Shout Out To All The Black Ppl That Can No Longer Participate Directly In The Fandom They Love Because

Local house witch telling you to please learn basic housekeeping skills.

It’s not your fault if no one ever taught you but YouTube is a magical place and can teach you at your own pace.

My pettiest and most tenacious gripe with supernatural is that when Lucifer is not taking a vessel but projecting his own image of himself, he should be played by Jared Padalecki. I know that for whatever mysterious reason they wanted Mark Pellegrino back but I just think this was a huge missed opportunity.

Lucifer considers Sam's body his rightful vessel, as much his own body as it ever was Sam's. In the cage he should have presented himself this way when he wasn't actively possessing Sam, and Sam's hallucinations should have been of his own cruel smirk. It's consistent with Lucifer's characterisation, his objectification of and entitlement to Sam. And it's impact on Sam would be so powerful.

After Lucifer, he avoids mirrors. Looks away from the impala's night-darkened windows lest he catch his reflection. His stomach turns at old photos of himself. He doesn't have many, but he's held onto some of his family. In one with Dean, his arm is slung easily around his brother's shoulder, both of them with beers in hand and matching smiles. It's a rare memory of peace, an image he's treasured for years, and when he looks at it now he feels panic crawling up his throat. He grits his teeth to hold back the snarl of "get away from him". He never looks at his hands any more, when he changes the car's oil or cleans the guns. He touches other people as little as possible. Everything's different. His body makes him an invader in his own life. He was born unclean, a soul tainted from the start, but now he looks into his eyes and sees a monster.

This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better

Eliot: I stay close to protect Hardison and Parker. I suppose I’m third wheeling but if that’s what it takes to keep them safe then so be it

Hardison: Eliot is our boyfriend. We take him on dates all the time

Parker: he hasn’t figured it out yet

Hardison: I suggested we tell him

Parker: but this is more fun

Hardison: yeah it is

he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss

Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.

Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.

Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.

And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.

In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.

Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)

For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.

women stories matter

Leverage (2008–2012) & Leverage: Redemption (2021–) x DOCTOR WHO

Oh my god. The tears in Luke’s eyes when Percy says the betrayal line. The desperate pleading for them to run away. That he doesn’t want to hurt Percy. The tears in Percy’s eyes. The fear and shaking. Percy apologizing for actually hurting him. The look of horror on Luke’s face as Annabeth comes in. How horrified he looks when he looks down at Percy, who he HURT. The realization that Percy won’t join, and the equaled horror of hurting a twelve year old child.

Then he runs.