under the weight of it Wolfwood finds he just can't follow through. He fears his own death too much, and Knives will surely kill him.
When he points his gun at Vash, it's different. His hand is steady, his breath calm. The memory of everything that happened at the Dragon's Nest is fresh in his mind; just this morning he warned Meryl that she and Milly should remember that, despite his ideals, Vash is still a loose cannon that they'd do well to avoid. He thinks to himself that if he can just pull the trigger, if he can just take out the less intimidating of the brothers, then one of these monstrous twins and half of the problem will be gone.
This time, there's no crushing sensation of oppression. There's no air of fear and malice. There are no threats or memories of twisted promises. There's only a look, wary and concerned...
...but even by the time this happens, Wolfwood has already lowered his gun. He's decided not to pull the trigger, not because of an immediate threat on his life, but because... well, it's Vash.
Wolfwood surely knows that if he pulls that trigger, he catastrophically fails his mission, and whatever consequences might await him on the far side of such a failure aren't going to be anywhere near pleasant. But it doesn't seem like it's fear of Knives that makes him lower his gun. At the very, very least, Wolfwood knows no one stands a better chance at taking down Knives, but he also knows Vash. He's seen Vash's fake smiles and knows his real ones. He understands Vash's ideals despite very much not wanting to and not knowing how he could possibly accept them for himself. He's fought side by side with Vash, and been standing at his back since day 1.
And before this night is out, only a few minutes after pulling a gun on Vash, Wolfwood's right back there again, moving in tandem with Vash, being a human shield so they can accomplish Vash's goals together.
It's only when the fight comes to a close that Wolfwood realizes that's what he's been doing. He didn't put any thought into falling in step behind Vash, didn't dwell on the fact that Vash trusted and moved with him during the fight. It's only afterwards, when they stop to catch their breath, that he realizes Vash hasn't looked his way through the whole battle. That Vash didn't need to look his way through the whole battle.
Not only did Vash trust Wolfwood at his back, but he knows Wolfwood well enough to move intuitively around him, not hesitating and always understanding what Wolfwood's about to do. And at that moment, Wolfwood realizes two things:
First, that there's no way Vash didn't notice when Wolfwood pointed a gun at him. If Knives could figure it out while half dead and barely knowing Wolfwood, then Vash, who's awake, alert, and has spent plenty of time with Wolfwood, can surely figure it out.
And second, that when he's fighting back to back with Vash, nothing else really matters. All his (quite legitimate) fears about what Vash is and how dangerous he can be, about Knives, about finishing his job, about what he himself has become... they all melt away. He's where he needs to be, where he should be, and that's all there is to it.
Vash ver (+ Meryl)! They are coping.
Older version of Renga is so in loveee 🤧
PLEASE DO NOT REPOST
thanks!
Black Coffee & Donuts ☕ 🍩
~A Trigun fan comic~
(Image description under cut)
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Well fucks? Get to it!
Yikes, hadn't thought about this. We just got a new eftpos machine at work, what if we get a blind client one day?
Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don't need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.
Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment's notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.
Buttons can also be located by touch without activating them, which enables a "locate then press" style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.
When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?
Who is allowed to control the physical world, and who is making that decision?
i’ve thrown around trigun reincarnation concepts around before but fuck. i can’t believe ive overlooked the simplest one: trigun maximum reincarnated as trugun stampede. like can you imagine all the times vash has pushed up his hair in shitty motel bathroom mirrors and for a second seen a man he has never met but always known staring back? how meryl’s desire to help others and be a journalist always seemed to run deeper than she could explain? how when she hears the name Milly, there’s a strange sense if familiarity ghat flashes in her mind? how when he was a kid, wolfwood met livio and already felt like he had known this man his entire life? how wolfwood felt a similar way after seeing the fuckers that ran him over? how the reason vash trusted his eyes and saw him as a good man was cause of distant memories clinging onto his heart? how vash can’t help but feel like nai has been stuck on a loop for lifetimes but still feel the need to try and help him because he can just feel in his bones that it’ll work? how vash’s anger against the world has simmered down even when he began his life on the new planet because his bones were already dry from centuries of sand and dust? how when meryl meets vash, she can’t help but quickly believe in and fight alongside him because she can still hear his laughter in old bars after saving town after town after town while being chased out? how roberto saw the three of his travel companions alongside each other and could probably also sense a bond that went beyond time itself? it’s insane really how well this works.
Trigun by Yasuhiro Nightow.
Oof I felt this
The way most autism literature describes "literal interpretation" is often not at all similar to how I experience it. Teenage me even thought I couldn't be autistic because I've always been able to learn metaphors easily.
In fact, I love wordplay of all kinds. Teenage me was fascinated to learn all the types of figurative language there are in poetry and literature.
But paperwork and questionnaires are hard, because there's so much they don't state clearly. Or they don't leave room for enough nuance.
"List all the jobs you've had, with start and end dates." What if I don't remember the exact day or month? Is the year enough?
"Have you been suffering from blurred vision?" Well, if I take off my glasses the whole world is blurred, but I'm fairly sure that's not what the intake form at the optometrist is asking.
Or the infamous (and infuriatingly stereotypical) "Would you rather go to a library or a party?" What sort of party? Where? Who's there? I work at a library. Am I currently at the library for work or pleasure? Does it have a good collection?
It's not common figures of speech that confound me. It's ambiguity, in situations that aren't supposed to be ambiguous.
Rereading the Lord of the Rings series recently, and it's so fascinating to me how much the series is a denial of the typical juvenile power-fantasy that is associated with the fantasy genre.
Like, the power-fantasy is the temptation the Ring uses against people It tempts Boromir with becoming the "one true king" that could save his people with fantastic power. It tempts Sam with being the savior of Middle Earth and turning the ruin that is Mordor into a great garden. It tempts Gandalf and Galadriel with being the messianic figure of legend who brings salvation to Middle Earth and great glory to herself.
The things the Ring tempts people with are becoming the typical protagonists of fantasy stories that we expect to see. and over and over we see that accepting that role, that fantasy of being the benevolent all-powerful hero, is a bad thing. LotR is about how power, even power wielded with benevolent intent, is corrupting.
And its so fascinating how so much of modern fantasy buys into the very fantasy LotR denies. Most modern fantasy is about being that Heroic power-fantasy. About good amassing power to rival evil. But LotR dares not to. It dares to be honest that there is no world where anyone amasses that power and remains good.
I guess that's one of the reasons its so compelling.