There’s a monster in my mind
He comes out from time to time
I'm in the stage of writing where I keep adding lines to skeletons of scenes and filling up the timeline and daydreaming about stuff that could happen, which technically counts as writing so I don't feel guilty for not typing words in a while
It's not for the project I actually want to work on, but that's out of my control, I'm afraid
You see silly weftest, by using a smaller car you’re putting yourself in an unsafe situation. It makes it safer for “people” outside of your car but have you considered: 1) they don’t matter 2) it’s morally reprehensible to care about others. By making it safer for them you are making it unsafe for yourself, an inherently unsafe dynamic. Therefore, the only truly safe thing is to make it deliriously unsafe outside of your car. To keep you safe.
What Do US Vehicle Regulators Have Against Tiny Cars?
Super-small urban vehicles have found a place in European and Asian cities. But in the US, federal and state rulemakers seem determined to keep minicars at bay.
it bears repeating that the cars Americans drive are the product of a very strict regulatory regime, there has not been a free market for road vehicles in our lifetimes.
Those boots are fire
Meanwhile downstairs
kissing her neck and rubbing her ears and pulling coins out of them
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
EDIT: part two here
OP: This is the first time I've seen the Yellow River's sediment discharge with my own eyes.
The liberal urge to redeem every monster, even while they have their hands wrapped around their throat.
There's not going to be an lgbt ally pope you stupid slut
it was a stroke of genius to give James T Kirk a bitchy flip phone in the 60's, truly amazing to watch him slam it shut like a pissed off socialite girl in 2000's teen shows
Obama and his stolen sand
You call us fleshies to other balls of light
meal prep is so gross to me i dont want to eat the same thing wvery day and also i dont want to eat anything at all i want to shed my body and live as a floating ball of light that doesnt need to eat or sleep or pay rent