EDSers- Do Lidocaine Patches Work For You? Should The Area That You Have It On Be Numb To Touch? (I Don’t

what the fuck was wrong with people that Labyrinth was originally a flop. How could they take any aspect of it so for granted. How could they fucking do that to Jim Henson. Newspapers were calling it boring and even ugly. I want to go back in time and beat their asses.

When I was a child, I knew that boys grew up and married girls, and vice versa. And this was simply the way the universe worked. 

By the time I was six I knew the basic mechanics of sex, the progression of pregnancy. The former sounded uncomfortable, messy and embarrassing, and I couldn’t figure out why anyone would do it, except that it was apparently necessary for the second. And the second was fascinating and magical, so I supposed that made sense. 

(When I was ten, I was probably in love with my “best” friend, inasmuch as a ten year old can be in love with anyone. I worshipped the ground she walked on; her attention or lack thereof devastated me. In every cute little kid “so in love” story you’ve ever heard of, I was in the role given to the little boy, hearts-in-eyes, blindly devoted, absolutely in love.) 

When I was eleven, I encountered the idea that men could marry men, and women could marry women, and it seemed entirely pointless to me, and also I couldn’t figure out how two women could have sex. How did that even work? Men I could sort of figure out although it seemed even more uncomfortable and messy than men-and-women. It was weird. But I supposed if that was what people wanted, that’s what they wanted. 

(When I was thirteen I fell in love with one of the ladies in my father’s community choir. It was full on courtly love, and I languished silently. I wanted to sit near her and I wanted her to talk to me and I wanted to carry her bag and I wanted to help her do things and I wanted to beat up her good-for-nothing husband who made her sad and insisted they get the cat she loved declawed as the only way to not get rid of it at all, and I wanted to find some way to show her that the expectations that their Mormonism were heaping on her were so unfair and so messed up and so keeping her from realizing how amazing and smart and pretty and funny and clever she was. I would have gone on quests against dragons for that woman.) 

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Connection is not a feeling.

With some of the responses I've been getting on my post about connecting with nature, I realized I needed to write about this.

Folks have got to understand that connection is not a feeling. "I feel such a deep connection with-" nope, that's not connection you're feeling; that's fascination.

Whether it's nature, or a culture, or anything at all, connection isn't transcendent. It's something you build with actual physical effort. It's a relationship.

Let's say there's a stray cat outside, and I want to have a connection with it. So I go inside my house and meditate on the cat, visualizing myself sending out rays of love to the cat. I look at pictures of cats on the Internet. I collect cat memorabilia and pray to cat goddesses. But when I go outside and try to pet the stray cat, it runs away.

This is because I never built a genuine connection, or relationship, with this cat. I'm a parasocial admirer, at best. To the cat, I'm a weird stranger.

But let's say I put cat food outside, and I stay out there while the cat eats, and slowly get closer to the cat as it becomes more comfortable with my presence. Finally, I give the cat light touches, and it gradually learns that I am safe. And we become friends.

Now I have a connection with the cat, because we have a relationship. I feed the cat, the cat eats my food, and we're in each others' social networks.

"But what if I can't build relationships like this?"

It's okay if this is impossible for you right now. You're not going to be a Bad Pagan or a Bad Witch because you can't do something that is literally impossible at the moment.

But, if a connection is something you want to have, at some point? Get studying. You want a connection with nature at some point? Okay, then start studying ecology. Learn about the rain cycle. Learn about environmental damage. Find materials about the plants and animals in your area.

What about a culture? Okay, go learn about its history, go learn what kinds of problems its people are currently facing, and work on perceiving them as real, complex people instead of whatever stereotype you have in your mind right now.

And above all, remember: that's not a mystical connection you're feeling, that's fascination.

Patron Saint Bluebell

Hey, listen. I know the world’s on fire. But listen. I’ll tell you a thing. On the day after the election, when everything was worst and all I could do was go numb or cry hysterically, do you know what gave me the most comfort? It wasn’t the words of Lincoln or Gandhi or Maya Angelou, it wasn’t Psalms or poetry, it wasn’t my grandmother, it wasn’t contemplating the long arc of history. It wasn’t even hugging the dog. It was the Twitter account @ConanSalaryman. This is a joke account. It’s somebody who narrates as if Conan was working in an office. Tweets usually sound like “By Crom!” roared Conan. “You jackals cannot schedule a mere interview without gathering in a pack and cackling?!” or “Conan slammed his sword through his desk. Papers and blood rained through the office. Monday was slain.” I followed it awhile back and have found it funny. (I’m not a huge Robert Howard fan inherently, but whoever is writing these does the schtick well.) But if it had not posted once that day, no one would have noticed at all. Instead, Conan the Salaryman posted something inspirational. And then replied to dozens of people replying to him, for hours, in character, telling them that by Crom! it was only defeat if we did not stand up again, that the greatest act of strength was to keep walking in the face of hopelessness, that the gods have given the smallest of us strength to enact change, that we must all keep going as long as Crom gave us breath, and tyrants frightened Conan not, but we must look to those unable to fend for themselves. (“Though by Crom! We must hammer ourselves into a support network, not an army!”) I have no idea who is behind that account. But it was the most bizarrely comforting thing I saw all day, in a day that had very little comfort in it. There was this weight of story behind it. It helped me. I think it helped a lot of people. If only a tiny bit–well, tiny bits help. I have been thinking a lot lately about Bluebell from Watership Down. There’s absolutely no reason you should remember Bluebell, unless, to take an example completely and totally at random, you read it eleven thousand times until your copy fell apart because you were sort of a weird little proto-furry kid who loved talking animals more than breath and wrote fan fic and there weren’t any other talking animal books and you now have large swaths memorized as a result. Ahem. Bluebell is a minor character. He’s Captain Holly’s friend and jester. When the old warren is destroyed, Captain Holly and Bluebell are the last two standing and they stagger across the fields after the main characters. By the end, Holly is raving, hallucinating, and screaming “O zorn!” meaning “all is destroyed” and about to bring predators down on them. And Bluebell is telling stupid jokes. And they make it the whole way because of Bluebell’s jokes. “Jokes one end, hraka the other,” he says. “I’d roll a joke along the ground and we’d both follow it.” When Holly can’t move, Bluebell tells him jokes that would make Dad jokes look brilliant and Holly is able to move again. When Hazel, the protagonist, tries to shush him, Holly says no, that “we wouldn’t be here without his blue-tit’s chatter.” I tell you, the last few days, thinking of this, I really start to identify with Bluebell. I am not a fighter, not an organizer, certainly not a prophet. Throw something at me and I squawk and cover my head. I write very small stories with wombats and hamsters and a cast of single digits. I am not the sort of comforting soul who sits and listens and offers you tea. (What seems like a thousand years ago, when I had the Great Nervous Breakdown of ‘07, I remember saying something to the effect that I had realized that if I had myself as a friend, I would have been screwed, because I was useless at that kind of thing. And a buddy of mine from my college days, who was often depressed, wrote me to say that no, I wasn’t that kind of person, but when we were together I always made her laugh hysterically and that was worth a lot too. I treasured that comment more than I am entirely comfortable admitting.) But I can roll a joke along the ground until the end of the world if I have to. And increasingly, I think that’s what I’m for in this life. Things are bad and people have died already and I am heartsick and tired and the news is a gibbering horror–but I actually do know why a raven is like a writing desk. So. First Church of Bluebell. Patron Saint. Keep holding the line.

CoVID-19 Trauma Resources

HEY GUYS

Know how I talk about trauma and how it works (and how to mediate it and avoid it) and so on a lot?

The Neurosequential Network is putting together webinars and talks and resources about that here.

Thus far there’s a recording of the live meeting they did yesterday, a link to an episode on The Trauma Therapist Podcast on the issue, and to Peace of Mind Foundation’s facebook discussion, but much more is planned.

That said even these are amazing resources as they are. This can be particularly useful if there are children in your life, but it’s honestly useful period.

(This is the network behind the symposium I was stupidly excited about going to; sadly it’s been postponed until next year, but the network started putting this stuff together immediately.)

no idea if this is true, but it feels true

Something that’s been very interesting to me, in this new wave of post-miniseries Good Omens fandom, is the apparent fannish consensus that Crowley is, in fact, bad at his job.  That he’s actually quite nice.  That he’s been skating by hiding his general goodness from hell by taking credit for human evil and doling out a smattering of tiny benign inconveniences that he calls bad.

I get the urge towards that headcanon, and I do think the Crowley in the miniseries comes off as nicer than the one in the book.  (I think miniseries Crowley and Aziraphale are both a little nicer, a little more toothless, than the versions of themselves in the book.)  But maybe it’s because I was a book fan first, or maybe it’s because I just find him infinitely more interesting this way–I think Crowley, even show!Crowley, has the capacity to be very good at his job of sowing evil.  And I think that matters to the story as a whole.

A demon’s job on Earth, and specifically Crowley’s job on Earth, isn’t to make people suffer.  It’s to make people sin.  And the handful of ‘evil’ things we see Crowley do over the course of the series are effective at that, even if the show itself doesn’t explore them a lot.

Take the cell phone network thing, for instance.  This gets a paragraph in the book that’s largely brushed off in the conversation with Hastur and Ligur, and I think it’s really telling: 

What could he tell them?  That twenty thousand people got bloody furious?  That you could hear the arteries clanging shut all across the city?  And that then they went back and took it out on their secretaries or traffic wardens or whatever, and they took it out on other people?  In all kinds of vindictive little ways which, and here was the good bit, they thought up themselves.  For the rest of the day.  The pass-along effects were incalculable.  Thousands and thousands of souls all got a faint patina of tarnish, and you hardly had to lift a finger.

In essence, without any great expenditure of effort (look, I’d never say Crowley isn’t slothful, but that just makes him efficient), he’s managed to put half of London in a mental and emotional state that Crowley knows will make them more inclined to sin.  He’s given twenty thousand or a hundred thousand or half a million people a Bad Day.  Which, okay, it’s just a bad day–but bad days are exhausting.  Bad days make you snap, make you fail at things, make you feel guiltier and more stressed out in the aftermath when you wake up the next day, makes everything a little worse.  Bad days matter.

Maybe it’s because I’m a believer in the ripple effect of small kindnesses, and that means I have to believe in its opposite.  Maybe it’s just that I, personally, have had enough days that were bad enough that a downed cell network (or an angry coworker because of a downed cell network) would honestly have mattered.  But somebody who deliberately moves through the world doing their best to make everyone’s lives harder, with the aim of encouraging everybody around them to be just a little crueler, just a little angrier, just a little less empathetic–you know what, yes.  I do call that successful evil.

It’s subtle, is the thing.  That’s why Hastur and Ligur don’t get it, don’t approve of it.  Not because Crowley isn’t good at his job, but because we’ve seen from the beginning that Hastur and Ligur are extremely out of touch with humanity and the modern world and just plain aren’t smart enough to get it.  It’s a strategy that relies on understanding how humans work, what our buttons are and how to press them.  It’s also a strategy that’s remarkably advanced in terms of free will.  Hastur and Ligur deliberately tempt and coerce and entrap individuals into sinning, but Crowley never even gets close.  We never see him say to a single person, ‘hey, I’ve got an idea for you, why don’t you go do this bad thing?’  He sets up conditions to encourage humans to actually do the bad things they’re already thinking of themselves.  He creates a situation and opens it up to the results of free choice.  Every single thing a person does after Crowley’s messed with them is their own decision, without any demonic coercion to blame for any of it.

You see it again in the paintball match.  “They wanted real guns, I gave them what they wanted.”  In this case, Crowley didn’t need to irritate anybody into wanting to do evil–the desire to shoot and hurt and maybe even kill their own coworkers was already present in every combatant on that paintball field.  Crowley just so happened to be there at exactly the right time to give them the opportunity to turn that fleeting, kind-of-bad-but-never-acted-upon desire into real, concrete, attempted murder.  Sure, nobody died–where would be the fun in a pile of corpses?  But now forty-odd people who may never have committed a real act of violence in their entire lives, caught in a moment of weakness with real live weapons in their hands, will get to spend the rest of their lives knowing that given the opportunity and the tiniest smidgen of plausible deniability, they are absolutely the sort of people who could and would kill another human being they see every single day over a string of petty annoyances.

Crowley understands the path between bad thought and evil action.  He knows it gets shorter when somebody is upset or irritated, and that it gets shorter when people practice turning one into the other.  He understands that sometimes, removing a couple of practical obstacles is the only nudge a person needs–no demonic pressure or circumvention of free will required.

I love this interpretation, because I love the idea that Crowley, who’s been living on Earth for six thousand years, actually gets people in a way no other demon can.  I love the idea that Crowley, the very first tempter, who was there when free will was invented, understands how it works and how to use it better than maybe anyone else.  And I really love the idea that Crowley our hero, who loves Aziraphale and saves the world, isn’t necessarily a good guy.

There’s a narrative fandom’s been telling that, at its core, is centered around the idea that Crowley is good, and loves and cares and is nice, and always has been.  Heaven and its rigid ideas of Right and Wrong is itself the bad thing.  Crowley is too good for Heaven, and was punished for it, but under all the angst and pain and feelings of hurt and betrayal, he’s the best of all of them after all.

That’s a compelling story.  There’s a reason we keep telling it.  The conflict between kindness and Moral Authority, the idea that maybe the people in charge are the ones who’re wrong and the people they’ve rejected are both victim and hero all at once–yeah.  There’s a lot there to connect with, and I wouldn’t want to take it away from anyone.  But the compelling story I want, for me, is different.

I look at Crowley and I want a story about someone who absolutely has the capacity for cruelty and disseminating evil into the world.  Somebody who’s actually really skilled at it, even if all he does is create opportunities, and humans themselves just keep living down to and even surpassing his expectations.  Somebody who enjoys it, even.  Maybe he was unfairly labeled and tossed out of heaven to begin with, but he’s embraced what he was given.  He’s thrived.  He is, legitimately, a bad person.

And he tries to save the world anyway.

He loves Aziraphale.  He helps save the entire world.  Scared and desperate and determined and devoted, he drives through a wall of fire for the sake of something other than himself.  He likes humans, their cleverness, their complexities, the talent they have for doing the same sort of evil he does himself, the talent they have for doing the exact opposite.  He cares.

It’s not a story about someone who was always secretly good even though they tried to convince the whole world and themself that they weren’t.  It’s a story about someone who, despite being legitimately bad in so many ways, still has the capacity to be good anyway.  It’s not about redemption, or about what Heaven thinks or judges or wants.  It’s about free will.  However terrible you are or were or have the ability to be, you can still choose to do a good thing.  You can still love.  You can still be loved in return.

And I think that matters.

sometimes people try to tell me that scientists are paragons of rationality and I have to break it to them that I have yet to work in a lab that didn’t have at least one weird secret shrine in it

i keep seeing the increasing amount of antisemitism in leftist circles and as a jewish leftist i don't really like it. i don't like when people refuse to listen to jews when they speak about antisemitism.

nobody is immune to bigotry. just because you are a leftist (or claim to be one) it doesn't mean it's impossible for you to show microaggression.

There is one particular scene in Monstrous Regiment that I love that isn't being talked about enough so I figured...maybe I should talk about it.

'Then go!', shouted Polly. 'Desert! We won't stop you, because I'm sick of your...your bullshit! But you make up your mind, right now, understand? Because when we meet the enemy I don't want to think you're there to stab me in the back!'

The words flew out before she could stop them, and there was no power in the world that could snatch them back.

Tonker went pale, and a certain life drained out of her face like water from a funnel. 'What was that you said?'

The words 'You heard me!' lined up to spring from Polly's tongue, but she hesitated. She told herself: it doesn't have to go this way. You don't have to let a pair of socks do the talking.

'Words that were stupid', she said. 'I'm sorry. I didn't mean it.'

It is such an incredibly powerful scene. I've read the book dozens of times and every time I low-key expect there to be a fight even though I know there won't be because that's how it goes, right? But Pterry is showing us, it doesn't have to. Right here, right now it's in your hands. You can choose not to. You can back down when you are wrong or even when you're right. Polly has good reason to be mad at Tonker but so does Tonker for her actions and Polly chooses not to escalate. They're in this together. Fighting amongst themselves accomplishes nothing and backing down doesn't make her weak. On the contrary, it's a strength because anger is easy. Polly isn't wrong to be angry, but there is a time and a place and she has the wisdom to recognise that this isn't it.

You're allowed to be angry! But you don't have to get swept up by it, you can choose a different path. And hell, that just goes right to the most important thing Discworld taught me. Through Vimes and Granny Weatherwax and Tiffany and occasionally even Rincewind.

Being good isn't something you are, it's something you do. It's something you have to choose to be, over and over again, every single day, every single decision. And it's hard. It's not some nebulous quality you either possess or you don't it's something you have to decide to be and work at hard at all your life but it's up to you. You can always choose to do better, to be kinder, to apologise, to say something, to not say anything, to do the right thing even when it's hard or unpleasant or inconvenient for you. Your anger isn't wrong or misplaced and sometimes being angry is the only right reaction to have, but it's a weapon too and you decide where you aim it.

You don't have to let a pair of socks do the talking.