bustlingblankverse

Latest Posts by bustlingblankverse

marie howe, in an interview with krista tippett of on being

[gripping the sink] perfectionism does not help me avoid embarrassment or shame. perfectionism is in itself a form of shame. when i struggle with perfectionism i struggle with shame. when i struggle with perfectionism i struggle with shame. when i struggle with perfectionism i struggle with shame

having grown up doing community theatre and then some professional shows, i genuinely believe from the very bottom of my heart it is crucial that any human with the desire to perform on a stage gets the chance as many times as they like. singing and dancing are innate to humanity yet we've made it inaccessible to all but the select few we deem "good enough" to tolerate. i think people with no pitch and no rhythm and who can't remember their lines should get to be in musicals and plays and choirs and i mean that.

and community performing arts groups & venues shouldn't have to rely on ticket sales to fund their programs. they should be paid for by taxes and freed to focus solely on engaging & enriching the communities in which they exist.

附近30 Nearby30

Translation: Guandi Wu

Proofreading: Amir Hampel

i keep thinking about how rfk said that autistic people "will never write a poem." i keep thinking about that, about if humanity is calculated on the back of old verse. how far we measure personhood is in baseball and stanza breaks.

i keep thinking - i have over 7k poems on here alone. language can be a special interest, after all. did you know the word autism comes almost direct from the greek word autos, meaning "self"? self-ism.

maybe he is right - i haven't really played baseball. i was a ballet dancer instead. and besides - my sister once accidentally hit me in the face with an aluminum bat. i'm not sure if the injury gives me half points. am i only a person in the dugout? hand in a mitt? swinging?

does softball count? does cricket? am i a person if i throw the ball to my dog. am i a person as long as the ball is in the air, or do i stop being a person as it rolls into the bushes. i took my girlfriend to fenway recently; was i a person in the sun, with my hands up, with the game laid out at my feet in a diamond. i felt like a person, but that was back in the summer, and i often feel my most person-like then.

am i more of a person because of the sheer number of things i've written? does quality matter, or is it quantity? i used to write entire books every summer in high school - i wasn't doing well. i felt the least like-a-person back then. but then - does any person feel human in high school?

in the library, ink on my skin, i feel personhood shutter at the edges of myself. actually, writing feels blissfully like not being myself. it feels birdlike; escaping into creation so my body dissolves and i survive only by muscle memory. i am not there, i am writing.

but who can deny the falconlike focus of warsan shire, the tenderness of mary oliver, the sheer skill of amanda gorman. those are poets. they are certainly human. you could line them up with the way their words have influenced us and measure their literary shadows like wings.

perhaps it was very assumptive of me to want to be a poet rather than "a [ label ] poet." i wanted the work to fill itself in, rather than be stained by what i am. i do not write in despite of my neurodivergence, i am just neurodivergent and writing.

does the poem have to be in english or can i send it through my palms into the coat of my dog. does the poem have to make sense. does the poem have to love you back.

if i break a glass, will the poem appear naturally? or is the act of breaking the glass human-enough. the shards of my life glittering out beneath me - do i have to write the poem, or is it self-evident in the pile of glass splinters? i cannot grasp this world the way other people can. regardless, i endeavor to touch - even the mess - very gently.

i broke my toenail against my coffee table recently. i released a bug outdoors. i made coffee. i walked my dog.

i didn't write a poem about any of these things.

something else, then. existing without humanity.

yes & no by natalie wee

You ever hear that old chestnut about how most people neglect the part of the story of Icarus where he also had to avoid flying too low, lest the spray of the sea soak his feathers and cause him to fall and drown? You ever think about how different the world would be if Icarus died that way instead? If the idiom was to Fly To Close To The Sea? A warning against playing it far too safe, about not stretching your wings and soaring properly? You ever think about how Icarus died because he was happy?

The Trans Agenda is to Keep My F*cking Friends Alive — sol rios

published as part of the Citizen Trans* {Project} by New Words Press

i love you until i can't look at you

— natalie díaz, from “american arithmetic”, postcolonial love poem (via letsbelonelytogetherr)

Ough you go to therapy you take your meds you learn to drive you make friends you graduate college you get a dog you rent a cute apartment you learn to love properly and then one person says something and it makes you feel like a kid again, alone on the swing

I vote that your writing continues to be:

self indulgent

cringe

weird

bizarre

long

short

sappy

only for your eyes

obnoxious

You're allowed to have your own voice. You're allowed to write something only you want to read. Seize the freedom you were never given in your 8th grade English class!

via @swatercolor [insta]

a lil poem i wrote while procrastinating my schoolwork

A four page comic about drawing, drawn for the Portland Public Library's newest exhibit, "Why We Make Comics: Reflections on Storytelling".

If you live in Portland ME, you can see this comic, as well as three others drawn by Isabella Rotman, Caroline Hu, and Liz Prince, on display from October 6th to December 31 at the library!

hey there! do you have any poem recommendations? i tend to like poems about queerness and love, survival and hope, without terribly archaic language (but i can figure it out if the language is older/weirder) i like writing poetry and reading some, but school has beaten a lot of the joy out of it for me, and i'm trying to find a new appreciation for poetry. have a nice day!

May I recommend Want by Joan Larkin? It's one of my favorites :))

first day in the time loop it is not a loop yet. i go about my day and its a pretty good day and when i make my evening cup of tea i wish all days were like this

Starlight Longing

not very new hyperfixation rediscovered write a poem abt it

you think you are something less real than you are by Wendy Xu

I think I was just born with something dark and ugly inside of me. Always waiting to be found out.

planetarium - adrienne rich/@twoheadedfawnn/ugly, bitter, and true - suzanne rivecca/a burning hill - mitski/a hora da estrela- clarice lispector/ @100493503004422/sharp objects - gillian flynn

Please don’t take your pets for granted. Even if you’re frustrated that your dog has been barking all day or your bird has been screaming for attention, remember you are all they have in this world. Give your fish that extra water change. Give your dog or cat that tummy rub they’ve been begging for. Chop up some fresh fruit as a treat for your rodents or reptiles. Just spend some time with them. Be compassionate to your animals. They are living creatures that are alive simply because you wish them to be. They may only be a small part in your life, but to them, you are their everything.

If you follow Selmers to the poetry society meeting in Night In The Woods, this is her poem. I loved it and the themes of the game, and wanted to use it as practice to see if i can control the way readers ‘hear’ the words through images.

idk who needs to hear this rn but suffering is not noble. take the tylenol

Best Writing Advice I’ve Ever Received

1. “You can’t edit a blank page.”

This advice hit me like a ton of bricks when I first heard it. It’s so simple, yet so powerful. Writing something—even if it’s not perfect—is better than writing nothing at all. The idea is to get the words out, even if they’re messy, and then fix them later. There’s always room to improve, but the hardest part is starting. So, don’t wait for perfection. Just write.

2. “Show, don’t tell—except when you should tell.”

It’s one of the classic writing rules, and yet, I found this piece of advice to be both a game-changer and a huge relief. So often, we get stuck on the idea that “showing” is the ultimate goal. But sometimes, telling is just as effective. It’s about knowing when to lean into subtlety and when to give the reader exactly what they need upfront.

3. “Write the book you want to read.”

This was one of the most liberating pieces of advice I’ve ever received. So many times, we get caught up in writing what we think people will want to read, or what we think is “marketable.” But when you focus on writing a story you genuinely want to read—one that excites and moves you—everything else falls into place.

4. “Don’t compare your first draft to someone else’s final draft.”

This one is a tough one to swallow, especially in the age of social media where we’re constantly exposed to the polished, perfect versions of other people’s work. It’s easy to feel like you’re falling behind when you compare your rough drafts to someone else’s masterpiece. But every writer starts somewhere, and your first draft is just that—a draft.

5. “Make your characters want something, even if it’s just a glass of water.”

This advice came from a workshop, and it’s one that I’ve come back to time and time again. It’s a reminder that characters need motivation—whether it’s a big goal like saving the world, or something small and personal, like finding a glass of water in the desert. A character without desire is a character that feels flat and uninteresting.

6. “The best way to improve your writing is to read more than you write.”

This advice took me a while to fully understand, but it makes perfect sense. Reading other authors’ work, especially those whose writing you admire, teaches you things that can’t be learned through theory or workshops alone. You’ll pick up on pacing, voice, structure, and what makes a story truly captivating—all while expanding your understanding of storytelling.

7. “Your first draft is just you telling yourself the story.”

This was another gem of wisdom that I didn’t fully grasp at first. It’s easy to fall into the trap of wanting your first draft to be perfect, but it’s not meant to be. The first draft is for you—to explore the plot, the characters, the world. It’s your chance to get everything down and see where it leads, without worrying about perfection.

8. “Write with the door closed, rewrite with the door open.”

This is one of Stephen King’s rules of writing, and it’s a brilliant one. When you’re drafting, don’t worry about anyone else reading your work. It’s your time to be raw and experimental. But when it comes to revising, open that door—let others in for feedback, because the revision process is where the magic happens.