Random Prompts 13:

Random Prompts 13:

"I hate you." "Aw, that's sweet. You can't even lie to my face."

"Why would you ever do this?" "Why? Why not?"

"Are you really that pissed off? It's just a little love bite." "I have stitches."

"Can we circle back to you two killing each other with blades later? We're under attack!"

"What just happened? Doesn't matter, it doesn't change us." "Oh, sure, my tongue in your mouth does nothing for our relationship, got it." "Keep talking and you won't have that tongue."

"If you ever hurt me, you're gonna regret it." "Maybe I should hurt you, just to test your bluff."

"Fuck me." "Agreed, this shit sucks-" "Fuck. Me."

"I shouldn't be worried. Why the hell am I worried?" "Because you like them?" "Like hell I do."

"Did you two..." "Kiss? Depends on what you call a kiss. Personally, being body-slammed into a wall then violently made out with isn't a kiss."

"Get the fuck out, right now!" "What? You invited me!"

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1 year ago
Instagram Credit: __beanandbear__
Instagram Credit: __beanandbear__
Instagram Credit: __beanandbear__
Instagram Credit: __beanandbear__
Instagram Credit: __beanandbear__
Instagram Credit: __beanandbear__

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1 year ago

๐ŸŽ 20 Random Writing/Art Prompts ๐ŸŽ

Handy Man

Small Talk

Just a Bite

Pair Up

Cut Above

Bright Idea

In the Office

Shine a Light

Star Attraction

It's a Crime

All Talk

Meeting Place

You're the Boss

Taking Shape

Be Lucky

Safe Haven

Mail Bag

Keep Fit

Laundry List

Fire Fight


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1 year ago
Mary Blair - Cinderella Concept Art
Mary Blair - Cinderella Concept Art
Mary Blair - Cinderella Concept Art
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Mary Blair - Cinderella Concept Art
Mary Blair - Cinderella Concept Art
Mary Blair - Cinderella Concept Art
Mary Blair - Cinderella Concept Art

Mary Blair - Cinderella Concept Art


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art
1 year ago
Writing Weapons (1): Swords

Writing Weapons (1): Swords

The Thrusting Sword

Type of fight scene: entertaining, duels, non-lethal fights, non-gory deaths, swashbuckling adventure

Mostly used in: Europe, including Renaissance and Regency periods

Typical User: silm, male or female, good aerobic fitness

Main action: thrust, pierce, stab

Main motion: horizontal with the tip forward

Shape: straight, often thin, may be lightweight

Typical Injury: seeping blood, blood stains spreading

Strategy: target gaps in the armous, pierce a vital organ

Disadvantage: cannot slice through bone or armour

Examples: foil, epee, rapier, gladius

The Cleaving Sword

Type of fight scene: gritty, brutal, battles, cutting through armour

Typical user: tall brawny male with broad shulders and bulging biceps

Mostly used in: Medieval Europe

Main action: cleave, hack, chop, cut, split

Main motion: downwards

Shape: broad, straight, heavy, solid, sometime huge, sometimes need to be held in both hands, both sides sharpened

Typical Injury: severed large limbs

Strategy: hack off a leg, them decapitate; or split the skull

Disadvantage: too big to carry concealed, too heavy to carry in daily lifem too slow to draw for spontaneous action

Examples: Medieval greatsword, Scottish claymore, machete, falchion

The Slashing Sword

Type of fight scene: gritty or entertaining, executions, cavalry charge, on board a ship

Mostly used in: Asia, Middle East

Typical user: male (female is plausible), any body shape, Arab, Asian, mounted warrior, cavalryman, sailor, pirate

Main action: slash, cut, slice

Main motion: fluid, continuous, curving, eg.figure-eight

Shape: curved, often slender, extremely sharp on the outer edge

Typical Injury: severed limbs, lots of spurting blood

Strategy: first disable opponent's sword hand (cut it off or slice into tendons inside the elbow)

Disadvantage: unable to cut thorugh hard objects (e.g. metal armor)

Examples: scimitar, sabre, saif, shamshir, cutlass, katana

Blunders to Avoid:

Weapons performing what they shouldn't be able to do (e.g. a foil slashing metal armour)

Protagonists fighting with weapons for which they don't have the strength or build to handle

The hero carrying a huge sword all the time as if it's a wallet

Drawing a big sword form a sheath on the back (a physical impossiblity, unless your hero is a giant...)

Generic sword which can slash, stab, cleave, slash, block, pierce, thrust, whirl through the air, cut a few limbs, etc...as if that's plausible

adapted from <Writer's Craft> by Rayne Hall


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1 year ago
Fleeting Beauty Of April ๐ŸŒฑ
Fleeting Beauty Of April ๐ŸŒฑ
Fleeting Beauty Of April ๐ŸŒฑ
Fleeting Beauty Of April ๐ŸŒฑ

Fleeting beauty of April ๐ŸŒฑ


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art
1 year ago

In writing, epithets ("the taller man"/"the blonde"/etc) are inherently dehumanizing, in that they remove a character's name and identity, and instead focus on this other quality.

Which can be an extremely effective device within narration!

They can work very well for characters whose names the narrator doesn't know yet (especially to differentiate between two or more). How specific the epithet is can signal to the reader how important the character is going to be later on, and whether they should dedicate bandwidth to remembering them for later ("the bearded man" is much less likely to show up again than "the man with the angel tattoo")

They can indicate when characters stop being as an individual and instead embody their Role, like a detective choosing to think of their lover simply as The Thief when arresting them, or a royal character being referred to as The Queen when she's acting on behalf of the state

They can reveal the narrator's biases by repeatedly drawing attention to a particular quality that singles them out in the narrator's mind

But these only work if the epithet used is how the narrator primarily identifies that character. Which is why it's so jarring to see a lot of common epithets in intimate moments-- because it conveys that the main character is primarily thinking of their lover/best friend/etc in terms of their height or age or hair color.


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