one of my favorite underrated iasip moments is when frank adds a random stop sign on a street as a “prank” and charlie is like “you created a four way intersection, if anything you made this road safer”
it also made me very sad at one point one of the kids said her dad was being hateful towards drag queens and that he had a very skewed/incorrect view of what a drag queen was and wouldnt listen to her and told her she was “too naive” when she tried to explain
and i replied “if i remember correctly when youre at this age it seems adults will wave off any of your life experiences even if they lack their own because they refuse to see those younger than them as their own people” and EVERY SINGLE KID AT THE TABLE turned and said EXACTLY
and i was like. oh. so i wasnt alone in that. but also. i dont have to BE that. im not doing that. im listening and actually talking to them. i hope that there are older people in their life doing the same.
um. i dont know how to say. please listen to the children in your life. its true sometimes youll know better but, often times they have perspectives we may miss and dismissing them hurts everyone in the end. we have so much we can share and learn together.
Yeah I'd say ghost hunting for seven years even though you don't believe in ghosts so that your pal will give it his all fighting a puppet is equal exchange
Source: Screen Rant
rian johnson has managed to evade all common ethical problems in his screenwriting and i want everyone to know that the knives out mysteries are a perfect representation of how to write about a certain community respectfully AND simultaneously not make a big deal of how good you are at being a diverse writer.
in knives out and glass onion, both main characters are women who have been wronged by the other main character(s)—in marta's case, she experiences xenophobia from the thrombey's constantly; in andi's, she came up with a billion dollar idea which was stolen by a white man. when she took him to court for it, her entire friend group sided with this man; this directly affects helen after andi's death.
andi and marta's stories specifically represent real experiences for women who are minorities in america, but the stories are told without being too ham-fisted or obvious about it. these aren't stories about racism, xenophobia, and misogyny, they're stories involving racism, xenophobia, and misogyny, which i feel is something you don't often see. they're not triyng to prove a point by telling these stories, they're just stories being told—it's a difference that's hard to describe, but you know it when you see it. it's got less of a looking-into-the-camera-for-emphasis vibe.
alongside this, benoit was never a white/male savior to neither helen nor marta (respectively). he helped helen when she came to him about andi and he stood behind marta when he saw the tox report, but he never took over the case and they were never treated like damsels in distress. in the end, helen and marta took control of their own revenge and benoit nudged everyone else to the side while they did it. benoit is not the hero of these stories, helen and marta are.
this is good fucking writing!!!! i need film bros to be positively insufferable about rian johnson NEOW
edit 12/26/22: i've been told that ana de armas is a white latina. genuinely i did not know, she always looked brown to me and i haven't seen her in anything other than knives out, that's truly my bad. i've updated the post now to change the language about marta, other than that everything remains!
Stop and Smell the Flowers: Dick van Duijn Captured a Squirrel’s Floral Delight
it’s giving whatever the dragon and donkey had going on in the motion picture shrek (2021)
ruth ○ she/her ○ 20s ○ peace sign bisexual ○ never really knows what's happening ○ will probably figure it out someday ○ maybe ○ hopefully
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