Me Seeing Doctor Who Trending On Tumblr Only To Realize That A New Episode Has Come Out And That Jack

I would have liked us to dwell a little more on the death of Uta because it was a bit vague and especially fast. I will have at least that we dwell on the reaction of shanks and his crew

Now that ducktales 2017 is over I can't wait to watch Molly Mcgee and the ghost! I tried to draw her in the dress she is wearing when she is singing for her (girl)friend.

Let’s talk about Hong Lu’s siblings:

Canto VII provides us with a really good amount of lore on Hong Lu. And to be fair it’s pretty normal since he’s the next one to have a therapy session after Don, so it’s only natural that things are speeding up on his side, and what an acceleration it is, as we’ve had the chance to meet a new member of his family. While we’ve already encountered Jia Huan and heard a few mentions here and there of other members of his family (his father, grandmother, and so on), we hadn’t been introduced to a single family member since Canto I. And honestly, fair enough, because even though the Jia family seems large, they also seem very distant from city life, as it feels like no one knows them, or at least no one recognizes Hong Lu, even people in important positions within the family.

But the most interesting part of this encounter is that we’ve now had confirmation, apparently, that Jia Baoyu’s cousins have become siblings for Hong Lu (who is supposed to be Jia Baoyu), and another small detail is that Project Moon didn’t let Hong Lu’s little sister and her bodyguard use his name. Indeed, Hong Lu doesn’t hesitate to say Xichun’s name, but she, on the other hand, simply calls him “brother,” “my naive brother,” while Wei calls him “young master.” So it’s still possible that Hong Lu is not his real name.

With that, I think it’s time for me to make a post recapping Jia Baoyu’s cousins and siblings to help those who haven’t read the novel (and those who have, because oh boy, this family is so big, it’s easy to get lost among the different branches).

This post aims to introduce the various cousins of Jia Baoyu by briefly giving some info about them. If you’re interested, I also made a post about Baoyu’s family members, including his grandparents, parents, uncles and aunts (by blood, not marriage), and his brothers and sisters just here.

For this post, I’ve decided to talk about each of Jia Baoyu’s cousins in order of birth (from the oldest to the youngest) to help figure out where they might stand in relation to Hong Lu, if Project Moon has kept the birth order (Xichun seems to confirm it, but Jia Huan seems to contradict that, so we’ll see…).

Even though I’m not sure of the exact birth order I’m using (I am not even sure there is a 100% clear one, I’m 99% sure about their placement in relation to Jia Baoyu, knowing whether they are older or younger than him. This is the most interesting part, as this information will help us figure out who can be considered an older brother/sister to Hong Lu and who can be considered a little brother/little sister.

That’s also why, even though I’m not explaining again Jia Baoyu’ siblings, I’ve still placed them in this birth order ranking to help with orientation, especially in relation to Jia Baoyu.

I realize this post doesn’t help with visualizing the family as a whole, but my posts are more informational and serve to share snippets of the lore from The Dream of the Red Chamber, rather than creating a family tree.

Lastly, it’s worth noting that the Jia family is split into two main branches: Ningguo and Rongguo, two of the most prestigious aristocratic families in the capital. These branches descend from a common ancestor but are managed separately. I will try to indicate which branch each cousin belongs to.

To note:

The Ningguo house is the elder branch of the Jia family, descended from the elder of the two founding brothers. Although it is the elder branch, the Ningguo house is in decline in terms of wealth and influence compared to the Rongguo branch. Jia Zhen and other members of this branch are often involved in immoral behaviors, which further contributes to the decline of this part of the family.

The Rongguo house is the younger branch, founded by the second brother of the Jia family. It is more prosperous and influential than Ningguo, mainly due to the connections made by Jia Yuanchun, the daughter of Jia Zheng, who becomes an imperial concubine. This gives the branch an advantage and elevates its social status.

Jia Baoyu belongs to this branch.

Wang Ren:

Apparently, he is the elder brother of Wang Xifeng.

Son of the elder brother of Wang Ziteng, Lady Wang, Wang Zisheng, and Aunt Xue.

Jia Zhen, Ningguo House:

Head of the Ningguo House, the elder branch of the Jia Family. He inherited the title of marquis when his father (Jia Jing) became a Taoist practitioner.

Son of Jia Jing.

Husband of Lady You.

Father of Jia Rong.

Older brother of Jia Xichun.

Jia Baoyu’s oldest cousin.

He is not very focused on work and extremely greedy.

Leads a life of debauchery, preferring to chase women with his cousin Jia Lian.

He had an affair with his daughter-in-law Qin Keping (wife of Jia Rong, Jia Baoyu’s nephew).

Wang Xifeng, Rongguo House:

Also known as Sister Phoenix.

Daughter of Wang Ziteng, Lady Wang, Wang Zisheng, and Aunt Xue.

Wife of Jia Lian.

(yes, she is also his cousin by marriage because her mother’s sister is the wife of her husband’s father’s brother, I know it’s complicated.)

Mother of Jia Qiaojie.

Sister of Wang Ren.

Proud, scheming, and incredibly capable, she manages the Jia family with rigor.

However, she is also vain, greedy, devious, and cruel.

She always blames others and takes all the credit for herself.

Her life ends due to a serious illness, and her ruined family eventually disperses.

She is the second person that Aunt Zhao (Jia Huan’s mother) tries to kill (besides Jia Baoyu) using black magic.

She is one of the 12 Beauties of Jin Lin.

Jia Lian, Rongguo House:

First son of Jia She (the older brother of Jia Baoyu’s father, Jia Zheng).

Husband of Wang Xifeng (Sister Phoenix).

(Yes, she’s also his cousin by marriage since her mother’s sister is the wife of his father’s brother, I know it’s complicated.)

He also has a concubine (Second Sister You).

Father of Jia Qiaojie.

Half-brother to Jia Yingchun and Jia Cong.

He bought an official title but has some shady activities.

He is a notorious womanizer and has a strong sexual appetite.

His marriage with Wang Xifeng is only for appearance, and he’s more of a dandy.

He manages the finances and hires people with his wife, but they often argue over this power.

He is a frivolous man with flaws, but he still has a conscience.

Jia Zhu, Baoyu’s older brother (deceased):

Already covered in the previous post

Jia Yuanchun, Baoyu’s older sister, Rongguo House:

She is one of the 12 Beauties of Jin Lin.

She is the first of the quartet of "Springs”, The quartet of springs is the name given to 4 of the Jia daughter

Already covered in the previous post

Xue Pan:

Son of Aunt Xue

Husband of Xia Jingui (wife who seems to have caused many troubles for the family)

Older brother of Xue Baochai

His father died when he was very young, and as a result, his mother indulges him excessively.

He is the opposite of his sister but holds a genuine respect for her.

Nicknamed the “Stupid Despot.”

He leads a leisurely life and enjoys beautiful landscapes but also a dissolute lifestyle, including his attraction to men.

Arrogant, he relies on the powerful ones to bully others.

He has committed several murders as a result of fights and resolves his issues with money.

He is a typical thug and was a local bully in Jinling City, where the Xues came from.

Jia Baoyu, Hong Lu is here :D

Jia Yingchun, Rongguo House:

An extramarital child and the only daughter of Jia She (Jia Baoyu’s uncle).

Half-sister of Jia Lian.

She is honest but timid.

Yingchun is kind-hearted but lacks willpower and is described as having a “listless” personality, indifferent to worldly affairs.

Although she is beautiful and cultured, she does not possess the intelligence or quick wit of her cousins.

Her most notable trait is her refusal to intervene in family matters.

She marries an imperial court official, in a desperate attempt by her father to restore the declining fortune of the Jia family.

After her marriage, she becomes a victim of domestic violence and is ultimately killed by her husband, a general.

She is one of the 12 Beauties of Jinling.

She is the second of the quartet of "Springs”, The quartet of springs is the name given to 4 of the Jia daughter

Jia Cong:

Youngest son of Jia She and Lady Xing

Younger brother of Jia Lian and Jia Yingchun

To be honest I don’t have anything else on him and I only put him here because he appeared in the Jia Family’s tree

Shi Xiangyun, Rongguo House:

Granddaughter of Grandmother Jia’s brother (the Dowager’s brother).

Daughter of Shi Ding.

Favorite of Grandma Jia.

Her connection with Baoyu is strong, causing initial jealousy from Lin Daiyu, but they later become close.

She is exceptionally beautiful and is described as a tomboy, androgynous, dressing like a man and enjoying eating meat and drinking.

She was raised by her uncle after the death of her parents.

Orphaned, she remains optimistic, joyful, and full of humor despite a difficult life filled with tedious tasks like embroidery.

She embodies liveliness, naivety, optimism, and naturalness.

Very talented in poetry, she is almost as skilled as Lin Daiyu and Xue Baochai. She is part of the Crab Flower Club.

She will become a widow after her marriage.

One of the memorable scenes in the novel is in Chapter 62 when Xiangyun gets drunk and falls asleep among the flowers in the Prospect Garden, surrounded by butterflies.

She is one of the 12 Beauties of Jinling.

Xue Baochai, Rongguo House:

Daughter of Aunt Xue.

Wife of Jia Baoyu.

(Yes, she is also his cousin by blood since her mother is the sister of Jia Baoyu’s mother.)

Sister of Xue Pan.

She is a calm, distinguished, social woman with a pleasant, tolerant character, in contrast to Lin Daiyu.

She is the only one whose talents could rival Lin Daiyu’s and is described as very skilled in poetry.

She receives praise throughout the Jia household and helps Lady Wang with household management.

At the same time, she is very calculating.

Her wishes are fulfilled when she marries Jia Baoyu (as the perfect wife) and bears him a son, but she will remain alone in the end as her husband becomes a monk and disappears.

Her marriage is seen as a maneuver orchestrated by Wang Xifeng and Grandma Jia.

She is one of the 12 Beauties of Jinling.

Lin Daiyu, Rongguo House:

Daughter of Jia Min (sister of Jia She and Jia Zheng) and Lin Ruhai (a scholar and official from Suzhou).

(She is, in fact, Jia Baoyu’s cousin by blood, as her mother is the sister of Jia Baoyu’s father.)

Known by the nickname “Princess of the Water.”

She is said to be the reincarnation of the Crimson Pearl Flower and has a deep connection to the jade stone (which Jia Baoyu embodies) that helped her when she was a flower.

She has lived with her maternal grandmother (Grandmother Jia) since the death of her father and mother (which is roughly when the story begins).

She is exceptionally beautiful, but her life is marked by chronic illness, which affects her fragile appearance.

She is a haughty, distant, and very sensitive young girl with exceptional intelligence.

More specifically, she is emotional, prone to melancholy and mood swings.

She is particularly vulnerable and often experiences jealousy, insecurity, and loneliness despite her elevated position in the household.

She is highly talented in poetry, and her poems are greatly admired, especially those composed during moments of melancholy, such as when she buries flower petals.

Her love for Jia Baoyu is mutual and is a major storyline in the novel (she is his soulmate, while Baochai represents the ideal social match).

On the day of Baoyu and Baochai’s arranged wedding, she dies after crying all the tears from her body.

While Baochai embodies the virtuous and practical woman, Daiyu represents sensitivity and emotional fragility.

She ranks first among the 12 Beauties of Jinling.

Jia Tanchun, Jia Baoyu’s Half-Sister, Rongguo House:

She is one of the 12 Beauties of Jinling.

She is the third of the quartet of "Springs”, The quartet of springs is the name given to 4 of the Jia daughter

Already covered in the previous post

Jia Huan, Half-Brother:

Already covered in the previous post

Jia Xichun, Ningguo House:

Daughter of Jia Jing.

Sister of Jia Zhen.

When she was little, her mother died, and Lady Wang brought her to the Rongguo Mansion.

She has been a devout Buddhist since childhood.

She is mainly depicted as an adolescent or pre-adolescent in the story.

She is a cold woman who always keeps her distance in human relations.

An excellent painter, she is tasked with painting the Prospect Garden for Granny Liu.

The death of the matriarch, the looting of the Prospect Garden, and the family’s expropriation shake her life and drive her to convert to Taoism.

She is one of the 12 Beauties of Jinling.

She is the fourth of the quartet of "Springs”, The quartet of springs is the name given to 4 of the Jia daughter

Voilà! I hope this post will be useful and if i ever made a mistake do not hesitate to notify me :) and I’ll finish this post by saying that apparently Hong Lu would have 15 siblings (14 if we don’t count the one who is dead at the beginning of the novel)

DuckTales Creates Its Own Disney Afternoon Cinematic Universe In Their Third Season

DuckTales will add to its ever-expanding ensemble with appearances from Gadget, Chip, Dale, and Monterey Jack from Chip ‘n Dale: Rescue Rangers, a grown-up Kit and Molly from TaleSpin, Gosalyn Mallard from Darkwing Duck, and more. All three shows, famous for their prime spots on Disney’s ‘90s animated afternoon programming block, have slowly but surely made their presences known on the modern DuckTales; recent introductions of characters like Drake Mallard and Don Karnage have only primed audiences for more familiar faces from the Disney Afternooniverse.

{Click for better quality}

And a little Dante’s bonus reaction to this mess:

Sweet

Between congratulations to Vivziepop and all her team for the arrival of Hazbin Hotel on TV. Hazbin hotel is a source of inspiration and motivation for me every day.

Can't wait to see more!

Let's talk about why Hong Lu’s left eye (his jade) is getting dimmer and what are the powers and characteristics of Jia Baoyu's jade in Dream of the Red Chamber.

Today, I would like to discuss Dante’s mysterious phrase about Hong Lu, taking the opportunity to explore the jade of Jia Baoyu in more detail, especially its powers and the influence it exerts over Jia Baoyu. Here is the structure of the discussion:

Does the light of Hong Lu symbolize his break from his false reality?

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

Its connection with Jia Baoyu

Brief conclusion

Does the light of Hong Lu symbolize his break from his false reality?

In Canto VII, a phrase from Dante naturally captured the attention of all Hong Lu theorists. Dante observes the following thing about Hong Lu’s eye:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

But what does this mean? To answer that, we must first determine what this light signifies before interpreting its disappearance. For that, we need to consider the dialogue preceding Dante’s remark—the words of Hong Lu himself when he speaks about the sparkling in Don Quixote’s eyes:

"Isn't Don Quixote the most lucid one out of all of us?" "Her eyes, Dante. Always twinkling like two bright stars. They're so fascinating."

To Hong Lu, the glow in the eyes seems to be linked to clarity of mind and awareness. To him, Don Quixote is the most lucid of all because her eyes twinkle like two bright stars. Yet we know this is inaccurate, as Don Quixote is immersed in the illusion she created by erasing her memory at this point. So, it’s reasonable to suspect that Hong Lu's interpretation might be flawed.

This is also consistent with what we know about Hong Lu. Despite his frequent insightful observations and quick understanding of reality, his judgment can sometimes be clouded by his upbringing. After all, one of the first things we learn about him is that his view of the world and his interpretations can be distorted by his sheltered life.

Are we, therefore, dealing with a case where Hong Lu’s upbringing prevents him from perceiving the truth?

Don Quixote’s reality is an illusion, much like Hong Lu’s appears to be. But because he sees his form of reality reflected in Don Quixote’s, he can only conclude that Don Quixote’s twinkling eyes are an expression of clarity when it might actually be the opposite. This could foreshadow Hong Lu’s arc of breaking away from his past, family, and conditioning, realizing that what he associates with reality might be a lie, simply because he didn’t know any better.

After all, Dulcinea connects the term "naive" with Don Quixote’s twinkling eyes, (and "naive" is the adjective used for Hong Lu):

"I almost prefer that naive look from earlier. I still hated your eyes, twinkling or not, but…"

To clarify what “naive” implies, I like relying on The Walking Dead 4’s definition: Naive means you think a certain way because you don’t know the way it really is.

I find this perfectly matches how naivety is understood in the world of Limbus Company, even if we cannot be certain of that. But if we accept that this definition applies to “naive” in Project moon’s world, then being naive implies both innocence—almost childlike—and living in a lie or denial of reality.

Additionally, the emphasis on the sparkles might support the theory of the moonstone, or that Hong Lu is connected to the abnormality Yang, as it involves disregarding reality (to avoid mental breakdown). But we are not here to talk about that.

Thus, if Hong Lu is mistaken, and the twinkling represents disillusionment and denial of reality, then the more Hong Lu's eye sparkles, the more he’s immersed in illusion, a false sense of truth.

So, the first reason Hong Lu’s eye is dimming could be that he’s beginning to realize his reality wasn’t true, symbolizing the start of his awakening. After all, even Vergilius reacted with « … » to Hong Lu’s remark so it could mean that he knows that Hong Lu is in the wrong.

So, if the glow represents the jade influences on Hong Lu’s mental state and perception of reality, then the dimming of his jade’s light might signify that he’s starting to break free from this mental crutch. However this is not what I believe in…

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

What bothers me is that Dante describes the dimming of Hong Lu’s eye light in a rather pessimistic, almost fatalistic way, as though Hong Lu is fading along with his jade's light, loosing himself:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

So, if this dimming light is a symbol of breaking free from an illusion why does Dante describe this so negatively with an emphasis on the idea of loosing Hong Lu? Maybe because, it is indeed a bad omen.

According to what Dulcinea says, Don Quixote's eyes were empty of light before when she was Sancho, this absence of twinkling at the time seems to be linked to the fact that Don Quixote/Sancho does not really believe in life and has already suffered too much from the latter. Dad Quixote then offers her a new life and hopes to bring those stars into her eyes by giving her a new family and then inviting her to participate in her adventures with him.

If we follow this analysis, then the light in Hong Lu’s eye equals his will to live and optimism about the future. So if this light is fading, does that mean Hong Lu is beginning to lose the will to live?

Well, yes, I think so... but in a very specific way.

Hear me out, Hong Lu’s eye is dimming because he’s aware his journey is nearing its end, that 7 of the 12 sinners have already regained their golden boughs, and that he may be the next:

Hong Lu’s day is ending, and it is reflected in his eye. I would even go so far as to say Hong Lu, in some way (without being aware of it), equates his return home with the end of his life (this life of new experiences and in the City, and this life with freedom).

So, this take is much more of a speculation than the last one, but if we stick with the idea that twinkling = will to live (forward) then Hong Lu started his journey in a new world with a bright eye with expectations and a desire to live new experiences, but he knows that one day he will have to return home, he knows that his journey will end one day and therefore it is normal that the closer Hong Lu gets to his golden bough moment the more the light of his eye fades, since this will be the end of his "new experiences".

Which could also echo Hong Lu's suicidal tendencies.

But then, why does Hong Lu’s eye produce sparks during Bloodfiend Hunter, Liu Story, and Yurodivy Story?

And it is now, that I would like to propose something. What if we separated the glow of Hong Lu’s eye and the sparks it produces: What if these two manifestations relate to different things? If Hong Lu’s glow reflects his mental state, then perhaps the sparks represent an effect of his jade’s power.

This leads me to discuss Jia Baoyu’s jade, both to support this analysis and to share information about the stone and its powers for those who might not have time to read the novel.

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

In Chapter 8, Jia Baoyu’s jade is described as follows:

The size of a sparrow egg (about 22.5 mm)

Shining like a bright coppery cloud

Smooth and lustrous like marbled cream.

On the jade’s face is inscribed:

"Precious Gem of Spiritual Perception (also called Precious Jade of Spiritual Understanding). If thou wilt lose me not and never forget me, Eternal life and constant luck will be with thee!"

This means the stone is a talisman of protection and happiness. If Baoyu (or whoever holds it) keeps it close and never forgets it, they will be blessed with a long, prosperous life.

The reverse side reads:

"To exorcize evil spirits and the accessory visitations; to cure predestined sickness; to prognosticate weal and woe."

This inscription highlights the jade’s protective power: it can ward off evil, cure illness, and predict fortune or disaster. It is both a magical and prophetic object.

This ability is confirmed again in chapter 25 when a Taoist priest says:

“In your family, you have readily at hand a precious thing, the like of which is rare to find in the world. It possesses the virtue of alleviating the ailment, so why need you inquire about remedies?”

It is then revealed that it appears that the jade has lost some of its powers due to the dissipated life Baoyu has led; it has been polluted by music, lust, the pursuit of wealth, and other worldly distractions.

The monk then fix the jade and recites a poem reflecting the spiritual journey of the jade, as well as Baoyu's. In it, we are told:

The jade was once bound neither by heaven nor earth, existing in a state of spiritual purity undisturbed by human emotions (joy or sorrow).

However, upon entering the human world, it was exposed to disturbances. The jade is now tarnished by material elements ("the traces of powder and rouge stains"), symbolizing the carnal pleasures and temptations to which Baoyu has succumbed.

Finally, the monk predicts that, although the jade is currently trapped ("caged like a duck"), it will awaken from its "slumber," and once it fulfills its destiny, it will be freed.

[Little paranthesis]

I find the sentence used by the mond really interesting : "House bars both day and night encage thee like a duck" because it is really fitting for (yes Jia Baoyu but also) Hong's Lu's situation, especially with the use of the word "house".

[End of the little paranthesis]

Its connection with Jia Baoyu

The jade and Baoyu are interconnected and can be seen as one and the same, with each influencing the other. For instance, Baoyu's mood and emotions affect the appearance of the jade (its brightness), and the presence of the jade impacts Jia Baoyu's mental state (its absence renders him completely witless/foolish).

At one point in the novel, Jia Baoyu's jade shines particularly brightly when he believes he will marry Lin Daiyu (when he will actually marry Xue Baochai). This strong light seems to be triggered by Jia Baoyu aligning with his spiritual destiny.

All of this to say that even in the novel the glow of Jia Baoyu’s jade can mean several things at the time.

Brief conclusion

Returning to Hong Lu, I wonder if Project Moon has separated the manifestation of the jade's powers from the expression of its alignment with Hong Lu’s mental state: therefore, when there are small sparks, it indicates that his jade’s powers are manifesting, while the varying intensity of light would reflect a part of his mental state.

It would suggest that Hong Lu, as an individual, is gradually disappearing, maybe renouncing to his will, becoming a puppet entirely under his family's control. Indeed, when Jia Baoyu loses his jade and becomes completely foolish, his behavior shows that he is controllable and malleable; he is so witless that he cannot act independently and only repeats what he is told.

However, I can’t complete this analysis without mentioning that Jia Baoyu’s jade also loses its shine due to worldly influences, like music, lust, the pursuit of wealth, and other earthly distractions. So, does the city’s dark and horrific environment tarnish Hong Lu's jade?

Well, the issue is that, although the city is an apocalyptic world grounded in reality, it can’t truly be described as an environment where Hong Lu experiences lust or wealth, the false pleasures of life; which are what tarnish the jade in DOTRC.

On the contrary, he lives more of a life that Jia Baoyu begins to envy at one point in the novel because it is a life free from the obligations and facades imposed on him by his family. Therefore, what he is currently experiencing should not affect the brightness of his eye.

So, after all this blabla, I think that Hong Lu’s eye is gradually getting dimmer as the end of Hong Lu's journey approaches, which signifies the end of his new experiences and his return to a life of wealth but also to a life with his family and to how things used to be.

We could see this light fading away as an hourglass where the sand is slowly falling down but little by little there will be no more remaining sand at the top.

I fear that when this happens, by going back home, Hong Lu will lose all individuality and will, becoming docile and obedient as he seems to have always been at home. And he is accepting this and it is because he is accepting this that his eye is getting dimmer, it is reflecting Hong Lu’s decline.

I think that during Hong Lu’s Canto, one of the biggest challenges will not only be to retrieve the golden bough but also to convince Hong Lu to leave with us. It’s almost certain that when we reach his home, Hong Lu won’t be able to leave with us because, his family won’t allow it, and above all, he won’t want to either because he’ll convince himself that he can't and that his little trip is over.

I’d like to finish by saying that Hong Lu’s Rose Hunter EGO Corrosion could really be linked to this because we can see that Hong Lu in his corrosion has a hangman’s like rope around his neck, formed by his horse’s reins.

Even if I want to analyse Hong Lu’s EGOs in another post I will just say that for me it is the symbol that Hong Lu is dependent of his (determined) fate and the will of the narrative (his family) even if it has to equal to his death (literally or figuratively or mentally we don’t know). I think it also means that even if Hong Lu believe being in control of his actions and decisions, in reality he is just following the lead of « his horse », the one conducting him, deciding where he is going — and so I think following his family’s wishes.

Voilà, thank you for reading!

Where is the captain when his daughter is struggling with her past and all alone with a creepy blue girl who is clearly manipulated her with her fears and her doubts

So many things to say regarding the end of this arc of Bungou Stray Dogs but this is what I want to share the most, because I have been saving this for months

Don't forget, the ride is not over ...

I didn't the anime was going to overtake the manga, I was so surprised but oh boy what a ride to get here, so much pain

With some of my friends we are launching drawing challenges for May and I thought I would post the best ones here.

Today's theme was: Favorite Video Game Character

Pichu (especially the spiky eared pichu) will always remain in my heart, so many memories on Soulsiver.