Bustlingblankverse - Bustling Blank Verse

thinking of jesus at the gay bar again………

IN 150 CHARACTERS OR LESS - Nikita Gill

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

you spent hours in libraries and in art supply stores trying to absorb the artist tips from books your parents didn't want to buy you. on each page of every "how to draw" is a version of the same four things: this is how you shade a sphere. this is how you shade a cone.

this is what a man looks like. he is hard and angular and jutting. his chest narrows a triangle down to his sharp hip and long legs. his jawbone is a square. he is powerful, imposing, his hands are big and meaty. he is a leader.

this is what a woman looks like. she is soft and her hands tuck her long hair back behind a delicate ear. she is big-eyed and round (but not too round, she is skinny, here is the faint sketch of her abs showing), she is smaller and lighter and pretty. she has thick black lashes and her tits do not come with a massive ribcage to offset the weight we put on her - she has curves, but they are impossibly slim without giving her backache trouble. there is a large red hourglass outlined on top of her figure, the way there is a triangle outlined on top of the man. her face is a heart-shape, and her lips are pouting.

here is how you draw the woman and the man together. the man should be in action shots. the woman's ass should be in action shots. she should fit against the man to compliment his negative space - she should slot into his shadow so when they hug, they become one uniform space. here is how all the other artists have done it, see how good it looks when the man (angles, fire, passion, action) and the woman (roundness, water, emotion, supplication) complement each other? he begins the sentence, she is his ending.

do you want to kiss another girl? that is round-to-round. that is fitting the wire into the wrong socket! how would the faces look together? a single silhouette you sketch and then hide, scribbling over it.

do you want to look like a girl? by sheer genetic happenstance, you absolutely don't look like that, and you never have. you don't look like a man, either, though, do you. you don't feel like you truly belong to either gender, but there is not a "neutral/fluid" drawing in the book. there is male (triangle) or female (hourglass).

but you have a square jaw and square hands and "masculine" proportions. but you have curves and roundness and full lips and "feminine" features. someone online says, definitively, that any form of gender noncompliance is "a mental illness." this comment has over one thousand likes from people who agree.

here is how you shade a square. none of the clothes at the store look good on you, you always somehow feel like you're wearing a weird kind of costume. here is how you shade a sphere. your friend's mother calls the school because she's horrified you're in the same changing room. here is the neutral body figure: it is a wooden man. technically the wooden man is genderless, but that is because masculinity is the default, and everyone calls the figure "a wooden man." you must be small and posable and skinny and featureless, then you can be masculine enough to not have gender.

here is how to draw a person. begin with some shapes. choose the right shapes to get that person's gender correct. do not kiss her. shade in short, sharp lines.

when she laughs, look away.

yeah no offense to confucius or anything but if i was about to embark on a journey of revenge i would simply not dig two graves

Unconditional love isn't a free pass to hurt me.

I Am Somebody by Glenn Ligon, 1991

#203

It just kept haunting.

Vying for a steely, totalitarian grasp on my thoughts,

Snatching with it’s thick greedy fingers at fragments of tranquility,

Lurking in every shadowed alleyway of my subconscious.

I eventually concluded that I needed to settle this with a confrontation.

The next time it tried to influence my thinking, I asked,

“Why are you here? What do you want?”

It rung it's hands for a moment, silent.

The first time, it replied “To change you.”

I tried to talk into it every attack.

It grew more anxious every time I asked, as if no one took the time to confer with it.

Its answers became more telling

“So you will suffer for what you've done.”

“You need to remember what a miserable creature you are.”

“I will not leave your side. I am what you deserve.”

It is extremely insistent.

But I know it will not retain this power forever.

I will continue to note its arrival.

Someday, I hope that it will be a fleeting, inconsequential specter.

But today isn’t someday I suppose.

We all live with demons.

Sadly, this isn’t the first or last.

from the Lavender and Red Union, a group of communists who wrote this in 1975.

"GAY LIBERATION IS IMPOSSIBLE WITHOUT SOCIALIST REVOLUTION. SOCIALISM IS INCOMPLETE WITHOUT GAY LIBERATION."

i love you, get up, keep going.

posted a month ago on my Patreon and Ko-fi, original text by @inkskinned can be found here 💗

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