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New WIP!!!

The Ghostly Aria

In a forgotten corner of a bustling city lies an ancient opera house, its walls steeped in stories of both grandeur and tragedy. Liang Wenqing, a young and gifted Chinese opera singer, arrives at the opera house with a voice so hauntingly beautiful that it seems to echo through time itself. Yet, as his fame rises, so does the shadow of something otherworldly—an eerie presence that lingers in the forgotten corners of the theater.

When Liang discovers an old, forbidden manuscript of a long-lost opera, he is drawn to its sorrowful melody, a piece rumored to summon the spirits of the past. As he prepares to perform it, he unwittingly awakens the ghost of Yin Zhenhua, a legendary opera singer who disappeared under mysterious circumstances centuries ago after her final, fateful performance.

Bound by an inexplicable connection to Yin, Liang must unravel the secrets of her disappearance before he becomes the next victim of the opera house's dark history. As the spirit's whispers grow louder, Liang finds himself torn between the allure of completing the forbidden aria, which promises to give his voice unimaginable power, and the danger it poses—not only to his future but to his very soul.

The tale weaves together haunting melodies, the weight of tradition, and a mystery as old as the opera house itself. A story of beauty, mystery, and the price of fame, The Ghostly Aria invites readers into a world where every note sung echoes with the voices of those who came before.

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My ♡s: @paeliae-occasionally @willtheweaver @drchenquill @wyked-ao3 @the-inkwell-variable @corinneglass @seastarblue @frostedlemonwriter @oliolioxenfreewrites

More surfer Izuku and lifeguard Katsuki

The expectations vs realities of the meet-cute

The reality is not based around my own surfing experiences whaaaaat

i7 tweets #2

literally 😭💚

tried some hand at some bakudeku!! in which class 1-a is convinced that midoriya and bakugou are exes

READ IT HERE!!!

Momo, swooning: Yuki's charm is like magic!! <3 <3 Mitsuki: oh no we dont say that word around- Nagi, materializing from the ether: DID SOMEONE SAY ✨MAGICAL COCONA✨??

So today I was thinking about a bkdk fic inspired by the vibes of a song, realized it had tragic implications for bkdk, and then cried. Sorry, what was the question? Do I know how to be normal about things?

MHA tweets pt.2- the sock scandal

MHA tweets pt.25

personally, i definitely think that these phrases stand out a lot more to the writer than to the reader, but if you feel like those comparison phrases are adding up too much or getting a bit clunky, I’d recommend experimenting with metaphors rather than trying to look for replacements for “like” or “as”

to a reader, something like “her smile was like the rising sun” is super easy to read and can do a lot of work communicating theme and mood and details about the character (or narrator, depending) but switching it up to something more complex like “her smile was akin to the rising sun” can make a reader pause and go ‘huh that’s a little awkward’ unless that’s the style of language you’ve been writing in the whole time

that said, i think the simplest way to cut down on similes if you have too many (or don’t enjoy how they affect the flow of your sentences) is to use metaphors. they can help cut down that barrier between a character comparing two things (e.g. her smile & the rising sun) and instead appeal directly to a reader’s senses or their understanding of the world, so that the comparison just becomes part of the scene itself

for example, I was reading Sally Rooney’s Normal People during the unit on comparisons for a writing course I took and some that stood out to me were how she described “rain silver as loose change in the glare of traffic” and how that rain “[whispered] on slick roof tiles”

the first quote is a simile while the second is a metaphor, but both of them are making comparisons (the first comparing rain & loose change, leaning on a readers visual reference for shiny coins and implying that the narrator thinks these two things are alike) while the second one compares the sound of rain to the sound of whispering by making it part of the scene description directly. rather than say “it was as if the rain whispered on slick roof tiles” Rooney broke down the barrier that similes sometimes put up by directly appealing to the reader’s senses instead (sound here, instead of sight) and that’s effective bc a reader can very easily understand what it means for rain to whisper without the author having to put in a lot of work looking for a natural way to say “the rain seemed as if it was whispering on slick roof tiles”

and sometimes similes just work better than metaphors. it really depends but, as the author, you get to choose what works for you and what doesn’t

these kind of considerations can be hard to remember when you’re in the middle of writing, too, but the editing phase can be a great place to turn some similes into metaphors (or to decide that you like all your similes and to leave them be!)

i know a lot of my writing involves me writing exactly what I mean, and then scaling it back in the editing phase so that I’m showing what I mean instead of stating it all outright- and in that process a lot of similes end up incorporated in different ways (either by using metaphors instead or by dropping the comparison altogether and leaning more on body language and or theme to draw out the ideas and impressions i want a reader to get) so maybe that strategy could work for you too?

i got a little long-winded here but I hope this helps!

As a newer writer, I'm struggling to use similes in more ways other than by phrases like "like", "seeming as", "as if" or other versions of these three.

What are some of the other, if any, ways to compare something to something else, to avoid a book turning mundane?