what do you mean the year’s ending? i haven’t fixed my life yet
Seeing people talk about Ken being a metaphor for little boys who grew up to be porn obsessed, objectifying teenagers who then grew up to be misogynistic, angry men in power who you will always miss as the innocent little boys they once were whilst they don’t notice a single thing about their progression hits so much harder when those little boys weren’t just your playground friends but your older or younger brothers who grew in the same house that you did, experienced so much of what you did, lived by your side for years only to still become those men.
And it sucks cause you blame yourself for not noticing, for not having a bigger impact, for missing the times that you could’ve changed something but it’s not ever actually your fault because you were just a little girl too and you were too busy playing with your dolls or texting your friends, just going through your girlhood to ever notice their change.
But even if we did notice, would it have mattered? Because shouldn’t having a sister be enough for them? Shouldn’t that be enough for them to understand? Even in the slightest?
Shouldn’t having a mother be enough?
The government made the words “left” and “right” illegal to use and passed a law to replace them with “lean with it” and “rock with it” respectively.
In the first episode of Moon Night Steven just spends the entire time trying his best (somewhat unsuccessfully) and honestly it’s a whole mood
Oh to live in a weird little town with gloomy weather and strange weird sounds in the woods and hushed whispers about strange sightings and an alarming amount of hauntings and a concerning amount of eye motifs and a library with conveniently placed section for everything that's relevant to the mystery and cloaked figures sneaking around and the occasional uncanny person and weird notes and maps and books and stuff being found around the town and oh to live in a weird little town with a mystery
She owns October
MOON KNIGHT (2022) 1.04 🌙 The Tomb
yep
there's something about Bev that I can't fully articulate because I'm still ~in the throes~ of just having finished Midnight Mass, but the way her character captures the exact passive agressive, racist, holier-than-thou white woman who twists the gospel to fit her own picture of herself as a deserving martyr, while she is in fact leveraging what little power she derives from her subservience to a patriarchal institution is just so