True Meaning Of Love! Love Trough The Light, Coming Out Of Beautiful Eyes

I think that if you want relationships depicted in your fiction – whether primary media or fan-work – to be emotionally compelling, there's really no getting around the fact that one of the most compelling relationship dynamics in fiction is "hey, wouldn't it be fucked up if".

How to Write Characters With Romantic Chemistry

Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.

Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.

1. Give the Love a Name

Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.

You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:

Friends to lovers

Enemies to lovers

First love

The love triangle

Stuck together

Forbidden love

Multiple chance love

Fake lovers turned soulmates

There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.

2. Develop Your Characters

You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.

The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them. 

You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:

Being in a throuple

Being in a polyamorous relationship

Being the only one in love (the other person never finds out or doesn’t feel it back, ever)

There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.

3. Give the Conversations Stakes

Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.

What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories. 

4. Remember Body Language

Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.

It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.

If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.

5. Add a Few Flaws

No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.

Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break. 

People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other. 

6. Create Intellectual Moments

When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.

7. Put Them in Public Moments

You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.

Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.

Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?

8. Use Your Senses

And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell. 

Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world. 

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Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.

I do not wish them [women] to have power over men; but over themselves.

Mary Wollstonecraft, A Vindication of the Rights of Woman. Mary would have turned 257 years old this week. (via oupacademic)

How the power of imagination can shape and redefine society

The key is to recognize that our imaginings must be in some way tethered to the world in order for them to be useful to us. When we let our imagination fly completely free, it can be of use to us, but only in the transcendent sense. 

The power of imagination is not to be underestimated. As Albert Einstein accredited a plethora of his pioneering scientific work to his imagination, Martin Luther King’s dream allowed him to convey his idea of a better, more tolerable society. These changes are made possible when the imagination drifts into an alternate space, considering the world as it is currently in its entirety, while dreaming of an improved version of it. 

Image: Hot Air Ballon by Cleverpix. CC0 Public Domain via Pixabay.

Tips for Starting and Stopping Chapters, Plus FAQs

Even if you have the most exciting, engaging ideas for your novel, you might struggle to write it because you have to deal with chapters. These are a few of the most frequently asked questions about chapters and a few tips that might help you overcome manuscript challenges.

How Many Chapters Should a Book Have?

Unfortunately, there’s no straightforward answer to this question. Genres and intended audiences influence manuscript word counts. Younger readers will need shorter chapters to keep their interest and older readers might prefer longer chapters that dive deep into conflict or theme.

Storytelling elements also change the number of chapters per book. A fast-paced novel might have more short chapters to keep up the faster narrative pace. A slower novel might linger in wordier scenes, so there could be fewer chapters with longer page counts per chapter.

You can always look at comparable novels in the same genre to guestimate how many your manuscript could include. If you’re writing a Twilight-inspired novel in the same fantasy genre and Twilight has 26 chapters in a ~110,000 word count range, you could aim for a similar number.

What’s the Purpose of Chapters?

Chapters divide longer stories into segments that help readers process new plot events. They give people breathing room to digest heavier topics or moments by pausing or putting the book down to do other things for a while.

They also give more weight to cliffhanger moments or events made to shock readers. Even if they immediately flip the page to keep reading, the momentary pause lends gravity and meaning to whatever ends the chapter before. 

Tips for First Chapters

Include Some Action

The first line of every chapter doesn’t need to be a dramatic car chase scene, but the chapter in its entirety should include some plot-moving action. It hooks readers and gets your pacing started.

Add Emotional Weight

Action can only intrigue readers so much. What’s the emotional weight compelling your protagonist to take part in, react to, or fight back against your inciting incident? Establish some emotional weight in the first chapter to motivate your protagonist, like showing how much they love their sister before getting betrayed by her in the inciting incident.

Avoid Infodumping

Readers don’t need to know everything about your world-building or protagonist in the first chapter. The infodumping only weighs down your pace. Sprinkle your descriptions and reveals throughout the first act of your book to keep readers coming back to learn more about the world.

Tips for Starting a Chapter

Introduce a Choice

Choices help stories move along at a pace that keeps readers engaged. If your protagonist is stuck in their head for most of a chapter, there’s nothing pushing your story forward. Always include at least one choice when starting a chapter, whether it’s big or small.

Keep Expanding Your Conflict

Every chapter should expand your primary conflict in some way. It might affect newly introduced characters, change your protagonist’s world, or require a sacrifice. As long as your conflict is relevant to your chapter in some way, your story will always remain true to its thematic purpose.

Remember Your Cause-and-Effect

An initial chapter sets up or introduces a conflict that gets your plot moving. If you’re unsure what to do in the following chapter, use it to address the effects of that previous chapter’s conflict. Although the conflict likely won’t get resolved that quickly, you can still write about your characters’ choices post-conflict or how the world changes in a way that affects their futures.

Tips for Ending a Chapter

Experiment With Your Endings

I used to be afraid of ending a chapter without some shocking, groundbreaking plot twist. Althought that’s a great place to put those moments, it’s not plausible to end every chapter with one. Where would your readers feel comfortable pausing for the night? When would they feel the quiet sanctity of peaceful moments where characters build trust between themselves?

Play around with your endings by refusing to be afraid to cut your manuscript into segments. If one doesn’t feel right during your read-through, you can always merge it into the next chapter and cut them differently during editing.

Use It to Shift Your Story

When your story needs to change times of day, locations, or perspectives, that’s usually a good sign that you need a page or chapter break. It’s not always necessary, but these are the types of chapter breaks that give readers breathing room.

Again, you can always re-work your chapters during editing if you find that they aren’t ending in the right places during your first few read-throughs.

Ramp Up Your Tension

Who says chapters always have to end on a cliffhanger? You can also end them when the action or tension is becoming more intense. When two characters are in the car on the way to rob a bank, they argue over whether or not to actually shoot people. One character’s eagerness and the other’s disgust raises the tension. As it escalates into them yelling in the parking lot, the chapter can end when one leaves the car and slams the door.

Ending on a moment of heightened tension is another reason readers turn pages and stay engaged. In the above case, they might not be able to put the book down until they find out if the robbery resulted in murder.

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Starting and stopping chapters can cause plenty of anxiety, but remember—you’re always in control of your manuscript. Play around with these ideas and make any necessary changes in your editing phases. You’ll figure out the best way to organize your story by chapters and develop more confidence in your long-form storytelling abilities.

4 Easy Steps for Outlining a Novel as a Pantser

Every year, we’re lucky to have great sponsors for our nonprofit events. Plottr, a 2021 NaNo sponsor, is a visual outlining software that helps you plan your book for success. Today, author Troy Lambert shares some tips for outlining a novel when you’re used to flying by the seat of your pants:

Pantsing a novel can be great—after all, writing into the dark and discovering the story as you go is kinda fun, right? 

But you probably also know it can lead to nonsensical plots, writer’s block, and endless rewrites.

Well, don’t worry. As a book coach, editor, and mystery author of over 25 novels, I’ve been there myself… and I understand exactly what you’re experiencing.

The good news is you can use this simple four step formula to give yourself the best of both worlds: a general roadmap for your novel that still lets you take fun detours along the way.

Keep reading

How To Write A Healthy Relationship

Writing healthy love is hard! Finding a balance between engaging conflict and fulfilling romance is not an easy task, but it is worthwhile. NaNoWriMo Programs Fellow, Riya Cyriac, offers insight, advice, and examples on how to write healthy relationships.

Throughout my time as a reader and a writer, I’ve encountered an abundance of romances that range from swoon worthy to absolutely disastrous. This is not discounting either end of the spectrum: they have their place. However, there seems to be a noticeable lack of representation for healthy, fulfilling relationships in literature. This is particularly evident in Young Adult literature, where the portrayal of healthy relationships is particularly essential. If you are interested in writing a healthy relationship and filling that void, here are some observations, suggestions, and tips to do that

Obsession and Anger are not Expressions of Healthy Love

As a young adult, I often read books that romanticized obsession and anger. If the love interest punched someone who shows interest in their partner, that is not an indication of passion or love. On the contrary, it should be a glaring red flag. If a character relentlessly pursues their love interest despite resistance, it is not love. It is an obsession, and a clear sign that the character views the other as their property. It’s tempting to use these actions as expressions of passion because it is easy and bold. 

Keep reading

“Cualquier intento de establecer la fortaleza interna del recluso bajo las condiciones de un campo de concentración pasa antes que nada por el acierto de mostrarle una meta futura. Las palabras de Nietzsche: “Quien tiene algo por qué vivir es capaz de soportar cualquier cómo” pudieran ser la motivación que guía todas las acciones con respecto a los prisioneros. Siempre que se presentaba la oportunidad, era preciso inculcarles un porqué de su vivir, a fin de endurecerles para soportar el terrible cómo de su existencia. Desgraciado de aquel que no viera ningún sentido en su vida, ninguna meta, ninguna intencionalidad y, por tanto, ninguna finalidad en vivirla, ése estaba perdido. En realidad no importa que no esperemos nada de la vida, sino si la vida espera algo de nosotros. Tenemos que dejar de hacernos preguntas sobre el significado de la vida y, en vez de ello, pensar en nosotros como seres a quienes la vida les inquiera continua e incesantemente. Vivir significa asumir la responsabilidad de encontrar la respuesta correcta a los problemas que ello plantea.”

— V. E. Frankl, El hombre en busca del sentido. Herder, 1993.

| 5am | nick |