We all know this site is US-user heavy, but I wanna know how many are vs aren't from the land of capitalism.
I saw some parallels and did a thing
Wasn’t sure what to put in the middle spot
okay let's go
1. Intimate stabbing
2. Outright obsession
I feel like I don't really have to prove this one, this is literally the whole show.
3. Confused pining
4. No one knows me like you do
"I've never known myself as well as I know myself when I'm with him"
"You wanted to be seen" "By you"
"He knew where to find me"
Again, literally the whole show.
5. Lifelong promises that always sound suspiciously like wedding vows
Case closed.
where are the posts and gifs celebrating and analyzing Venetia??? The vampire scene??? Her style, her heart-shaped sunglasses and wearing heels to play tennis??? Just, her presence in the film??? The way her mother speaks about her to total strangers??? The way that she calls out Oliver in her last scene??? Her recognizing him for who he is, and that being her undoing??? The tension that she holds within herself, just like Felix, but so much smaller in the eyes of Oliver and the film??? (I also think it's interesting that she and Elspeth have such visceral death scenes but Felix is just a cut away shot... Emerald Fennel your mind...) Please I beg of y'all talk more about Venetia!!! And stop posting so much about that nerd who was in the movie for five minutes.
ur first and last recent emojis are ur gender now. mine is 🅱👨❤💋👨
Feyd Rautha, pointing to Chani: Who's that? Your pet?
Feyd Rautha pulls out his phone and opens the gallery in the same second: Look, I have three too! This picture here is of them eating a human, this one too, and this one.... They're pretty voracious. I love them.
my constant mood: thinking about a freaky ginger with dementia 💜
Rumour has it, although the King of Ithaca had returned to his shores, his throne remained empty for the better part of a year.
fuckkk I just realized the final scenes are a rebirth!! In murdering Elspbeth, Oliver's narrative comes to an end. He no longer has anyone listening to his story and therefore has no reason to continue to orchestrate his lies. His memories of Felix belong to him, the house belongs to him, his actions now belong wholly to him. He no longer has to pretend or twist his motivations for the sake of his narrative. He kills Elspeth and lays on her chest like a baby, wrapping her limp arms around himself like the distorted hug of a mother to a child. The next shot is Oliver naked and dancing freely within the walls of Saltburn. GAH Elspeth's death functioned as Oliver's metaphorical birth into a new life here. Oliver is showing us that he has been liberated from the constraints of his narrative and is now free.