For a minute, just for a minute, you made it feel like home. Maren and Lee in Bones and All (2022)
I’ve given up hope
if i had a nickel for every time netflix released a show about a diverse group of teenagers who become a found family while dealing with ghostly shenanigans that received critical acclaim and developed a passionate and loyal fanbase in spite of little promotion only to unceremoniously cancel it after one season for nonspecific reasons, i would have
four
goddamn
nickels
I'm so tired, I'm so so tired.
Watching TV shows has become the most tiring thing in this dystopian, late-stage capitalistic hellscape.
It doesn't matter how much we love those shows, how much we talk about them, how much we promote it online. Big streaming services will just cancel them on a Friday night and then let them slowly fall into oblivion. If by SOME MIRACLE the show doesn't get cancelled after the first season, it'll just decline over the years, some crazy writer will cook up a poorly written plot, or they'll just lose interest in the project and then leave the fans in the trenches.
Big corporate streaming services just think that views are gonna materialize out of thin air??? They barely promote their new shows and they DEMAND high views just to let them keep going? It's THEIR JOB to promote shows, but obviously they couldn't care less, they only care about money, and they leave the promoting job to the fans which is batshit insane if you ask me.
Streaming services were supposed to be the solution, the chosen one if you will, but they turned out to be the villains.
Owning a movie or a show is now absolutely impossible because God forbid they release DVDs anymore. Streaming services will just randomly DELETE their cancelled shows and movies from their platforms. Fans are now supposed to be PR teams for Netflix, HBO, Prime and whatever other stupid streaming apps out there because they couldn't be bothered to,,, idk,,, do their job and promote their own shows!? They're literally acting like villains.
It feels dystopic really.
I know I probably sound like a person yelling at a cloud but it's starting to become exhausting.
And I know that there are far worse things out there, that there are more important matters to focus on, but I'm so tired.
They're killing art. There are so many people out there that put all their love and all their passion and skills into creating amazing shows that SO MANY other people love and they feel represented by, but they don't care.
This is literally my last straw.
They're killing art with their greed.
Ok we all talk about the Pevensies’ trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too
They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he’s all grown up. Even Edmund, who went away surly and withdrawn. She doesn’t know her children haven’t seen her in over a decade.
They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.
It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.
(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you’d think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)
Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don’t remember anything. One time in class Susan forgets Earth is round and wants to die.
Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)
Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It’s a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he’s High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)
Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)
Lucy doesn’t have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah
Lucy loves to climb into her siblings’ laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she’s upset, he’ll tickle her and tell bad jokes until she’s smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom’s lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor’s house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she’s back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.
But if Lucy looks out the window, all she’ll see is the rain over London, so it’s not only a cold and grey sort of day, it’s a lonely sort of day too.
Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren’t that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he’s going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it’s simply a matter of course.
“Doesn’t the rain sound familiar?” says Lucy in a solemn, wistful way.
Their mother doesn’t know what that means, but her siblings must, because Susan says, “Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.
(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he’s grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)
the blueprint: Leverage season 5 episode 10, The Rundown Job
the legacy: Lockwood & Co. season 1 episode 8, Not the Eternal
I’m crying 😭😭 he trusts them so fucking much
Watching The Corkscrew Job and just ...
Eliot trusting Parker and Hardison enough to go into a situation where he's about to have no oxygen. He would hear over the comms that they're facing down henchmen who are trying to stop them. He doesn't know how long it'll take for them to get air flow happening again.
But there's an innocent person to protect and he has faith in his partners. Faith enough to willingly risk his life time and time again - not just in this instance, but all the others we see over the course of the show. Because Eliot knows that Parker and Hardison will do whatever it takes to protect him, just as he protects them.
There's just something so profound about not even having enough air to draw breath - but it doesn't matter, because you know your partners are out there, fighting to get that next breath to you. And it might take longer than expected. It might not go smoothly, hell, it might not even work at all. But it doesn't matter because your faith in these people is greater than the instincts screaming for oxygen.
Eliot can't breathe without them. But he's used to that - he's been living this way for years already. So he holds his breath and trusts.
the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
I’ve seen some people complaining about Channing Tatum/his accent in Deadpool & Wolverine, and I just want to set a few things straight.
Channing has been on the docket to play Gambit since 2005, but each and every time, the character was cut from the script, he had a prior contract, or the director kept getting replaced until the project was scrapped 4 years later with the Fox/Disney merger.
He has family in Louisiana and grew up in the bayous (albeit in rural Alabama). This character has meant something to him since CHILDHOOD when it comes to representation in media.
Gambit doesn’t speak SAE (Standard American English). He’s a street urchin from Acadia/New Orleans. He grew up speaking Cajun (a mix of Southern American, Canadian French, and España Spanish grammar applied to a mostly English vocabulary) and Louisiana French (an offshoot of Canadian French from Acadians).
Every person I’ve seen online who ACTUALLY GREW UP around people who speak Cajun, Creole, and/or Louisiana French has said that his accent is SPOT ON, maybe even a little too clear.
All this to say: if you can’t understand Gambit in Deadpool & Wolverine, you’re not supposed to. That’s the bit: unless you’re used to those dialects and accents, you’re shit outta luck trying to parse it out without help. Hell, even Rogue, who grew up in the South, doesn’t know what he’s saying half the time.
If you like Lockwood & co, want to see a second season of Lockwood & co, don’t wait weeks to watch it when it’s the biggest genre for getting the axe sooner than you would expect.
Drop it in your background, run while you’re out of the house and start it up again when you get back and put a notepad over it. Watch it tonight, and don’t dole it out like treats. Netflix needs completion not just hours which is depressing because I sure as hell don’t like binging shows anymore than the rest of the country.
We might look okay the way we’re going but I’ve seen shows cancelled in less than a week of it airing.
Love her!!
A funny thing about the Greta Thunberg and Andrew Tate is the level of effort each put in. Greta probably spent less than a minute thinking up then writing that post whilst Andrew clearly spent hours on his video, getting his big cigars, putting on his silk robe and ordering a pizza all to prove how he, a 36 year old adult, was unfazed and totally not owned by a 19 year old. And it got him arrested.
This’ll go down in internet history, Greta ruined a sex trafficker life with a tweet.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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